Here are 93 books that Spaceling fans have personally recommended if you like
Spaceling.
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I stumbled across Jane Austen’s Pride and Prejudice when I was twelve years old and fell in love with her humorous, witty writing and quirky characters. I saved my allowance and bought an omnibus of her complete works, but it wasn’t enough: I was hooked and wanted to read more books like hers. A decade later, I started to write books like hers, and my first Regency-set romantic comedy was published in 2001. The movie Mr. Malcolm’s List, based on my novel, was released in theaters in 2022, and I had the pleasure of hearing people laughing as they watched it, as I had so often laughed while reading Austen’s work.
This book was the other 19th-century classic novel that I loved as a girl, and I re-read it almost as much as I do Pride and Prejudice. It’s a lot more angsty, but it does contain that essential happily-ever-after (with a few tragedies thrown in). And I think Mr. Rochester’s speeches to Jane might be even swoonier than Mr. Darcy’s to Elizabeth.
Introduction and Notes by Dr Sally Minogue, Canterbury Christ Church University College.
Jane Eyre ranks as one of the greatest and most perennially popular works of English fiction. Although the poor but plucky heroine is outwardly of plain appearance, she possesses an indomitable spirit, a sharp wit and great courage.
She is forced to battle against the exigencies of a cruel guardian, a harsh employer and a rigid social order. All of which circumscribe her life and position when she becomes governess to the daughter of the mysterious, sardonic and attractive Mr Rochester.
It’s natural for humans to wonder who or what might have power over our actions. We’ve clawed our way to the top of the food chain, channeled the power of the elements, and tamed much of nature to our whim. What if something out there was the architect—or more—of our successes and failures? It’s something I’ve explored since I first began writing: fed by the adventures of living as an “Army brat” with a new life every two years, in keeping with my natural inclination to solve puzzles, and spurred by my fear of death and the equally frightening possibility that someone is or isn’t pulling the strings…
There are certainly many different types of lists on which this book belongs. I always tell people Ghost Story is the scariest thing I’ve ever read. I was fortunate enough to relay that to the late great Peter Straub at a horror writers’ conference many years ago. Though I’m sure he would have liked praise for a more contemporary work, there’s a timelessness in the terror he evokes in this book. But that’s not the reason I include it here. It’s because I think ghosts are a form of Fate. Violence, injustice, visceral reactions—these are the things we associate with ghosts, and these are the elements that are central to the story of the punishing hand of Fate in this novel.
#1 New York Times bestselling author Peter Straub’s classic tale of horror, secrets, and the dangerous ghosts of the past...
What was the worst thing you’ve ever done?
In the sleepy town of Milburn, New York, four old men gather to tell each other stories—some true, some made-up, all of them frightening. A simple pastime to divert themselves from their quiet lives.
But one story is coming back to haunt them and their small town. A tale of something they did long ago. A wicked mistake. A horrifying accident. And they are about to learn that no one can bury…
It’s natural for humans to wonder who or what might have power over our actions. We’ve clawed our way to the top of the food chain, channeled the power of the elements, and tamed much of nature to our whim. What if something out there was the architect—or more—of our successes and failures? It’s something I’ve explored since I first began writing: fed by the adventures of living as an “Army brat” with a new life every two years, in keeping with my natural inclination to solve puzzles, and spurred by my fear of death and the equally frightening possibility that someone is or isn’t pulling the strings…
The main reason I’m recommending this book is “The Little Mermaid” (the original version, not a sanitized later edition or off-the-mark Disney interpretation). I loved fairy tales as a kid and “The Little Mermaid” is my favorite because it doesn’t have a happy ending. (Not for the mermaid, at least.) I loved that just because we think things should happen a certain way doesn’t mean they will. The mermaid thought she was fated to be with the prince. But all her planning and sacrifice and suffering didn’t change the possibility that the prince was fated to be with the woman he chose. It was an early and valuable lesson for me on seeing things from a different perspective, and inspiration for one of my own short stories.
A new collection of Hans Christian Anderson's fairy tales. There are 12 stories which include old favourites such as "The Ugly Duckling", "The Princess and the Pea" and "The Snow Queen", as well as some less well known tales such as "The Shepherdess and the Chimney Sweep" and "The Shadow".
It’s natural for humans to wonder who or what might have power over our actions. We’ve clawed our way to the top of the food chain, channeled the power of the elements, and tamed much of nature to our whim. What if something out there was the architect—or more—of our successes and failures? It’s something I’ve explored since I first began writing: fed by the adventures of living as an “Army brat” with a new life every two years, in keeping with my natural inclination to solve puzzles, and spurred by my fear of death and the equally frightening possibility that someone is or isn’t pulling the strings…
This is an anthology that falls most recognizably into the theme of this list. It’s the “what if…” premise that examines how villains are made. Nurture versus nature. Fate at its most cruel and cunning. There are 33 stories in this book by different authors working to show you what is and make you wonder what might have been. (And spoiler alert: this collection includes my origin story for the wicked witch from Hansel and Gretel.)
What makes someone a villain? What makes a person "evil"? What drove them to their actions? Were they good once, or have they always had a heart full of darkness? See things from the other side as these 33 stories explore just what makes a villain tick.
Featuring 33 stories by Steven S. Hood, Devin Lagasse, T.C. Cumberland, Jesse Weiner, Michelle Mellon, M A Smith, Alex Collingwood, Eddie D. Moore, Jesse Sprague, A.P. Sessler, Helen Mihajlovic, Lionel Ray Green, J.G. Formato, Ville Merilainen, Nicole Tanquary, J. Patton, P.J. Reed, Kristyl Gravina, Chad A. Clark, S. Locke, Jared Zygarlicke, Paul Tanner,…
I have lived in London most of my life, and what I love most about it are the wild places, the spots where the city and nature rub shoulders. When reading fiction, ‘place’ matters a lot to me, and if I am familiar with the setting, I like it to be accurate. That said, I love a little fantasy to stretch the boundaries. As well as being a writer and editor, I have worked part-time in bookshops for over forty years, and during that time, I must have read hundreds of novels set in and around London. These are five of my absolute favourites.
As with all the books I have chosen, the River Thames is a central part of this story.
From the affluence of Chelsea, it moves through the varied moods of the river, from crime in Rotherhithe through the Thames Barrier Park (one of my favourite London parks) to the point where it becomes the North Sea. At each twist and turn in the tale, the river matches the events perfectly.
The story is centred round a crime, but what I found fascinating was how a single error of judgement on the part of an innocent academic leaves him homeless, jobless, and in danger, with nowhere to run but a tiny patch of grass by the river.
One May evening in London, as a result of a chance encounter and a split-second decision, the young climatologist Adam Kindred loses everything - home, job, reputation, passport, credit cards, money - never to get them back. With the police and a hit man in merciless pursuit, Adam has no choice but to go underground, joining the ranks of the disappeared, struggling to understand how his life has unravelled so spectacularly. His journey of discovery will take him along the Thames from Chelsea to the sink estates of the East End. On the way he encounters aristocrats, priests, prostitutes and…
I have a passion for becoming a better human being and helping others to do the same. I spent 28 years in parish ministry attempting to remind people of the call of Jesus and the needs of the human heart. I left ministry and operated a private practice as a registered psychotherapist for almost 20 years. I am now retired and an author of three books. I'm still working at the task of becoming a better human being and helping others to do the same. The books I have recommended in my book list are all examples of people with similar mindsets.
The Soul's Code is a penetrating psychological and spiritual study of how we get to be who we are and the necessity of listening deeply to the call of your own life.
It will surprise and move you to be more aware of those formative experiences that are intrinsic to human experience. This book assisted me greatly in hearing my own soul's voice and inspiring me to write my own book about this experience.
Plato and the Greeks called it 'daimon', the Romans 'genius', the Christians 'Guardian Angel' - and today we use terms such as 'heart', 'spirit' and 'soul'. For James Hillman it is the central and guiding force of his utterly unique and compelling 'acorn theory' which proposes that each life is formed by a particular image, an image that is the essence of that life and calls it to a destiny, just as the mighty oak's destiny is written in the tiny acorn.
Highly accessible and imaginative, The Soul's Code offers a liberating vision of childhood troubles and an exciting approach…
I write fiction set in the Bronze Age world of the Trojan War and the Hittite Empire. I love to combine history and archaeology with magic and fantasy arising from the ancient beliefs of this period. My novels bring women to the fore—whether the captive Briseis or a remarkable Hittite queen lost to human memory until recently. Armed with degrees in Classics, I have spent too much time exploring the remains of the ancient Greeks and Hittites through travel and research. From the beginning, the Trojan War tradition has left room for many variations. Here are five entirely different “takes” on this iconic war—all masterfully written.
Carosella offers another, refreshing take on Helen. This Helen takes control of her life and tries to defy fate (and the gods do their darndest, as usual in Greek mythology, to make her and everyone else miserable). Carosella’s engaging novel develops the characters’ jealousies, passions, and loyalties, as well as bringing the reader directly into the ancient Greek world. I enjoyed the sense of interconnectedness between different parts of this Greek and Mediterranean world, Troy, Sparta, Egypt, Mycenae, and Athens. This accurately reflects the current understanding of this exotic world. I appreciate a flexible view of all the legendary mythology surrounding this iconic war, and Carosella has flexed some impressive muscle.
Long before she ran away with Paris to Troy, Helen of Sparta was haunted by nightmares of a burning city under siege. These dreams foretold impending war-a war that only Helen has the power to avert. To do so, she must defy her family and betray her betrothed by fleeing the palace in the dead of night. In need of protection, she finds shelter and comfort in the arms of Theseus, son of Poseidon. With Theseus at her side, she believes she can escape her destiny. But at every turn, new dangers-violence, betrayal, extortion, threat of war-thwart Helen's plans and…
Not only have I written six critically acclaimed novels for middle-grade readers, including three historical fictions, I am the parent of a tween and teen who is always looking for great read-alouds and read-alongs for my own family. I am a firm believer that this is a valuable way to encourage literacy and love of story as I wrote in a recent, much-discussed essay inThe Atlantic. Having lived abroad, including as an exchange student and camper in the Soviet Union and for three years in Belgium, I am also a huge believer in expanding our own as well as our kids’ knowledge of history beyond our own borders, cultures, identities, and perspectives.
Schlitz’s latest historical novel, set in Ancient Greece, is one I read aloud to my own kids, who like many are already well versed in Greek and Roman mythology.
The story of the rebellious daughter of a noble family and an enslaved boy, it’s a haunting and beautifully rendered introduction to classical philosophy and the story of Socrates. Reading this together gave us a chance to discuss the classical world as a real place and its culture and religion in detail and depth.
Schlitz’s books are among the most literary and original out there and this one was written to stay with you for a very long time.
The Newbery Medal–winning author of Good Masters! Sweet Ladies! givesreaders avirtuoso performance in verse in this profoundly original epic pitched just right for fans of poetry, history, mythology, and fantasy.
Welcome to ancient Greece as only genius storyteller Laura Amy Schlitz can conjure it. In a warlike land of wind and sunlight, “ringed by a restless sea,” live Rhaskos and Melisto, spiritual twins with little in common beyond the violent and mysterious forces that dictate their lives. A Thracian slave in a Greek household, Rhaskos is as common as clay, a stable boy worth less than a donkey, much less…
I began studying philosophy, both western and Asian, as a college freshman, and I never stopped. Much of my career in philosophy was devoted to building bridges between western and Buddhist traditions. The best philosophers try to make their ideas as clear as possible. But standards of clarity can differ across traditions, and this sometimes makes it difficult to present the theories and arguments of one philosophical tradition to those who think in terms of another. I have struggled with this in my own efforts at bridge-building, and I am always appreciative when I see other scholars of Buddhism achieve the sort of clarity I aim for.
A key claim of Buddhist philosophy is that all the facts about persons are causally determined. This claim leads people to wonder where Buddhists stand on the so-called ‘free will’ problem: can someone whose actions are determined by earlier events be held responsible for what they do? This question never arose in Indian Buddhist philosophy, but modern scholars have had much to say about whether Buddhism’s causal determinism is compatible with the practice of praising or blaming people for what they do. This book collects some of the best attempts to answer the question.
Throughout the history of Buddhism, little has been said prior to the Twentieth Century that explicitly raises the question whether we have free will, though the Buddha rejected fatalism and some Buddhists have addressed whether karma is fatalistic. Recently, however, Buddhist and Western philosophers have begun to explicitly discuss Buddhism and free will.
This book incorporates Buddhist philosophy more explicitly into the Western analytic philosophical discussion of free will, both in order to render more perspicuous Buddhist ideas that might shed light on the Western philosophical debate, and in order to render more perspicuous the many possible positions on the…
My work as an anthropologist has focused on understanding the worldviews of people of different backgrounds and nationalities in the Middle East. This is despite the tendency now for anthropologists to pursue more theoretical and academic research. Although there are many ways to acquire an understanding of culture, the best is of course to live and work with local people. The next best way is to listen to them explaining themselves. These books by cultural insiders do just that. The authors come from several sub-cultures of the Arab world and religions. They all describe their own versions of culture, that although overlapping in many ways, also show the distinctiveness of each group.
During the sixties, Atiya collected life stories of five Egyptian women from the lower and middle classes, ranging in age from twenty to mid-sixty. The stories show how to them, life starts with marriage. If they mention their childhoods, it is as preparation for marriage. Parents invariably arranged the women’s marriages or gave permission to potential husbands attracted to their daughters from a distance. Once the excitement of their weddings is over, however, most face an endless stream of difficulties. They recount experiences as co-wives, being forced into acrimonious divorces, family conflicts, and problems with children. They discuss witchcraft, female circumcision, poverty, and health issues. The book is unusual in that it conveys in their own words, the thinking of people not usually heard from in Middle Eastern writing.
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