98 books like Video Night in Kathmandu

Louisa Waugh is a writer, blogger, and the prize-winning author of three non-fiction books: Hearing Birds Fly, Selling Olga, and Meet Me in Gaza. She has lived and worked in the Middle East, Central and West Africa, and is a conflict adviser for an international peace-building organisation. She blogs at The Waugh Zone and currently lives in Brighton, on the southern English coast, where she kayaks and drinks red wine on the beach, usually not at the same time.

Well before I started writing travel books and novels, I was addicted to travel, to wandering, to being a vagabond. As a teenager I would hitchhike and simply go wherever the driver was headed, roaming as far as possible before turning around in time to get home before dark. As soon as I turned 18, I worked for six months day and night and then took the money and spent a year on a very low-rent tour of some 25 countries. As you will see, my picks here have little or nothing to do with hotels and restaurants, and little to do, except in passing, with sightseeing or sports activity or other common tourist activities. Like my own books, they are interested in people and ideas and, as Rebecca Solnit calls it, getting lost.

I am a British novelist and biographer who lived on and off in Latin America from the 1960s to the late 1980s. I was a boy in Brazil during the Death Squads; an adolescent in Argentina during the Dirty War; and a young journalist in Peru during the Shining Path insurgency, publishing a reportage for Granta on my search for Abimael Guzman. I gave the 2010 Borges Lecture and have written two novels set in Peru, the second of which, The Dancer Upstairs, was chosen as the best novel of 1995 by the American Libraries Association and turned into a film by John Malkovich.

I teach literature, Labor Studies, and writing at San Diego City College and have written three San Diego-based novels: Drift, Flash, and Last Days in Ocean Beach, along with Under the Perfect Sun: The San Diego Tourists Never See, a radical history of San Diego that I co-wrote with Mike Davis and Kelly Mayhew. Both as a writer and as a daily wanderer on the streets of San Diego, I have a passion for the psychogeography of the city space and a deep curiosity for and love of the people I encounter there.

I’ve always craved outdoor adventure. My earliest preschool memories include frog hunting in the fields behind my house, and careening down hills around the neighborhood on my metal-wheeled skateboard. In middle school, I progressed to BMX, spearfishing and surfing. After college, I added snow and water skiing, windsurfing, and eventually mountain biking to the mix, and was fortunate to have a career that allowed time and resources to travel the world extensively seeking adventure. Now well into my sixties, I research and write about science, extreme sports, nature and philosophy in between daily hikes and mountain bike rides around the homebase and monthly journeys to destinations unknown.

I'm a writer and journalist with an eye on South and Southeast Asia. I first visited Nepal in the mid-90s, traveled around extensively, and have returned regularly since. Climbing Gokyo Peak, then crossing the Ngozumpa glacier and the Cho La pass in a storm, was the kind of trip I’m glad to have survived unscathed. I covered the civil war, the plight of Tibetan refugees, and Chinese Belt and Road infrastructure projects. I sat down for an interview with serial killer Charles Sobhraj, subject of the BBC/Netflix series The Serpent and I survived and reported on the 2015 earthquake. I spoke to several travelers who followed the hippie trail from London to Kathmandu in the 60s and early 70s, whose accounts inform the basis of my novel.

I found myself giving up a high-flying life and successful IT career at age 38 to live my dream in the African bush, getting to know wild elephant families intimately and ultimately helping to save them from the actions of corrupt officials, unethical sport-hunters, poachers, and land claimants. It took plenty of tenacity and endurance to make a difference. Books have long been an important influence in my life, as they are for so many. I want to share a different insight and inspire you to ponder which books changed you. Here are five books that helped shape my life, and the thought-provoking reasons why.

I'm a writer and journalist with an eye on South and Southeast Asia. I first visited Nepal in the mid-90s, traveled around extensively, and have returned regularly since. Climbing Gokyo Peak, then crossing the Ngozumpa glacier and the Cho La pass in a storm, was the kind of trip I’m glad to have survived unscathed. I covered the civil war, the plight of Tibetan refugees, and Chinese Belt and Road infrastructure projects. I sat down for an interview with serial killer Charles Sobhraj, subject of the BBC/Netflix series The Serpent and I survived and reported on the 2015 earthquake. I spoke to several travelers who followed the hippie trail from London to Kathmandu in the 60s and early 70s, whose accounts inform the basis of my novel.

Funny stuff happens all the time in my wafty, solo-travelling life. Sometimes that funny stuff will only become apparent after the proverbial dust has settled and I’m no longer in imminent danger or at my wit’s end: the hilarity of a situation reveals itself when I’m telling the story. Travelling alone puts you in a vulnerable position of being open to ‘the moment’ far more so than when you are travelling with someone else. I get a sense of place and people and write about what happens true to my voice which is intrinsically connected to my funny bone—an intention to capture culture through accurate observation and tragi-comic humour. 

Funny stuff happens all the time in my wafty, solo-travelling life. Sometimes that funny stuff will only become apparent after the proverbial dust has settled and I’m no longer in imminent danger or at my wit’s end: the hilarity of a situation reveals itself when I’m telling the story. Travelling alone puts you in a vulnerable position of being open to ‘the moment’ far more so than when you are travelling with someone else. I get a sense of place and people and write about what happens true to my voice which is intrinsically connected to my funny bone—an intention to capture culture through accurate observation and tragi-comic humour.