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William J. Buxton is Distinguished Professor Emeritus of Communication Studies and Senior Fellow, Centre for Sensory Studies, at Concordia University Montreal, Qc, Canada. He is also professeur associé au Département d’information et de communication de l’Université Laval, Québec City, Québec, Canada. He has edited and co-edited five books related to the life and works of the Canadian political economist and media theorist, Harold Adams Innis.
Largely recognized as McLuhan’s first major work, this book provides a trenchant analysis of 1940’s popular culture in the United States, with particular reference to print-media advertising. To this end, it consists of x chapters, each of which consists of an image culled from newspapers and magazines, accompanied by an insightful—and often ironic—text. Dismissed by some as lacking in direction and coherence, the book actually has a tightly woven narrative that sheds considerable light on the gender issues, technology, and power structures of the day.
OURS is the first age in wruch many thousands of the best-trained individual minds have made it a full-time business to get inside the collective public mind. To get inside in order to manipulate, exploit, control is the object now. And to generate heat not light is the intention. To keep everybody in the helpless state engendered by prolonged mental rutting is the effect of many ads and much entertainment alike. Since so many minds are engaged in bringing about this condition of public helplessness, and since these programs of commercial education are so much more expensive and influential than…
William J. Buxton is Distinguished Professor Emeritus of Communication Studies and Senior Fellow, Centre for Sensory Studies, at Concordia University Montreal, Qc, Canada. He is also professeur associé au Département d’information et de communication de l’Université Laval, Québec City, Québec, Canada. He has edited and co-edited five books related to the life and works of the Canadian political economist and media theorist, Harold Adams Innis.
Mention has often been made of the extent to which Marshall McLuhan was a devout adherent of the Catholic faith. But little has been known about how he viewed the place of religion in the world particularly with reference to the fate of the Catholic Church. This carefully selected collection of McLuhan’s writings on religion provides one with clarifying insights into his views on a broad range of Church-related issues including the nature of conversion, the spiritualism of youth, the impact of technology on liturgy, and Vatican II. Overall, by revealing that McLuhan viewed faith as a sense, the volume illuminates the connections he made between religion and media.
Say the name Marshall McLuhan and you think of the great discover's explorations of the media. But throughout his life, McLuhan never stopped reflecting profoundly on the nature of God and worship, and on the traditions of the Church. Often other intellectuals and artists would ask him incredulously, "Are you really a Catholic?" He would answer, "Yes, I am a Catholic, the worst kind -- a convert," leaving them more baffled than before. Here, like a golden thread lining his public utterances on the media, are McLuhan's brilliant probes into the nature of conversion, the church's understanding of media, the…
William J. Buxton is Distinguished Professor Emeritus of Communication Studies and Senior Fellow, Centre for Sensory Studies, at Concordia University Montreal, Qc, Canada. He is also professeur associé au Département d’information et de communication de l’Université Laval, Québec City, Québec, Canada. He has edited and co-edited five books related to the life and works of the Canadian political economist and media theorist, Harold Adams Innis.
This book explores McLuhan’s relationship with avant-garde art. While McLuhan’s engagement with artistic endeavours, has received some attention, Kitnick examines in detail not only how McLuhan’s work on art developed over an extended period, but how his views on artistic practice came to inform the work of others. He builds on McLuhan’s contention that art was not primarily a means of self-expression, but rather the basis for cultural exploration and environmental change. Drawing inspiration from figures such as James Joyce, T.S. Eliot, and Wyndham Lewis. McLuhan, according to Kitnick, saw members of the avant-garde as artists who work within conventional structures in order to disrupt them, thereby throwing them into relief.
Marshall McLuhan (1911-1980) is best known as a media theorist-many consider him the founder of media studies-but he was also an important theorist of art. Though a near-household name for decades due to magazine interviews and TV specials, McLuhan remains an underappreciated yet fascinating figure in art history. His connections with the art of his own time were largely unexplored, until now. In Distant Early Warning, art historian Alex Kitnick delves into these rich connections and argues both that McLuhan was influenced by art and artists and, more surprisingly, that McLuhan's work directly influenced the art and artists of his…
William J. Buxton is Distinguished Professor Emeritus of Communication Studies and Senior Fellow, Centre for Sensory Studies, at Concordia University Montreal, Qc, Canada. He is also professeur associé au Département d’information et de communication de l’Université Laval, Québec City, Québec, Canada. He has edited and co-edited five books related to the life and works of the Canadian political economist and media theorist, Harold Adams Innis.
Using McLuhan’s classic Understanding Mediaas a point of reference, the editors have assembled an impressive collection of essays that succeed in critically extending his ideas into a range of new directions. These include the biases of contemporary urban planning, transport (from a race perspective), gendered domestic and office space, and Black feminist activism. While remaining true to the exploratory spirit of McLuhan’s “probes,” the essays demonstrate both the shortcomings and potentialities of his body of work.
The contributors to Re-Understanding Media advance a feminist version of Marshall McLuhan's key text, Understanding Media: The Extensions of Man, repurposing his insight that "the medium is the message" for feminist ends. They argue that while McLuhan's theory provides a falsely universalizing conception of the technological as a structuring form of power, feminist critics can take it up to show how technologies alter and determine the social experiences of race, gender, class, and sexuality. This volume showcases essays, experimental writings, and interviews from media studies scholars, artists, activists, and those who work with and create technology. Among other topics, the…
I am an aficionado of lost objects, lost time, afterlives; of writing which never “fitted” its era. Examples would be that of John Aubrey, Herman Melville, Fernando Pessoa, Djuna Barnes, Elizabeth Hardwick, Ralph Ellison… the list goes on. I look for writing that has stood the test of time, not celebrated for the fame and bling of the moment. I look for the futile products of those who possessed genius, but who never earned enough readers until decades or centuries later, once they were released from the prison-house of genre. I look for the posthumous brilliance of language; the phosphoric glow of its offerings and of the buried treasures found therein.
I just love the way she is so contemptuous of people telling false “stories”. Her writing falls between every genre imaginable, a collage of well-researched facts and the indelible list of the horrors of war. She makes lists as monuments to dead victims; she names names; she calls out nationalism and racism. Wry and ironic, she has composed a battle-hymn against the barbarity of the Yugoslav wars between 1991 and 2001. To my lasting regret, I missed meeting her in Melbourne not long before she died.
Tea Radan, the narrator of the novel Canzone di Guerra, reflects on her own past and in doing so, composes a forgotten mosaic of historical events that she wants to first tear apart and then reassemble with all the missing fragments. In front of the readers eyes, a collage of different genres takes place - from (pseudo) autobiography to documentary material and culinary recipes. With them, the author Dasa Drndic skillfully explores different perspectives on the issue of emigration, the unresolved history of the Second World War, while emphasizing the absurdity of politics of differences between neighboring nations. The narrator…
I’m a Canadian writer who started writing fiction after a career as a journalist at newspapers across the country. I’ve always marvelled at the diversity of Canada, and I try to portray that diversity in my own stories set in Toronto, one of the world’s most multicultural cities. And I revel in stories by fellow Canadian crime writers, tales filled with First Nations characters, and characters with Ukrainian, Russian, Asian, African, and British backgrounds, stories set in various parts of our far-flung country. The five novels I have focused on here are just a few of my favorites.
The Water Rat of Wanchai is the first book in the Ava Lee crime thriller series. Tough, fearless Ava is a forensic accountant who travels to exotic locales (all well-known to author Ian Hamilton) chasing bad debts. The settings aren’t Canadian, but Ava is: she immigrated to Canada from Hong Kong as a child, and grew up in Richmond Hill, outside Toronto. Her current home is in Toronto’s trendy Yorkville neighborhood, but she has strong business ties to Asia. In many ways, she’s a typical Canadian—raised and educated in Canada, with ties to another part of the world, and fluent in a language other than Canada’s two official languages, English and French. All 15 Ava Lee books deliver on two fronts: they are crime thrillers and delightful armchair travel.
Meet Ava Lee — the smartest, most stylish heroine in crime fiction since Stieg Larsson’s Lisbeth Salandar — in the first installment of the wildly popular Ava Lee novels.
Ava Lee is a young Chinese-Canadian forensic accountant, who specializes in recovering massive debts and works for an elderly Hong Kong–based “Uncle,” who may or may not have ties to the triads. At 115 lbs., she hardly seems a threat. But her razor-sharp intelligence and unorthodox rules of engagements allow her to succeed where traditional methods have failed.
In The Water Rat of Wanchai Ava is persuaded to help an old…
I have loved stories all my life, not only to read but to write. I have a particular passion for mysteries and will soon be releasing the sixth book in my Meg Sheppard Mystery Series. I read for enjoyment and prefer fast-paced stories with compelling characters. I’ve selected these books because they’re great reads and I hope you find them as entertaining as I did!
I loved this fast-paced mystery with its suspense and captivating characters.
Rotenberg’s experience as a criminal lawyer in Toronto, Canada, provides a richness and believability that I found compelling. The courtroom drama is full of intrigue and is thrilling to read.
I enjoyed the twists and surprises as this captivating whodunit unfolded.
From the bestselling author of Old City Hall comes Robert Rotenberg’s third intricate mystery set on the streets and in the courtrooms of Toronto.
In The Guilty Plea and Old City Hall, critically acclaimed author Robert Rotenberg created gripping page-turners that captured audiences in Canada and around the world.
In Stray Bullets, Rotenberg takes the reader to a snowy November evening. Outside a busy downtown doughnut shop, gunshots ring out and a young boy is critically hurt. Soon Detective Ari Greene is on scene. How many shots were fired? How many guns? How many witnesses?
Middle grade always takes a big portion of my TBR pile. I love the hopefulness that kids this age have. And for a child reader, a book can be a way to work out big emotions in a place far removed from their own life. I love the function of a portal in taking the reader that much further away from their reality. As a child, the fantasy A Wrinkle in Time got me through a difficult period. This love of fantasy and children’s literature is the reason I started writing in the first place. And why I got an MFA in writing specifically for children and young adults.
I read the Canadian printing of this book, but hopefully the publishers won’t be changing too much for the American printing.
Like the heroine in The Wizard of Oz (and I’m assuming the title is a nod to that classic line, “There’s no place like home.”), Lan is whisked away by a mysterious wind, but I really like the fact that she discovers she has called for the wind herself. I also love that the wind takes her into the novel she’s reading (I’m sure you can see a theme here with one of my other picks!) and that she can then change the story’s outcome.
Sweeping in scope and timeless in tone, No Place like Home is a middle-grade portal fantasy unlike any other
Lan, a teenager who recently came to Canada from Vietnam, spends every day searching for a sense of belonging. Books are the only things that make her feel at ease. But it comes as a shock when a mysterious wind whisks her right into the pages of her latest fantasy read. More shocking still is the fact that she herself summoned this wind!
Plunged into the magical world of Silva, Lan realizes she has much to offer protagonists Annabelle and Marlow.…
I'm an engineer with a PhD in electrical engineering and have spent more than twenty years of my career in the nanoelectronics industry researching how to create better electronic chips. The need to tell stories has always been there, but I never really envisioned a career as a writer. It wasn't until my 40s that I decided it was time to rekindle that passion for writing. I've always loved the dark atmosphere of Scandinavian noir TV series like The Killing and The Bridge with their often flawed and intriguing characters. So when I decided to write my first novel, it was almost a given that it was going to be a Nordic Noir thriller.
Giles Blunt's books show that Scandinavia does not have a monopoly on Nordic Noir. In 2017 we were on vacation in Canada and quite by chance I saw an episode of Cardinal on TV. Only one episode from the first season, but enough to keep me captivated by the story set in the snowy landscapes of Algonquin Bay in Canada. I knew it was based on a book series. When I got home, I immediately found the author and started reading. I chose this book because of some amazing passages that capture the essence of Nordic Noir, among others a frozen body in the ruins of an abandoned hotel in the woods. The book presents a clever plot where seemingly unrelated threads are ingeniously weaved together.
It's not unusual for John Cardinal to be hauled out of a warm bed on a cold night in Algonquin Bay to investigate a murder. And at first this dead body, sprawled in the parking lot of Motel 17, looks pretty run of the mill: the corpse has a big bootprint on his neck, and the likely suspect is his lover's outraged husband. But the lover has gone missing. And then Delorme, following a hunch, locates another missing woman, a senator's wife from Ottawa, frozen in the ruins of an abandoned hotel way back in the woods. Spookily, she was…
For a number of years, I was a historical interpreter at two of Toronto’s oldest and finest houses. While looking at the furniture, paintings, and below-stairs bells and open-hearth cooking in these upper-class mansions, I became immersed in the lives of the people who once lived in these places. I have always been interested in history, and I have a post-graduate degree in Canadian literature, but my schooling in history seemed confined to the Tudor period and Greek and Roman times. Working in Toronto’s fine homes led me to a deep understanding of the fascinating history we have right here on our doorstep!
I found this book at a sale about 20 years ago, and it opened my eyes to the fascinating early history about my city, Toronto. It’s filled with information about the scandals, tragedies, and courtroom clashes of the prominent families of the times, the problems faced by early immigrants, and the attempts of a government elite to control the town’s inhabitants. Some of it seems very relevant for today!
