34 books like The Black Ice

Dave Robicheaux is one of my favorite characters, perhaps because I can relate to him so easily. James Lee Burke is a master of metaphors and he can offer descriptions of the sky like no other. His storytelling is enjoyable and almost philosophical at times.

In this book Burke's firsthand knowledge of the pristine scenery in Northern Montana shines above his usual inside look at the Louisiana bayou country. Robicheauxs's sidekick, Clete Purcel, is a colorful and easily likable character.

Swan Peak wasn’t as exciting as the other Robicheaux novels I’ve read but it was still a great page-turner and good story.

I've read a few of Lee Child's Jack Reacher novels and I have to say this was probably my favorite. I found Reacher’s humor a little drier in this one, and there was a lot less of Child's sometimes painfully slow narrative.

I liked the characters and the plot moved well, with a couple of cool twists to keep you guessing right until the end. For me, it was a fun read!

If you like a crime drama that builds slowly, teasing you all the way, only giving you enough details to guess who done it, Memory Man by David Baldacci is a story you should read.

The elements of the story were familiar, with cops and killers, but the characters were special, each in their own way. Amos Decker is not a super cop, but he has a super brain - from an injury, that makes him more of a super freak. His condition gives him an almost perfect memory, which is a help and hindrance to him in solving a mass murder case.

It took me a while to get into the story, but once I was hooked, I enjoyed the ride and raced to the end. A great read!

Dan Brown grabs you within the first few pages and holds on to you through the whole book. The pace is frantic and can leave you breathless at times.

There's a great character twist at the end but I was a tiny bit disappointed with the ending. The story went so deep into the symbolic and mythical world, I guess I expected more. Perhaps I just wanted more.

The Harry Bosch series has been long and often predictable.

Bosch has a strong belief that if everybody doesn’t count, nobody counts. He has to hold up his image of justice against an LAPD that plays politics, and a city populace easily swayed by the latest headlines.

What I love about The Last Coyote is that it’s a very personal novel where Bosch examines his relationship with his deceased mother Marjorie Phillips Lowe, a prostitute who was brutally murdered. While on psychiatric leave, Bosch takes on the case of his mother’s unsolved murder.

It’s a wonderfully nuanced exploration of the relationship between a mother and son, a cop and his own psyche, and a city and its most reviled citizens.

In the ninth book featuring Connelly’s iconic character, (now retired) LAPD detective Harry Bosch, the quintessential modern knight errant is working a case that’s haunted him for years – the murder of Angella Benton.

Her death might be linked to a bold and bloody robbery of 2 million dollars from a movie set where she worked as a production assistant, but neither crime was ever solved. Now Harry is intent on finding Angella’s killer.

The story is set against the backdrop of the movie industry and the celebrity-obsessed culture of Hollywood. Unimpressed by the trappings of power, Harry follows his instincts, led only by his guiding principle, “Everybody counts or nobody counts.”

But this time, he’s on his own without a badge or backup, and when his investigation hits very close to home, Harry finds himself facing brutal enemies determined to strike him down. 

My mother was a very troubled young woman. The age difference between us was only 17 years, which meant that by the time I was a teenager, she was still young. Her alcoholism, broken marriages, and difficult relationships with her own family, including my Irish grandmother who effectively raised me and her two husbands, first my biological father and then my step-father, all made for a very challenging emotional landscape for a sensitive only child.

This seminal debut novel in what is now considered one of the finest crime series of all time. It features the series detective Harry Bosch who had a similar, troubled relationship with his own mother. Her death haunts Harry and influences his entire life and career, as the death of my mother does mine.

For me, there’s something extra compelling about a crime novel set in Los Angeles. I can’t remember why I picked up this first book in the Elouise (Lou) Norton series, but I’m glad I did.

In the first few pages, Lou is called out to the scene of an apparent suicide that may have connections to her own sister’s long-ago disappearance, which instantly intrigued me. I loved getting to follow fierce, tough Lou around the city as she investigated her current case, broke in her newbie partner, and also tried to figure out, once and for all, what really happened to her sister.

James Ellroy’s The Black Dahlia needs no introduction to the serious crime fiction fan.

Like Hughes’ novel, we’re in postwar LA, in 1947, following the murder of Elizabeth Short, a young Hollywood hopeful whose disemboweled body is found one morning in a vacant lot.

Ellroy had authored six previous novels by this point, but it’s here, with The Black Dahlia, that many, myself included, find his style truly begins to shine.

It’s a standout of neo-noir literature that stuns with its prose, characters, and plotting. You’ll study it, you’ll re-read it, and you’ll memorize passages from it, so you better get one for the bookshelf.

Between 1960 and the 1990s, the budget, size, and power of LAPD dramatically grew in spite of attempts to use regulatory powers of the government to control the police. “Racial targeting was central to the LAPD’s expansion despite twenty years of liberal leadership of the city. The problem in LA, similar to most urban centers, was a reliance on the police to manage social problems that were “rooted in Los Angeles’ history of segregation, inequality, and poverty.” But such an approach “led to disciplinary practices of surveillance, harassment, and arrest that criminalized and excluded black and Latino/a residents.”

Black Los Angeles citizens were seen by the police as threats to public safety and not deemed worthy of the protection of the law. In its battle against crime, social movements, and drug gangs, the Los Angeles Police Department was able to legitimate their authority to use coercive power to control the… show more.