100 books like Last Airlift

When I was invited to write a historical fiction that appealed to male readers, I wanted to showcase the struggles and dramas in peacetime rather than in war. Scientists vilifying the fly in order to demonstrate the connection between microbes and disease—and enlisting children to kill the fly—now that was a battle I could get behind. Revenge on the Fly, in all the forty books I’ve written, is my only foray into historical fiction. However, like most writers, I read across the genres voraciously. What I most love to read and write about are strong characters who demonstrate unwavering resilience.

When I was invited to write a historical fiction that appealed to male readers, I wanted to showcase the struggles and dramas in peacetime rather than in war. Scientists vilifying the fly in order to demonstrate the connection between microbes and disease—and enlisting children to kill the fly—now that was a battle I could get behind. Revenge on the Fly, in all the forty books I’ve written, is my only foray into historical fiction. However, like most writers, I read across the genres voraciously. What I most love to read and write about are strong characters who demonstrate unwavering resilience.

When I was invited to write a historical fiction that appealed to male readers, I wanted to showcase the struggles and dramas in peacetime rather than in war. Scientists vilifying the fly in order to demonstrate the connection between microbes and disease—and enlisting children to kill the fly—now that was a battle I could get behind. Revenge on the Fly, in all the forty books I’ve written, is my only foray into historical fiction. However, like most writers, I read across the genres voraciously. What I most love to read and write about are strong characters who demonstrate unwavering resilience.

When I was invited to write a historical fiction that appealed to male readers, I wanted to showcase the struggles and dramas in peacetime rather than in war. Scientists vilifying the fly in order to demonstrate the connection between microbes and disease—and enlisting children to kill the fly—now that was a battle I could get behind. Revenge on the Fly, in all the forty books I’ve written, is my only foray into historical fiction. However, like most writers, I read across the genres voraciously. What I most love to read and write about are strong characters who demonstrate unwavering resilience.

Born into a powerfully matrilineal family (my mother chose my name when she was twelve) in small town Appalachia, I believe that we inherit our parents’ unresolved emotional dilemmas as well as their physical characteristics, and that the sensual elements of places our families may have inhabited for generations are “bred in the bone.” I’ve always said that history tells us the facts, but literature tells us the story. I’m a language-conscious writer who began as a poet, so that each line has a beat and a rhythm. Words awaken our memories and the powerful unconscious knowledge we all possess. The reader meets the writer inside the story: it’s a connection of mind and heart. 

About thirty years ago I learned that my great-grandaunt Annie was, arguably, the first woman to circle the world by bicycle (1894-1895) and I spent years rescuing her story from the trash bin of history, for she was virtually forgotten for more than a century. An avid cyclist myself, Annie became both my muse and my inspiration. She was an outlandish character who stepped far outside the bounds of what was expected for women of her time; among other things, she was the married mother of three young children when she took off from Boston for fifteen months on the road, and she pioneered sports-related marketing for women, securing corporate sponsors and adorning her body and her bicycle with advertisements wherever she traveled.

In the crucial period after the end of WW2 the stage became set for thirty years of war in Vietnam, yet there’s very little written of it. My stepfather was there, and Hanoi, Adieu is a memoir of his experiences and his sentiments about what happened in the country he’d grown to love. I have a fascination for Southeast Asian history and he was keen for me to tell his story such that readers could absorb the history through his book. I have recommended here those I enjoyed and found useful from a historical or atmospheric perspective in the larger context of French Indochina. I hope you will too.

Who hasn’t seen the classic American movies on the Vietnam War–Apocalypse Now, The Deer Hunter, or Platoon? They are fine films, but have you ever asked yourself where the Vietnamese are? Save for a few stereotyped cameo appearances, they are remarkably absent. I teach the history of the wars in Vietnam at the Université du Québec à Montréal. My students and I explore the French and the American sides in the wars for Vietnam, but one of the things that I’ve tried to do with them is weave the Vietnamese and their voices into our course; this list provides a window into those Vietnamese voices. 

From an early age, I have made a life out of listening to, telling, teaching, and writing about war stories. I am intrigued by their widespread personal and public importance. My changing associations with these stories and their tellers have paralleled evolving stages in my life—son, soldier, father, and college professor. Each stage has spawned different questions and insights about the tales and their narrators. At various moments in my own life, these war stories have also given rise to fantasized adventure, catharsis, emotional highs and lows, insights about human nature tested within the crucible of war, and intriguing relationships with the storytellers—their lives and minds.

Myra MacPherson is an acclaimed author of five books and a journalist. She was hired by Ben Bradlee for the Washington Post where she spent twenty years and specialized in politics, in-depth human interest stories, profiles, and covered five presidential campaigns. During four decades of reporting she interviewed famous figures such as Fidel Castro, Helen Keller, and the mother of serial killer, Ted Bundy, as well as several Presidents.  Of all the milestone political moments MacPherson covered nothing impressed friends and family more than the 1964 landmark and legendary first American live concert of the Beatles (in the Nation’s Capital), which propelled them into international fame. MacPherson has continued her long career as a journalist, with articles in national magazines on the internet. Her most current -- Forgotten Father of the Abortion Movement, in The New Republic -- tackles abortion rights, which remains a highly controversial politicized battle nearly a half-century since abortion was declared legal in 1973.