Here are 100 books that The Street of Crocodiles fans have personally recommended if you like
The Street of Crocodiles.
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I am a lifelong lover of books. As a child, one of my most prized possessions was my library card. It gave me entrance to a world of untold wonders from the past, present, and future. My love of reading sparked my imagination and led me to my own fledgling writing efforts. I come from a family of storytellers, my mother being the chief example. She delighted us with stories from her childhood and her maturation in the rural South. She was an excellent mimic, which added realism and humor to every tale.
This book is part odyssey, part ghost story, and part passion play. Toni Morrison is one of the patron saints of American literature whom I was fortunate to discover at an early age. This is her masterpiece, an example of what is possible when a writer’s heart, mind, and spirit are aligned.
The fact that the unfathomable sacrifice around which Beloved is imagined is based upon an actual event speaks volumes about the innate horrors of slavery. In matters of race, America’s skeletons are buried in shallow graves.
'Toni Morrison was a giant of her times and ours... Beloved is a heart-breaking testimony to the ongoing ravages of slavery, and should be read by all' Margaret Atwood, New York Times
Discover this beautiful gift edition of Toni Morrison's prize-winning contemporary classic Beloved
It is the mid-1800s and as slavery looks to be coming to an end, Sethe is haunted by the violent trauma it wrought on her former enslaved life at Sweet Home, Kentucky. Her dead baby daughter, whose tombstone bears the single word, Beloved, returns as a spectre to punish her mother, but also to elicit her…
In my high school creative writing class, my teacher once said that good writing was a bit like looking at a star. If you look directly at it, it gets a little fuzzy and hard to see. But if you look just off to the side, the star becomes vivid and clear. That, to me, is exactly the power of spooky stories for young readers. We all deal with monsters, to varying degrees, throughout our lives. Even kids. But if we look at it just off to the side, through the angle of a fun, spooky story, those monsters suddenly become much more comprehensible. More faceable. More beatable.
It’s been said by smarter people than me how writing horror for kids isn’t about scaring them, it’s about showing them how brave they are.
A Monster Calls is the perfect illustration of that. The scariness and the spookiness are a stand-in for the real-life horrors that this kid is facing. Kids deal with a lot, and this book is the perfect example of how to survive when the worst happens.
The artwork too—wow! I wish I could get some of this artwork to hang on my walls. Absolutely gorgeous book.
The bestselling novel and major film about love, loss and hope from the twice Carnegie Medal-winning Patrick Ness.
Conor has the same dream every night, ever since his mother first fell ill, ever since she started the treatments that don't quite seem to be working. But tonight is different. Tonight, when he wakes, there's a visitor at his window. It's ancient, elemental, a force of nature. And it wants the most dangerous thing of all from Conor. It wants the truth. Patrick Ness takes the final idea of the late, award-winning writer Siobhan Dowd and weaves an extraordinary and heartbreaking…
I have expertise and a passion for this topic because I suffered from a terrible addiction to drugs for many years and was considered a hopeless case. If I can beat my addiction then anyone can!
This was another true story of someone who suffered a terrible addiction and was able to overcome it. I liked it because Jim was a regular guy and not a celebrity sharing his life story as so many of these book are. It was one of the first books that gave me inspiration to write a book. It also became a movie where Leonardo DeCaprio played Jim Carrol.
The urban classic coming-of-age story about sex, drugs, and basketball
Jim Carroll grew up to become a renowned poet and punk rocker. But in this memoir of the mid-1960s, set during his coming-of-age from 12 to 15, he was a rebellious teenager making a place and a name for himself on the unforgiving streets of New York City. During these years, he chronicled his experiences, and the result is a diary of unparalleled candor that conveys his alternately hilarious and terrifying teenage existence. Here is Carroll prowling New York City--playing basketball, hustling, stealing, getting high, getting hooked, and searching for…
Since I began reading seriously (albeit late in life!), I’ve been seduced by the travails of underdog protagonists trying to save their own lives through transformation. If you had told me when I was a teenager—drinking too much, racing muscle cars, and scraping by with Ds and Cs in a vocational high school—that I would end up teaching writing at a university, I would’ve said you were nuts. It wasn’t until I started college in my mid-twenties that I actually read a novel for the pleasure of it. My novel and short story collection are expressions of my cheering on the young underdogs who bravely fight to change their worlds despite all odds.
Celebrated author and Stanford professor Tobias Wolff recounts his perilous teenage years in the 1950s Pacific Northwest. Clever, conniving Toby (self-named Jack Wolff) will do whatever it takes to reinvent himself in a memoir full of larger-than-life characters, thrilling events, emotional rollercoasters of betrayals, broken dreams, and hard-won triumphs, all conveyed in prose so lucid that the book has been college assigned for its poetic honesty at the sentence level for decades. Guaranteed you’ll be floored by what it takes for Wolff to ultimately transcend the merciless circumstances of his life.
The 30th anniversary edition of Tobias Wolff's "extraordinary memoir" (SF Chronicle), now with a new introduction by the author.
Thirty years ago Tobias Wolff wrote a memoir that changed the form. The “unforgettable” (Time) This Boy’s Life is the story of the young, tough-on-the-outside but vulnerable Toby Wolff. Separated by divorce from his father and brother, Toby and his mother travel from Florida to Utah to a small village in Washington state, with many stops along the way. As each place doesn’t quite work out, they pick up to find somewhere new. In…
I read a lot of first-person books because I write a lot of 1st person books. I was a creative writing teacher for twenty years and I wanted my students to ‘own’ their material—to write about what they saw and felt and empathized with and loved and feared. These book recommendations below are only a handful of immensely brilliant books that have strong character/narrator voices that put you inside the skin of the narrator. These are the books that are recklessly beautiful and ruthlessly genuine-- and by example teach you how to write honestly and how to capture your own readers.
I knew Ted Weesner. We taught creative writing at Emerson College. This is Ted’s first book which still gives me chills because of how filmic the prose is—as in stepping into a film—only it is not only visual, it is visceral. You feel every part of this book and feel it deeply, sympathetically, and even though the main character is making mistakes his mistakes are your mistakes, his disappointments are your disappointments, his hopes are your hopes and thus his tragedy is yours to keep.
Hailed by The Boston Globe as "so poignant and beautifully written, so true and painful, that one can't read it without feeling the knife's cruel blade in the heart," The Car Thief was first published to enormous popularity, and sold over half a million copies. Alex Housman is a kid who at the age of sixteen has had fourteen cars, harbors many hurts, and seems to fade into his environment while raging inside. His father is an alcoholic, losing his grip on life even as he wants the best for his son. The Car Thief explores the love Alex and…
I read a lot of first-person books because I write a lot of 1st person books. I was a creative writing teacher for twenty years and I wanted my students to ‘own’ their material—to write about what they saw and felt and empathized with and loved and feared. These book recommendations below are only a handful of immensely brilliant books that have strong character/narrator voices that put you inside the skin of the narrator. These are the books that are recklessly beautiful and ruthlessly genuine-- and by example teach you how to write honestly and how to capture your own readers.
The most engaging, genuine, soul-crushing, holocaust/concentration camp book I’ve ever read and I’ve read them all. And read his bio, too. Crisp, clear writing allows all the horror of the concentration camp to roll over your soul. You have nowhere to hide when you read this book—the honesty is pure and brutal. Yet, the soulful fallout never really leaves you fully crushed—otherwise, you would never feel the agony of humanity over and over again.
Tadeusz Borowski's concentration camp stories were based on his own experiences surviving Auschwitz and Dachau. In spare, brutal prose he describes a world where where the will to survive overrides compassion and prisoners eat, work and sleep a few yards from where others are murdered; where the difference between human beings is reduced to a second bowl of soup, an extra blanket or the luxury of a pair of shoes with thick soles; and where the line between normality and abnormality vanishes. Published in Poland after the Second World War, these stories constitute a masterwork of world literature.
As a kid I felt the unseen magic in the things around me: it seemed as obvious as breathing, particularly when I was out in nature. These are books that brought me back to that… reminding me that being ‘realistic’ doesn’t mean ignoring what’s unseen. These stories have inspired me so deeply and driven my passion as a writer: which is basically to try to reach out to readers and say, hey, we are surrounded. There is more. This is not all there is.
This sumptuous, inclusive, achingly loving, and lovable novel is the first book I remember reading and thinking…this makes me want to be a writer.
Weetzie and her offbeat group of loved ones live in an LA painted five shades more magical by Block’s descriptions of it. As sweetly as she captures the diverse set of characters, the gift I treasure most in this story is how Block also captures the atmosphere of places: it’s like she’s dug underneath the surface to what makes them matter.
Francesca Lia Block’s dazzling debut novel, Weetzie Bat, is not only a genre-shattering, critically acclaimed gem, it's also widely recognized as a classic of young adult literature, having captivated readers for generations.
This coming-of-age novel follows the eponymous Weetzie Bat and her best friend Dirk as they navigate life and love in a timeless, dreamlike version of Los Angeles. When Weetzie is granted three wishes by a genie, she discovers that there are unexpected ramifications….
Winner of the prestigious Phoenix Award, Weetzie Bat is a beautiful, poetic work…
I’m a historian who recently started writing historical fiction. A few years ago, while writing my most recent academic book about 19th C Dublin, I became frustrated with the limitations of what I felt I could write about. I had a lot of sense of the atmosphere of the city that didn’t really fit into the way an academic book is constructed. So, I ended up trying my hand at historical fiction, wanting to give a real sense of place that I felt to be true but which was also a product of my imagination. One of my favorite things about reading novels has always been this sense of place.
I love the central female character in this book, Cora Seaborne, who can swing between admirable and ridiculous over the course of a page. I love the dark atmosphere created by the marshes of the Blackwater, where Cora is determined to find evidence of a mysterious creature presumed by locals to be malevolent.
The estuary is a menacing presence in reality (people and animals are sucked in and lost in times of bad weather) and in the imaginations of the villagers. I also love the way that this provides a backdrop for various tumults of the soul experienced by the characters as Cora crashes into the settled lives of a local minister and his family, wreaking accidental havoc.
Now a major Apple TV series starring Claire Danes and Tom Hiddleston
THE SUNDAY TIMES NUMBER ONE BESTSELLER
'A blissful novel of unapologetic appetites ... here is a writer who understands life' JESSIE BURTON, author of THE MINIATURIST
London, 1893. When Cora Seaborne's controlling husband dies, she steps into her new life as a widow with as much relief as sadness. Along with her son Francis - a curious, obsessive boy - she leaves town for Essex, in the hope that fresh air and open space will provide refuge.
On arrival, rumours reach them that the mythical Essex Serpent, once…
Reseda, California plays an important part in my novels. I grew up there in a middle-class Jewish family, and we experienced the turmoil of the 1960s and 1970s. My parents got divorced, and my brother and I were raised by our working mom until she became paralyzed by a stroke. I found refuge in writing. I wrote The Remainders in 2016 during a tumultuous time when issues of family conflict, homelessness, and the growing cruelty of society came into focus. Still, I believe decency and compassion will prevail. The books I write and enjoy reading seek to find light in the darkest of circumstances.
I read this powerful graphic novel series when the first collections came out in the 1980s.
It shows the horrors of the Holocaust and the impact it has on the families of the survivors. Maus is best known for depicting Jews as mice and Nazis as cats, but Art’s troubled relationship with his father Vladik and the death of his mother Anja by suicide frame the story.
Maus is my favorite graphic novel series and a must-read for understanding the Holocaust and how it shaped Jewish life since.
The bestselling first installment of the graphic novel acclaimed as “the most affecting and successful narrative ever done about the Holocaust” (Wall Street Journal) and “the first masterpiece in comic book history” (The New Yorker) • PULITZER PRIZE WINNER • One of Variety’s “Banned and Challenged Books Everyone Should Read”
A brutally moving work of art—widely hailed as the greatest graphic novel ever written—Maus recounts the chilling experiences of the author’s father during the Holocaust, with Jews drawn as wide-eyed mice and Nazis as menacing cats.
Maus is a haunting tale within a tale, weaving the author’s account of his…
It was during the epistemological craziness around the year 2000 that I christened myself a truth warrior. I was already a scientist. Yet I knew there were other important truths, not of the mind but of the heart, truths we discover and marvel over in the realm of art. So as a biology professor I was granted a sabbatical to write the second of three of my novels, about Pliny the Elder. It is through literature, some of my own making, that I find new ways of seeing and experiencing the world: and of discovering and validating what is true, and what is not.
I grew up in a time (1950’s) and place (rural northern Wisconsin) when there was only one television channel—available only in good weather—no internet, and a library not much bigger than an Amtrak roomette.
It was a childhood full of wonder, but with very short horizons. I can’t say I actually read every book in our town’s library, but I came close. Books were my magic carpet to times and places and, more importantly, frames of reference well outside the box I lived in.
How was it that among its several hundred volumes was The Autobiography of a Yogi, by Paramahansa Yogananda? I did not discover Bruno Schulz, a Polish author murdered by the Nazis in 1943, until many years later. But having traveled far and experienced much, I was just as shocked when I walked through the door into Schulz’s world in a small Polish town, as though I…
The collected fiction of "one of the most original imaginations in modern Europe" (Cynthia Ozick)
Bruno Schulz's untimely death at the hands of a Nazi stands as one of the great losses to modern literature. During his lifetime, his work found little critical regard, but word of his remarkable talents gradually won him an international readership. This volume brings together his complete fiction, including three short stories and his final surviving work, Sanatorium Under the Sign of the Hourglass. Illustrated with Schulz's original drawings, this edition beautifully showcases the distinctive surrealist vision of one of the twentieth century's most gifted…
