Here are 81 books that The Oxford Companion to Crime and Mystery Writing fans have personally recommended if you like
The Oxford Companion to Crime and Mystery Writing.
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I am a storyteller and I conceived The Life of Crime as the ‘life story’ of a fascinating and truly diverse genre. I’ve always been intrigued by the ups and downs of literary lives, and the book explores the rollercoaster careers of writers from across the world. The chapter endnotes contain masses of trivia and information, as well as some original research, that I hope readers will find enjoyable as well as interesting. But The Life ofCrimeisn’t an academic text. It’s a love letter to a genre that I’ve adored for as long as I can remember.
I’ve readBloody Murder more times than any other non-fiction book. The first edition made a huge impression on me. Symons introduced me to countless fascinating authors and books (many of them obscure) which I’d never heard of and which have given me endless reading pleasure. Symons’ opinions were, and remain, controversial, and his disdain for ‘humdrum’ writing from the ‘Golden Age’ between the wars has attracted much criticism, some of it sensible, some of it over-the-top. His belief that the ‘detective story’ had metamorphosed into the ‘crime novel’ was eloquently argued, but I think mistaken. Today’s readers have just as much of an appetite for an entertaining, well-crafted puzzle as ever. But never mind the flaws; this elegantly written book remains as influential as it is indispensable.
This history of the various forms and masters of the mystery genre follows the trail through the first pinnacle of detection in the Master Detective stories of the 1930s up to the present
I am a storyteller and I conceived The Life of Crime as the ‘life story’ of a fascinating and truly diverse genre. I’ve always been intrigued by the ups and downs of literary lives, and the book explores the rollercoaster careers of writers from across the world. The chapter endnotes contain masses of trivia and information, as well as some original research, that I hope readers will find enjoyable as well as interesting. But The Life ofCrimeisn’t an academic text. It’s a love letter to a genre that I’ve adored for as long as I can remember.
Haycraft was an American commentator and this survey of the history of crime writing up to the Second World War is soundly written and sympathetic. Interestingly, he believed that the locked room puzzle was played out and that authors should avoid it, whereas this type of mystery has enjoyed a significant revival in recent years. Predicting how crime writing will evolve in the future is fraught with danger! Inevitably, Haycraft’s focus was mainly on American and British crime fiction. The limited number of translated mysteries in those days meant that the global reach of crime writing, and the achievements of authors whose first language is not English, has long been under-estimated. Only now is this problem being addressed.
"Genuinely fascinating reading."—The New York Times Book Review "Diverting and patently authoritative."—The New Yorker "Grand and fascinating … a history, a compendium and a critical study all in one, and all first rate."—Rex Stout "A landmark … a brilliant study written with charm and authority."—Ellery Queen "This book is of permanent value. It should be on the shelf of every reader of detective stories."—Erle Stanley Gardner Author Howard Haycraft, an expert in detective fiction, traces the genre's development from the 1840s through the 1940s. Along the way, he charts the innovations of Edgar Allan Poe, Wilkie Collins, and Arthur Conan…
I am a storyteller and I conceived The Life of Crime as the ‘life story’ of a fascinating and truly diverse genre. I’ve always been intrigued by the ups and downs of literary lives, and the book explores the rollercoaster careers of writers from across the world. The chapter endnotes contain masses of trivia and information, as well as some original research, that I hope readers will find enjoyable as well as interesting. But The Life ofCrimeisn’t an academic text. It’s a love letter to a genre that I’ve adored for as long as I can remember.
This is a fun book. The late Bob Adey’s passion for locked-room puzzles and his extraordinary breadth of reading shines through. After a discursive history of this type of detective story, he lists over two thousand novels and stories and the ‘impossible crime’ elements within them. A separate section listing all the solutions is not only enlightening but highly entertaining. A recent updated edition by Brian Skupin evidences the enduring appeal of ‘miraculous mysteries.’
Delve into this internationally best-selling series, now complete! A fast paced laugh-out-loud mix of Urban Fantasy and Mystery.
I can tell when you’re lying. Every. Single. Time. I’m Jinx, a PI hired to find a missing university student, I hope to find her propped up at a bar–yet my gut…
I am a storyteller and I conceived The Life of Crime as the ‘life story’ of a fascinating and truly diverse genre. I’ve always been intrigued by the ups and downs of literary lives, and the book explores the rollercoaster careers of writers from across the world. The chapter endnotes contain masses of trivia and information, as well as some original research, that I hope readers will find enjoyable as well as interesting. But The Life ofCrimeisn’t an academic text. It’s a love letter to a genre that I’ve adored for as long as I can remember.
During my twenties, I supplemented my understanding of crime writers past and present by studying the essays, bibliographies, and authors’ comments in this weighty tome. It’s a first-rate reference book, packed with information. Reilly was responsible for the first two editions and I was delighted to be asked to contribute essays myself to the third and fourth editions.
Twentieth-Century Crime Fiction aims to enhance understanding of one of the most popular forms of genre fiction by examining a wide variety of the detective and crime fiction produced in Britain and America during the twentieth century. It will be of interest to anyone who enjoys reading crime fiction but is specifically designed with the needs of students in mind. It introduces different theoretical approaches to crime fiction (e.g., formalist, historicist, psychoanalytic, postcolonial, feminist) and will be a useful supplement to a range of crime fiction courses, whether they focus on historical contexts, ideological shifts, the emergence of sub-genres, or…
As a longtime lover of Gothic literature, I wrote my doctoral dissertation on it, which became my book The Gothic Wanderer: From Transgression to Redemption. My second book on the Gothic, Vampire Groomsand Spectre Brides, explored how French and British Gothic authors influenced each other. The City Mysteries novels were part of that influence, as evidenced by how British author Reynolds borrowed the idea to write The Mysteries of London from French author Sue’s The Mysteries of Paris. After reading so many City Mysteriesnovels, I decided to write my own, complete with crossdressers, prostitutes, criminals, innocents, and the genre’s many other signature elements.
British author George W. M. Reynolds had no qualms about stealing Sue’s idea and title and writing his own book called The Mysteries of London (1844-1846). I love this novel for its sensationalism, which caused it to be the ultimate Victorian bestseller, even outselling Dickens.
The novel brings together criminals, women forced into prostitution, murderers, crossdressers, and royalty. At the heart of it is the story of the Markham brothers, one good, one evil. We follow their paths as they interact with all the other people in London and become embroiled in conspiracies. One of them even ends up marrying royalty and ruling a small European country. Reynolds’ bold writing style and mastery of multiple plots makes this 2,500-page novel highly readable and shocking even today.
The government feared him. Rival authors like Charles Dickens, whom he outsold, despised him. The literary establishment did its best to write him out of literary history. But when George W.M. Reynolds, journalist, political reformer, Socialist, and novelist, died in 1879, even his critics were forced to acknowledge the truth of his obituary, which declared that he was the most popular writer of his time. And The Mysteries of London, which was published in 1844 in the "penny dreadful" format of weekly installments sold for a penny each, was his masterpiece and greatest success, selling 50,000 copies a week and…
I'm a writer based in Wisconsin. I write in a genre that exists much like its subjects: lurking in the shadows. It's something I call Gothic Espionage, which is the intersection of the Gothic and Espionage/Spy genres. My first novel, Bite of the Wolf, was the first synthesis of these two worlds, and continues with the follow up, slated for release in September, Operation Frankenstein. Appropriately enough, spies are often referred to as “spooks,” and these selections will highlight both the spooky and the spooks of Gothic Espionage, and I’ll highlight why both horror and spy novels can both be described as “thrillers.”
A precursor to Dracula, and largely forgotten today in the mainstream, the globe-hopping adventures of Varney bring to mind many spy adventure tales.
In this novel, one of the original “penny dreadfuls” the episodic tone (due to its original publication as a continuing weekly serial from 1845-1847), contributes to the espionage feel, especially as Varney takes on a cover as “Baron Stolmuyer Saltsburgh” in order to further his activities.
Also notable is, among the other vampiric Gothic traits displayed by Varney, he is also able to be revived by moonlight, a trope which is now more attributed to werewolves.
Varney the Vampire (1847) is a penny dreadful novel by British writers James Malcolm Rymer and Thomas Peckett Prest. Originally serialized in cheap volumes, the novel introduced some of the most recognizable tropes of vampire fiction still used today, including the depiction of fangs and the use of a Gothic setting. Set during the Napoleonic Wars, Varney the Vampire is a story of tragedy, damnation, and revenge that pioneered many of the themes common to horror and pulp fiction today. Sir Francis Varney was condemned to an eternity of vampiric life following his actions during the reign of Oliver Cromwell.…
Liza O’Connell was a horror buff in every sense of the word. But there was one deadly nightmare she would never be able to talk about … her own. A friend murdered. A business in trouble. A marriage struggling to survive. And that’s just the beginning.
I’ve always loved horror stories. At the age of 7 or 8, I’d be reading The Pan Book Of Horror Stories or Aidan Chambers’ Haunted Houses by flashlight with the bed sheets pulled over my head (not because I should have been asleep, but to guard against vampires creeping up on me!) I always found these stories strangely comforting, a world of adventure into which a shy kid like me could retreat. Ghosts and monsters became part of my cultural DNA, constant companions through life. That’s why I write horror today, to make my own tiny contribution to the genre, which has given me so much.
This is a comprehensive anthology of non-Dracula short stories (although it does include Bram Stoker’s Dracula’s Guest!) covering the whole of the nineteenth century and beyond, including John Polidori’s The Vampyre and Sheridan le Fanu’s influential Carmilla.
It even has an extract from the hugely popular Victorian ‘penny dreadful’ Varney The Vampire, which is so awful that it’s hilarious.
They're lurking under the cover of darkness and between the covers of this book. Here, in all their horror and all their glory, are the great vampires of literature: male and female, invisible and metamorphic, doomed and daring.
Their skin deathly pale, their nails curved like claws, their fangs sharpened for the attack, they are gathered for the kill and for the chill, brought frighteningly to life by Bram Stoker, Fritz Leiber, Richard Matheson, Robert Bloch, Charles L. Grant, Tanith Lee, and other masters of the macabre. Careful they are all crafty enough to steal their way into your imagination…
I’ve always loved horror stories. At the age of 7 or 8, I’d be reading The Pan Book Of Horror Stories or Aidan Chambers’ Haunted Houses by flashlight with the bed sheets pulled over my head (not because I should have been asleep, but to guard against vampires creeping up on me!) I always found these stories strangely comforting, a world of adventure into which a shy kid like me could retreat. Ghosts and monsters became part of my cultural DNA, constant companions through life. That’s why I write horror today, to make my own tiny contribution to the genre, which has given me so much.
If you’re interested in the literary roots of vampires, and Dracula in particular, I’d heartily recommend this nonfiction title. It delves into the origins of characters like the Count in earlier 19th-century texts and examines how and why Dracula became such a long-lasting cultural influence. It’s also very good on Bram Stoker’s life and less famous works.
Christopher Frayling has spent 45 years exploring the history of one of the most enduring figures in the history of mass culture - the vampire. Vampyres is a comprehensive and generously illustrated history and anthology of vampires in literature, from the folklore of Eastern Europe to the Romantics and beyond. Frayling recounts the most significant moments in gothic history, while extracts from a huge range of sources - including Bram Stoker's detailed research notes for Dracula, penny dreadfuls and Angela Carter's The Bloody Chamber , new to this edition - are contextualized and analysed. This revised and expanded edition brings…
I started reading mysteries as a way to avoid studying for final exams as an undergrad. Nemesis by Agatha Christie was my gateway mystery. That was fifty-plus years and many, many mysteries read ago. I managed an independent bookstore for several years and then worked in a public library for twenty more. I especially liked introducing readers to my favorite mysteries in the store and the library. Why mysteries in particular? Because they do something that doesn’t often happen in real life—they restore order. But the best mysteries, to my mind, are the ones that include humor. We need humor in our lives because it restores hope.
This is the cleverest, funniest, best Sherlock Holmes homage ever. It’s Montana, 1893, and I’m watching the red-headed Amlingmeyer brothers, down-on-their-luck ranch hands, entertain themselves reading Holmes stories in Harper’s Weekly.
Big Red, the younger brother, is reading to his older brother, Old Red (all of 27). Old Red might be illiterate, but I’ll match his “detectifyin’” skills with Holmes’ any day. I love Big Red’s reluctant but loyal acceptance of his role as Watson as the two cowpokes deal with stampedes, mysterious deaths, and cowboys named Puddin-foot and Swivel-eye.
No matter what Big Red tells him, Old Red doesn’t quite believe the Holmes stories are fiction. But I believe Hockensmith’s stories are exactly what Mark Twain would have written if he’d come up with this brilliant idea.
Somewhere due west of Deadwood, a pair of unlikely cowboy sleuths investigate murder just like their hero, Sherlock Holmes. 1893 is a tough year in Montana, and any job is a good job. When Big Red and Old Red Amlingmeyer sign on as ranch hands at the secretive Bar- VR cattle spread, they're not expecting much more than hard work, bad pay, and a comfortable campfire around which they can enjoy their favourite pastime: scouring Harpers J,Veekly for stories about the famous Sherlock Holmes. When another ranch hand turns up in an outhouse with a bullet in his brain, Old…
San Diego Private Investigator, Brig Ellis, is hired by a wealthy industrialist to help him acquire the final horse in a set of twelve palomino miniatures that once belonged to the last Emperor of China. What begins as a seemingly reasonable assignment quickly morphs into something much more malevolent.
I made up Faythe of North Hinkapee by being a jerk! I was ranting about
how bad a "best seller" book I had read was. My wife looked at me and
said, "So, could you write a bestseller?" I was challenged, and then,
somehow, this book just tumbled out. It was about a girl in Colonial
Times—her family burned as witches—vowing vengeance and how she gets
it. My wife looked at me and said: “My God, that could be a bestseller!’ My kids also loved the story. For about twenty years, I
planned to write it, and after a ton of work, I finally finished.
I was hooked in the first chapter when the protagonist, Mary Russell, meets Sherlock Holmes, who is retired. There – do I have to say more?
She is a young woman and Sherlock is, well, Sherlock, and yet she matches wits with him while they end up in the middle of a creative and a bit scary Sherlock Holmes-ish tale. I couldn’t wait to get and read the sequels.
In 1915, Sherlock Holmes is retired and quietly engaged in the study of honeybees when a young woman literally stumbles into him on the Sussex Downs. Fifteen years old, gawky, egotistical, and recently orphaned, the young Mary Russell displays an intellect to impress even Sherlock Holmes--and match him wit for wit. Under his reluctant tutelage, this very modern twentieth-century woman proves a deft protegee and a fitting partner for the Victorian detective. But even in their first case together, the pair face a truly cunning adversary who will stop at nothing to put an end to their partnership.
