Having spent two years living in Kathmandu over a half-dozen visits, I have had the wonderful opportunity to encounter, learn about, and be baffled by the many local cultures that intersect in Nepal’s capital and largest city. With a PhD in Religious Studies and expertise in the Sanskrit language of classical India, I turned to Nepal to examine religious life on the ground. Living in Kathmandu during the second People’s Movement of 2006 – and like everybody else then, under a “shoot to kill” curfew for three weeks – left an indelible mark on me and my scholarship on this magnificent place.
Samrat Upadhyay’s English-language novels and short stories often read like anthropological work on Nepal’s middle class. The Royal Ghosts fictionalizes the sluggish economy in and urban migration to contemporary Kathmandu, the decade-long civil war that ended along with the collapse of the Hindu monarchy in 2006, and the political tensions that defined Nepal in the first decade of the current millennium. His attention to the previous king’s grasp at power using political propaganda in the form of monumental billboards in 1990 (in “Supreme Pronouncements”) reflects my own interest in similar rhetoric fifteen years later.
I also like the use of the popular religious imagery when in “Chintamani’s Women”, the main character pauses briefly at the picture of the elephant-headed Ganesh on his kitchen wall as he offers a quick prayer for his deceased mother and sick father (RG 130).
With emotional precision and narrative subtlety, The Royal Ghosts features characters trying to reconcile their true desires with the forces at work in Nepali society. Against the backdrop of the violent Maoist insurgencies that have claimed thousands of lives, these characters struggle with their duties to their aging parents, an oppressive caste system, and the complexities of arranged marriage. In the end, they manage to find peace and connection, often where they least expect it— with the people directly in front of them. These stories brilliantly examine not only Kathmandu during a time of political crisis and cultural transformation but…
Having spent two years living in Kathmandu over a half-dozen visits, I have had the wonderful opportunity to encounter, learn about, and be baffled by the many local cultures that intersect in Nepal’s capital and largest city. With a PhD in Religious Studies and expertise in the Sanskrit language of classical India, I turned to Nepal to examine religious life on the ground. Living in Kathmandu during the second People’s Movement of 2006 – and like everybody else then, under a “shoot to kill” curfew for three weeks – left an indelible mark on me and my scholarship on this magnificent place.
This is a fantastic book about a specific moment in Nepal’s history: the collapse of the 250-year-old Shah monarchy in 2008.
Mocko focuses on the three major Hindu festivals that regularly reinforced the monarchy: showing the vest of the Red God in May; receiving the blessing offered by the living goddess, Kumari, in September; and visiting the royal goddess, Taleju, in October. The removal of the king from prominent positions in all of these rituals has in no way impinged upon the celebrations of these festivals that have become even more popular in the intervening years.
At the turn of the millennium, Nepal was the world's last remaining Hindu kingdom: even the most skeptical of observers could hardly imagine that the institution of the monarchy could ever be in jeopardy. In 2001, however, Nepal's popular King Birendra was killed in the royal palace. The crown passed to his brother Gyanendra, but the monarchy would never fully recover. Nepal witnessed an anti-king uprising in April 2006, and over the course of two years, an interim administration systematically took over all the king's duties and privileges. Most decisively, beginning in the summer of 2007, the government began blocking…
I embarked as a teenager on an overland journey from Europe to Nepal, and have made a career out of returning to the Himalaya as often as possible. My research and photographic expeditions to the mountains over the many decades have led me into some of the most exquisite landscapes and cultures on the planet. In all cases, I seek to combine the physical experiences with aesthetic and spiritual ones, and the books I tend to read about the region also move me in those directions.
Most of the books written about the Himalaya region are nonfiction. The author of this volume, a writer of Nepalese origin living in the USA, holds the gold-standard for fiction. His book is a collection of short stories set in contemporary Kathmandu that explores the tensions of modern life in a caste-bound traditional society. These are intimate, carefully-wrought, explorations into family, relationships, and the messy business of being an ordinary person in an extraordinary kind of place.
From “a major new talent” come short stories set in modern Nepal, about arranged marriages, forbidden desires, and the universal yearning for human connection (Amitav Ghosh).
Set in a city where gods are omnipresent, privacy is elusive, and family defines identity, these are stories of men and women caught between their own needs and the demands of their society and culture. Psychologically rich and astonishingly acute, with “a masterful narrative style” (Ian MacMillan), Arresting God in Kathmandu introduces a potent new voice in contemporary fiction.
“Upadhyay brings to readers the flavor of Nepal and its culture in this impressive collection…
Having spent two years living in Kathmandu over a half-dozen visits, I have had the wonderful opportunity to encounter, learn about, and be baffled by the many local cultures that intersect in Nepal’s capital and largest city. With a PhD in Religious Studies and expertise in the Sanskrit language of classical India, I turned to Nepal to examine religious life on the ground. Living in Kathmandu during the second People’s Movement of 2006 – and like everybody else then, under a “shoot to kill” curfew for three weeks – left an indelible mark on me and my scholarship on this magnificent place.
Collected, translated, and introduced by the prolific author Manjushree Thapa, this volume contains poetry and short stories of various lengths and from a variety of Nepalese languages.
Categorized by perplexity, desire, liberation, and vision, these otherwise unrelated works use themes of food, death, work, migration, and marriage to convey the humanity at the core of a landlocked country’s transition to democracy and a new global economy after the first People’s Movement of 1990.
I left home in Melbourne to spend a year travelling in Asia when I was in my mid-twenties. I ended up living abroad for a decade in London, Bangladesh, and Myanmar before returning to Sydney in 2016. My first book is about the four years I lived in Myanmar and I’m currently writing my second, which is about the year I spent backpacking from Cambodia to Pakistan. My third book will be about the three years I worked as a journalist in Bangladesh. My plan is to write a ‘trilogy’ of memoirs. Living abroad has enriched my life and travel memoirs are one of my favourite genres, both as a reader and a writer.
I know that I have really loved a book when years later I can still remember not just its plot, but exactly where I was when I read it. I have fond memories of reading Zeppa’s book in my guesthouse in Kathmandu in Nepal after pouncing on a secondhand copy. It felt like meeting a new friend.
Zeppa swaps her dull existence for a two-year teaching post in a Himalayan village. She has fascinating experiences and falls in love with a Bhutanese man. Some of the detail about Bhutan is darker than I expected.
I’ve wanted to go to Bhutan ever since. I came close to getting there was when I lived in Bangladesh, but ultimately, I never did manage it. It’s one of those places that have gotten away from me, but I hope to get there one day.
Jamie Zeppa was 24 when she left a stagnant life at home and signed a contract to teach for two years in the Buddhist hermit kingdom of Bhutan. Much more than just a travel memoir, Beyond the Sky and the Earth is the story of her time in a Himalayan village, immersed in Bhutanese culture and the wonders of new and lasting love. Whether you're travelling to Bhutan, looking for the best travel writing around, or wishing to be transported to a culture, mindset, and spiritual ethos wonderfully different from your own, Beyond the Sky and the Earth is a…
Funny stuff happens all the time in my wafty, solo-travelling life. Sometimes that funny stuff will only become apparent after the proverbial dust has settled and I’m no longer in imminent danger or at my wit’s end: the hilarity of a situation reveals itself when I’m telling the story. Travelling alone puts you in a vulnerable position of being open to ‘the moment’ far more so than when you are travelling with someone else. I get a sense of place and people and write about what happens true to my voice which is intrinsically connected to my funny bone—an intention to capture culture through accurate observation and tragi-comic humour.
I readVideo Night in Kathmanduwhen I was travelling in India the first time around. It was an education in East-West relations and opened my eyes to travel being a huge privilege. I also learned to arrive in a new place with, as far as possible, no expectations. Pico Iyer is incredibly insightful and draws attention to the fluidity of culture. He acknowledges his Indian roots and how your own cultural heritage can’t help but colour your experience of a place: something to be mindful of. The video mentioned in the title is Rambo, rammed full of western hegemonic ideals, which, weirdly, was a smash hit everywhere in Asia. Iyer’s observations are absolutely on point, entertaining, highlighting the bizarre which, of course, is very funny, as well as thought-provoking.
When Pico Iyer began his travels, he wanted to know how Rambo conquered Asia. Why did Dire Straits blast out over Hiroshima, Bruce Springsteen over Bali and Madonna over all? If he was eager to learn where East meets West, how pop culture and imperialism penetrated through the world's most ancient civilisations, then the truths he began to uncover were more startling, more subtle, more complex than he ever anticipated. Who was hustling whom? When did this pursuit of illusions and vested interests, with it's curious mix of innocence and calculation, turn from confrontation into the mating dance? Iyer travelled…
I'm a writer and journalist with an eye on South and Southeast Asia. I first visited Nepal in the mid-90s, traveled around extensively, and have returned regularly since. Climbing Gokyo Peak, then crossing the Ngozumpa glacier and the Cho La pass in a storm, was the kind of trip I’m glad to have survived unscathed. I covered the civil war, the plight of Tibetan refugees, and Chinese Belt and Road infrastructure projects. I sat down for an interview with serial killer Charles Sobhraj, subject of the BBC/Netflix series The Serpent and I survived and reported on the 2015 earthquake. I spoke to several travelers who followed the hippie trail from London to Kathmandu in the 60s and early 70s, whose accounts inform the basis of my novel.
Tiger for Breakfast is the illustrious story of a Russian adventurer and nightclub owner, traveler Boris Lissanevitch who opened the first hotel in Kathmandu in 1950. Boris also opened the first mixed-race nightclub in Calcutta and had the first car carried across the Himalayas from India to Kathmandu. His guest list proved remarkable too. Edmund Hillary set off from the Royal Hotel for Everest in 1953 and numerous royals stayed, including Queen Elizabeth. For better or for worse, Boris was a catalyst for the outside world to make inroads into the Himalayan kingdom and Michel Peissel’s book does a great job evoking those early days of travel and exploration on the Roof of the World.
Having spent two years living in Kathmandu over a half-dozen visits, I have had the wonderful opportunity to encounter, learn about, and be baffled by the many local cultures that intersect in Nepal’s capital and largest city. With a PhD in Religious Studies and expertise in the Sanskrit language of classical India, I turned to Nepal to examine religious life on the ground. Living in Kathmandu during the second People’s Movement of 2006 – and like everybody else then, under a “shoot to kill” curfew for three weeks – left an indelible mark on me and my scholarship on this magnificent place.
This award-winning study combines accessible translations with local and global studies of the goddess Svasthani and her domestic devotees. A goddess little known outside of Nepal, Svasthani is embodied in the text itself and celebrated by families in the cold month of January.
Her only recent depiction as an icon in her own temple is a testament to the ever-changing forms of religion and culture in a corner of the world where living goddesses have long held significant power.
Reciting the Goddess is the first book-length study of Nepal's goddess Svasthani and the popular Svasthanivratakatha textual tradition. In the centuries following its origin as a simple local legend in the sixteenth century, the Svasthanivratakatha developed into a comprehensive Purana text that is still widely celebrated today among Nepal's Hindus with an annual month-long recitation. Jessica Birkenholtz uses the Svasthanivratakatha as a medium through which to view the ways in which political and cultural shifts among Nepal's ruling elite were taken up by the general public.
Drawing on both archival and ethnographic research, the book examines Svasthani and the Svasthanivratakatha…
I'm a writer and journalist with an eye on South and Southeast Asia. I first visited Nepal in the mid-90s, traveled around extensively, and have returned regularly since. Climbing Gokyo Peak, then crossing the Ngozumpa glacier and the Cho La pass in a storm, was the kind of trip I’m glad to have survived unscathed. I covered the civil war, the plight of Tibetan refugees, and Chinese Belt and Road infrastructure projects. I sat down for an interview with serial killer Charles Sobhraj, subject of the BBC/Netflix series The Serpent and I survived and reported on the 2015 earthquake. I spoke to several travelers who followed the hippie trail from London to Kathmandu in the 60s and early 70s, whose accounts inform the basis of my novel.
Planning on a trip to Kathmandu? Curious about what makes one of the world’s most fascinating cities tick? Thomas Bell’s 2016 account is the perfect and most concise introduction to the history, culture, religiosity, and recent changes of the capital on the roof of the world. Bell confidently unravels the intricate interplay of caste, tradition, and rigid hierarchy on the one hand, and modernization, tearing into a city that was virtually isolated until 1950 like a bullet train, on the other. Perhaps it’s time for a Nepali writer to publish a panoramic nonfiction view of one of the world’s most fascinating cities, but in the meantime, Bells’ Kathmandu sets the bar high.
One of the greatest cities of the Himalaya, Kathmandu, Nepal, is a unique blend of thousand-year-old cultural practices and accelerated urban development. In this book, Thomas Bell recounts his experiences from his many years in the city--exploring in the process the rich history of Kathmandu and its many instances of self-reinvention. Closed to the outside world until 1951 and trapped in a medieval time warp, Kathmandu is, as Bell argues, a jewel of the art world, a carnival of sexual license, a hotbed of communist revolution, a paradigm of failed democracy, a case study in bungled western intervention, and an…
