Here are 100 books that The Dance Tree fans have personally recommended if you like
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I am an author of short stories, young adult novels, romance, even a reference book, but I will read any genre and any age group. As a librarian, researcher, book reviewer, and former school teacher, I have a long-standing love for historical fiction. When an author gets the details right, and you feel transported in time and place to WWII, or the 18th century, or Victorian England…there is nothing sweeter. Witnessing humankind overcoming huge obstacles, facing the most that human nature can take, and coming out on top? Definitely literary therapy! So put down the cell phone, pour a hot cuppa, and let these favourites of mine transport you.
True confession time…after reading The Winemaker’s Wife I hightailed it to the library and took out all of Kristin Harmel’s historical fiction titles (Book of Lost Names!!). Yes, they are that good! In The Winemaker’s Wife, Harmel transports her readers to 1940, a time when WWII and the Nazi regime threatened the lives and livelihoods of a particular Champagne House in France. She expertly taps into all of the five senses in her tale of love and betrayal, of the unyielding power of the human spirit in the face of adversity, and of a Resistance movement hidden beneath the casks and caves of the winery. A riveting, read-in-one-sitting book!
The author of the “engrossing” (People) international bestseller The Room on Rue Amélie returns with a moving story set amid the champagne vineyards of France during the darkest days of World War II, perfect for fans of Heather Morris’s The Tattooist of Auschwitz.
Champagne, 1940: Inès has just married Michel, the owner of storied champagne house Maison Chauveau, when the Germans invade. As the danger mounts, Michel turns his back on his marriage to begin hiding munitions for the Résistance. Inès fears they’ll be exposed, but for Céline, the French-Jewish wife of Chauveau’s chef de cave, the risk is even…
I’m an accidental historian, one that stumbled over a love of history in spite of myself. In school, history was all just dates and places—not the kind of thing to inspire a kid that loved stories about people, not dusty old battles. But then a funny thing happened on the way to an English degree. A few history electives suddenly seemed way more appealing than another round of Austen, and led me to a BA History with Distinction. The first half of the twentieth century is a favorite period, but I say bring on the Renaissance and Viking ships too!
Sarah’s Keykeeps us hoping in spite of ourselves—and despite the terrible odds facing a Jewish family in Paris, 1942. When the police come knocking one night, ten-year-old Sarah has no idea that her family is being rounded up for transport to an internment camp. She locks her little brother in a closet to save him, certain she’ll return the next day. That fateful choice will echo from WWII into the present, where the apartment’s new occupant uncovers long-ago choices and secrets in her own family. For me, though, the real question isn’t whether Sarah can rescue her brother. It’s about the many ways we justify our own ‘us’ and ‘them,’ and the hope that we can learn from history’s lessons.
Paris, July 1942: Sarah, a ten year-old girl, is arrested with her family by the French police in the Vel' d'Hiv' roundup, but not before she locks her younger brother in a cupboard in the family's apartment, thinking that she will be back within a few hours. Paris, May 2002: On Vel' d'Hiv's 60th anniversary, journalist Julia Jarmond is asked to write an article about this black day in France's past. Through her contemporary investigation, she stumbles onto a trail of long-hidden family secrets that connect her to Sarah. Julia finds herself compelled to retrace the girl's ordeal, from that…
As a doctor, writer, and mother of middle schoolers, I was ready to scintillate the sixth-graders when I volunteered for the chicken wing dissection class, demonstrating the exciting connection between muscles, tendons, and bones. I opened and closed the wing, placed it in their hands, and showed them the thin strips of tissue coordinating all the action. Did I see fascination? Excitement? Feigned interest of any sort? Sadly, no. They were much more enthusiastic about a different topic I volunteered for. Mythology. Greek gods. Beasts with multiple heads. They knew everything, and I knew books like Rick Riordan’s The Lightning Thief series were the reason. Books can entertain and educate.
Another great series from Rick Riordan. Set somewhat in the real world, a brother and a sister who don’t look alike discover they are descended from long line of a family of both Egyptian pharaohs and magicians. They have special talents to battle gods from Egyptian mythology and must save their father and the world.
Again, so much history and mythology packed into an exciting adventure story. Our whole family loved it.
The Red Pyramid: the first book in Rick Riordan's The Kane Chronicles.
Percy Jackson fought Greek Gods. Now the Gods of Egypt are waking in the modern world...
'I GUESS IT STARTED THE NIGHT OUR DAD BLEW UP THE BRITISH MUSEUM . . .'
CARTER AND SADIE KANE'S dad is a brilliant Egyptologist with a secret plan that goes horribly wrong. An explosion shatters the ancient Rosetta stone and unleashes Set, the evil god of chaos . . .
Set imprisons Dr Kane in a golden coffin and Carter and Sadie must run for their lives. To save their dad,…
Serendipity is a magical story told by a grandmother to a granddaughter, introducing us to the traditional way of living of the Scottish Travellers and their Cant language.
A fantasy tale for children of 8 years old and older inspired by three real places in Scotland. Serendipity takes us to…
Female warriors add more depth to the action/thriller genre and make any character infinitely more interesting. I’ve read and watched enough Jacks, Johns, and Jakes to last a lifetime and I want some Janes in my reading life. I’ve been an avid reader for more than 40 years and always felt that there was a blank space when it comes to female protagonists. Many of my favorite female characters were relegated to supporting roles including some on my list, but when I find a great female character I end up reading her again and again. And if you haven’t seen it yet, watch Lioness on Amazon, it will leave you breathless!
When it comes to Constance Greene, I hardly know where to begin.
She’s certainly the oldest and most deadly character in fiction writing today. I say she’s the oldest because she’s trapped in the body of a thirty-something-year-old woman even though she was born in 1873, long story.
She appears as a supporting character in multiple novels, as the love interest of Detective Aloysius Pendergast, but she is so much more than that. She’s eloquent, brilliant, and does not succumb to emotional distress under any threat of death.
In Blue Labyrinth, eight highly trained mercenaries pursue her and none of them live to tell the tale. At her most ruthless, she can kill with any tool at her disposal and she is loyal to the man she loves.
When a longtime enemy shows up dead on Pendergast's doorstep, the murder investigation leads him into his own dark past as a vengeful killer waits in the shadows.
It begins with murder. One of Pendergast's most implacable, most feared enemies is found on his doorstep, dead. Pendergast has no idea who is responsible for the killing, or why the body was brought to his home. The mystery has all the hallmarks of the perfect crime, save for an enigmatic clue: a piece of turquoise lodged in the stomach of the deceased.
Ghost stories are predominantly one flavor: horror. However, my taste in ghost fiction resembles a smoothie. Blend equal parts of contemporary suspense/mystery and the paranormal; add a splash of science, a pinch of dark family secrets, and a sprinkle of romance; and then spike with a heaping cup of twists. That’s my favorite recipe for the paranormal crossovers I love to read and write. My narration preferences are less typical, too. Ghost stories are usually told by characters being haunted. In novels I love, ghosts participate as storytellers, breathing realism into the supernatural. For me, hauntingly plausible stories generate more goosebumps than those horrifically improbable. (Perhaps because I grew up in a haunted house!)
Fill the genre blender with equal parts contemporary mystery, paranormal, and family dysfunction, and then add several scoops of atmospheric creepiness to replicate the recipe for What You Never Knew. Who doesn’t like a mystery set on a lake, in a cottage located on a private forested island where secrets have been hidden for decades? Especially those associated with June’s father, who left the family (never to be heard from) when she was 12. Now 30 years later, June Bennett returns to Avril Island and the more secrets she unearths, the more her life is in danger. Just as enticing as the genre mix, the narration is delivered by June andher deceased sister, May, who recently died in a car accident. The setting, atmosphere, and pacing will keep the pages turning!
Told in alternating points of view between the living and the dead, Jessica Hamilton's debut novel will be perfect for fans of The Lovely Bones.
Idyllic Avril lsland, owned by the Bennett family, where their hundred-year-old cottage sat nestled in acres of forest. Forty-year-old June Bennett believed that the island had been sold after the summer of her father's disappearance when she was only twelve years old. It's months after the shocking death of her older sister May in a fatal car accident, that June finds out that the cottage was never sold. Avril Island is still owned by the…
Having spent my youth watching dramasCrown Court andL.A. Lawon TV and reading Rumpole of the Bailey, it’s not surprising I became a lawyer and then went on to write legal thrillers myself. The courtroom is an inherently theatrical place, where emotions and tensions run high. It’s a place where egos collide, theories are propounded and punctured and the liberty (and sometimes the life) of the accused is at stake. It follows, then, that lawyers operate in a totally even-handed system, where they’ll always achieve a fair and just result and uncover the truth. All the books I’ve recommended challenge this notion in different (but equally brilliant) ways.
A young man accused of murder stands before the jury in court. Fed up with his barrister’s advice to ‘only tell the jury what they can believe’ he makes his own closing speech. He tells ‘the whole truth’ in his own words.
In setting out the details of his chaotic life, he aims to provide an innocent explanation for the eight pieces of circumstantial evidence against him. It’s only if the jury can understand what it’s like to be him (echoes here of Atticus Finch’s famous line, "You never really understand a person until you… climb into his skin and walk around in it.") that he will receive a fair trial.
A highly original angle for the modern, courtroom drama, executed to perfection. Clearly (as is only right) there’s a subtly-woven, social commentary agenda too.
2013 Christy Award winner! 2013 Carol Award finalist (ACFW) To everyone who knows her, Annalise Decker is a model wife and mother. She’s a permanent member of the PTA, never misses her kids’ sporting events, and is constantly campaigning for her husband’s mayoral race.
No one knows that Annalise was once Deidre O’Reilly, a troubled young woman whose testimony put a dangerous criminal behind bars. Relocated through the Witness Security Program to the sleepy town of Deep Haven, Deidre got a new identity and a fresh start, which began when she fell in love with local real estate agent Nathan…
Dolça Llull Prat, a wealthy Barcelona woman, is only 15 when she falls in love with an impoverished poet-solder. Theirs is a forbidden relationship, one that overcomes many obstacles until the fledgling writer renders her as the lowly Dulcinea in his bestseller.
I wrote a novel whose characters fight to survive depression, grief, loss, and abuse. Though it’s got a sense of humor, it gets dark. People ask, why read a book like that when real life is dark enough? Because we don’t just read to escapefrom the world—we read to understandit. Fiction can help explain the awful things we might witness or experience or hear about. It can also help us feel less alone in our own sadness and grief. Without darkness, light is meaningless. Without pain, we have no use for hope. Who wants to live in a world without hope?
I could recommend this book for the writing, which is remarkable—layered and incisive and beautiful—or for the plotting, which is dense and chaotic in all the best ways, even as Veselka displays the patience of a confident master. Or for the multitude of richly drawn, intriguing characters and how they move around the country and one another. As they wander from Alaska to Seattle to New England in search of a family secret—and in search of themselves—Veselka brings readers along on their quest as she slowly reveals the mystery of a dysfunctional family dynamic and the systems that create so many others like it.
NATIONAL BOOK AWARD NOMINEE • A wildly original, cross-country novel that subverts a long tradition of family narratives and casts new light on the mythologies—national, individual, and collective—that drive and define us.
On the day of their estranged father’s wedding, half sisters Cheyenne and Livy set off to claim their inheritance. It’s been years since the two have seen each other. Cheyenne is newly back in Seattle, crashing with Livy after a failed marriage and a series of personal and professional dead ends. Livy works refinishing boats, her resentment against her freeloading sister growing as she tamps down dreams of…
In life and writing I’m torn between a desire for solitude and for connection with people. As a young woman I lived in a cottage miles from friends, working from home while my husband was at work, bringing up our first child. No email, no texting, few visitors. It was idyllic, and I was desperately lonely; that’s when I began to write. We moved, I found friends. But still I dream of solitude. Could I handle it now? It’s surely why I found myself writing a novel about a young woman who finds herself suddenly alone in the wild, with no friends – doesn’t everyone write about the things they fear?
I’ve just reread the opening of Our Endless Numbered Days and whoosh – I’m back in the story, with so many questions, prime among them why the narrator’s father – the liar, the north London survivalist – is removed from all photographs but this last, hidden one that she cuts and conceals under her breast.
Fuller’s story is a page-turner in all the best ways, going back in time to follow nine-year-old Peggy and her father as they run from their family home to a remote cabin in a European forest and a life of barely surviving despite all his plans.
Why? Who is the strange man on the mountain? And how does she get back home? Maybe that isolated mountain hut wasn’t so idyllic after all?
'Fuller handles the tension masterfully in this grown-up thriller of a fairytale, full of clues, questions and intrigue.' - The Times
'Extraordinary...From the opening sentence it is gripping' - Sunday Times
1976: Peggy Hillcoat is eight. She spends her summer camping with her father, playing her beloved record of The Railway Children and listening to her mother's grand piano, but her pretty life is about to change.
Her survivalist father, who has been stockpiling provisions for the end which is surely coming soon, takes her from London to a cabin in a remote…
All my books (I hope!) sweep the reader into another world – it’s one of my favourite themes in the books I love to read, as well as write. When I was about seven, I first read some of the books which would shape my life, including Elidor by Alan Garner and A Wrinkle in Time by Madeleine l’Engle, which brought me right out of my own life and into worlds as varied as the frightening interstellar realm of Camazotz and the battlefields of Elidor. I’ve been trying to capture that sense of ‘being swept away’ in my own work ever since.
Bell’s Uncommoners series is set in a richly-imagined magical world where everyday objects have extraordinary powers – and when darkness closes in, Seb and Ivy Sparrow must race to uncover an Uncommon mystery before it’s too late. Featuring a talking bicycle bell, police officers armed with toilet brushes, and the incredible city of Londinium, these books will fling you straight into a thrilling adventure.
Welcome to a world where nothing is quite as it seems . . .
Dive head first into the world of Lundinor in this magical adventure story for anyone with a Hogwarts-shaped hole in their life.
When their grandmother Sylvie is rushed to hospital, Ivy Sparrow and her annoying big brother Seb cannot imagine what adventure lies in store. Returning to Sylvie's house, they find it has been ransacked by unknown intruders - before a mysterious feather scratches an ominous message onto the kitchen wall. A very strange policeman turns up on the scene, determined to apprehend them . .…
I love books that whisk me away and keep me reading long into the night. There’s something so exciting about realizing you’ve been reading for so long that you have no idea what the time is or if it’s even the same day. I’m also incredibly passionate about horror and what it can teach us about ourselves and our society. Being diagnosed with epilepsy at the age of 12 made me feel isolated and alone, but horror granted me a form of escapism and taught me to embrace what made me feel different, something each of these books does. I hope you enjoy reading them as much as I did!
I found this a captivating read. It was morbid, dark, and grim, but it was also exciting. I was quickly drawn into the world of Immanuelle Moore, whose mother was called a witch and died giving birth to her. I loved the author’s attention to detail.
The villages of Bethel and the Darkwood are so vivid that I could believe the protagonists’ lives in the puritanical, secluded world full of zealots, idolatry, sexism, and racism. The book is also beautifully atmospheric—the village, the trees, and the large cathedrals are so well described.
One of the book's main themes was self-discovery, which is why I think it’s more aimed toward YA, but I recommend it to anyone interested in witches, small towns, religion, and feminist themes.
A young woman living in a rigid, puritanical society discovers dark powers within herself in this stunning, feminist fantasy debut.
In the lands of Bethel, where the Prophet's word is law, Immanuelle Moore's very existence is blasphemy. Her mother’s union with an outsider of a different race cast her once-proud family into disgrace, so Immanuelle does her best to worship the Father, follow Holy Protocol, and lead a life of submission, devotion, and absolute conformity, like all the other women in the settlement.
But a mishap lures her into the forbidden Darkwood surrounding Bethel, where the first prophet once chased…
