100 books like Orson Welles's Last Movie

Harris focuses on Oscar night 1968 as four of the five films nominated for Best Picture evinced Hollywood’s reluctant affirmation of the American counterculture. These “pictures at a revolution,” as he terms them—Bonnie and Clyde, The Graduate, Guess Who’s Coming to Dinner, and the Oscar winner In the Heat of the Night—signaled a necessary industry re-think, away from bloated old-Hollywood blockbusters (like Dr. Dolittle, the fifth nominee) and towards something more politically savvy and more hip. Harris does well to chronicle the backstage/behind-the-scenes histories of all five of these films.

We believe you can learn more from failure than success. Misfires don’t come much bigger than the 1990 adaptation of Tom Wolfe’s blockbuster novel The Bonfire of the Vanities. The movie busted nary a block, which only makes director Brian De Palma’s willingness to open up the process to reporter/critic Salamon more remarkable.

This visits every department—including our favorite, costume design—and underscores that no one knows if a movie will be a smash or a flop while they’re making it, so cast and crew work just as hard on both. We love the story of second-unit director Eric Schwab seizing the opportunity to prove himself.

We’re film noir fanatics, so naturally, we’d be interested in an exhaustive history of the greatest modern example of the form. But Wasson sets his sights even higher. As the subtitle indicates, he also documents the end of multiple eras in the movie business.

Chinatown (1974) marked the close of the “New Hollywood” period when artists called the shots, as well as serving as a lush final example of big studio filmmaking, with all of Paramount’s resources in service of what’s universally acknowledged as one of the finest screenplays ever written. Wasson makes the action behind the scenes as compelling as the mystery on the screen.

In my book club I’m known as Second Carl, since Carl Gottlieb has been a member far longer than I. In fact, I was still a lawyer in Washington, D.C. secretly dreaming about Hollywood but never suspecting I’d someday myself work on a Spielberg TV series, when I read this short, fast, now revered account of the filming of Spielberg’s breakout film. It proved to be a deeply accurate and comprehensive description – and warning – about what life and work on location and in Hollywood itself would be like. It’s also so engagingly readable and relevant, a Broadway musical based on the book is in tryouts as I write these words.

This book was published in 2018 and yet it already feels like a true classic.

It is the beautiful, poignant, and often poetic story of a rural community as one world war ends but the threat of an unsettled nation still lies heavily in the air.

Told through the eyes of a child on the brink of adulthood, there are moments of such naïve tenderness it pulled hard at my maternal senses. 

The early part of the twentieth century saw so much change in the lives of small communities and I found this investigation of how the shifting world affected the way farmers lived and worked deeply fascinating. This resonated with me and the research I’ve done into the current issues of change farmers are facing now. 

There are a handful of books that, upon finishing, I remark with absolute admiration, “I wish I would have written that.” This is one of these select, extraordinary books. Yergin presents an eye-opening, at times uncomfortably shocking, journey through petroleum geopolitics, challenging conventional notions about historical events, the modern world order, and how it came to pass.

Pulitzer-Prize winning author Toland, in a riveting style, gives us a detailed account of what it was like on the Western Front in 1918 for the British and French armies, their leaders and their soldiers, but more importantly for America, its crucial role and for its men, from President Wilson and General Pershing down to the mud-splattered private on the frontlines. He also delves into the Russia Revolution. When you finish this book, you get a full understanding of the war and what it was like during that last year.

One of the most popular explanations for the outbreak of war between 1918 and 1939 was that it had been caused by the ‘Merchants of Death,’ i.e. the large armaments firms and their financiers who profited from international animosity. Although the conspiracy theory tendency in this belief gradually dissipated, the idea that the arms race was a significant contributory factor leading to war has long featured on any list of ‘causes’.

David Stevenson’s exhaustive research in the archives of most of the combatant states has provided us with massive and fascinating detail on the thinking of those involved and the relationship between geopolitical ambitions, strategic calculations, and financial realities. His treatment makes for fascinating reading, enhanced by crisply argued interpretations of the role of military and naval preparedness in the crises that plagued prewar Europe.

This is the first novel I read about grieving families who commissioned photographers to search for the place where their loved one died, in order that a photo could be taken for them to have as a keepsake.

I love learning something new when I read a book and I discovered so much about the after-effects of losing someone without having knowledge of their last moments and a place to pay one’s respects. 

This is about Edie, a widow wanting answers about her husband who she believes might still be alive, despite being classed as ‘missing, presumed dead’ in 1917. She commissions her late husband’s brother to search for him and photograph his final resting place, if indeed there is one.

A wonderful, haunting story of enduring love and loss.

This is the book that got me into naval history and made me want to be a naval historian.

Bennett was a serving officer in the RN and the son of a naval officer. He writes with pace, experience, and clarity about the major naval encounters of the First World War. It is a book that would be a good primer for anyone wanting to start the WW1 at sea journey. I purchased it in a second-hand bookshop in Cambridge and never looked back.