Here are 100 books that The Hanged Man fans have personally recommended if you like
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I have always been drawn to stories of miserable rich people, especially tales of how old money contorts lineage into something rotten. I grew up in Northern California, and while my family was comfortable, we weren’t part of the tennis club and yachting elite. During my childhood, we spent a lot of time exploring abandoned properties. It was a passion that I kept when I moved to Los Angeles as an adult and started to explore forgotten parts of Hollywood’s past. Los Angeles has always fascinated me because it embodies extreme wealth and extreme poverty: like the American dream itself, it straddles both extremes and promises everything while guaranteeing nothing.
I’ve read this book a few times, and I honestly can’t tell if it’s a praise or a damning critique of Los Angeles. I think that West–like myself and so many others–is addicted to Los Angeles and is still a bit critical of it.
Tod Hackett is a trained artist who comes to Hollywood to work in set and costume design. Like most outsiders, he sees the city as a projection of all his dreams and nightmares. Set in the 1930s, this book is a moving carnival of outsized stereotypes and winning caricatures. The entire thing feels like a carnival. Read this if you love the Golden Age of Hollywood.
Admired by F. Scott Fitzgerald, Dorothy Parker, and Dashiell Hammett, and hailed as one of the "Best 100 English-language novels" by Time magazine, The Day of the Locust continues to influence American writers, artists, and culture. Bob Dylan wrote the classic song "Day of the Locusts" in homage and Matt Groening's Homer Simpson is named after one of its characters. No novel more perfectly captures the nuttier side of Hollywood. Here the lens is turned on its fringes - actors out of work, film extras with big dreams, and parents lining their children up for small roles. But it's the…
I have always been drawn to stories of miserable rich people, especially tales of how old money contorts lineage into something rotten. I grew up in Northern California, and while my family was comfortable, we weren’t part of the tennis club and yachting elite. During my childhood, we spent a lot of time exploring abandoned properties. It was a passion that I kept when I moved to Los Angeles as an adult and started to explore forgotten parts of Hollywood’s past. Los Angeles has always fascinated me because it embodies extreme wealth and extreme poverty: like the American dream itself, it straddles both extremes and promises everything while guaranteeing nothing.
This book is gorgeous. It’s about a group of spoiled-rotten high school friends who have started to drift apart after attending college. There’s an interesting backstory to this novel, too: Ellis wrote the first draft in eight weeks while high on crystal meth (don’t believe me? Read the Rolling Stone interview).
The minimalist prose and haunting theme of how overindulgence leads to chronic emptiness make a nihilistic meditation on excess.
NEW YORK TIMES BESTSELLER • The timeless classic from the acclaimed author of American Psycho about the lost generation of 1980s Los Angeles who experienced sex, drugs, and disaffection at too early an age. • The basis for the cult-classic film "Possesses an unnerving air of documentary reality." —The New York Times They live in a world shaped by casual nihilism, passivity, and too much money in a place devoid of feeling or hope. When Clay comes home for Christmas vacation from his Eastern college, he re-enters a landscape of limitless privilege and absolute moral entropy, where everyone drives Porsches,…
I'm passionate about stories that portray women as full human beings managing their passions, challenges, and obligations with grit because I grew up surrounded by a phalanx of them. Those who add “wife” and “mother” to their plate fascinate me all the more, especially as I grow older and better understand the pressures heaped on women. I saw my mother, sister, grandmothers, and aunties in all their complexities, building themselves up as they built families and businesses, starting over when they had to, overcoming the seemingly insurmountable, challenging the status quo, and never giving up. I gravitate toward female characters who share that spirit or grapple with how to get it.
White Oleander, the 2002 film, was one of the most shocking and nuanced depictions of motherhood I had ever seen onscreen—I had to read the book. What most transfixed me about the story is, on the surface, Astrid’s mother and foster mothers had everything society tells you should make life a cakewalk: beauty, ingenuity, and, in one case, wealth.
But the truth is, they are all battling a host of demons, ultimately blessing and cursing Astrid with their flawed, life-worn wisdom. Even still, I love that author Janet Fitch never sacrifices the women to easy “bad mother” stereotypes. It’s clear each mother is mostly doing the best she knows how to outsmart a world riddled with traps.
White Oleander is a painfully beautiful first novel about a young girl growing up the hard way. It is a powerful story of mothers and daughters, their ambiguous alliances, their selfish love and cruel behaviour, and the search for love and identity.Astrid has been raised by her mother, a beautiful, headstrong poet. Astrid forgives her everything as her world revolves around this beautiful creature until Ingrid murders a former lover and is imprisoned for life. Astrid's fierce determination to survive and be loved makes her an unforgettable figure. 'Liquid poetry' - Oprah Winfrey 'Tangled, complex and extraordinarily moving' - Observer
I have always been drawn to stories of miserable rich people, especially tales of how old money contorts lineage into something rotten. I grew up in Northern California, and while my family was comfortable, we weren’t part of the tennis club and yachting elite. During my childhood, we spent a lot of time exploring abandoned properties. It was a passion that I kept when I moved to Los Angeles as an adult and started to explore forgotten parts of Hollywood’s past. Los Angeles has always fascinated me because it embodies extreme wealth and extreme poverty: like the American dream itself, it straddles both extremes and promises everything while guaranteeing nothing.
I read this book for the first time when I was in high school, and it made me realize that main characters aren’t always good people. Maria Wyeth is a selfish, broken actress who stumbles through a series of bad decisions. She cares about nothing, not even herself, but the language is so beautiful and evocative of a 1960s Los Angeles that you can’t help wondering what happens.
If nothing else, pick it up for the laissez-faire attitude of the extremely wealthy and beautiful before the age of social media.
A profoundly disturbing novel that ruthlessly dissects American life in the late 1960s, from the author of The White Album and The Year of Magical Thinking.
Benny called for a round of Cuba Libres and I gave him some chips to play for me and went to the ladies' room and never came back.
Somewhere out beyond Hollywood, hollowed-out actress Maria Wyeth's life plays out in a numbing routine of perpetual freeway driving. In her early thirties, divorced from her husband, dislocated from friends, anesthetized to pain and please, Wheth is a woman who has run out of both desires…
I fell in love with reading in fourth grade but felt like real girls weren't reflected in young adult books. The characters had friend problems and boy problems, but books about really big problems like sexual assault were rare because most people thought subjects like addiction and abuse weren't appropriate for young readers. It's one of those weird dichotomies: we know kids deal with big problems, but we're afraid to broach the subject. I used books to help me understand stuff I didn't feel comfortable talking about so I appreciate books that show people how to claw themselves out of a bad place and be their own hero.
I Hadn't Meant to Tell You Thisis one of my favorite novels for its subtlety. It's almost like sleight of hand because you aren't sure where to look. The story kind of unfolds all around you. One of the hardest things after a sexual assault is opening up to someone about it, so I am a fan of books that give people a blueprint of how to go about it. There is no single right way to tell someone about abuse and assault, but it helps to have examples.
In this Coretta Scott King Honor Book, 12 year old Marie is African American. She befriends Lena, a white girl, because both have lost their mothers. Lena has a terrifying secret, and Marie must decide if she can help Lena more by keeping her secret--or..
In the 1980s, my mother “divorced” her mother with a letter in the mail. In 2010 I did the same via email. I thought it was just my dysfunctional family, but come to find out, mother-adult daughter estrangement is not unusual and difficult mother-daughter relationships don’t happen in a vacuum, they happen in the context of patriarchy, white supremacy, internalized misogyny, and other oppressive systems. Through therapy and, later, when I trained to be a life coach, allllll my “mother stuff” came up. The tools and practices I learned and developed were so helpful to me, I couldn’t keep them to myself.
Laura Davis hits it out of the park with this epically honest and human memoir.
In it, she tells the story of how, after decades of estrangement due to family abuse and incest, which her mother denied, she decides to care for her elderly mother. I believe any woman will find value, wisdom, and relief in The Burning Light of Two Stars, but it is especially poignant for mothers and adult daughters who have struggled, are estranged, and/or are navigating reconciliation.
It is in revealing and speaking the truth, that healing, even when it's messy and emotional, can take place.
"Caregiving an elderly parent, especially against the backdrop of a difficult shared past, can be a bruising spiritual ordeal. We who must travel this territory don't need any more sentimental narratives about it. What we do need is the healing medicine of truth-telling, and Laura Davis brilliantly and generously gives it to us. I literally could not put this book down."
—Katy Butler, bestselling author of Knocking on Heaven's Door and The Art of Dying Well
This riveting memoir by Laura Davis, the author of The Courage to Heal, examines the endurance of mother-daughter love, how memory protects and betrays…
Misery loves company, right? While I never wish ill on someone, I find comfort in knowing I’m not the only one going through a loss, slight, or rejection. Family dysfunction novels remind me that the petty problems I get caught up in are nothing compared to what they could be. Sure, fiction frequently elevates these troubles from drama to melodrama, but I still experience relief—even though it may only be in the smallest way—focusing on someone else’s struggles. Sometimes I even find a solution to my own paltry issues. Who wouldn’t want that? And what writer wouldn’t want to help readers in that way?
I read this book in high school and it messed. Me. Up. So much so that I remember it in vivid detail to this day and credit it with my desire to write dysfunctional family fiction.
I’d be hard-pressed in real life (thank God) to find a family suffering from issues ranging from incestuous relationships through moral superiority and unforgiving rigidity up to greed and murder… all of which feels like the tip of the iceberg.
Reading the tale of a family who has gone so far off the rails will, if nothing else, make you appreciate the mundane problems your own family has. And isn’t that why we read this genre?
The haunting young adult gothic romance classic that launched Virginia Andrews' incredible best-selling career.
Up in the attic, four secrets are hidden. Four blonde, beautiful, innocent little secrets, struggling to stay alive...
Chris, Cathy, Cory and Carrie have perfect lives - until a tragic accident changes everything. Now they must wait, hidden from view in their grandparents' attic, as their mother tries to figure out what to do next. But as days turn into weeks and weeks into months, the siblings endure unspeakable horrors and face the terrifying realisation that they might not be let out of the attic after…
I’ve loved fiction that excites my mind and imagination since I was very young. I spent a lot of time in the library growing up, mostly reading horror and historical narratives. Later, I became interested in music, painting, film, philosophy, psychology, cognitive science, religion, and politics. I’m not an expert in anything—I’m too driven to make things to be a good scholar—but these are the subject areas that inform what I write.
McCarthy’s second novel is an underappreciated masterpiece, one that combines the author’s distinct style and notoriously difficult subject matter with a genuinely sublime vision of the world. Simultaneously a horror novel, a historical fiction, a Gnostic heresy, a cosmic joke, and act of spiritual seeking, I cannot recommend it enough.
By Cormac McCarthy, the author of the critically acclaimed Border Trilogy, Outer Dark is a novel at once mythic and starkly evocative, set in an unspecified place in Appalachia sometime around the turn of the century. A woman bears her brother's child, a boy; the brother leaves the baby in the woods and tells her he died of natural causes. Discovering her brother's lie, she sets forth alone to find her son. Both brother and sister wander separately through a countryside being scourged by three terrifying and elusive strangers, headlong toward an eerie, apocalyptic resolution.
I was a book-loving Black Girl and am now a Black woman, professor-writer, and lifelong books and popular culture junkie. As a young reader, I marveled at the storytelling in books that took us into the diverse lives and deep interior of teen girls - from Are You There God It’s Me Margaret to especially ones like the five books I name which place Black girls and women at the center of the narrative. In most of the films and writings that I teach and my own book Snitchers, there’s some tragedy and pain, some blues, and perspectives that add to the truth and richness of our human and American story.
Yes, the film adaptation of Push by Lee Daniels garnered Oscar attention, including a best supporting actress win for actress - comedian Monique but Sapphire’s contemporary Harlem set coming-of-age story about the difficult life of teen protagonist Precious is best told in Sapphire’s novel Push.
It is a devastating, exhilarating read that I couldn’t put down until the last page so shocked was I about the level of challenges Precious endures from her home life to social services and school experiences.
However, then there’s this amazing grace present that doesn’t seem likely, which just makes the name Precious and the title word “push” that much more revelatory. It’s another story that reminded me why I should keep writing and why books and the words we write can be important beyond our expectations.
'I'm alive inside. A bird is my heart. Mama and Daddy is not win. I'm winning.'
This is the story of Precious, a sixteen-year-old illiterate Black girl who has never been out of Harlem. Pregnant by her own father for the second time, she is kicked out of school and placed in an alternative teaching programme. Through learning to read and write, Precious begins to find her voice, and fight back.
Push is the unflinching diary of a girl whose strength and kindness shines amidst extraordinary adversity.
Meet ten of literature's most iconic heroines, featuring bold portraits by female photographers…
I've been a horror fanatic since I was a little girl. At the age of 7, I was attempting to write my first horror novel, My Teacher is a Vampire, and at age of 9, I had already read my mom’s copy of, It. By the age of 16, I read the majority of Stephen King’s novels and was fascinated with Nosferatu, the original vampire, Vincent Price - the master of horror, and George Romero. When people ask why do I love the horror genre so much…my answer is: I’d rather read about the monsters in books and in movies instead of reading the newspaper or turning on the news and see the real monsters.
A lot of people don’t know that the movie Precious is based off of a novel. Sure... It doesn’t have any ghouls, monsters, descriptive sentences filled with gore and macabre, but if you were like me, and decided to read the book after watching the film…. This movie goes down as probably one of the scariest novels of all time…like V.C. Andrews Flowers in the Attic scary.It’s hard reading novels that involve the abuse of children, but this book literally had me speechless and horrified like the first time I watched an episode of, My 500 Pound Life.
A new 25th anniversary edition of the instant classic that inspired the major motion picture and Sundance Film Festival winner Precious: Based on the Novel by Sapphire, whose power and ferocity influenced a generation of writers.
Precious Jones, an illiterate sixteen-year-old, has up until now been invisible to the father who rapes her and the mother who batters her and to the authorities who dismiss her as just one more of Harlem's casualties. But when Precious, pregnant with a second child by her father, meets a determined and radical teacher, we follow her on a journey of education and enlightenment…
