Here are 100 books that Harrow the Ninth fans have personally recommended if you like
Harrow the Ninth.
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I used to love dystopian books, but recently, I’ve become increasingly interested in hopeful narratives. I’ve been a climate activist in a couple of movements, and I care deeply about the world, but with all the challenges and negativity we are facing, it’s easy to fall into despair. That’s why I think stories that show cooperation, community, respect for nature and each other, working for a better world, and making it happen are so important. We need those stories to get inspired to act instead of thinking that we’re all doomed anyway. They are also healing—a refuge for a tormented mind.
This is such a beautiful, gentle and cozy book that I couldn’t put it down. In this story, people were left with no choice but to completely rebuild their society, and they did something wonderful.
This book is like a breath of fresh air, like a quiet, healing journey that doesn’t rely on action—it’s an exploration, a celebration of nature, and society, and connection. It touched me in a profound way. It made me go outside to check if it was raining and stand with my bare feet in the grass, enjoying the coldness and softness of the sensation.
It's been centuries since the robots of Panga gained self-awareness and laid down their tools; centuries since they wandered, en masse, into the wilderness, never to be seen again; centuries since they faded into myth and urban legend.
One day, the life of a tea monk is upended by the arrival of a robot, there to honour the old promise of checking in. The robot cannot go back until the question of 'what do people need?' is answered.
But the answer to that question depends on who you ask, and how. They're going to need to ask it a lot.
As a queer speculative fiction writer, I often find myself drawn to themes of identity. Reckoning with identity and defining your own (and redefining, and redefining, and redefining) is a critical part of the queer experience in the cis-hetero norms of the real world. Fantasy and science fiction have always given readers a lens to see themselves through, and many queer readers have found their own definitions between the lines of a book. The protagonists and stories in these books couldn’t be more different, but each offers a unique and compelling vision of discovering—or making—a place for themself in their magical world.
Csorwe’s fate is to enter the Shrine of the Unspoken and die on her fourteenth birthday. In classic orc lesbian fashion, she decides not to do that, turning her back on destiny to become the sword hand of an outcast wizard (and the tall, buff orc lady of your dreams).
Csorwe’s journey of self-definition begins at fourteen; she knows who she doesn’t want to be. In her burgeoning adulthood, Csorwe is forced to confront who she was and decide who she wants to be; a parallel that will resonate with many queer readers as they cheer Csorwe through swordfights, betrayals, and becoming brave enough to stand up for herself, again.
The Unspoken Name by A. K. Larkwood is the incredible first epic fantasy in the Serpent Gates duology.
'An astounding debut . . . unlike anything I've read before' - Nicholas Eames, author of Kings of the Wyld
Does she owe her life to those planning her death . . .
Csorwe was raised by a death cult steeped in old magic. And on her fourteenth birthday, she'll be sacrificed to their god. But as she waits for the end, she's offered a chance to escape her fate. A sorcerer wants her as his assistant, sword-hand and assassin. As this…
As a queer speculative fiction writer, I often find myself drawn to themes of identity. Reckoning with identity and defining your own (and redefining, and redefining, and redefining) is a critical part of the queer experience in the cis-hetero norms of the real world. Fantasy and science fiction have always given readers a lens to see themselves through, and many queer readers have found their own definitions between the lines of a book. The protagonists and stories in these books couldn’t be more different, but each offers a unique and compelling vision of discovering—or making—a place for themself in their magical world.
This is a story that challenges our understanding of identity–Zhu is a girl, and she is a male novice in a monastery. Zhu wears her dead brother’s name like armor and schemes to make his fate hers as well. Zhu is as unapologetically callous as the world that discarded her. Zhu lives as a man and never wishes to live as a woman, but her pronouns never change.
Her story forces the reader to confront the heavy hand of circumstance in our lives and our definition of self. Zhu performs gender without regret or longing, it is a tool of her survival; instead, she defines herself in her ambition. And even though the person that Zhu ultimately chooses to become isn’t one we might admire, her relationship to gender speaks to those of us who sit between the boundaries of gender, who move between, or who fill more than one…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band, they rob the rich to feed themselves, raiding carriages and dodging the occasional vindictive pegasus. Thanks to Marani’s mysterious invulnerability,…
As a queer speculative fiction writer, I often find myself drawn to themes of identity. Reckoning with identity and defining your own (and redefining, and redefining, and redefining) is a critical part of the queer experience in the cis-hetero norms of the real world. Fantasy and science fiction have always given readers a lens to see themselves through, and many queer readers have found their own definitions between the lines of a book. The protagonists and stories in these books couldn’t be more different, but each offers a unique and compelling vision of discovering—or making—a place for themself in their magical world.
Thirsty for more buff orc lesbians? Legends & Lattes serves up a mug of warm, cozy queer fulfillment. Viv was an adventurer, but she no longer wants to be. Despite her battle scars and intimidating looks, she longs to open her own quiet coffee shop.
The journey to small-business success has challenges, but her determination to live on her own terms brews up a staff of misfits that become a queer-found family. This quiet, low-stakes novel is as sweet as an almond croissant and will leave you hungry for more.
High fantasy, low stakes - with a double-shot of coffee.
After decades of adventuring, Viv the orc barbarian is finally hanging up her sword for good. Now she sets her sights on a new dream - for she plans to open the first coffee shop in the city of Thune. Even though no one there knows what coffee actually is.
If Viv wants to put the past behind her, she can't go it alone. And help might arrive from unexpected quarters. Yet old rivals and new stand in the way of success. And Thune's shady underbelly could make it all…
I’ve been drawn to LGBT+ characters and themes long before I knew that was a thing that a person could be—and longer still before I realized that it was something that might apply to me. Science fiction and fantasy helped me to explore identities and ways of existing within the world that were fundamentally different from my own and that instilled a love of the genre that I’ll always treasure.
I like to think I’m pretty good at guessing where a book is going to go—this is not the case with Gideon the Ninth. Every time I thought I had a grip on what was going on and where we were going, it took a turn. Every time I thought I had an idea of how I felt about a character, new lore dropped, and I fell in love (or in hate, or in a complicated love/hate thing that I have yet to figure out).
By the time I finished, I was torn between picking up the second book in the series to learn what happened next or rereading the first just to see how different it would be once I had a better understanding of the book.
15+ pages of new, original content, including a glossary of terms, in-universe writings, and more!
A USA Today Best-Selling Novel!
"Unlike anything I've ever read. " --V.E. Schwab
"Lesbian necromancers explore a haunted gothic palace in space!" --Charles Stross
"Brilliantly original, messy and weird straight through." --NPR
The Emperor needs necromancers.
The Ninth Necromancer needs a swordswoman.
Gideon has a sword, some dirty magazines, and no more time for undead nonsense.
Tamsyn Muir's Gideon the Ninth, first in The Locked Tomb Trilogy, unveils a solar system of swordplay, cut-throat politics, and lesbian necromancers. Her characters leap off the page, as…
I’m a nerd by temperament (raised by a psychologist and a librarian, what else could I be?) and by profession (decades working as a U.S. diplomat and an academic administrator honed my people-watching faculties to a fine edge). So, of course, I’ve always been drawn to my opposite: that cynical loner whose pursuit of justice requires hard fists and a bent moral compass. Private eye mysteries are my perfect place. In them, I can exercise my passion for intellectual puzzles and my love for thrilling action. I enjoy the combination of social commentary and sheer entertainment I find when I dive into reading (or writing) a private eye mystery.
I love a private eye series because the discoveries I make as a reader about the flawed character of the PI mirror the journey the central character makes over the course of several books. In this masterful series, Cheryl Head creates a PI you want to root for: Charlene “Charlie” Mack. Charlie leads her own Detroit investigation firm and relies on a motley team of experts, each with their own quirks and strengths. In this book, Charlie faces down a widespread conspiracy with anti-Muslim hate crimes at its core. Like many of the private eye novels I admire, this one delves into contemporary social issues with a sharp eye for nuance and realism without skimping on the entertainment and action.
A hate group operating in Oakland County, Michigan has claimed responsibility for a six-month-long string of arson fires and robberies at mosques, temples, and black churches around Detroit, eluding police and federal agencies. The most recent fire, at a mosque in Dearborn, kills a respected imam. His children—suspicious of law enforcement’s treatment of Muslims and afraid of reprisal—hire Charlie Mack and her team of investigators to find their father’s murderers. The Mack team begins to hunt down the clues in this local hate crime, but they aren’t prepared when they realize that those clues are pointing to a widespread conspiracy…
I loved books as a kid, especially fantasy books, but could never find anyone like me within their pages. I’m a lesbian Chinese writer who adores stories about messed-up, complicated queer people. I’m thrilled by the range of books available now that feature queer, messy characters. We all deserve representation, and to me that means representation that’s complex, that encompasses the ugly and the beautiful. One of my goals as an author is to make you fall in love with monsters—brutal, flawed women who may not deserve love, but who demand it all the same.
I adore Sherlock pastiches, and this is one of my favorites with its high magic urban fantasy setting, pan sorceress Sherlock, and gay trans man Watson. Obviously, the leads aren’t romantically entwined. Instead, the plot revolves around Sherlock’s ex-paramour and current client, pan Irene Adler, whose impending marriage to a woman is being threatened by blackmail.
It’s joyously irreverent with a ton of literary allusions and dear Watson’s earnest and wholesome narrative voice. If you enjoy magic with your mystery, this book is for you.
In this charming, witty, and weird fantasy novel, Alexis Hall pays homage to Sherlock Holmes with a new twist on those renowned characters.
Upon returning to the city of Khelathra-Ven after five years fighting a war in another universe, Captain John Wyndham finds himself looking for somewhere to live, and expediency forces him to take lodgings at 221b Martyrs Walk. His new housemate is Ms. Shaharazad Haas, a consulting sorceress of mercurial temperament and dark reputation.
When Ms. Haas is enlisted to solve a case of blackmail against one of her former lovers, Miss Eirene Viola, Captain Wyndham is drawn…
I'm a queer author based in Montreal. When I came out in the early 1990s, at the age of 21, I remember feeling concerned about my future. Family has always been important to me, but I couldn’t imagine what mine would look like as I got older. I knew I wasn't going to have a traditional family like my parents, but I didn’t know what else was possible. Thankfully, I found the answer in books… As queer people, we must seek out and learn our traditions and history. We’re not taught them from birth. Finding books that demonstrate and uplift the bonds that queer people share provides a roadmap for those of us seeking community.
Five women find salvation in each other in a beachside hamlet on Uruguay’s eastern coast. With no running water or electricity, the isolated Cabo Polonio becomes their sanctuary, a place where these cantoras (women who "sing”) can exercise their voice – something denied them as queer women under the Uruguayan dictatorship of 1970s and 80s.
The book follows the friends over the span of 35 years as they continue to return to this family home of theirs, sometimes together, sometimes with new lovers. Beautifully written, the book is brimming with heart and is a testament to the power of activism and solidarity.
"Cantoras is a stunning lullaby to revolution—and each woman in this novel sings it with a deep ferocity. Again and again, I was lifted, then gently set down again—either through tears, rage, or laughter. Days later, I am still inside this song of a story." —Jacqueline Woodson, National Book Award–winning author
From the highly acclaimed, award-winning author of The Gods of Tango, a revolutionary new novel about five wildly different women who, in the midst of the Uruguayan dictatorship, find one another as lovers, friends, and ultimately, family.
In 1977 Uruguay, a military government crushed political dissent with ruthless force.…
I’ve struggled with mental health for most of my life, as have family members and friends I love. It’s extremely important to me that we normalize discussions of mental health so that we can find the best solutions. Anxiety and depression have been major themes in all of the young adult novels I’ve written; it’s my little way of furthering these conversations with the people who need them. I hope you’ll find these suggestions relatable, enjoyable, and question-inducing!
Anna Birch’s I Kissed Aliceis an enemies-to-lovers story about two gifted artists, Rhodes and Iliana, at a school for the arts who despise each other in person but fall hard for each other’s online fanfiction personas. Rhodes’s depression and anxiety consume her in the race to win a prestigious scholarship and navigate a complicated dynamic with her alcoholic mother. I found Rhodes’s on-page therapy sessions incredibly refreshing and relatable, something I don’t see enough of in YA fiction. The characters in this story are unlikeable and flawed—extremely so—but for that reason, my heart clenched often at their actions, assumptions, and reactions. Bonus points for the beautiful fanfiction graphics illustrated by Victoria Ying.
Rhodes and Iliana couldn't be more different, but that's not why they hate each other. Hyper-gifted painter Rhodes has always excelled at the Alabama Fine Arts Academy despite a secret bout of creator's block, while transfer student Iliana tries to outshine everyone with her intense work ethic. But since only one of them can get the coveted Capstone scholarship, and the competition between them grows fierce. They both escape the pressure on a fanfic site where they are unknowingly collaborating on a webcomic. Their anonymous online identities I-Kissed-Alice and Curious-in-Cheshire begin to fall in love, despite being worst enemies in…
I’ve been studying language and gender since I started graduate school in 1990. I’m an odd gender scholar in some ways in that I am a white cisgendered heterosexual masculine person. I think I’m interested in the topic because conversation and ‘being a man’ has always seemed hard and like a lot of work to me. So, I started studying these things in the 1990s with a project on language use in a college fraternity in the US. Since then I've published many articles on language and masculinities, including a 2004 article on the word dude, which is still popular in introductory linguistics courses today.
When talking about how gender can be disconnected from bodies, I like to tell the story of when my very young son called a Hummer truck ‘masculine’ and then wondered aloud how a car can be masculine. In that vein, this book shows how the idea of masculinity is something much wider and more complicated than a ‘trait of men’ connected to the bodies of men.
With grounded and deeply researched examples, Halberstam shows how these masculine traits not only can be ‘de-linked’ from the ‘male body,’ but how they have been so throughout history. He also shows how female masculinity has often been hidden or forgotten. This book is a classic in gender studies, and once you have read it, it’s impossible to think of gender in the same way as before.
In this quintessential work of queer theory, Jack Halberstam takes aim at the protected status of male masculinity and shows that female masculinity has offered a distinct alternative to it for well over two centuries. Demonstrating how female masculinity is not some bad imitation of virility, but a lively and dramatic staging of hybrid and minority genders, Halberstam catalogs the diversity of gender expressions among masculine women from nineteenth-century pre-lesbian practices to contemporary drag king performances.
Through detailed textual readings as well as empirical research, Halberstam uncovers a hidden history of female masculinities while arguing for a more nuanced understanding…
