Here are 100 books that With Nails fans have personally recommended if you like
With Nails.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
Funny stuff happens all the time in my wafty, solo-travelling life. Sometimes that funny stuff will only become apparent after the proverbial dust has settled and I’m no longer in imminent danger or at my wit’s end: the hilarity of a situation reveals itself when I’m telling the story. Travelling alone puts you in a vulnerable position of being open to ‘the moment’ far more so than when you are travelling with someone else. I get a sense of place and people and write about what happens true to my voice which is intrinsically connected to my funny bone—an intention to capture culture through accurate observation and tragi-comic humour.
I readVideo Night in Kathmanduwhen I was travelling in India the first time around. It was an education in East-West relations and opened my eyes to travel being a huge privilege. I also learned to arrive in a new place with, as far as possible, no expectations. Pico Iyer is incredibly insightful and draws attention to the fluidity of culture. He acknowledges his Indian roots and how your own cultural heritage can’t help but colour your experience of a place: something to be mindful of. The video mentioned in the title is Rambo, rammed full of western hegemonic ideals, which, weirdly, was a smash hit everywhere in Asia. Iyer’s observations are absolutely on point, entertaining, highlighting the bizarre which, of course, is very funny, as well as thought-provoking.
When Pico Iyer began his travels, he wanted to know how Rambo conquered Asia. Why did Dire Straits blast out over Hiroshima, Bruce Springsteen over Bali and Madonna over all? If he was eager to learn where East meets West, how pop culture and imperialism penetrated through the world's most ancient civilisations, then the truths he began to uncover were more startling, more subtle, more complex than he ever anticipated. Who was hustling whom? When did this pursuit of illusions and vested interests, with it's curious mix of innocence and calculation, turn from confrontation into the mating dance? Iyer travelled…
I inherited an offbeat sense of humor from my mother, who encouraged me to create stories about outrageous subjects, like cats doing “people things.” I’m grateful to have made a living writing about such things, as well as observations about my own humorous experiences in essays, calendars, and books. I’ve always looked to other funny creatives for inspiration, and the books on my list reflect some of my favorites.
I’m instantly hooked by an essay that’s irreverently funny but has a heart. David lives in his head and overanalyzes his life’s experiences. As an overthinker, I relate. I’ve always found humor in my own or others’ neuroses, and some of my best friendships are those in which we compare obsessions and funny/awkward experiences. I feel like I’m with a friend when I read his essays.
David Sedaris plays in the snow with his sisters. He goes on vacation with his family. He gets a job selling drinks. He attends his brother's wedding. He mops his sister's floor. He gives directions to a lost traveler. He eats a hamburger. He has his blood sugar tested. It all sounds so normal, doesn't it? In his newest collection of essays, David Sedaris lifts the corner of ordinary life, revealing the absurdity teeming below its surface. His world is alive with obscure desires and hidden motives -- a world where forgiveness is automatic and an argument can be the…
Funny stuff happens all the time in my wafty, solo-travelling life. Sometimes that funny stuff will only become apparent after the proverbial dust has settled and I’m no longer in imminent danger or at my wit’s end: the hilarity of a situation reveals itself when I’m telling the story. Travelling alone puts you in a vulnerable position of being open to ‘the moment’ far more so than when you are travelling with someone else. I get a sense of place and people and write about what happens true to my voice which is intrinsically connected to my funny bone—an intention to capture culture through accurate observation and tragi-comic humour.
Michael Palin is possibly the best travel writer ever and it comes down to him being a naturally funny person. He also comes across as a super nice human, someone I would love to chat with in a café or bar and share travel stories.
I could have picked any one of his books, but I have chosen the North Korea Journal because it is a country that I probably won’t ever travel to unless, of course, I land a job there!
Michael Palin approaches each event with non-judgmental openness. It would be easy to slip into ridicule, but the humour comes from personal, very British comparisons. For example, the Kim Jong Un propaganda on a train trip he likens to ‘a mixture of the Brit Awards, Last Night of the Proms and an arms sales conference.’ Brilliant writing.
A glimpse of life inside the world's most secretive country, as told by Britain's best-loved travel writer.
In May 2018, former Monty Python stalwart and intrepid globetrotter Michael Palin spent two weeks in the notoriously secretive Democratic People's Republic of Korea, a cut-off land without internet or phone signal, where the countryside has barely moved beyond a centuries-old peasant economy but where the cities have gleaming skyscrapers and luxurious underground train stations. His resulting documentary for Channel 5 was widely acclaimed.
Now he shares his day-by-day diary of his visit, in which he describes…
Funny stuff happens all the time in my wafty, solo-travelling life. Sometimes that funny stuff will only become apparent after the proverbial dust has settled and I’m no longer in imminent danger or at my wit’s end: the hilarity of a situation reveals itself when I’m telling the story. Travelling alone puts you in a vulnerable position of being open to ‘the moment’ far more so than when you are travelling with someone else. I get a sense of place and people and write about what happens true to my voice which is intrinsically connected to my funny bone—an intention to capture culture through accurate observation and tragi-comic humour.
Greg Lemoine and I share several parallels. We are both teachers on the international circuit, we have both completed a tour of duty in Kuwait and we both see the funny side. But what we share most is an insatiable appetite for travel and an inherent nosiness for learning about culture, discovering new places, and adventure, which sometimes finds its way onto a page.
With Finding the Right Fit you get two books in one: a guide to international teaching containing helpful tips and advice on how to land a job overseas, and a very entertaining memoir of someone who has years of experience in the field. As a solo traveller, Lemoine sees humour and comedy that come about when left to your own devices.
In "Finding the Right Fit: Your Professional Guide for International Educator Recruiting Fairs and Amazing Stories of a Teacher Living Overseas" you will learn the ultimate step-by-step guide to succeeding at an international educator's job fair. In this guide, you will find tips to successfully prepare for interviews, how to present your most qualified self, and you will be engrossed with the narratives of many passionate educators who enjoy their work overseas. International educator recruiting fairs are unique experiences. Take this book with you and share it with other educators.
I’m a historian, with a special interest in the 20th century. I’ve written about Freud’s Vienna, the aftermath of the First World War, strikes in the 1920s and 1930s in America’s cotton South, the plot to assassinate Hitler, and the notorious 1940s gangsters nicknamed “Murder, Inc.”. What intrigues me about the 20th century are the era’s underlying values and the shocking and violent collisions among them. In Casablanca’s Conscience, I use the great film as a lens with which to take another look at the tumultuous times just a generation ago.
Blake’s book explores the way in which a distinctly Catholic sensibility shaped the cinematic imaginations of Alfred Hitchcock, Martin Scorsese, John Ford, Francis Ford Coppola, and Brian De Palma.
Blake’s point is not that these filmmakers were pious or even believers. He does demonstrate, though, that the Catholic cultures in which these filmmakers grew up significantly influenced both the stories they told and the images they created.
Blake, a noted film critic, reveals a Catholic imagination at work in the films of Martin Scorsese, Alfred Hitchcock, Frank Capra, John Ford, Francis Ford Coppola, and Brian De Palma. Their movies are permeated with such Catholic ideas as sacramentality (the sacred is present in the profane things of the world), mediation (God works in our lives through specific people and things), and communion (salvation depends on belonging to a community).
I was old (or young) enough to have only seen two Kubrick films in the cinema: Full Metal Jacket and Eyes Wide Shut. I began teaching film studies and Hollywood in 1998, and I have been teaching and researching Kubrick intensively since 2007, visiting his archive in London on numerous occasions. At one point, I held the record for the researcher who had spent the most hours in the Archive. I also met Christiane and Jan and spoke to many others who knew and worked with Kubrick. Having been familiar with Robert Kolker’s work, it became clear that collaborating with an international authority on film was a necessity as well as a pleasure.
Peter Biskind chronicles the rise of New Hollywood in the 1970s, featuring such "movie brat" directors as Martin Scorsese, Francis Ford Coppola, and Steven Spielberg. But he also refers to such older directors as Stanley Kubrick.
It’s written in a chatty and easy-to-read style and is full of useful tidbits of information about Kubrick and especially his new backers at Warner Brothers.
When the low-budget biker movie Easy Rider shocked Hollywood with its success in 1969, a new Hollywood era was born. This was an age when talented young filmmakers such as Scorsese, Coppola, and Spielberg, along with a new breed of actors, including De Niro, Pacino, and Nicholson, became the powerful figures who would make such modern classics as The Godfather, Chinatown, Taxi Driver, and Jaws. Easy Riders, Raging Bulls follows the wild ride that was Hollywood in the '70s -- an unabashed celebration of sex, drugs, and rock 'n' roll (both onscreen and off) and a climate where innovation and…
My journey of being an author has been a magical ride. I wrote my first book at 47 when nobody gave me credit about becoming a real author and later I left my good job to fulfill this dream and changed my life completely with a bit of thoughtlessness behavior, I must admit now if I look back. But it has been worthwhile. I wrote books on gratitude, forgiveness and love but my most famous book is The Power and Magic of Gratitude that became a bestseller in Italy. Since then I have been known for spreading the powerful message of Gratitude with countless meeting, conferences and events.
This is a star-filled book where each celebrity shares what they are most thankful for. Among others, you can find stories by Alicia Keys, Jeff Bridges, Sheryl Crow, B.B. King, Francis Ford Coppola, Dave Grohl, Stan Lee, Forest Whitaker, Ringo Star, and many many more. I have found this reading very profound as you can see the humble side of these celebrities and how they are thankful for all the gifts they received along the way. Every story is different and some are really intriguing but the common point is they do not forget to be grateful and that is the main message they leave in the heart of readers.
Ricky Gervais says...Pajamas.I've started wearing pajamas out, because they're more comfortable than trousers. (Laughs) I started out with jeans, then went to sweatpants about ten years ago. Now it's just pajamas. I wore them to the White House. I've gone whole hog.
Dolly Parton says...Humble Roots.I think being brought up dirt poor left with me with a feeling of what it was like to go without, so I can relate when people are having a hard time. In my case, being a songwriter, I'm able to write not only for and about myself, but…
I write fiction, mostly historical mysteries, and non-fiction, generally about the English language. Both aspects of my writing reflect an interest in the past and how it continually shapes the present. The roots of English go back thousands of years to Latin, Anglo-Saxon, French, and many other sources. Yet the newest term to the vast storehouse of language may have been added only last week. Recently I’ve been writing about oaths, swear words, and bad language.
Is it possible to write a whole book on a single word and a swear word
at that? The answer is yes and the proof is Jim Dawson’s witty and
comprehensive history of the MF word. The title, a spin on the 17th
century classic The Compleat Angler, shows that Dawson will be
wide-ranging in his references. Crammed with examples and interesting
stories, it also settles the question of whether, when it comes to
uttering expletives, Bruce Willis or Samuel L Jackson is Hollywood’s
most proficient MF.
"I've had it with these motherfucking snakes on this motherfucking plane!" shouted Samuel Jackson in the movie Snakes on a Plane. It was the use of the famous expletive that brought on huge promotional buzz. The best-selling book On Bullshit won its audience from its shockingly unapologetic treatment of its title rather than its fairly pedestrian academic inquiry.
The Compleat Motherfucker is an entertaining and informative investigation into the offensive slang, touching on African American culture and other curious seeds of American subcultural and pop cultural movements.
Author Jim Dawson also wrote the brisk-selling previous study of fartology, Who Cut…
I'm an Australian who fell in love with Africa in my 30s. I've now written 20 thrillers set in Africa and several non-fiction biographies. My wife and I have travelled extensively on the continent and now spend at least half our lives in Africa, and the remainder in Australia. I'm passionate about Africa's people, wildlife, and fragile natural environment. While my books focus on some of the continent's problems – especially the illegal trade in wildlife – I'm a sucker for a happy ending and find no shortage of positive, inspirational people on my travels who serve as the inspiration for the good guys and girls in my stories.
I'm sometimes compared to the late, great, Wilbur Smith, who wrote dozens of books set in Africa. I think that if there is a similarity, then my books are probably most like Wilbur's earlier novels, where he tended to write about contemporary southern Africa (as I do now). My favourites were his stand-alone novels, including The Dark of the Sun about a group of mercenaries who have to rescue a train load of civilians during the fighting in the former Belgian Congo in the 1960s. It was made into a movie back in the day (The Mercenaries), and later provided the inspiration for the Bruce Willis film, Tears of the Sun.
An action-packed thriller by global bestselling author, Wilbur Smith.
'A master storyteller' - Sunday Times
'Wilbur Smith is one of those benchmarks against whom others are compared' - The Times
'No one does adventure quite like Smith' - Daily Mirror
The highest prize comes at the highest price . . .
Captain Bruce Curry has a simple enough mission: to lead his mercenary soldiers to rescue a town cut off by rebel fighting in the Belgian Congo. But events quickly take a turn for the worse as it becomes clear that the town's diamond supplies are the real focus of…
We write mysteries set during the Golden Age of Hollywood that feature costume designer Edith Head, so naturally, we love books about film history. We’ve found that some of the best books to tackle the subject aren’t biographies of individuals or profiles of film studios but case studies of single films. Concentrating on one movie and all of the personnel and creative decisions behind it allows an author to explore every aspect of filmmaking and explain how it really works…even when the film in question doesn’t.
We believe you can learn more from failure than success. Misfires don’t come much bigger than the 1990 adaptation of Tom Wolfe’s blockbuster novel The Bonfire of the Vanities. The movie busted nary a block, which only makes director Brian De Palma’s willingness to open up the process to reporter/critic Salamon more remarkable.
This visits every department—including our favorite, costume design—and underscores that no one knows if a movie will be a smash or a flop while they’re making it, so cast and crew work just as hard on both. We love the story of second-unit director Eric Schwab seizing the opportunity to prove himself.
When Brian De Palma agreed to allow Julie Salamon unlimited access to the film production of Tom Wolfe's best-selling book The Bonfire of the Vanities , both director and journalist must have felt like they were on to something big. How could it lose? But instead Salamon got a front-row seat at the Hollywood disaster of the decade. She shadowed the film from its early stages through the last of the eviscerating reviews, and met everyone from the actors to the technicians to the studio executives. They'd all signed on for a blockbuster, but there was a sense of impending…
