Here are 100 books that More Than You'll Ever Know fans have personally recommended if you like
More Than You'll Ever Know.
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In my early twenties, I worked in a maximum security, Category A men’s prison. I got to know the prisoners, who were usually polite, funny, and, for want of a better word, ‘normal,’ even if guilty of terrible crimes. It made me realize you can’t simply tell if someone is ‘good’ or ‘bad’ by looking at them. It left an indelible mark on me: a fascination with people who lie easily and fool the world. My fascination grew when I became a journalist, but writing fiction has given me the freedom to truly explore liars of all types and try to understand them.
Why people lie is often as interesting as the lie itself for me. This book lays this out as Korede finds herself being a protective big sister to the beautiful Ayoola, a woman with an unfortunate hobby of bumping off men she dates. Despite the darkness of the subject matter, it’s a story full of humor as Korede finds herself telling lie after lie and getting in way over her head to cover up her sister’s murders.
I’ve got two sisters (none of us serial killers!), and it’s funny how much of this tale is relatable! It’s fresh and sharp, with a rich vein of humor that had me chuckling through much of it.
Sunday Times bestseller and The Times #1 bestseller
Longlisted for the Booker Prize 2019 Shortlisted for the Women's Prize for Fiction 2019 Winner of the 2019 LA Times Award for Best Crime Thriller Capital Crime Debut Author of the Year 2019 __________
'A literary sensation' Guardian
'A bombshell of a book... Sharp, explosive, hilarious' New York Times
'Glittering and funny... A stiletto slipped between the ribs and through the left ventricle of the heart' Financial Times __________
When Korede's dinner is interrupted one night by a distress call from her sister, Ayoola, she knows what's expected of her: bleach, rubber…
As a mom of three who's struggled to find a balance between parenting, career, and meeting my own needs, I'm intensely interested in the way our society views motherhood. There are so many different ways to become a mother and so many different opinions about what makes a “good mom.” On the one hand, our culture has incredibly high expectations and seems to judge women no matter what choices they make. At the same time, we don’t offer struggling moms basic supports like low-cost childcare, mental health benefits, or paid maternity leave. I love reading novels that recognize this paradox and take a generous view of the many definitions of motherhood.
At first glance, this doesn't seem to be a book about motherhood, but Vanderah beautifully illustrates how the word “mother” can be more of a verb than a noun. I raced through this story, captivated by the precocious child character, Ursa, and rooting for the accidental guardians who try to protect her. The questions surrounding Ursa’s sudden appearance quickly drew me in, but then the book became so much more than a mystery.
Joanna, the main character, has no biological children but very much becomes a mother to Ursa in the story. I loved the organic, natural way their relationship develops and how they each teach the other to love and trust again. The sweet, inspiring ending made me want to read all of Vanderah’s books.
An Amazon Charts, Wall Street Journal, and Washington Post bestseller, and a Goodreads Choice Award finalist.
In this gorgeously stunning debut, a mysterious child teaches two strangers how to love and trust again.
After the loss of her mother and her own battle with breast cancer, Joanna Teale returns to her graduate research on nesting birds in rural Illinois, determined to prove that her recent hardships have not broken her. She throws herself into her work from dusk to dawn, until her solitary routine is disrupted by the appearance of a mysterious child who shows up at her cabin barefoot…
My first clue that I was a crime writer in the making was that on nights I couldn’t sleep growing up, I would Wikipedia serial killers. (I promise I’m nice and normal!) When I discovered crime novels—specifically, those with a strong noir influence—I was hooked. My favorite definition of noir, which comes from the author Laura Lippman, is “Dreamers become schemers,” and to me, that’s the story of America. It’s what I’ve been interested in exploring in my own books, The Lady Upstairs and The Hurricane Blonde. I hope you enjoy the women who are dreamer-schemers in these books as much as I do!
One of Megan Abbott’s early gems, this book dragged me down into the muck of midcentury noir, and I LOVED IT. When I was first diving into the genre of noir, I was aching for more female representation (besides the evil femme fatale or the Girl Friday you see pop up in so much of the classic noir literature).
This book feels both modern and like a throwback, with women in the driver’s seat for once. This is a book I reread when I need a boost as a writer to remember why I love writing and why I love noir specifically—it’s short, but it packs a mighty punch.
By the author of Dare Me and The End of Everything
A young woman hired to keep the books at a down-at-the-heels nightclub is taken under the wing of the infamous Gloria Denton, a mob luminary who reigned during the Golden Era of Bugsy Siegel and Lucky Luciano. Notoriously cunning and ruthless, Gloria shows her eager young protégée the ropes, ushering her into a glittering demimonde of late-night casinos, racetracks, betting parlors, inside heists, and big, big money. Suddenly, the world is at her feet—as long as she doesn't take any chances, like falling for the wrong guy. As the…
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
My first clue that I was a crime writer in the making was that on nights I couldn’t sleep growing up, I would Wikipedia serial killers. (I promise I’m nice and normal!) When I discovered crime novels—specifically, those with a strong noir influence—I was hooked. My favorite definition of noir, which comes from the author Laura Lippman, is “Dreamers become schemers,” and to me, that’s the story of America. It’s what I’ve been interested in exploring in my own books, The Lady Upstairs and The Hurricane Blonde. I hope you enjoy the women who are dreamer-schemers in these books as much as I do!
This book is bonkers, and I mean that in the best possible way. I loved it when I first read it, and my love for it has only grown throughout the years. I re-read it every few years, trying to pick apart why it works so well for me.
I love Hendrick’s prose, the sharp, noir rhythm of it, and the protagonist, Sherri, is my favorite type of noir heroine to read: crooked but with her own moral code. But mostly, I’m obsessed with how fearless this book is: there’s no taboo left uncrossed. I re-read this book when I need to be braver as a writer.
Sherri Parlay gives up her life of depravity, and with best intentions, finds a respectable job as a dry cleaner in hopes for a decent future. But nature and nurture plot against her when she meets the beautiful, tortured, and rich young Payne, who tempts her with the love and life she never thought possible. Even Brenda, Payne's domineering mother, can't keep the lovers apart when Sherri's animal passions take control. Unfortunately, Payne is not only a different kind of man from those in Sherri's past, he's worse than any on her list of sordid affairs. Twisted psychology and a…
My first clue that I was a crime writer in the making was that on nights I couldn’t sleep growing up, I would Wikipedia serial killers. (I promise I’m nice and normal!) When I discovered crime novels—specifically, those with a strong noir influence—I was hooked. My favorite definition of noir, which comes from the author Laura Lippman, is “Dreamers become schemers,” and to me, that’s the story of America. It’s what I’ve been interested in exploring in my own books, The Lady Upstairs and The Hurricane Blonde. I hope you enjoy the women who are dreamer-schemers in these books as much as I do!
I loved the voice of Tiffany, the murderous head sorority girl of this novel, so much so that I was very willing to overlook the fact that she was a serial killer. (We all contain multitudes, right?!) Like My Sister, the Serial Killer, this book manages to be tense, dark, and funny all at once, which truly ticks so many of my reader boxes.
This book is also set in Los Angeles, where I live, and I guffawed at its satiric portrayal of a certain type of Angeleno: perma-blonde pumped full of glamorous toxins and is willing to take anyone down a notch if it means “manifesting her highest self.” I thought this book was a truly dark, murderous blast.
The boys on the row are only after one thing, but that bullshit’s for pledges. Tiffany’s on the hunt for something more.
Kill for Love is a searing satirical thriller about Tiffany, a privileged Los Angeles sorority sister who is struggling to keep her sadistic impulses—and haunting nightmares of fire and destruction—at bay. After a frat party hookup devolves into a bloody, fatal affair, Tiffany realizes something within her has awoken: the insatiable desire to kill attractive young men.
As Tiffany’s bloodlust deepens and the bodies pile up, she must contend with mounting legal scrutiny, social media-fueled competing murders, and…
As a mom of three who's struggled to find a balance between parenting, career, and meeting my own needs, I'm intensely interested in the way our society views motherhood. There are so many different ways to become a mother and so many different opinions about what makes a “good mom.” On the one hand, our culture has incredibly high expectations and seems to judge women no matter what choices they make. At the same time, we don’t offer struggling moms basic supports like low-cost childcare, mental health benefits, or paid maternity leave. I love reading novels that recognize this paradox and take a generous view of the many definitions of motherhood.
This book made me laugh and cry in equal measure. Laurie Frankel writes about motherhood and families with such wit, charm, and frankness that I always feel like I’m being invited right into her characters’ lives, being asked to pull up a chair at their kitchen table.
Through multiple perspectives and dual timelines, the story dives deep into the question of whether it’s genetics or dedication or love—or some complicated mix of all three—that makes someone a mother. I loved Frankel’s expansive perspective on the meaning of family, and the way she offers examples of biological moms, adoptive moms, and moms making unexpected choices, but all doing their best.
India Allwood grew up wanting to be an actress. Armed with a stack of index cards (which, torn into pieces, also function as make-shift confetti) and a hell of a lot of talent, she goes from awkward 16-year-old to Broadway ingenue to tv star.
But while promoting her most recent project, a film about adoption, India does what you should never do - she tells a journalist the truth: it's a bad movie. Like so many movies about adoption, it tells only one story, a tragic one. But India's an adoptive mum herself and knows there's so much more to…
Riley Masterson has moved to Greenbrier, SC, anxious to escape the chaos that has overwhelmed her life.
Questioned in a murder in Alabama, she has spent eighteen months under suspicion by a sheriff’s office, unable to make an arrest. But things in gentrifying Greenbrier are not as they seem. As…
As a mom of three who's struggled to find a balance between parenting, career, and meeting my own needs, I'm intensely interested in the way our society views motherhood. There are so many different ways to become a mother and so many different opinions about what makes a “good mom.” On the one hand, our culture has incredibly high expectations and seems to judge women no matter what choices they make. At the same time, we don’t offer struggling moms basic supports like low-cost childcare, mental health benefits, or paid maternity leave. I love reading novels that recognize this paradox and take a generous view of the many definitions of motherhood.
This book describes the intensity of new motherhood so accurately that I was surprised to realize it was written by a man! It brought back memories of the newborn days with my own three kids, when I was drowning in exhaustion, anxiety, and breastmilk but also felt overwhelmed with joy and love.
When the main character decides to step in and adopt a second baby—the child of her nanny, who dies in childbirth—we get to see how mothering is both the same and different when your baby doesn’t share your genes or even your skin color. I loved how the book doesn’t give easy answers to the sticky questions around transracial adoption but instead leaves the reader pondering. I read this one years ago, and I’m still thinking about it!
NAMED A RECOMMENDED BOOK OF 2018 BY: Buzzfeed • The Boston Globe • The Millions • InStyle • Southern Living • Vogue • Popsugar • Kirkus • The Washington Post • Library Journal • Real Simple • NPR
“With his unerring eye for nuance and unsparing sense of irony, Rumaan Alam’s second novel is both heartfelt and thought-provoking.” — Celeste Ng, author of Little Fires Everywhere
From the bestselling author of Leave the World Behind, a novel about the families we fight to build and those we fight to keep
Like many first-time mothers, Rebecca Stone finds herself both deeply…
As a mom of three who's struggled to find a balance between parenting, career, and meeting my own needs, I'm intensely interested in the way our society views motherhood. There are so many different ways to become a mother and so many different opinions about what makes a “good mom.” On the one hand, our culture has incredibly high expectations and seems to judge women no matter what choices they make. At the same time, we don’t offer struggling moms basic supports like low-cost childcare, mental health benefits, or paid maternity leave. I love reading novels that recognize this paradox and take a generous view of the many definitions of motherhood.
I couldn’t put this one down! I kept asking myself what I would have done if I was in the same situation as Sarah, who found herself accidentally kidnapping a child to protect her from an abusive mom. The story made me think deeply about whether biology or bonding should matter more when deciding who deserves to raise a child.
I love it when authors aren’t afraid to dive into the perspective of unlikeable characters, and I appreciated that Frey gives us chapters from the perspective of the biological mom, whose misery and overwhelm I found relatable even as her parenting choices made me cringe.
Emma Grace Townsend. Five years old. Gray eyes. Brown hair. Missing since June.
Emma Townsend is lonely. Living with her cruel mother and clueless father, Emma retreats into her own world of quiet and solitude.
Sarah Walker. Successful entrepreneur. Broken-hearted. Abandoned by her mother. Kidnapper.
Sarah has never seen a girl so precious as the gray-eyed child in a crowded airport terminal - and when a second-chance encounter with Emma presents itself, Sarah takes her, far away from home. But if it's to rescue a little girl from her damaging mother, is kidnapping wrong?
I have been a writer for almost as long as I have been a reader, and I have always been attracted to the darker side of ordinary life. I write psychological suspense thrillers, always featuring a family in crisis. I am fascinated by what happens behind closed doors and what the headlines do not tell you about a situation. Most people love a good secret exposed, and I am no different. I look at those around me and wonder, ‘What are you hiding?’ because everyone is hiding something. And I want to know what it is.
This domestic suspense novel explores a less traditional family.
Jessica, Norah, and Alicia are foster children who end up together on an idyllic farming estate, but their lives are filled with manipulation, secrets, and lies. Their foster mother, Miss Fairchild, is a complicated and scary character, and her abuse of her young charges is difficult to read.
SISTERS, SECRETS, LOVE, AND MURDER... Sally Hepworth’s new novel has it all.
For as long as they can remember, Jessica, Norah, and Alicia have been told how lucky they are. As young girls they were rescued from family tragedies and raised by a loving foster mother, Miss Fairchild, on an idyllic farming estate and given an elusive second chance at a happy family life.
But their childhood wasn’t the fairy tale everyone thinks it was. Miss Fairchild had rules. Miss Fairchild could be unpredictable. And Miss Fairchild was never, ever to be crossed. In a moment of desperation, the three…
Liveaboard sailor Cass Lynch thinks her big break has finally arrived when she blags her way into skippering a Viking longship for a Hollywood film. However, this means returning to the Shetland Islands, the place she fled as a teenager. When a corpse unexpectedly appears onboard the longship, she can…
I’m a backpacker at heart, a high school English teacher, and a bestselling author with an eye on what’s really happening under the surface and what people are really thinking. My mum taught me early to "watch the quiet ones," and I’ve always been fascinated by the way people can promote a very public self while maintaining something totally different on the inside. Perhaps that’s why I love a good twist! I also think that in the current climate of extremely savvy thriller readers, it’s impressive to wrongfoot readers and stay true to the clues hidden in the pages.
I loved this thriller set high in the hills of a Greek villa, where all the women have secrets up their sleeves.
Told in multiple perspectives, it holds its tension so well, and I wasn’t sure which of the women in the group might turn murderous or which of the secrets might explode. The final twist, however, was so satisfying because I hadn’t spotted it, even when it had been there all along…
The scorching, escapist new thriller from the Sunday Times bestselling author of The Castaways
'An addictive sun-soaked thriller'MARIE CLAIRE 'The perfect holiday read' CLAIRE DOUGLAS 'Brimming with tension' CLARE MACKINTOSH 'Talk about twists and turns' EMMA STONEX 'Utterly addictive . . . her best yet' ERIN KELLY
WE WERE DYING FOR A HOLIDAY
The six of us arrived on that beautiful Greek island dreaming of sun-drenched beaches and blood orange sunsets, ready to lose ourselves in the wild freedom of a weekend away with friends.
On the first night we swam under a blanket of stars.
