I’ve spent most of my 20-year career as a professional journalist covering the entertainment industry, and I find it endlessly fascinating. As is probably true for you if you’re reading this, I love movies and TV shows. As a curious person, I always want to know why. Why did this movie get made at this time with these people? If you want to know the answer, you’ve got to understand the business. Hollywood is such an interesting business, full of big personalities trying to manage corporate pressure and creative egos and to balance their need to make a profit with their desire to make great art.
I wrote
The Big Picture: The Fight for the Future of Movies
This book is the absolute classic of the genre. Biskind goes deep inside the studios, production companies, meetings, and parties where the ‘70s cinema happened. Coppola, Scorsese, Spielberg, De Palma, Lucas, Altman, Bogdanovich, and so many more are all there.
What makes this book great is it’s more than sexy behind-the-scenes gossip. Biskind chronicles arguably the most important decade in Hollywood history, when film transformed from cheap, broadly appealing entertainment to auteur-driven cinema.
When the low-budget biker movie Easy Rider shocked Hollywood with its success in 1969, a new Hollywood era was born. This was an age when talented young filmmakers such as Scorsese, Coppola, and Spielberg, along with a new breed of actors, including De Niro, Pacino, and Nicholson, became the powerful figures who would make such modern classics as The Godfather, Chinatown, Taxi Driver, and Jaws. Easy Riders, Raging Bulls follows the wild ride that was Hollywood in the '70s -- an unabashed celebration of sex, drugs, and rock 'n' roll (both onscreen and off) and a climate where innovation and…
Bach was an executive at United Artists when the struggling studio decided to bet it all—and then some—on a film called Heaven’s Gate. It ended up being one of the most infamous debacles in Hollywood history: a critical and commercial dud that took so long to make and lost so much money that it literally destroyed a studio.
How does a bomb this bad happen? Bach shows in detail how the best of intentions can lead to failure in a story that doesn’t just demonstrate what went wrong with Heaven’s Gate but how hard it is to make a good movie when business and art intertwine.
Heaven's Gate is probably the most discussed, least seen film in modern movie history. Its notoriety is so great that its title has become a generic term for disaster, for ego run rampant, for epic mismanagement, for wanton extravagance. It was also the film that brought down one of Hollywood’s major studios—United Artists, the company founded in 1919 by Douglas Fairbanks, Mary Pickford, D. W. Griffith, and Charlie Chaplin. Steven Bach was senior vice president and head of worldwide production for United Artists at the time of the filming of Heaven's Gate, and apart from the director and producer, the…
The perfect companion to Final Cut from a radically different perspective. Salamon is a journalist who was given extraordinary access by director Brian De Palma during the making of The Bonfire of the Vanities, which, like Heaven’s Gate, turned out to be an infamous flop.
Salamon was on set constantly and shows just how difficult it was for De Palma to manage a massive production and try to keep his vision intact; the difficulty of managing stars like Tom Hanks, Bruce Willis, and Melanie Griffith; and the pressure studios put on filmmakers as budgets escalate and the desperation to release a hit skyrockets.
When Brian De Palma agreed to allow Julie Salamon unlimited access to the film production of Tom Wolfe's best-selling book The Bonfire of the Vanities , both director and journalist must have felt like they were on to something big. How could it lose? But instead Salamon got a front-row seat at the Hollywood disaster of the decade. She shadowed the film from its early stages through the last of the eviscerating reviews, and met everyone from the actors to the technicians to the studio executives. They'd all signed on for a blockbuster, but there was a sense of impending…
It’s easy to get fleeced in Hollywood, where the intricacies of filmmaking are tough to understand, and the allure of red carpets is so powerful.
No investors have been fleeced more dramatically than Sony, which bought Columbia Pictures in 1989 and hired producers Jon Peters and Peter Guber to run it. Peters and Guber ran the studio like a middle school with money and drugs, enriching themselves and losing Sony billions in the process.
Griffin and Masters tell a story that’s as juicy as a soap opera and as serious as any business disaster in American history.
The ultimate insider business story at the ultimate Hollywood company. Stewart takes readers unbelievably deep inside Disney at a critical moment when Michael Eisner’s 20-year run as CEO was coming to a dramatic end amidst, as the title implies, a corporate civil war.
While most people know Disney as the happiest place on Earth, the last few years of Eisner’s reign saw big-name moguls like Jeffrey Katzenberg, Michael Ovitz, Eisner, and Walt Disney’s nephew Roy Disney at each other’s throats.
Disneywar is a gripping and illuminating tale that shows how the sausage really gets made in Hollywood and how easily power in this town can disappear.
The Pulitzer Prize-winning author of Den of Thieves draws on extensive research and hundreds of interviews to document the fierce executive battle for control of the foremost entertainment company, in an account that discusses how Michael Eisner lost his chairmanship and how the conflict reflects modern-day American capitalism and popular culture. 250,000 first printing.
If you’ve ever wondered why every movie seems to be about superheroes, monsters, or toys and original films for adults have virtually disappeared, this is the book for you.
Drawing on the fruits of the Sony Pictures hack and interviews with key players at Marvel, Netflix, Disney, Amazon, and more, my book takes readers deep inside 21st-century Hollywood to show how and why franchises have totally taken over the business and what the streaming revolution means for what comes next.
