Here are 100 books that More Than You'll Ever Know fans have personally recommended if you like
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Out of all the flattering reviews of my books, my favourite is of a reader choking on her lunch. My book was about death. The reader, who survived, said it made her laugh so hard. I write about tough times by bringing out the it’s okay to smile now bits. The Midnight Years is about teen mental health, Happily Never After is about loneliness, and Flyaway Boy is about stereotyping. Making people laugh through tears is a tough task. Here are some books that cracked it.
Not a situation I’d find myself in. Neither, I hope, will you. Korede’s problem in this quirky book is dark and unusual: having to protect a sister who kills her suitors.
The plot goes from unpredictable to weird. The older sister, a nurse committed to saving lives, has to choose between her code of ethics and her love for her pretty, precocious sister, who keeps killing her boyfriends.
A story this morbid, narrated with straight-faced, deadpan humour, has made this book one of my picks.
Sunday Times bestseller and The Times #1 bestseller
Longlisted for the Booker Prize 2019 Shortlisted for the Women's Prize for Fiction 2019 Winner of the 2019 LA Times Award for Best Crime Thriller Capital Crime Debut Author of the Year 2019 __________
'A literary sensation' Guardian
'A bombshell of a book... Sharp, explosive, hilarious' New York Times
'Glittering and funny... A stiletto slipped between the ribs and through the left ventricle of the heart' Financial Times __________
When Korede's dinner is interrupted one night by a distress call from her sister, Ayoola, she knows what's expected of her: bleach, rubber…
My first clue that I was a crime writer in the making was that on nights I couldn’t sleep growing up, I would Wikipedia serial killers. (I promise I’m nice and normal!) When I discovered crime novels—specifically, those with a strong noir influence—I was hooked. My favorite definition of noir, which comes from the author Laura Lippman, is “Dreamers become schemers,” and to me, that’s the story of America. It’s what I’ve been interested in exploring in my own books, The Lady Upstairs and The Hurricane Blonde. I hope you enjoy the women who are dreamer-schemers in these books as much as I do!
One of Megan Abbott’s early gems, this book dragged me down into the muck of midcentury noir, and I LOVED IT. When I was first diving into the genre of noir, I was aching for more female representation (besides the evil femme fatale or the Girl Friday you see pop up in so much of the classic noir literature).
This book feels both modern and like a throwback, with women in the driver’s seat for once. This is a book I reread when I need a boost as a writer to remember why I love writing and why I love noir specifically—it’s short, but it packs a mighty punch.
By the author of Dare Me and The End of Everything
A young woman hired to keep the books at a down-at-the-heels nightclub is taken under the wing of the infamous Gloria Denton, a mob luminary who reigned during the Golden Era of Bugsy Siegel and Lucky Luciano. Notoriously cunning and ruthless, Gloria shows her eager young protégée the ropes, ushering her into a glittering demimonde of late-night casinos, racetracks, betting parlors, inside heists, and big, big money. Suddenly, the world is at her feet—as long as she doesn't take any chances, like falling for the wrong guy. As the…
My first clue that I was a crime writer in the making was that on nights I couldn’t sleep growing up, I would Wikipedia serial killers. (I promise I’m nice and normal!) When I discovered crime novels—specifically, those with a strong noir influence—I was hooked. My favorite definition of noir, which comes from the author Laura Lippman, is “Dreamers become schemers,” and to me, that’s the story of America. It’s what I’ve been interested in exploring in my own books, The Lady Upstairs and The Hurricane Blonde. I hope you enjoy the women who are dreamer-schemers in these books as much as I do!
This book is bonkers, and I mean that in the best possible way. I loved it when I first read it, and my love for it has only grown throughout the years. I re-read it every few years, trying to pick apart why it works so well for me.
I love Hendrick’s prose, the sharp, noir rhythm of it, and the protagonist, Sherri, is my favorite type of noir heroine to read: crooked but with her own moral code. But mostly, I’m obsessed with how fearless this book is: there’s no taboo left uncrossed. I re-read this book when I need to be braver as a writer.
Sherri Parlay gives up her life of depravity, and with best intentions, finds a respectable job as a dry cleaner in hopes for a decent future. But nature and nurture plot against her when she meets the beautiful, tortured, and rich young Payne, who tempts her with the love and life she never thought possible. Even Brenda, Payne's domineering mother, can't keep the lovers apart when Sherri's animal passions take control. Unfortunately, Payne is not only a different kind of man from those in Sherri's past, he's worse than any on her list of sordid affairs. Twisted psychology and a…
My first clue that I was a crime writer in the making was that on nights I couldn’t sleep growing up, I would Wikipedia serial killers. (I promise I’m nice and normal!) When I discovered crime novels—specifically, those with a strong noir influence—I was hooked. My favorite definition of noir, which comes from the author Laura Lippman, is “Dreamers become schemers,” and to me, that’s the story of America. It’s what I’ve been interested in exploring in my own books, The Lady Upstairs and The Hurricane Blonde. I hope you enjoy the women who are dreamer-schemers in these books as much as I do!
I loved the voice of Tiffany, the murderous head sorority girl of this novel, so much so that I was very willing to overlook the fact that she was a serial killer. (We all contain multitudes, right?!) Like My Sister, the Serial Killer, this book manages to be tense, dark, and funny all at once, which truly ticks so many of my reader boxes.
This book is also set in Los Angeles, where I live, and I guffawed at its satiric portrayal of a certain type of Angeleno: perma-blonde pumped full of glamorous toxins and is willing to take anyone down a notch if it means “manifesting her highest self.” I thought this book was a truly dark, murderous blast.
The boys on the row are only after one thing, but that bullshit’s for pledges. Tiffany’s on the hunt for something more.
Kill for Love is a searing satirical thriller about Tiffany, a privileged Los Angeles sorority sister who is struggling to keep her sadistic impulses—and haunting nightmares of fire and destruction—at bay. After a frat party hookup devolves into a bloody, fatal affair, Tiffany realizes something within her has awoken: the insatiable desire to kill attractive young men.
As Tiffany’s bloodlust deepens and the bodies pile up, she must contend with mounting legal scrutiny, social media-fueled competing murders, and…
I am a queer writer whose early love of science fiction and fantasy gave me an outlet for my creativity and new ways of seeing myself in the world. It was A Wrinkle in Time by Madeleine L’Engle and Timeline by Michael Crichton that first introduced me to time and space travel in fiction, but it was the new Doctor Who and shows like Twelve Monkeys that made me realize how mad and wonderful stories about time and space travel could be. And once I came to terms with my own queer identities, I saw an obvious space for my own contribution to the time travel canon.
The Space Between Worlds is less time travel than it is parallel dimensional travel but I think it’s worth fibbing for.
Cara is a traverser – someone who can travel between different versions of her world. She retrieves data about those worlds – what went wrong and what went right – and brings it back to her own for study. She can do this because the Caras in these worlds are all dead. Except when one isn’t, royally mucking up her job.
This book is gritty and queer (though I’m not going to promise an ending wrapped up in a bow) and the method of travel the author created makes for a unique and thought-provoking read.
The Sunday Times bestseller. Winner of the Kitschies Golden Tentacle award.
A stunning science fiction debut, The Space Between Worlds is both a cross-dimensional adventure and a powerful examination of identity, privilege, and belonging.
'My mother used to say I was born reaching, which is true. She also used to say it would get me killed, which it hasn't. Not yet, anyway.'
Born in the dirt of the wasteland, Cara has fought her entire life just to survive. Now she has done the impossible, and landed herself a comfortable life on the lower levels of the wealthy and walled-off Wiley…
I’ve been hooked on true crime podcasts ever since Serial burst onto the scene in 2014. My favourites are set in remote locations and breathe life into long-forgotten cases, giving victims’ families hopes of resolution and delivering justice. Initially dispassionate podcasters often find themselves sucked into the stories they cover, continuing for years in a bid to discover the truth. I’m fascinated by what motivates the men and women behind the microphones, which inspired me to write my own podcast novel. Now Unsolved is out there, I love reading other authors’ takes on true crime podcasters and these are five of my favourites – dark and sinister with buckets of atmosphere!
One of the things that appeals to me about true crime podcasts is the idea that people who have harboured secrets for decades can be ready to set them free.
In Beneath Devil’s Bridge, young true crime podcaster Trinity Scott wants to make a name for herself and interviewing the killer locked up for the shocking murder of a local teenager is her way to do that. Despite having confessed to the crime, he now claims he wasn’t the killer after all.
The revelations aired in the podcast episodes force ex-police officer Rachel Walczak to question everything she thought she knew. Beautifully written, the characters in this book got right under my skin and the small-town backdrop is the perfect setting.
A true crime podcast yields new revelations about a shocking murder in a riveting novel of suspense by Washington Post and Amazon Charts bestselling author Loreth Anne White.
True crime podcaster Trinity Scott is chasing breakout success, and her brand-new serial may get her there. Her subject is Clayton Jay Pelley. More than two decades ago, the respected family man and guidance counselor confessed to the brutal murder of teenage student Leena Rai. But why he killed her has always been a mystery.
In a series of exclusive interviews from prison, Clayton discloses to Trinity the truth about what happened…
I have been known to read a book a day, and I read widely: all the classics, mystery and suspense, science fiction, future fiction, and fantasy. My favorite novels in any genre take me to a place or time far away. My favorite characters are like hobbits; they are caught up in big adventures but fun to have a beer with and don’t take themselves too seriously. And all the protagonists in the novels I have chosen are women, because women my age have spent enough time reading about men who have adventures.
What I love about historical novels is their ability to transport me into a past that was beyond my imaginings before I read the book.
The harrowing opening scene of this novel is something I could not imagine. But the main character of the novel, a black woman living in the Jim Crow South, has no such luxury. She knows full well the perils of being a black woman in the South. She must fight against deadly sexism and racism to try to claim a life for herself and solve a mystery with ties to a true historical crime.
Wanda Morris writes in a style reminiscent of John Grisham (if he had the life experience of a black woman). Plan to read this over the weekend because once you start, you won’t be able to put it down.
Called One of the Best Crime Novels of the Yearby New York Times * NPR * New York Post * Washington Post * Buzzfeed * South Florida Sun-Sentinel * Library Journal * CrimeReads
From the award-winning author of All Her Little Secrets comes yet another gripping, suspenseful novel where, after the murder of a white man in Jim Crow Mississippi, two Black sisters run away to different parts of the country . . . but can they escape the secrets they left behind?
It’s the summer of 1964 and three innocent men are brutally…
As a former journalist, I was trained to look at all sides of a story. When I read, I am drawn to books that have multiple characters with their own narratives. Sometimes the stories intersect with an “aha!” moment, and sometimes they’re told side-by-side inside each character’s head. Either way, it’s intriguing to have different perspectives—especially in a mystery or thriller. That’s why I use the points of view of three wives in An Inconvenient Wife to give my readers insight into each of these fascinating women.
I have always been drawn to stories that are ripped from the headlines but are still so entirely their own.
When I first got the book, I was a little daunted by the length but as I read, I discovered I couldn’t put it down and was so sorry when it was over. A missing girl, a desperate mother—all set against the backdrop of an island that’s the playground of the ultra-wealthy. What’s not to love?
'Gripping, stomach-churning . . . Marwood is in a class of her own' LISA JEWELL
'Heart stopping' SUNDAY TIMES, CRIME BOOK OF THE MONTH
'A ripped-from-the-headlines thriller . . . I couldn't put it down' MARK EDWARDS ________________
Sun-drenched glamour and obscene wealth hide the darkest of secrets and lost girls in this ripped-from-the-headlines thriller.
1985 For twelve-year-old Mercedes, La Kastellana is the place she calls home. It is an island untouched by the modern world, with deep-rooted traditions - though that is all about to change with the arrival of multimillionaire Matthew Meade and his spoiled young daughter, Tatiana.…
Like most authors, I love reading stories as well as writing them. Being of a certain age, I’ve read plenty. For me, the best tales are those where women overcome deadly odds to create their own happy ending. Those are the books I aim to write too. My characters are much braver than me! While they grapple with challenges, I’m simply tied to a keyboard. Sometimes I take my laptop to a coffee shop (mine’s a flat white, please). I live in Bristol, in the English West Country, and have spent time in Birmingham and London. They all feature in my books and give them a strong sense of place.
Linwood Barclay is adept at dreaming up quirky characters. Find You Firstfrequently switches between points of view, but there is no confusion because the characters are distinct and interesting.
On the face of it, this is a tale of two men with too much money. Tech billionaire Miles donated sperm as a student and wishes to trace his natural children. Meanwhile, sleazy Jeremy, a Jeffrey Epstein-style character, is trying to silence his victims. However, the real stars are two sparky young women, Chloe and Nicky. Chloe, suddenly confronted by the father she never knew, joins forces with Miles to find out why his other kids are being killed. Fifteen-year-old Nicky is the victim who fights back. When the disparate strands of the story come together, these ladies kick butt.
One will change your life. One will end it. Who will ... FIND YOU FIRST?
'The best book of his career' STEPHEN KING
'Insanely paced, wildly entertaining' JOE HILL
'A full-throttle powerhouse of a thriller' T.M. LOGAN
'Sharply drawn' SUNDAY TIMES
'Keeps the engine racing' THE TIMES
It's a deadly race against time...
Tech billionaire Miles has more money than he can ever spend, but he can't buy more time. Diagnosed with a terminal illness, he is forced to take a long, hard look at his past.
Somewhere out there, Miles has children who don't know it, but they might…
Since I was introduced to many authors published by Grove Press, I have been intrigued by transgressive literary fiction, especially stories and novels that feature narrators and protagonists whose unreliability and moral culpability fuel plots to surprising yet inevitable climaxes. Lesser writers of such works use the shocking and revolting as crutches for vapid prose, failing to lead readers to revelations that can be found in the darkest places and in the unlikeliest of people. What better accomplishment can any writer ask for except getting readers, in some way, to identify with characters whom they would avoid in real life?
Habib’s novel is an interesting and disturbing debut following a single father who unexpectedly reconnects with a former bully who has ulterior motives.
The first part of the novel jumps back and forth between their high school days and the present, leading to a moment of shocking violence. It’s the aftermath of that violence and how the protagonist deals (or fails to deal) with it that stands out the most, leading to a gut-wrenching conclusion.
Single father Todd is relaxing at the beach with his son, Anthony, when he catches sight of a man approaching from the water's edge. As the man draws closer, Todd recognizes him as Jack, who bullied Todd relentlessly in their teenage years but now seems overjoyed to have "run into" his old friend. Jack suggests a meal to catch up. And can he spend the night?
What follows is a fast-paced story of obsession and cunning. As Jack invades Todd's life, pain and intimidation from the past unearth knife-edge suspense in the present. Set in a small town on the…
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