100 books like Weetzie Bat

This book is about the legacy of the massive violence and trauma of slavery, but at its heart, this is entirely about motherhood. I have read no other novel that so searingly, brilliantly, and tenderly depicts the haunting extremes— physically, emotionally, and spiritually—to which motherhood will bring a woman.

It’s been said by smarter people than me how writing horror for kids isn’t about scaring them, it’s about showing them how brave they are.

A Monster Calls is the perfect illustration of that. The scariness and the spookiness are a stand-in for the real-life horrors that this kid is facing. Kids deal with a lot, and this book is the perfect example of how to survive when the worst happens.

The artwork too—wow! I wish I could get some of this artwork to hang on my walls. Absolutely gorgeous book.

It wouldn’t be an LA book list without Raymond Chandler, but I’m perhaps getting a little controversial by opting for one of his lesser-known titles (and one that’s half set in a fictionalized version of Big Bear, to boot). Let me defend myself. This book deserves a place in the annals of Hollywood noir because it is simply irresistible, as nauseatingly unsettling as the undertow in a quick flowing Angeles National Forest stream. As for the setting, it’s half in LA, and what would this city be without our day trips? Los Angeles is a place that’s so much defined by what’s around it that Chandler’s depictions of endless driving, the longing to find an aperture, a way of life that seems impossible to escape, are timeless. 

Shulz’s real biography is both tragic and beautiful: a painter and writer, his life was cut short by the holocaust, but he left behind – among other things – an exquisite bedroom mural it took years to discover, and this masterpiece of a book.

A collection of short stories, it poignantly captures the feelings of his time: the sense of order turning into disorder right under a person’s feet. And yet what I think is most incredible about his writing is how Shulz can take you, in a breath, from reality to unreality – without you ever noticing where the line was crossed. 

A nonfiction book that tells the story of three unrelated women and their unique but universal struggles; I loved it because of the author’s incredible talent for articulating the everyday lived experience of being female, the subtle and overt judgments, and the fact that women are held to different standards, even by other women.

"‘Even when women fight back, they must do it correctly. They must cry the right amount and look pretty but not hot." Many times while reading, I recognised myself, my sister, my mother, and my friends.

All three stories are highly engaging, but the truly compelling story is Maggie’s, a troubled girl from a difficult family who is preyed upon by her teacher, a married man with a family. The subsequent effect on her life is just devastating (remember, folks: this is nonfiction.)

I’m a little biased with this one, because Eve was my neighbor growing up and something of a literary fairy godmother, but there are few writers who capture the spirit of Los Angeles with more fascination and ease. Her work is messy—delightfully so, like eavesdropping on that friend who always has the craziest stories to tell about her exploits, and her prose captures her inimitable personality. She notices things about Los Angeles that will make you fall in love with the city all over again, or book your first visit if you’re from out of town. Perfect for readers who want to feel a sense of intimacy with their books, or people like me who love listening in on gossip, the messier the better. Eve always delivers!

I read this book for the first time when I was in high school, and it made me realize that main characters aren’t always good people. Maria Wyeth is a selfish, broken actress who stumbles through a series of bad decisions. She cares about nothing, not even herself, but the language is so beautiful and evocative of a 1960s Los Angeles that you can’t help wondering what happens.

If nothing else, pick it up for the laissez-faire attitude of the extremely wealthy and beautiful before the age of social media.

Evelyn Waugh’s 1947 visit to Hollywood to negotiate a movie deal for Brideshead Revisited was a failure. But a trip to Forest Lawn Cemetery provided the gist for The Loved One, his last great satire. Waugh transforms Forest Lawn into Whispering Glades, a grandiose Disneyland of Death where cosmetician Aimée Thanatogenos puts the finishing touches on elite Los Angelenos under the lustful eye of mortician Mr. Joyboy. The naïve Aimée meets Dennis Barlow, a British expat and failed writer who passes off the works of Tennyson and Keats as his own. When she discovers Barlow works at the Happy Hunting Ground Pet Cemetery, even advice columnist Guru Brahmin can’t console her. Waugh’s piercing prose exposes the pretense and hypocrisy of the American Way of Life (and Death). 

This whimsical and wonderful book is a modern classic of gay literature, one of the first upbeat gay novels with a happy ending, no less. It imagines a delightful, offbeat world where two boys can walk down the street hand in hand and no one cares; where the homecoming queen is the cross-dressing captain of the football team; where – well, you get the picture. It’s an offbeat and, well, sanguine one. I love the innocence and generous-spirited nature of the book that sets it apart and delights readers while demonstrating that love is sometimes not smooth but always comes right in the end. Who could ask for anything better?   

Here’s another book that I love because it’s a story about love, the love of two boys who are unlikely companions: one is a former football player, taciturn and withdrawn; the other is openly gay, a short, slender, fine-boned boy who idolizes the poet Walt Whitman, whose words become a leitmotif of this remarkable novel. Told in the form of. letters that the two boys exchange, it follows their emerging friendship as it gradually turns into a love that’s as poetic as Whitman’s well-chosen words. The relationship of the boys – who are characters to die for – is riveting and their story, unforgettable. Another terrific addition to gay literature for teens.