I am drawn to stories about “the olden days,” non-fiction, fiction, or first-hand storytelling by homesteaders who came from away to settle on the prairies. Perhaps it is a way to recall my own farm childhood, a way to recall both joyful and unhappy times. When my brother taught me to climb (and get down from) the apple tree. The realization the pet steer who followed me around all summer and occasionally let me ride on his back while he grazed would be met by the mobile butcher truck in the fall. Hardships and simple joys, the life lessons, the banal work done for the family and farm to survive.
In the early 20th century, as homesteaders in Saskatchewan are scratching out hard new lives on the Canadian prairie, William, an adventurer from New Zealand, brings his bride, Louise, to the freshly broken earth of his farm near Watrous.
Physical and emotional isolation take their toll on everyone struggling to survive. When William and Louise’s second child, Violet, is born “feebleminded,” it plunges Louise—a woman burdened with a dark secret—back into a time of shame and regret, even as the child draws out goodness and loyalty in neighbours, Hank and Emily. Tragedy upends the family, and William, while struggling to raise and protect his daughter and find his way to forgiveness, must come to terms with the fact that no one is infallible.
This classic was one of the first ‘grown up’ works of fiction I read of my own accord, and the effect was profound.
The way the characters confronted prejudice, injustice, and racism as seen through a child’s eye was eye-opening for me. The setting was fascinating to me, as was the Depression era, and I developed an affinity for stories set in small-town farming communities during this time in history.
Scout’s realization that the world, or in this case her street, could be seen differently if one just stands on a neighbour’s porch. A new perspective on the same truth, just by looking at the same things from another point of view—this was a profound revelation to me, something I carry with me ever since reading this novel.
'Shoot all the bluejays you want, if you can hit 'em, but remember it's a sin to kill a mockingbird.'
Atticus Finch gives this advice to his children as he defends the real mockingbird of this classic novel - a black man charged with attacking a white girl. Through the eyes of Scout and Jem Finch, Lee explores the issues of race and class in the Deep South of the 1930s with compassion and humour. She also creates one of the great heroes of literature in their father, whose lone struggle for justice pricks the conscience of a town steeped…
I was probably six or seven when I first read this book and it remains a perennial favourite. It was the first book that made me cry, and I realized the power a simple but well-crafted story can have.
The rural farm setting was particularly appealing to me; it reminded me so much of my own farm childhood. I could so easily relate to Fern, her family, and the various animals. The fact they were sentient beings came as a confirmation to me as someone who spent hours reading my storybooks to the pigs in the farrowing shed.
Puffin Classics: the definitive collection of timeless stories, for every child.
On foggy mornings, Charlotte's web was truly a thing of beauty . Even Lurvy, who wasn't particularly interested in beauty, noticed the web when he came with the pig's breakfast. And then he took another look and he saw something that made him set his pail down. There, in the centre of the web, neatly woven in block letters, was a message. It said: SOME PIG!
This is the story of a little girl named Fern, who loves a little pig named Wilbur - and of Wilbur's dear friend,…
One of my absolute favourite storytellers, Guy Vanderhaege can transport the reader into his imagined world with the first sentence.
This historical prairie fiction, the fully conceived characters and storyline, and that important rural farm setting makes this book a favourite that I have often re-read.
The complicated dark and sometimes comedic entanglements of family, the disconnects and reconnections because of mistruths, misunderstandings, lost opportunities, and redemption are woven in an intriguing, believable fabric that will break a reader’s heart.
It is the summer of 1959, and in a prairie town in Saskatchewan, Alec Monkman waits for his estranged daughter to come home, with the grandson he has never seen. But this is an uneasy reunion. Fiercely independent, Vera has been on her own since running away at nineteen – first to the army, and then to Toronto. Now, for the sake of her young son, she must swallow her pride and return home after seventeen years. As the story gradually unfolds, the past confronts the present in unexpected ways as the silence surrounding Vera’s brother is finally shattered and…
A work of historical fiction that begins in 1949 is a story that examines the complexities of characters who are fully fleshed out and believable.
Life rarely turns out the way we hopefully anticipate—there are failures, successes, deaths, illness, joys. There are so many occasions that all of us can look back at the small decisions, the small forks in the road that when taken and made affect the course of ours lives in ways we would have never thought possible. The characters in this book grab us and take us with them on the journey of those lives.
A runaway #1 bestseller in Canada, this richly layered first novel tells the story of the intricacies and rituals that shape a family's life over three generations
A Good House begins in 1949 in Stonebrook, Ontario, home to the Chambers family. The postwar boom and hope for the future colors every facet of life: possibilities seem limitless for Bill, his wife, Sylvia, and their three children.
In the fifty years that follow, the possibilities narrow into lives, etched by character, fate, and circumstance. Sylvia's untimely death marks her family indelibly but in ways only time will reveal. Paul's perfect marriage…
It follows German immigrant Fidelis Waldvogel and his family, and other characters in a small rural town in North Dakota in the years of and in between the First and Second World Wars.
The way the earthy and believable characters confront complex human issues intertwined with family, betrayal, death, are deftly told by a master storyteller. This one sits on my bookshelf for re-reads. I am in awe of Erdrich’s storytelling ability; you know these characters, you can smell the inside of the butcher shop, you feel a boy’s exhilaration as he watches a plane fly overhead.
A powerful novel from one of the most celebrated American writers of her generation, and the winner of the National Book Award for Fiction 2012
In the quiet aftermath of WWI, Fidelis Waldvogel leaves behind his quiet German village, and sets out for America with his new wife Eva - the widow of his best friend, killed in action.
Finally settling in North Dakota, Fidelis works hard to build a business, a home for his family - and a singing club consisting of the best voices in town. But his adventure into the New World truly begins when he encounters…
I’m an avid reader of queer literary fiction not only because I write it but because I’m looking to see my life experience captured on the page. As a gay man, a father of two young boys, and one-half of an interracial married couple, I know the complexity of modern queer living firsthand. In recent years, I’ve been astounded by the breadth of great LGBTQ+ books that examine queerness fully and empathetically. I seek out these books, I read them feverishly, and I become a champion for the best ones. In an era of intense book banning, it’s so important to me to elevate these books and their authors.
The Birthright of Sons is a collection of stories centered around the experiences of marginalized people, namely Black and LGBTQ+ men. Although the stories borrow elements from various genres (horror, suspense, romance, magical realism, etc.), they are linked by an exploration of identity and the ways personhood is shaped through interactions with the people, places, and belief systems around us.
In each of these stories, the protagonists grapple with their understanding of who they are, who and how they love, and what is ultimately most important to them. In almost every case, however, the quest to know or protect oneself is challenged by an external force, resulting in violence, crisis, or confusion, among other outcomes.
The Birthright of Sons is a collection of stories centered around the experiences of marginalized people, namely Black and LGBTQ+ men. Though the stories borrow elements from various genres (horror, suspense, romance, magical realism, etc.), they're linked by an exploration of identity and the ways personhood is shaped through interactions with the people, places, and belief systems around us.
Underpinning the project is a core belief - self-definition is fluid, but conflict arises because society often fails to keep pace with personal evolution. In each of these stories, the protagonists grapple with their understanding of who they are, who and…
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