Here are 100 books that The Devil's Candy fans have personally recommended if you like
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My writing takes readers behind the scenes of major moments in pop culture history and examines the lasting impact that our favorite TV shows, music, and movies have on our society and psyches. I investigate why pop culture matters. I have written eight books, including the New York Times bestseller Seinfeldia, When Women Invented Television, Sex and the City and Us, and my latest, So Fetch. I’ve chosen books here that share my mission not only by going behind the scenes of major films but also by chronicling their effects on people’s real lives as well as culture and society at large.
Biskind takes us right inside the boardrooms, movie shoots, and parties, oh, so many parties, that produced one of the biggest change movements in American cinematic history, the auteur wave of the 1970s.
From the shocking success of Easy Rider through the tsunami of modern classics such as The Godfather, Chinatown, and Taxi Driver, as well as crowd-pleasers like Jaws, Biskind tells the story of how the likes of Scorcese and Coppola, DeNiro and Pacino, and other giants of modern film came to be.
Biskind was among the first to prove that Hollywood history could be as engaging and as serious a subject as presidential politics or world wars while remaining outrageously entertaining.
When the low-budget biker movie Easy Rider shocked Hollywood with its success in 1969, a new Hollywood era was born. This was an age when talented young filmmakers such as Scorsese, Coppola, and Spielberg, along with a new breed of actors, including De Niro, Pacino, and Nicholson, became the powerful figures who would make such modern classics as The Godfather, Chinatown, Taxi Driver, and Jaws. Easy Riders, Raging Bulls follows the wild ride that was Hollywood in the '70s -- an unabashed celebration of sex, drugs, and rock 'n' roll (both onscreen and off) and a climate where innovation and…
I have been teaching and writing about post-WWII American film for over thirty years now, with a particular passion for (behind the scenes) Hollywood history. Road Trip to Nowhere follows up on a new sort of movie industry history I introduced in my 2017 book on 1950s Los Angeles, Hard-Boiled Hollywood. Both books focus on actors, writers, producers, and directors who don’t quite make it—aspirants and would-be players kicked to the side of the road, so to speak, and others who for reasons we may or may not understand just walked away from the modern American dream life of stardom and celebrity.
Harris focuses on Oscar night 1968 as four of the five films nominated for Best Picture evinced Hollywood’s reluctant affirmation of the American counterculture. These “pictures at a revolution,” as he terms them—Bonnie and Clyde, The Graduate, Guess Who’s Coming to Dinner, and the Oscar winnerIn the Heat of the Night—signaled a necessary industry re-think, away from bloated old-Hollywood blockbusters (like Dr. Dolittle, the fifth nominee) and towards something more politically savvy and more hip. Harris does well to chronicle the backstage/behind-the-scenes histories of all five of these films.
“Pictures at a Revolution is probably one of the best books I've ever read in my life.” —Quentin Tarantino
The New York Times bestseller that follows the making of five films at a pivotal time in Hollywood history
In the mid-1960s, westerns, war movies, and blockbuster musicals like Mary Poppins swept the box office. The Hollywood studio system was astonishingly lucrative for the few who dominated the business. That is, until the tastes of American moviegoers radically- and unexpectedly-changed. By the Oscar ceremonies of 1968, a cultural revolution had hit Hollywood with the force of a tsunami, and films like…
Not only am I fascinated by old Hollywood history, I’m also interested in the creative processes that produce great art. Everyone approaches their craft a little differently, and it’s always illuminating to discover how different people do what they do. In my own work, I like to explore how creative people come to their Eureka! moments, and hope that I’ll be able to learn something from their experiences.
Sam Wasson is simply a good writer, crafting tight narratives that help this book read like a novel. The best part of this book is its examination of the creative process: in order for Chinatown to get made the way it did, a million (maybe two million) things needed to align in just the right way. The movie easily could have failed, but Wasson shows how the contributions of its many collaborators saved it.
Chinatown is the Holy Grail of 1970s cinema. Its ending is the most notorious in American film and its closing line of dialogue the most haunting. Here for the first time is the incredible true story of its making. In Sam Wasson's telling, it becomes the defining story of its most colorful characters. Here is Jack Nicholson at the height of his powers, embarking on his great, doomed love affair with Anjelica Huston. Here is director Roman Polanski, both predator and prey, haunted by the savage murder of his wife, returning to…
Chris Nashawaty is a writer, editor and former Entertainment Weekly movie critic whose work regularly appears in Esquire, Vanity Fair, and Sports Illustrated. He is also the author of Caddyshack: The Making of a Hollywood Cinderella Story and Crab Monsters, Teenage Cavemen, and Candystripe Nurses--Roger Corman: King of the B-Movie. He is currently working on a book about eight sci-fi movies from the summer of 1982 that changed Hollywood. He lives in Westport, Connecticut.
I’ve been a fan of Josh Karp’s for years. So much so, that at this point I just blindly trust his taste. If he thinks something is worth writing about, I tend to end up agreeing. In Orson Welles’ Last Movie, he puts on his private-eye hat and starts digging into the legendary Citizen Kane director’s unfinished final film, The Other Side of the Wind (it was completed after Karp’s book was published and aired on Netflix). Yes, the story is about an auteur’s quest to realize his vision against crushing odds, but it’s also about something much larger—a promising young genius who tragically flamed out too soon and battled with every last breath and cent to do what he was born to do. Parts of it almost read like a Shakespearian tragedy.
Come Along...with Orson Welles as he returns to Hollywood in Summer 1970, to make an innovative comeback movie, The Other Side of the Wind, about a legendary director who wants to make an innovative comeback movie. Watch...Welles attempt to create a Citizen Kane-like masterpiece that will restore his career. See...Welles at his most Wellesian: clever, crazed; masterful, maniacal; kind, cruel; enlightened, enraged; in command and out of control. Costarring John Huston...the hard-drinking, cigar-smoking adventurer and filmmaker who portrays Jake Hannaford, the hard-drinking, cigar-smoking adventurer and filmmaker at the center of the film. Running Time: A two-hour movie...about a single day...that…
Having been a Hollywood writer for thirty years, and now written a novel that although satirical still accurately describes the creation of a TV series, I’ve long been amazed at how many Hollywood stories – including films made in Hollywood – offer fantasies that have even less to do with the reality of love and work in film and television than Game of Thrones does with the real Middle Ages. I’ve written fantasy myself, but for people fascinated by Hollywood, or who want to work in film and TV, there’s a reason too to read books that capture the reality, especially when like the books listed here, they do so astonishingly well.
In my book club I’m known as Second Carl, since Carl Gottlieb has been a member far longer than I. In fact, I was still a lawyer in Washington, D.C. secretly dreaming about Hollywood but never suspecting I’d someday myself work on a Spielberg TV series, when I read this short, fast, now revered account of the filming of Spielberg’s breakout film. It proved to be a deeply accurate and comprehensive description – and warning – about what life and work on location and in Hollywood itself would be like. It’s also so engagingly readable and relevant, a Broadway musical based on the book is in tryouts as I write these words.
Winner of 3 Oscars [registered] and the highest grossing film of its time, "Jaws" was a phenomenon, and this is the only book on how 26-year-old Steven Spielberg transformed Peter Benchley's best-selling novel into the classic film it became. Hired by Spielberg as a screenwriter to work with him on the set while the movie was being made, Carl Gottlieb, and actor and writer, was there throughout the production that starred Roy Scheider, Robert Shaw, and Richard Dreyfuss. After filming was over, with Spielberg's cooperation, Gottlieb chronicled the extraordinary year-long adventure in "The Jaws Log", which was first published in…
Tom Santopietro is the author of eight books, including the New York Times Editor’s ChoiceConsidering Doris Day, The Importance of Being Barbra, Sinatra in Hollywood, Why To Kill a Mockingbird Matters, and The Godfather Effect. A frequent media commentator and interviewer, he lectures on classic films and over the past thirty years has managed more than two dozen Broadway shows.
Film historian and professor Jeanine Basinger covers the entire history of the movie musical with scholarship, laugh-out loud asides, and a love of film that shines through on every page. No one knows more about film than Basinger but she wears her knowledge lightly, inviting the reader to join in the fun.
Irresistible and authoritative, The Movie Musical! is an in-depth look at the singing, dancing, happy-making world of Hollywood musicals, beautifully illustrated in color and black-and-white--an essential text for anyone who's ever laughed, cried, or sung along at the movies.
Leading film historian Jeanine Basinger reveals, with her trademark wit and zest, the whole story of the Hollywood musical--in the most telling, most incisive, most detailed, most gorgeously illustrated book of her long and remarkable career. From Fred Astaire, whom she adores, to La La Land, which she deplores, Basinger examines a dazzling array of stars, strategies, talents, and innovations in…
Tom Santopietro is the author of eight books, including the New York Times Editor’s ChoiceConsidering Doris Day, The Importance of Being Barbra, Sinatra in Hollywood, Why To Kill a Mockingbird Matters, and The Godfather Effect. A frequent media commentator and interviewer, he lectures on classic films and over the past thirty years has managed more than two dozen Broadway shows.
McClintick makes the Hollywood boardroom scandal that began with David Begelman’s forgery of Cliff Robertson’s name on a $10,000 check, into a compulsively readable account of power run amok amongst Hollywood-Wall Street executives. An expose of theft, cover-up, and blackmail, it is also a beautifully written, incisive portrait of men and women seduced by the glamor and power of Hollywood fame.
When the head of Columbia Pictures, David Begelman, got caught forging Cliff Robertson's name on a $10,000 check, it seemed, at first, like a simple case of embezzlement. It wasn't. The incident was the tip of the iceberg, the first hint of a scandal that shook Hollywood and rattled Wall Street. Soon powerful studio executives were engulfed in controversy; careers derailed; reputations died; and a ruthless, take-no-prisoners corporate power struggle for the world-famous Hollywood dream factory began.
First published in 1982, this now classic story of greed and lies in Tinseltown appears here with a stunning final chapter on Begelman's…
Tom Santopietro is the author of eight books, including the New York Times Editor’s ChoiceConsidering Doris Day, The Importance of Being Barbra, Sinatra in Hollywood, Why To Kill a Mockingbird Matters, and The Godfather Effect. A frequent media commentator and interviewer, he lectures on classic films and over the past thirty years has managed more than two dozen Broadway shows.
Film Historian Eyman eschews the tired caricature of Mayer as a cigar-chomping Hollywood mogul, instead delving into his immigrant roots and love of America, all of it informing Mayer’s tyrannical approach to running MGM, an approach that, unlike today’s dealmakers, was always leavened by a genuine love of movies. In the process, Eyman delivers a sweeping history of Hollywood’s outsized impact upon 20th century American life, filtered through the life story of a studio head who greenlit Ninotchka, The Wizard of Oz, Meet Me in St. Louis, and An American in Paris.
'Lion of Hollywood' is the definitive biography of Louis B Mayer, the chief of Metro-Goldwyn-Mayer - MGM - the biggest and most successful film studio of Hollywood's Golden Age.
An immigrant from tsarist Russia, Mayer began in the film business as an exhibitor but soon migrated to where the action and the power were, Hollywood. Through sheer force of energy and foresight, he turned his own modest studio into MGM, where he became the most powerful man in Hollywood, bending the film business to his will. He made legendary films, including the fabulous MGM musicals, and he made iconic stars:…
Tom Santopietro is the author of eight books, including the New York Times Editor’s ChoiceConsidering Doris Day, The Importance of Being Barbra, Sinatra in Hollywood, Why To Kill a Mockingbird Matters, and The Godfather Effect. A frequent media commentator and interviewer, he lectures on classic films and over the past thirty years has managed more than two dozen Broadway shows.
When a Hollywood legend’s child writes a biography of his or her parent, the result usually ends up as either a hatchet job (Mommie Dearest) or candy-coated alternative history. But here, Marlene Dietrich’s daughter Maria Riva delivers a loving but warts and all portrait of her complicated, fascinating mother. Dietrich’s career combined sex, allure, and world-weary refinement to revolutionize our very concept of femininity, in the process fascinating audiences around the world. The only biography of Dietrich to draw upon the star’s own letters and diaries, Riva delivers the ultimate insider’s portrait of both the warmth and suffocating shadow cast by a legend upon her own child.
Wildly entertaining, Maria Riva reveals the rich life of her mother in vivid detail, evoking Dietrich the woman, her legendary career, and her world. Opening with Dietrich's childhood in Berlin, we meet an energetic, disciplined, and ambitious young actress, whose own mother equated the stage with a world of vagabonds and thieves.
Dietrich would quickly rise to stardom on the Berlin stage in the 1920s with her sharp wit and bisexuality-wearing the top hat and tails that revolutionized our concept of beauty and femininity. She would play vulgarity but not become in; startle the world but still maintain the aloofness…
I'm a student of animation and Disney history. As a Disney historian, I find much joy in writing the stories that intrigue and peak my curiosity. Stories that haven't been told or explored in-depth are exciting to bring to life because readers are hungry for new information on the Disney universe. And so am I. In choosing my writing projects it's important that no one else has written more than a cursory amount or nothing at all on the subject matter. I equally like to read books that shed new light on topics that I’m interested in and doing so in an authoritative voice. I hope you will enjoy the selection of books listed here.
This insightful book gives a glimpse into CEO Michael Eisner’s reign at The Walt Disney Company. As one reviewer put it, “Stewart assembles a withering portrait of Eisner as a grasping, self-centered, manipulative, and ultimately self-destructive executive.” Having worked at Disney during this time period, Disney War is the closest account next to actually being there during those turbulent years. A must-read for students of Disney.
The Pulitzer Prize-winning author of Den of Thieves draws on extensive research and hundreds of interviews to document the fierce executive battle for control of the foremost entertainment company, in an account that discusses how Michael Eisner lost his chairmanship and how the conflict reflects modern-day American capitalism and popular culture. 250,000 first printing.
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