100 books like Play It as It Lays

I’ve read this book a few times, and I honestly can’t tell if it’s a praise or a damning critique of Los Angeles. I think that West–like myself and so many others–is addicted to Los Angeles and is still a bit critical of it.

Tod Hackett is a trained artist who comes to Hollywood to work in set and costume design. Like most outsiders, he sees the city as a projection of all his dreams and nightmares. Set in the 1930s, this book is a moving carnival of outsized stereotypes and winning caricatures. The entire thing feels like a carnival. Read this if you love the Golden Age of Hollywood.

It wouldn’t be an LA book list without Raymond Chandler, but I’m perhaps getting a little controversial by opting for one of his lesser-known titles (and one that’s half set in a fictionalized version of Big Bear, to boot). Let me defend myself. This book deserves a place in the annals of Hollywood noir because it is simply irresistible, as nauseatingly unsettling as the undertow in a quick flowing Angeles National Forest stream. As for the setting, it’s half in LA, and what would this city be without our day trips? Los Angeles is a place that’s so much defined by what’s around it that Chandler’s depictions of endless driving, the longing to find an aperture, a way of life that seems impossible to escape, are timeless. 

This book is gorgeous. It’s about a group of spoiled-rotten high school friends who have started to drift apart after attending college. There’s an interesting backstory to this novel, too: Ellis wrote the first draft in eight weeks while high on crystal meth (don’t believe me? Read the Rolling Stone interview).

The minimalist prose and haunting theme of how overindulgence leads to chronic emptiness make a nihilistic meditation on excess.

White Oleander, the 2002 film, was one of the most shocking and nuanced depictions of motherhood I had ever seen onscreen—I had to read the book. What most transfixed me about the story is, on the surface, Astrid’s mother and foster mothers had everything society tells you should make life a cakewalk: beauty, ingenuity, and, in one case, wealth.

But the truth is, they are all battling a host of demons, ultimately blessing and cursing Astrid with their flawed, life-worn wisdom. Even still, I love that author Janet Fitch never sacrifices the women to easy “bad mother” stereotypes. It’s clear each mother is mostly doing the best she knows how to outsmart a world riddled with traps.

I’m a little biased with this one, because Eve was my neighbor growing up and something of a literary fairy godmother, but there are few writers who capture the spirit of Los Angeles with more fascination and ease. Her work is messy—delightfully so, like eavesdropping on that friend who always has the craziest stories to tell about her exploits, and her prose captures her inimitable personality. She notices things about Los Angeles that will make you fall in love with the city all over again, or book your first visit if you’re from out of town. Perfect for readers who want to feel a sense of intimacy with their books, or people like me who love listening in on gossip, the messier the better. Eve always delivers!

This sumptuous, inclusive, achingly loving, and lovable novel is the first book I remember reading and thinking…this makes me want to be a writer.

Weetzie and her offbeat group of loved ones live in an LA painted five shades more magical by Block’s descriptions of it. As sweetly as she captures the diverse set of characters, the gift I treasure most in this story is how Block also captures the atmosphere of places: it’s like she’s dug underneath the surface to what makes them matter. 

I love a story set in a time and place I have scant reference for. Based partly on the English author’s experiences visiting Hollywood (during the filming of Brideshead Revisited), this book features a hyper-specific look at British expat life in Los Angeles in the 1940s. Sure, why not?

Things really get moving when the pet funeral home and love triangle plots begin a catastrophic entanglement that can only end in tragedy (but, like, in that ironic way, that’s fun to read about).

This was another book that I read in high school, and I revisit it every few years. Block’s language is sheer poetry, and every line is perfection. I have to content myself with knowing that I will never write this well, and that’s okay.

The book centers around narrator, Laurel, who lives with her mother and father in a perfect dream house in Los Angeles. When Laurel’s father falls sick and goes to the hospital, and her life begins to unravel, she begins to have visions of a skeletal lover who visits her when no one else is around. Is he real, or just a projection of her nightmares? Read this book if you want to fall in love with the Los Angeles canyons and a different view of the city. Perfection.

Bukowski didn't thieve, solve crimes, or use high-tech. In fact, he worked hard and was poor and isolated most of his life. But he lived in the fringe of the noir world, and beat on his machines—manual typewriters, then an IBM Selectric, and finally, with some fame and money, a computer. He was South of his No North, real and genuine for so long that when Hollywood knocked, he was ready for them. This book is his first-hand account of the dumb ego and stupid money that goes into making a movie. Hilarious and dark at the same time. A poet's novel.

As perfectly tragic as one of his Jazz Age characters, Fitzgerald drank himself to death before finishing this novel which in my opinion, could have been his best. Like Gatsby, Monroe Stahr is an eloquent, rich, and isolated character, pining for a mysterious woman. He is a hugely successful movie mogul in the golden age of Hollywood, and Fitzgerald’s contempt for the studio system’s treatment of writers is here on full satirical display. The sparse prose sparkles with diamond-like harshness and clarity as the doomed love affair plays out. I’m sure it's his least known novel since it is technically “unfinished,” but most editions publish Fitzgerald’s unfinished future chapters, his pass at the ending as well as his notes and outlines, making this a master class in novel writing.