Fans pick 100 books like Bloody Murder

Haycraft was an American commentator and this survey of the history of crime writing up to the Second World War is soundly written and sympathetic. Interestingly, he believed that the locked room puzzle was played out and that authors should avoid it, whereas this type of mystery has enjoyed a significant revival in recent years. Predicting how crime writing will evolve in the future is fraught with danger! Inevitably, Haycraft’s focus was mainly on American and British crime fiction. The limited number of translated mysteries in those days meant that the global reach of crime writing, and the achievements of authors whose first language is not English, has long been under-estimated. Only now is this problem being addressed.   

This is a fun book. The late Bob Adey’s passion for locked-room puzzles and his extraordinary breadth of reading shines through. After a discursive history of this type of detective story, he lists over two thousand novels and stories and the ‘impossible crime’ elements within them. A separate section listing all the solutions is not only enlightening but highly entertaining. A recent updated edition by Brian Skupin evidences the enduring appeal of ‘miraculous mysteries.’ 

During my twenties, I supplemented my understanding of crime writers past and present by studying the essays, bibliographies, and authors’ comments in this weighty tome. It’s a first-rate reference book, packed with information. Reilly was responsible for the first two editions and I was delighted to be asked to contribute essays myself to the third and fourth editions.

I dreamed for many years of writing a book about crime fiction. I’m primarily a crime novelist, but so was Julian Symons, and the experience of writing fiction is invaluable when discussing other writers and understanding what they were trying to do. I approached Oxford University Press, with a view to producing a Companion about the genre, comprising essays by writers including myself. This led to a fruitful meeting with an OUP editor and novelist, Michael Cox, but the project was stillborn when his American colleagues had commissioned just such a book, to be edited by Rosemary Herbert. Rosemary invited me to contribute twenty-odd essays to her Companion, and I found the work of my fellow contributors (including Symons) a delight to read.

Once in a while, every author reads a book they wish they had written. This book is the one for me.

Jannie, a once-bestselling-now-struggling crime writer, unable to lend authenticity to her plots and voice, decides to carry out a multi-million-dollar heist to give a fact-based and realistic account. However, to accomplish her plan, she teams up with her partner to recruit men from the wrong side of town. Together the team members scout targets and rehearse the various escape routes. Jannie’s plan is to call off the make-believe caper a day before the heist. But…the hustlers she’s recruited won’t take orders from her any longer, not when over a million dollars are within touching distance. 

In the words of Sanders himself: “Crime never felt so good!” 

Combining a murder mystery with a colorful sci-fi universe that’s full of magic? Yes, please. Odd couple Lieutenant Iari and Ambassador Gaer (who, don’t let the title fool you, is actually an alien spy) have to team up to discover why a retired battle-mecha killed someone—an occurrence that should be impossible. The rapport between Iari and Gaer is a delight, and the plot quickly unfolds from a mere murder to something far more sinister. I absolutely love the world that Eason creates—it has the scale of a video game-like Mass Effect while simultaneously creating compelling characters. 

I came to this book by accident. I had overindulged in fantasy and was tired of recycled plots and worn tropes. I picked it up on holiday as a last resort and found a very different sort of fantasy, which rekindled my enthusiasm for the genre.

Inquisitor Glokta is a character I wanted to hate. He is a torturer, and a cripple, having been tortured himself. He’s ruthless and focused and possibly the meanest of anti-heroes. But I think I came to imagine what it was like to be the dashing hero, loved by everyone, feted by royalty, and then ruined by malice and torture, and yes, as this tale unfolded, I began to like him and the rest of the misfits that populate Joe Abercombie’s world very much indeed.

Immediately following the events of Gideon the Ninth, the reader is thrust into the wreckage of Harrow just as lost as she is, both reader and character engaged in a mind-bending fight to unravel the mystery of who she is now and what she will become.

This is a sequel, and can’t be read without first reading Gideon the Ninth. And it is impossible to fully articulate this book’s place on this list without robbing the reader of the experience found in Harrow’s self-discovery. But I had to include it anyway; this book made me crazy (positive), it made me despair (as in I will never write something this cool), and it made me reflect on all the ways that queer people compartmentalize ourselves, the ways we perform normativity and queerness, and how mind-bending it can be when we try to sort the pieces of ourselves out into… show more.

This was the first book I read from Natalie Walters and it was fabulous! She is an auto-buy for me with a riveting story that is not only crime-centric but with relatable and real characters! Her romance is light and expertly woven through a story that will keep you guessing, biting your fingernails, and skipping dinner!

Gethsemane Brown is a vibrant, ambitious, and brave. She’ll strike out anywhere in the world to be a Maestra as long as her life is filled with music.

The offers aren’t what she would like and takes a job in an Irish boys’ academy. The boys were rebellious (of course they are). The school won’t support her recommendations. As the only black woman in the village (and an American), the entire town knew her business before she could even unpack her boxes.

Readers should be prepared for a touch of the paranormal here. Gethsemane lives in a haunted house. Despite this quirk, the mystery is completely grounded in the realism of the town, its people, the church, etc.