90 books like Nightwatch on the Hinterlands

The delicious worldbuilding, with its gorgeous, sensual details, and the intriguing story setup, were the things that grabbed me and pulled me into the book. The characters—funny, complicated, and utterly loveable—convinced me to stay.

But it was the complex, beautiful exploration of identity, belonging, love, grief, and longing that’s stayed with me since I listened to the last word of the audiobook. This book manages to be both an exciting and action-packed adventure and a beautiful tribute to the bittersweet complexities of being human. 

I love a good space opera, and John Scalzi’s second to none in that department. In some ways, this book (and the two that follow it in The Interdependency series) remind me of the original Foundation, as an immense space empire under a new and untried leader struggles to come to terms with an imminent catastrophe that could bring it to its knees. I personally found the foul-mouthed and irreverent Lady Kiva Lagos a particular delight, as a force of nature that bulls her way through any obstacle. 

Okay, it’s the second book in the tremendously popular series The Expanse (perhaps you’ve heard of this little series turned TV show), but it’s also my favorite. That’s because Corey ramps up the intrigue as Mars, Earth, and the Belt find themselves enmeshed in an open war that has some decidedly murky underpinnings. This volume also introduces two of the series' best and most memorable characters: Martian marine Bobbie Draper and savvy Earth politician Chrisjen Avasarala. The book kicks off with a bang, and doesn’t let up, concluding with perhaps one of the most page-turning action sequences I’ve ever read.

This is probably my favorite book of all time, from my favorite series of all time, The Vorkosigan Saga. Miles Vorkosigan, spy and accidental leader of a mercenary fleet, comes face to face with his mortality when he’s injured during a mission. As he recovers, he has to rebuild his life and his identity and find a new purpose in an empire that prizes warriors—a long-running challenge for this diminutive disabled hero. Meanwhile, one of his mentors, spymaster Simon Illyan, is dealing with a threat that could not only unravel his own life but decades’ worth of the Empire’s secrets. It’s funny, tense, and touching all at turns; I can’t think of that many sci-fi adventures that will have you laughing and crying. 

This lesser-known gem was my favorite book of 2019. You take a World War II-style submarine war but throw in horrifying new supernatural powers, and then pitch it against Cthulu-style interdimensional monsters and you start to have an idea of the gloriously-insane trajectory of this book. That may sound over-the-top at a glance, but I promise this is a grounded read that’s flush with complex interweaving relationships, and an unrelenting pace that constantly throws new, bigger dangers at the characters before they’ve had a chance to catch their breath. This book is far better than it has any right to be.

This book largely takes place over a three-day battle. It showcases the stupidity of war, the cowardice, the luck, the incompetence, and yes, sometimes even the breathtaking courage.

As you’d expect from Abercrombie–the so-called Lord of Grimdark–the ‘heroes’ are no such thing, but rather, flawed and broken individuals who go to war out of obligation or ambition or because they know no other way of life.

Joe Abercrombie writes superb action scenes. Visceral, urgent, bloody. He’s also particularly cruel to his characters. I’m not sure if he’s picking on me particularly or if it’s just the dark alchemy of his literary soul that makes him such a popular author, but he’s always a bit of a bastard to the characters I like the most.

I’ve read Bloody Murder more times than any other non-fiction book. The first edition made a huge impression on me. Symons introduced me to countless fascinating authors and books (many of them obscure) which I’d never heard of and which have given me endless reading pleasure. Symons’ opinions were, and remain, controversial, and his disdain for ‘humdrum’ writing from the ‘Golden Age’ between the wars has attracted much criticism, some of it sensible, some of it over-the-top. His belief that the ‘detective story’ had metamorphosed into the ‘crime novel’ was eloquently argued, but I think mistaken. Today’s readers have just as much of an appetite for an entertaining, well-crafted puzzle as ever. But never mind the flaws; this elegantly written book remains as influential as it is indispensable.

I came to this book by accident. I had overindulged in fantasy and was tired of recycled plots and worn tropes. I picked it up on holiday as a last resort and found a very different sort of fantasy, which rekindled my enthusiasm for the genre.

Inquisitor Glokta is a character I wanted to hate. He is a torturer, and a cripple, having been tortured himself. He’s ruthless and focused and possibly the meanest of anti-heroes. But I think I came to imagine what it was like to be the dashing hero, loved by everyone, feted by royalty, and then ruined by malice and torture, and yes, as this tale unfolded, I began to like him and the rest of the misfits that populate Joe Abercombie’s world very much indeed.

Every entry of Brandon Sanderson’s Stormlight Archive is epic, hands down.

Filled with fantasy lore, action, weird magic, and displeased gods, yes, there is something good to say about every book in the series so far. But book 2, Words of Radiance, is filled with moment after moment where I found myself standing up and pumping my fist in the air after the story’s main protagonist does something terrifically badass, especially in the latter half of the novel.

It’s got all the other good stuff, too. Like its predecessor, The Way of Kings, it has plenty of light humor, moments of shared brotherhood in the face of oppression, complicated characters, sweeping battles…but those moments of tension building followed by resounding victory are excellently written and gets my heart pumping to this day.

Fotion has written a short and accessible book for a general audience defending the relevance of just war theory to address issues of war. He distinguished between two different conceptions of just war: one that applies to interstate armed conflicts and one that applies between states and non-state actors. While the distinction between interstate armed conflicts and those between state and non-state actors might be useful at times, the principles of jus ad bellum (the right to wage war) based on the right of self-defense and jus in bello (the right way to wage war) based on respecting the immunity of innocent civilians remains constant in both types of armed conflict. Yet since he explores the nuances of both approaches, his book is a welcome development illustrating the relevance of the just war tradition nowadays.