Fans pick 89 books like Flames of Mira

This book is both a fascinating vision of a tumultuous world and a deep dive into the mind of a troubled and compelling protagonist.

The character work in this book is incredibly impressive, with the long arc of the protagonist’s development drawn in convincing and gripping detail that left me feeling like I had known this person for years through all their triumphs, tragedies, and mistakes, which is to say nothing of its creative and plausible magic, its socio-political commentary, and its meditation on family and grief. Rightfully recognized as a modern classic, it is a book all fans of fantasy should read.

Shapeshifting lizard people. Oh. You want me to say something else?

How about... a world like no other, peopled by all manner of beings (but no humans, which is honestly a delight). The setting is so fantastic, but also so meticulously designed—every settlement and civilization feels organic, fully realized, and unlike anything else. But what about the story—?

Moon doesn't know where he's from, but he knows he's the only shapeshifter he's ever met, and the only person with wings...and worse, he thinks he's part of the terrible Fell, a species that seems to be invasive and hostile and looks a lot like him.

Then he meets another Raksura, and learns how wrong he's been about everything, including himself. 

I love a good re-imagined fairytale, and Tidbeck delivers...except it's more like she took all the fairy tales, smashed them, and reassembled them in a mosaic that's both familiar and alien at the same time.

Dora and Thistle are two among many children trapped in the Garden, servants to the fairy-like overlords who, when those children grow up, will eat them. Dora and Thistle escape, but so does one of the wicked overlords....

The prose is gorgeous, and the story is all the things fairytales should be: magical, terrifying, fantastic, with journeys and helpers and—well. I won't tell you if the ending is happy or not. Read to the end and find out. 

In Kolkata, India, a college professor agrees to transcribe a stranger’s collection of notebooks, old parchments, and scribbles on human skins. 

Through his translations, the reader learns about a race of werewolf-like creatures that eat humans and absorb their memories and souls in the process. One such creature, Fenrir, fathers a child by a human woman out of a desire to create life instead of destroying it. 

This book contains a lot of violence but through the eyes of the shapeshifters, the reader gets a sharp look at gender fluidity and relationships between sexes. What I remember most from the book is Fenrir’s point of view being both unnerving and thought-provoking. He’s devoured the knowledge of many humans yet he can’t differentiate between love and hate.

I love the characters in this book. Don’t get me wrong, the world-building is great and the magic fantastic, but the bond between the two brothers, Jake and Louie, is so real and touching.

I’m a sucker for deep friendships, including siblings, as well as characters with some quirks (and spice). In addition to that, the fast-paced adventure in this book had me flipping pages like I didn’t have a bedtime. 

Master of the Five Magics delivers exactly what the title suggests. Hardy creates not only one, but five distinct and well-thought-out systems of magic. Each discipline is different from the next in practice, application, and style. The mechanics of how each of the systems functions is logical, precise, and adheres to a well-planned set of rules. The reader explores the world of magics through immersive storytelling and the reader can enjoy the journey without the perception of having attended a university course on the subject material.

The trilogy is seen as ahead of its time and is often credited as having influenced later authors as they explored the subject of magic in fantasy in their own writings.

A sharpshooter with high walls around her heart, Margaret lives alone in her family’s falling-apart mansion. Alone, that is, until charming alchemist Wes shows up and makes her an offer she can’t refuse: partner up in the dangerous hunt for the last living mythical creature, and bring her mother home. This delightful twist on the grumpy/sunshine trope will transport you to the mythical forest and candlelit manor with its lyrical writing. The vibes alone in this story cannot be beat. Add the promise of a hunt and a well-earned slow-burn romance, and this book will soothe your soul like a warm sweater on an autumn day.

The first in a trilogy of books of magical fantasy set in Renaissance Europe and beyond that looks at magic and witchery at an unusual slant. Centre stage is Damiano Delstrego: son of a wizard and alchemist with an inheritance of Dark Magics. Forced out by war, he goes on pilgrimage to seek the aid of the powerful witch Saara, but the road he is obliged to walk is a dark one. R. A. MacAvoy is another writer I have admired for a long time and I was very sad when ill health stopped her from writing. I believe, however, that she has started to write again, so I can but hope for new novels while recommending her older, skillful work.

When I look for books to read, my criteria are a compelling mystery, an action-packed fantasy, or a blend of both. Welcome to the both. I love this book's excellent mystery, action, and world-building balance! While the action was on par with what I expected of Sanderson, the primary and secondary characters take the story a step further with depth that made me connect with their personalities and the motivation for their actions.

They feel like real people, with their dialogue and interactions adding to the investigation’s progression, and if a writer can achieve that in a story, that sells it for me. This, along with the worldbuilding and rather fun mystery, always makes it a reread option for me.

I discovered the Pearl Saga (a trilogy) via Van Lustbader taking up the reins on Robert Ludlum’s Bourne novels. While I was reading these books, I was waiting to hear from Voyager (Harper Collins) regarding an epic fantasy novel I wrote, which featured in its climactic scenes a girl using crystals to trap a dragon in a cage-like device inside a mountain. There was a delay in the publication of the third book of the Pearl Saga, and when it came out, it featured a girl holding a ‘crystal’ before a dragon, and it was called The Cage of Nine Banestones. My heart sank, but it turned out that the delay was related to the death of Van Lustbader’s father.

The trilogy begun in ‘Ring’ is for some brooding and self-indulgent, but for me it was a triumph of worldbuilding and alien realia, with technology and sorcery vying… show more.