Here are 100 books that No Great Mischief fans have personally recommended if you like
No Great Mischief.
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William J. Buxton is Distinguished Professor Emeritus of Communication Studies and Senior Fellow, Centre for Sensory Studies, at Concordia University Montreal, Qc, Canada. He is also professeur associé au Département d’information et de communication de l’Université Laval, Québec City, Québec, Canada. He has edited and co-edited five books related to the life and works of the Canadian political economist and media theorist, Harold Adams Innis.
This book dovetails with those of Kitnick as well as Sharma and Singh. While framed by a broader concern with the emergence of the Toronto School of Communication, it gives particular attention to how McLuhan’s notions about “information art,” came to influence artistic practice through initiatives such as “N.E. Thing and Company” (NETCO), Robert Smithson’s West Coast work and “General Idea.” Echoing some of the issues raised by the Sharma/Singh collection, he examines these ventures through the lens of power and gender. It is impeccably edited and handsomely illustrated, in line with the high production standards of McGill-Queen’s University Press.
Through a series of focused and interconnected case studies, Out of School explores the long history of information art associated with the Toronto School of Communication. It highlights the perspectives of artists inspired by the speculations of Marshall McLuhan and colleagues as well as the philosophical underpinnings of the Toronto School's ideas about information.
Using pre-Internet media such as telex and the telecopier, the artists explored in this book materialized visionary concepts of information without the aid of computers. Harbingers of contemporary digital culture, Bertram Brooker, N.E. Thing Co., Robert Smithson, Wyndham Lewis, General Idea, and other artists approached information…
I am an aficionado of lost objects, lost time, afterlives; of writing which never “fitted” its era. Examples would be that of John Aubrey, Herman Melville, Fernando Pessoa, Djuna Barnes, Elizabeth Hardwick, Ralph Ellison… the list goes on. I look for writing that has stood the test of time, not celebrated for the fame and bling of the moment. I look for the futile products of those who possessed genius, but who never earned enough readers until decades or centuries later, once they were released from the prison-house of genre. I look for the posthumous brilliance of language; the phosphoric glow of its offerings and of the buried treasures found therein.
I just love the way she is so contemptuous of people telling false “stories”. Her writing falls between every genre imaginable, a collage of well-researched facts and the indelible list of the horrors of war. She makes lists as monuments to dead victims; she names names; she calls out nationalism and racism. Wry and ironic, she has composed a battle-hymn against the barbarity of the Yugoslav wars between 1991 and 2001. To my lasting regret, I missed meeting her in Melbourne not long before she died.
Tea Radan, the narrator of the novel Canzone di Guerra, reflects on her own past and in doing so, composes a forgotten mosaic of historical events that she wants to first tear apart and then reassemble with all the missing fragments. In front of the readers eyes, a collage of different genres takes place - from (pseudo) autobiography to documentary material and culinary recipes. With them, the author Dasa Drndic skillfully explores different perspectives on the issue of emigration, the unresolved history of the Second World War, while emphasizing the absurdity of politics of differences between neighboring nations. The narrator…
I’m a Canadian writer who started writing fiction after a career as a journalist at newspapers across the country. I’ve always marvelled at the diversity of Canada, and I try to portray that diversity in my own stories set in Toronto, one of the world’s most multicultural cities. And I revel in stories by fellow Canadian crime writers, tales filled with First Nations characters, and characters with Ukrainian, Russian, Asian, African, and British backgrounds, stories set in various parts of our far-flung country. The five novels I have focused on here are just a few of my favorites.
The Water Rat of Wanchai is the first book in the Ava Lee crime thriller series. Tough, fearless Ava is a forensic accountant who travels to exotic locales (all well-known to author Ian Hamilton) chasing bad debts. The settings aren’t Canadian, but Ava is: she immigrated to Canada from Hong Kong as a child, and grew up in Richmond Hill, outside Toronto. Her current home is in Toronto’s trendy Yorkville neighborhood, but she has strong business ties to Asia. In many ways, she’s a typical Canadian—raised and educated in Canada, with ties to another part of the world, and fluent in a language other than Canada’s two official languages, English and French. All 15 Ava Lee books deliver on two fronts: they are crime thrillers and delightful armchair travel.
Meet Ava Lee — the smartest, most stylish heroine in crime fiction since Stieg Larsson’s Lisbeth Salandar — in the first installment of the wildly popular Ava Lee novels.
Ava Lee is a young Chinese-Canadian forensic accountant, who specializes in recovering massive debts and works for an elderly Hong Kong–based “Uncle,” who may or may not have ties to the triads. At 115 lbs., she hardly seems a threat. But her razor-sharp intelligence and unorthodox rules of engagements allow her to succeed where traditional methods have failed.
In The Water Rat of Wanchai Ava is persuaded to help an old…
I have loved stories all my life, not only to read but to write. I have a particular passion for mysteries and will soon be releasing the sixth book in my Meg Sheppard Mystery Series. I read for enjoyment and prefer fast-paced stories with compelling characters. I’ve selected these books because they’re great reads and I hope you find them as entertaining as I did!
I loved this fast-paced mystery with its suspense and captivating characters.
Rotenberg’s experience as a criminal lawyer in Toronto, Canada, provides a richness and believability that I found compelling. The courtroom drama is full of intrigue and is thrilling to read.
I enjoyed the twists and surprises as this captivating whodunit unfolded.
From the bestselling author of Old City Hall comes Robert Rotenberg’s third intricate mystery set on the streets and in the courtrooms of Toronto.
In The Guilty Plea and Old City Hall, critically acclaimed author Robert Rotenberg created gripping page-turners that captured audiences in Canada and around the world.
In Stray Bullets, Rotenberg takes the reader to a snowy November evening. Outside a busy downtown doughnut shop, gunshots ring out and a young boy is critically hurt. Soon Detective Ari Greene is on scene. How many shots were fired? How many guns? How many witnesses?
For a number of years, I was a historical interpreter at two of Toronto’s oldest and finest houses. While looking at the furniture, paintings, and below-stairs bells and open-hearth cooking in these upper-class mansions, I became immersed in the lives of the people who once lived in these places. I have always been interested in history, and I have a post-graduate degree in Canadian literature, but my schooling in history seemed confined to the Tudor period and Greek and Roman times. Working in Toronto’s fine homes led me to a deep understanding of the fascinating history we have right here on our doorstep!
I found this book at a sale about 20 years ago, and it opened my eyes to the fascinating early history about my city, Toronto. It’s filled with information about the scandals, tragedies, and courtroom clashes of the prominent families of the times, the problems faced by early immigrants, and the attempts of a government elite to control the town’s inhabitants. Some of it seems very relevant for today!
I'm an engineer with a PhD in electrical engineering and have spent more than twenty years of my career in the nanoelectronics industry researching how to create better electronic chips. The need to tell stories has always been there, but I never really envisioned a career as a writer. It wasn't until my 40s that I decided it was time to rekindle that passion for writing. I've always loved the dark atmosphere of Scandinavian noir TV series like The Killing and The Bridge with their often flawed and intriguing characters. So when I decided to write my first novel, it was almost a given that it was going to be a Nordic Noir thriller.
Giles Blunt's books show that Scandinavia does not have a monopoly on Nordic Noir. In 2017 we were on vacation in Canada and quite by chance I saw an episode of Cardinal on TV. Only one episode from the first season, but enough to keep me captivated by the story set in the snowy landscapes of Algonquin Bay in Canada. I knew it was based on a book series. When I got home, I immediately found the author and started reading. I chose this book because of some amazing passages that capture the essence of Nordic Noir, among others a frozen body in the ruins of an abandoned hotel in the woods. The book presents a clever plot where seemingly unrelated threads are ingeniously weaved together.
It's not unusual for John Cardinal to be hauled out of a warm bed on a cold night in Algonquin Bay to investigate a murder. And at first this dead body, sprawled in the parking lot of Motel 17, looks pretty run of the mill: the corpse has a big bootprint on his neck, and the likely suspect is his lover's outraged husband. But the lover has gone missing. And then Delorme, following a hunch, locates another missing woman, a senator's wife from Ottawa, frozen in the ruins of an abandoned hotel way back in the woods. Spookily, she was…
Middle grade always takes a big portion of my TBR pile. I love the hopefulness that kids this age have. And for a child reader, a book can be a way to work out big emotions in a place far removed from their own life. I love the function of a portal in taking the reader that much further away from their reality. As a child, the fantasy A Wrinkle in Time got me through a difficult period. This love of fantasy and children’s literature is the reason I started writing in the first place. And why I got an MFA in writing specifically for children and young adults.
I read the Canadian printing of this book, but hopefully the publishers won’t be changing too much for the American printing.
Like the heroine in The Wizard of Oz (and I’m assuming the title is a nod to that classic line, “There’s no place like home.”), Lan is whisked away by a mysterious wind, but I really like the fact that she discovers she has called for the wind herself. I also love that the wind takes her into the novel she’s reading (I’m sure you can see a theme here with one of my other picks!) and that she can then change the story’s outcome.
Sweeping in scope and timeless in tone, No Place like Home is a middle-grade portal fantasy unlike any other
Lan, a teenager who recently came to Canada from Vietnam, spends every day searching for a sense of belonging. Books are the only things that make her feel at ease. But it comes as a shock when a mysterious wind whisks her right into the pages of her latest fantasy read. More shocking still is the fact that she herself summoned this wind!
Plunged into the magical world of Silva, Lan realizes she has much to offer protagonists Annabelle and Marlow.…
Drew Hayden Taylor is an award-winning playwright, novelist, journalist, and filmmaker. Born and raised on the Curve Lake First Nation in Ontario (Anishnawbe), Drew has had over a hundred productions of his plays and enjoys spreading the gospel of Indigenous literature across the world.
Perhaps one of the most seminal plays to come out of the First Nations community, if not the Canadian theatre community in general. It starts off with the simplest of plots, seven Indigenous women plan to leave their community on Manitoulin Island to participate in the world's largest bingo game in Toronto. It’s funny, tragic, and a wonderful introduction to the colourful world which we come from.
Winner of the Dora Mavor Moore Award for Best New Play
Nominated for the Governor General's Award
This award-winning play by Native playwright Tomson Highway is a powerful and moving portrayal of seven women from a reserve attempting to beat the odds by winning at bingo. And not just any bingo. It is THE BIGGEST BINGO IN THE WORLD and a chance to win a way out of a tortured life.
The Rez Sisters is hilarious, shocking, mystical and powerful, and clearly establishes the creative voice of Native theatre and writing in Canada today.
I am drawn to stories about “the olden days,” non-fiction, fiction, or first-hand storytelling by homesteaders who came from away to settle on the prairies. Perhaps it is a way to recall my own farm childhood, a way to recall both joyful and unhappy times. When my brother taught me to climb (and get down from) the apple tree. The realization the pet steer who followed me around all summer and occasionally let me ride on his back while he grazed would be met by the mobile butcher truck in the fall. Hardships and simple joys, the life lessons, the banal work done for the family and farm to survive.
One of my absolute favourite storytellers, Guy Vanderhaege can transport the reader into his imagined world with the first sentence.
This historical prairie fiction, the fully conceived characters and storyline, and that important rural farm setting makes this book a favourite that I have often re-read.
The complicated dark and sometimes comedic entanglements of family, the disconnects and reconnections because of mistruths, misunderstandings, lost opportunities, and redemption are woven in an intriguing, believable fabric that will break a reader’s heart.
It is the summer of 1959, and in a prairie town in Saskatchewan, Alec Monkman waits for his estranged daughter to come home, with the grandson he has never seen. But this is an uneasy reunion. Fiercely independent, Vera has been on her own since running away at nineteen – first to the army, and then to Toronto. Now, for the sake of her young son, she must swallow her pride and return home after seventeen years. As the story gradually unfolds, the past confronts the present in unexpected ways as the silence surrounding Vera’s brother is finally shattered and…
When I was invited to write a historical fiction that appealed to male readers, I wanted to showcase the struggles and dramas in peacetime rather than in war. Scientists vilifying the fly in order to demonstrate the connection between microbes and disease—and enlisting children to kill the fly—now that was a battle I could get behind. Revenge on the Fly, in all the forty books I’ve written, is my only foray into historical fiction. However, like most writers, I read across the genres voraciously. What I most love to read and write about are strong characters who demonstrate unwavering resilience.
Many authors like to use the drama of battle to engage readers in history but instead in Last Airlift Marsha Skrypuch uses the emotional aftermath and upheaval. Thisis the real-life story of Son Thi Anh Tuyet at eight years old when she is rescued from a Saigon orphanage and airlifted to Toronto in April of 1975. Tuyet has survived polio and feels her limp will prevent her from being adopted so she makes herself useful and looks after the orphan babies. When she arrives in Canada, she expects to continue her role as a caregiver for children but instead finds a family that cares about her.
A true story about life in a Saigon orphanage, a dramatic rescue flight from Vietnam to Canada, adoption by a Canadian family, and growing up in Canada.
Last Airlift is the true story of the last Canadian airlift operation that left Saigon and arrived in Toronto on April 13, 1975. Son Thi Anh Tuyet was one of 57 babies and children on that flight. Based on personal interviews and enhanced with archive photos, Tuyet's story of the Saigon orphanage and her flight to Canada is an emotional and suspenseful journey brought to life by award-winning children's author, Marsha Forchuk Skrypuch.…
