100 books like Lion of Hollywood

Granted unlimited access to the film production of Tom Wolfe’s best-selling The Bonfire of the Vanities, Salamon serves up a fascinating portrait of one of Hollywood’s most notorious flops. Miscast (Tom Hanks as an arrogant Wall Street heel?) and tone-deaf, the resulting film ran roughshod over Wolfe’s satire and Salamon was there to record every juicy and head-scratching nugget explaining just how the disaster unfolded. Detailing the head-on collision between ego, money, and power in smooth, vivid prose, Salamon will keep any reader interested in Hollywood turning pages long into the night.

Film historian and professor Jeanine Basinger covers the entire history of the movie musical with scholarship, laugh-out loud asides, and a love of film that shines through on every page. No one knows more about film than Basinger but she wears her knowledge lightly, inviting the reader to join in the fun.

McClintick makes the Hollywood boardroom scandal that began with David Begelman’s forgery of Cliff Robertson’s name on a $10,000 check, into a compulsively readable account of power run amok amongst  Hollywood-Wall Street executives. An expose of theft, cover-up, and blackmail, it is also a beautifully written, incisive portrait of men and women seduced by the glamor and power of Hollywood fame.

When a Hollywood legend’s child writes a biography of his or her parent, the result usually ends up as either a hatchet job (Mommie Dearest) or candy-coated alternative history. But here, Marlene Dietrich’s daughter Maria Riva delivers a loving but warts and all portrait of her complicated, fascinating mother. Dietrich’s career combined sex, allure, and world-weary refinement to revolutionize our very concept of femininity, in the process fascinating audiences around the world. The only biography of Dietrich to draw upon the star’s own letters and diaries, Riva delivers the ultimate insider’s portrait of both the warmth and suffocating shadow cast by a legend upon her own child. 

Martin Turnbull has produced various series about Hollywood, primarily populated by fictional characters. This book is biographical fiction centered on the boy-wonder movie producer Irving Thalberg of Metro-Goldwyn-Mayer. His life and career are overshadowed by ill-health, yet he managed to make his studio the greatest of the Golden Age, in no small part through his ability to co-exist with studio head Louis B. Mayer. Through her marriage to Thalberg, actress Norma Shearer’s status as MGM’s most popular leading lady, was assured. I felt the portrait of their marriage, a union with both personal and professional ramifications, and the depiction of Thalberg’s relationship with two strong women—his wife and his mother—added conflict and context to the story.  

Gabler’s book is essential to understanding the sheer improbability that Hollywood was ever going to happen. It was the drive and fearless sense of empire that drove a small number of immigrant Jews to invent a global business of mythmaking.

An Empire of Their Own is a book that is responsible to leading down the path of Warner Brothers research. Gabler brings to life the monumental figures who were both grand showmen and tyrannical businessmen. If you ever wondered what it was like to create major brands like Universal, Warner Bros., MGM, Fox, Columbia (etc.), this is the book you need.

These studio bosses fought Thomas Edison, the government, their own stars and employees, the government, as well as each other. 

This book grew out of a 2014 exhibition to mark the 75th anniversary of Gone With the Wind. The exhibition included rarely-seen material from the archives of producer David O. Selznick and his business partner John Hay “Jock” Whitney. So even if you've read one of the handful of previous books about the making of this movie classic there is much here that is new. The behind-the-scenes deals, battles with the censors, and the controversies surrounding the film are all covered in this fascinating book.

So many Hollywood novels focus primarily on the marquee names—the movie stars. This one explores the tortured romantic relationship between gossip columnist Sheilah Graham and author F. Scott Fitzgerald, whose stint as a scriptwriter was financially sustaining and artistically demoralizing, deepening his descent into alcoholism and despair over his failing marriage to Zelda. Sheilah could have been his creation, with her Gatsby-esque concealment of her background and reinvention of herself. Though this is a work of fiction, it results from meticulous research into the lives and careers of its fascinating and legendary main characters. As a writer myself, who has produced newspaper columns as well as more than a dozen novels, I fully appreciate the literary aspects of this story.

A roman-à-clef which is not a novel and 80% of whose keys I have unlocked. She was “Evie” and she died in Hollywood this year of complications of Huntington’s disease and probably smoking, at age 78. Our families were close and in fact the second “L.A. woman,” second that is to Eve herself, narrating and thinly disguised as Sophie Lubin, was my aunt, Marie (née) Gattman, called “Lola,” married first to photographer Hy Hirsh (“Sam Glanzrock” in the book) and second to Elwood Scott Chapman (whom Marie “named” Aaron and who is called “Luther” in the book). Eve’s writing style is contagious and its logic so twisted that it makes you say “What?” and re-read many passages. As in my book, the battle between Stalin and Trotsky hovers constantly in the background. I think Trotsky wins.

Andrew Hook is a European slipstream author proficient in the literary weird. He certainly does not disappoint in his new collection of Hollywood’s living dead. Candescent Blooms rouses legends of the silver screen right there in your living room, and they are broken, unbroken, full of many secrets. And you know, you know—because history says so—that the actors and actresses are dead, yet living, right there on your page. Imbued with levity wrapped in anguish. Thimble-sized, you will not find a literary collection this superb in a long time.