My first clue that I was a crime writer in the making was that on nights I couldn’t sleep growing up, I would Wikipedia serial killers. (I promise I’m nice and normal!) When I discovered crime novels—specifically, those with a strong noir influence—I was hooked. My favorite definition of noir, which comes from the author Laura Lippman, is “Dreamers become schemers,” and to me, that’s the story of America. It’s what I’ve been interested in exploring in my own books, The Lady Upstairs and The Hurricane Blonde. I hope you enjoy the women who are dreamer-schemers in these books as much as I do!
One of Megan Abbott’s early gems, this book dragged me down into the muck of midcentury noir, and I LOVED IT. When I was first diving into the genre of noir, I was aching for more female representation (besides the evil femme fatale or the Girl Friday you see pop up in so much of the classic noir literature).
This book feels both modern and like a throwback, with women in the driver’s seat for once. This is a book I reread when I need a boost as a writer to remember why I love writing and why I love noir specifically—it’s short, but it packs a mighty punch.
By the author of Dare Me and The End of Everything
A young woman hired to keep the books at a down-at-the-heels nightclub is taken under the wing of the infamous Gloria Denton, a mob luminary who reigned during the Golden Era of Bugsy Siegel and Lucky Luciano. Notoriously cunning and ruthless, Gloria shows her eager young protégée the ropes, ushering her into a glittering demimonde of late-night casinos, racetracks, betting parlors, inside heists, and big, big money. Suddenly, the world is at her feet—as long as she doesn't take any chances, like falling for the wrong guy. As the…
I was obsessed with this book before I read it. As soon as I saw the deal announcement for this book—highlights? A female bigamist who has split her life between Mexico City and Texas, which has led to murder, finally tells her life story to a true crime journalist—I was sliding into the author’s DMs, begging for a copy. (Sadly, not an exaggeration!)
I loved the fresh take on a femme fatale here, which felt like it was tying noir roots to a modern sensibility, and I was OBSESSED with the setting—bouncing between Texas and Mexico City in the 1980s brought to life one of my favorite parts of a good book, the way that you can live all these different lives between two covers.
Lore Rivera was married to two men at once. She led a secret double life - until one man shot the other. That's the story the world knows.
But true-crime writer Cassie Bowman wants to know more - about the mysterious woman at the heart of it all, and about what really happened the night of that tragic murder. How did Lore lead two lives? How did it feel when it all came crashing down?
After years of hiding, Lore is finally ready to tell her story. But as her tragic tale unfolds, will either woman be ready for the…
This book is bonkers, and I mean that in the best possible way. I loved it when I first read it, and my love for it has only grown throughout the years. I re-read it every few years, trying to pick apart why it works so well for me.
I love Hendrick’s prose, the sharp, noir rhythm of it, and the protagonist, Sherri, is my favorite type of noir heroine to read: crooked but with her own moral code. But mostly, I’m obsessed with how fearless this book is: there’s no taboo left uncrossed. I re-read this book when I need to be braver as a writer.
Sherri Parlay gives up her life of depravity, and with best intentions, finds a respectable job as a dry cleaner in hopes for a decent future. But nature and nurture plot against her when she meets the beautiful, tortured, and rich young Payne, who tempts her with the love and life she never thought possible. Even Brenda, Payne's domineering mother, can't keep the lovers apart when Sherri's animal passions take control. Unfortunately, Payne is not only a different kind of man from those in Sherri's past, he's worse than any on her list of sordid affairs. Twisted psychology and a…
There’s so much I love about this book: the setting of Lagos, Nigeria, the vignette-style chapters that toggle between poetic insights of the titular sisters, a crime novel unlike any that I’ve read, and the questions it asks about how far you’ll go to protect the people you love.
This book had me riveted, turning pages as fast as I could. Despite being dark, it also made me laugh—which is a really tough combination to pull off! I gulped it down in about two sittings—the story had me that hooked.
Sunday Times bestseller and The Times #1 bestseller
Longlisted for the Booker Prize 2019 Shortlisted for the Women's Prize for Fiction 2019 Winner of the 2019 LA Times Award for Best Crime Thriller Capital Crime Debut Author of the Year 2019 __________
'A literary sensation' Guardian
'A bombshell of a book... Sharp, explosive, hilarious' New York Times
'Glittering and funny... A stiletto slipped between the ribs and through the left ventricle of the heart' Financial Times __________
When Korede's dinner is interrupted one night by a distress call from her sister, Ayoola, she knows what's expected of her: bleach, rubber…
I loved the voice of Tiffany, the murderous head sorority girl of this novel, so much so that I was very willing to overlook the fact that she was a serial killer. (We all contain multitudes, right?!) Like My Sister, the Serial Killer, this book manages to be tense, dark, and funny all at once, which truly ticks so many of my reader boxes.
This book is also set in Los Angeles, where I live, and I guffawed at its satiric portrayal of a certain type of Angeleno: perma-blonde pumped full of glamorous toxins and is willing to take anyone down a notch if it means “manifesting her highest self.” I thought this book was a truly dark, murderous blast.
The boys on the row are only after one thing, but that bullshit’s for pledges. Tiffany’s on the hunt for something more.
Kill for Love is a searing satirical thriller about Tiffany, a privileged Los Angeles sorority sister who is struggling to keep her sadistic impulses—and haunting nightmares of fire and destruction—at bay. After a frat party hookup devolves into a bloody, fatal affair, Tiffany realizes something within her has awoken: the insatiable desire to kill attractive young men.
As Tiffany’s bloodlust deepens and the bodies pile up, she must contend with mounting legal scrutiny, social media-fueled competing murders, and…
Jo blackmails the worst men in Los Angeles–handsy Hollywood producers, adulterous actors, corrupt cops. Sure, she likes the money, but it’s also a chance to take back power for the women of the city. Eager to prove herself to her coworker Lou and their enigmatic boss, the lady upstairs, Jo takes on bigger, riskier jobs.
When one of her targets is murdered, both the lady upstairs and the LAPD blame Jo. Desperate to escape the consequences of her failed job, she takes on one more sting—targeting a rising politician. It’s her biggest con yet—and she’ll do it behind the lady’s back, freeing both herself and Lou. But Jo soon learns that no woman is safe with a life-changing payout on the line.
Every picture tells a story, but it’s not always the one we expect or remember. Christmas Actually is a festive drama about family and forgiveness and a snapshot of modern family life, addressing Instagram to motherhood and everything in between.
Why Christmas? My publisher wanted my new novel to have a festive theme, specifically set in Australia–sun, surf, sunburn, and prawns. Christmas in Australia is very different from Christmas in the UK, USA, and Canada. We typically wear shorts and t-shirts, eat salad and seafood for Christmas lunch, and play beach cricket in the afternoon. Despite the season, conflicts, secrets,…
Time spent with family can be challenging, especially at Christmas actually…
Kate Cavendish is stuck in a rut. That is until a former colleague contacts her and offers her a chance to fulfil her lifelong dream of becoming a successful photographer.
With her focus pulled in all directions by her children, her pregnant sister, her newly-dating mother, and the niggling worry that her husband might be having an affair, Kate is filled with self-doubt.
Then as the countdown to Christmas begins, and memories of her own childhood resurface, Kate’s anxiety deepens – both personally and professionally. Can she move on…
