Here are 100 books that What's Left of the Night fans have personally recommended if you like
What's Left of the Night.
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I love imperfect characters. They are more interesting, memorable, and three-dimensional than characters who have everything figured out. Imperfect characters are the most believable and readable because they are mirrors of ourselves. We live their stories more easily, and imperfect characters live the most awesome stories. Finding an imperfect female main character inhabiting a world full of conflict and then watching her strength emerge through a well-told story is one of my favorite reading experiences.
Of the five recommendations I made, this one is the heaviest. Historical fiction set in Germany during WWII, and having our main character be a poor German girl offers such an interesting juxtaposition of the starkness of the global stage with homelife for Liesel.
Another reason I love this book: Death as the narrator. So awesome giving Death a voice and imagining how he might think/feel. I also love how multifaceted all the characters are–they are full of both light and darkness, but it’s their decisions that determine if light will shine in such dark times.
'Life affirming, triumphant and tragic . . . masterfully told. . . but also a wonderful page-turner' Guardian 'Brilliant and hugely ambitious' New York Times 'Extraordinary' Telegraph ___
HERE IS A SMALL FACT - YOU ARE GOING TO DIE
1939. Nazi Germany. The country is holding its breath. Death has never been busier. Liesel, a nine-year-old girl, is living with a foster family on Himmel Street. Her parents have been taken away to a concentration camp. Liesel steals books. This is her story and the story of the inhabitants of her street when the bombs begin to fall.
In the small Greek village I grew up in, my father read poetry to me when I was too young to understand any of it, and likely because of this I was pulled to the sound of the words and to reading anything that came my way. In high school, I fell in love with Plato’s writings, and later, as an undergraduate, philosophy saved me from my official major: economics. I continued in my Psychology Master’s, with Paul Kline’s “exceptional abilities” course, a philosophy class about consciousness. I read tons of books and I am enticed by writers who search for life’s questions and self-awareness.
Self-realization and the duality of human nature are the dominant themes of this coming-of-age story. Emil Sinclair, the narrator, and protagonist of the book, struggles between light and dark, good and bad, and Damian, Sinclair’s mysterious classmate, and friend, helps Sinclair reach eventual self-awareness. Damien is a fascinating psychological analysis of a vulnerable youthful soul in search of its own true identity and that’s why it’s perfect for young adults and/or individuals who aim to discover their own unique path in life.
As an addict of such themes, I read this book in college and still re-read it (now and then) when in self-doubt.
"All I really wanted was to try and live the life that was spontaneously welling up within me. Why was that so very difficult?" Generations of readers have recognized the impassioned cry that introduces the young narrator of Demian, and embraced this tale of a troubled young man's struggle toward self-awareness. Initially published in Berlin in 1919, the novel met with instant critical acclaim, as well as great popular success among people seeking answers amid the devastating aftermath of World War I. A brilliant psychological portrait of an individual's departure from social conventions in the search for spiritual fulfillment, Demian…
In the small Greek village I grew up in, my father read poetry to me when I was too young to understand any of it, and likely because of this I was pulled to the sound of the words and to reading anything that came my way. In high school, I fell in love with Plato’s writings, and later, as an undergraduate, philosophy saved me from my official major: economics. I continued in my Psychology Master’s, with Paul Kline’s “exceptional abilities” course, a philosophy class about consciousness. I read tons of books and I am enticed by writers who search for life’s questions and self-awareness.
If you were to read one of Kundera’s novels, let it be this, Immortality!
It’s the last of a trilogy (that includes The Book Of Laughter And Forgetting and The Unbearable Lightness Of Being), and Kundera’s masterful attempt to answer questions such as: What’s the meaning of life? And is immortality so unbearable as our brief existence?
Its plot is Kunderian, light, and poetical. The story initiates from a simple gesture by Agnes, one of the protagonists, but as it progresses the reader begins to feel the heaviness of mortality and the endless challenges of love. It’s a beautiful discussion on the nature of one’s legacy, and how one changes (or not) through the passage of time, and unfortunately can’t do much about it.
This breathtaking, reverberating survey of human nature finds Kundera still attempting to work out the meaning of life without losing his acute sense of humour. It is one of those great unclassifiable masterpieces that appear once every twenty years or so.
'It will make you cleverer, maybe even a better lover. Not many novels can do that.' Nicholas Lezard, GQ
Who was the man who would become Caesar's lieutenant, Brutus' rival, Cleopatra's lover, and Octavian's enemy?
When his stepfather is executed for his involvement in the Catilinarian conspiracy, Mark Antony and his family are disgraced. His adolescence is marked by scandal and mischief, his love affairs are fleeting, and yet,…
I started reading voraciously at age 4, and read Camus by 6th grade, which is why it made sense that I was so into Pink Floyd, my favorite album of theirs being Animals, which is super depressing. I then studied writing extensively with some great writers, getting my MA and MFA, and teaching writing at colleges from 1991-2021. Along the way I became an editor, a writing coach, ran a writing workshop for 7 years, and started a publishing company. I know good writing when I see it versus crap, and I can tell for sure in about 300 words. I also fall hard for books, and do want to marry them.
This is the Tom Robbins book for me: the glorious bastard that made me want to be a writer.
It's a day lost in Tijuana, or Nice, or Beijing, or some other place you'd never thought you'd be, and you don't speak the language, but you've convinced yourself that you're fluent, and you can do it: you can get around anyway, and there's no cabs, and so you get into some guy's really old Volvo or, more ill-advised, van, and you give him the local equivalent of ten bucks to take you where you hope you want to be and not kill you, and he does it, but when he drops you off he yells at you, in his language, for being stupid enough to take a ride with a stranger.
And you do it again the next day, and you never learn your lesson.
Still Life with Woodpecker is sort of a love story that takes place inside a pack of Camel cigarettes. It reveals the purpose of the moon, explains the difference between criminals and outlaws, examines the conflict between social activism and romantic individualism, and paints a portrait of contemporary society that includes powerful Arabs, exiled royalty, and pregnant cheerleaders. It also deals with the problem of redheads.
To experience another's thoughts and emotions, one first has to feel them. Eyes, lips, tongue, and teeth are involved before the brain/heart can engage. Translation of poetry is the same. My mother has sung Chinese poetry to me since forever, and English poetry came alive for me through verse speaking. I studied and taught as I wrote for many years. I cannot say I find my way into every poem I come across, but the poems I translate are ones I know and love. That is why I am passionate about translation. For me, it is not a secondary experience but a primary, primal performance art!
The book is dedicated to his three students from Princeton’s translation workshop, “Madeleine, Nadia, and Susan, and their faith in the art of translation.” And yes, that last is me. This dedication has not biased my love for these poems even though I recognize his tutelage in their lines: he taught us to be bold, true and simple, as in Ritsos’s famous poem, “The Meaning of Simplicity,” which begins, “I hide behind simple things, so you’ll find me...” which is placed smack in the middle of this volume.
Many of these poems are short but not simple, as in simplistic. Their references to ancient myths give us another chance to relive the meaning of those myths through the senses; as Ritsos said in one of his interviews, “Human beings develop through their senses, not through their brains.”
The celebrated modern Greek poet Yannis Ritsos follows such distinguished predecessors as C. P. Cavafy and George Seferis in a dramatic and symbolic expression of a tragic sense of life. The shorter poems gathered in this volume present what Ritsos calls "simple things" that turn out not to be simple at all. Here we find a world of subtle nuances, in which everyday events hide much that is threatening, oppressive, and spiritually vacuous--but the poems also provide lyrical and idyllic interludes, along with cunning re-creations of Greek mythology and history. This collection of Ritsos's work--perhaps most of all those poems…
The author of more than a dozen books and hundreds of magazine and newspaper pieces, I taught writing for many years as a lecturer at the University of Massachusetts at Amherst. My passion for learning to write is lifelong, beginning in a musical childhood that led me from notes to words. A voracious reader, I set my ambition early-on to create stories that worked like the music I love, articulated most fully in recent books that take off from the many years I spent traveling with the iconic jazz musician Wynton Marsalis, with whom I also collaborated on Jazz in the Bittersweet Blues of Life. My focus in both learning and doing is the intersection of memory and experience in a process that is ongoing in the intertwining of life and work.
Where to begin? Proust’s gigantic masterpiece is the proverbial gift that keeps giving, none more so than in its explication and then repeated “demonstration” of the very thing it describes, the sensory triggers of what Proust calls involuntary memory but that here become the emotional propulsion for this book about writing the very beautiful book (or books—it comes in six volumes) you are reading.
As a young doctor, Carl Holman has experienced the horrors of World War I and the death of his lover, a fellow officer. Back home after the War, he befriends a young jazz musician who he hopes will become a companion he can share his life with. But this is…
As a scholar of nineteenth-century French history and literature, I had always been fascinated by a paradox: France was the first modern European country to grant the Jews full civil rights (in 1790-91) but it was also the country where modern antisemitism first took shape. I’ve explored that paradox in a series of books, including most recently The Betrayal of the Duchess. Since 2011, I’ve also directed the Yale Program for the Study of Antisemitism. Many people don’t realize that France today has the third-largest population of Jews in the world, after Israel and the United States. And it continues to be ground-zero for antisemitic attacks. So studying this history is more important than ever.
This is the best history of the Dreyfus Affair and I wish it were available in English. Whereas most histories of the Affair cast Dreyfus as a hapless victim or as a patriotic automaton, who might not have even been a Dreyfusard had he not been Dreyfus, Duclert shows him to have been a true hero, whose super-human resolve and fortitude eventually allowed justice to prevail. Dreyfus emerges not as a martyr to antisemitism but as the first example of the resistance hero, the model for the struggle against authoritarianism and state terror in the twentieth century.
Des milliers de livres existent sur l'affaire à laquelle Alfred Dreyfus a donné son nom, mais nul n'a jamais écrit sa biographie. Curieuse, troublante lacune? Ne fallait-il pas montrer le rôle éminent que cette figure ignorée, déformée (quasi niée jusque chez une partie des dreyfusards), a joué dans le combat pour la vérité et la justice ? Certes Lazare, Zola, Péguy, Jaurès, Clemenceau et d'autres ont été nécessaires, mais sans le concours actif du principal intéressé (et de sa famille), y aurait-il eu seulement une affaire ? Un condamné qui se fût abandonné, qui eût capitulé devant la souffrance morale…
I have always been fascinated by France and things French. In graduate school, no women’s history was on our required reading lists. As a young woman, though, entering a professional field in which women were few on the ground, much less studied, I became an avid reader of biographies of achieving women – partly to learn how they were able to surmount (or not) the obstacles that confronted them in a male-dominated world. The five stellar biographies of French women I present here are products of the newer work in retrieving women’s histories. They are deeply researched and engagingly written. They confirm the saying that “truth is stranger than fiction.”
This splendid biography traces the life and times of the Marquise Du Châtelet, born in Paris in December 1706, who became one of the most erudite women of her époque. For fifteen years she was the companion to Voltaire, the best-known of the French philosophes. She mastered calculus and translated Newton’s Principia, in addition to carrying on an active social life and raising several children. She died at the age of 42, following the birth of a daughter conceived with another lover. The author explains her subject’s life course as “from a life of frivolity to a life of the mind.” It’s a great read.
Documents the life of the French Enlightenment-era intellectual, from her aristocratic youth and controversial choice to become the mistress of Voltaire to her mathematical and scientific achievements and work as a translator of Newton.
I went to Paris the first time when I was nineteen. I was sitting in a cheap restaurant when a man entered carrying a burlap sack filled with escargots, and put some on my plate (all very unsanitary) for me to taste. Delicious! I was in France in the 1970s when Robert Parker was discovering French wine. (We didn’t meet then, but did after my series was published many years later.) Subsequent stays in Paris and other areas of France (Champagne, Bordeaux, Burgundy) afforded me a food and wine sensibility that over decades has permeated my lifestyle, my friendships—and my writing.
The description above segues nicely into The New Paris by Lindsey Traumata, published in 2017. Traumata now has a second book published, and hosts a podcast, and is popular on social media. I have spent at least a month (and sometimes three) in Paris annually over the past six years and think of Traumata’s first book as a good friend. She writes wonderful profiles of people, and she keeps readers updated about bistros, winemakers, new cuisine. Her writing is elegant, and I read her descriptions as avidly as I do a novel, constantly making notes. So different from the usual guidebooks.
The city long-adored for its medieval beauty, old-timey brasseries, and corner cafes has even more to offer today. In the last few years, a flood of new ideas and creative locals has infused a once-static, traditional city with a new open-minded sensibility and energy. Journalist Lindsey Tramuta offers detailed insight into the rapidly evolving worlds of food, wine, pastry, coffee, beer, fashion, and design in the delightful city of Paris. Tramuta puts the spotlight on the new trends and people that are making France's capital a more whimsical, creative, vibrant, and curious place to explore than its classical reputation might…
When King Priam's pregnant daughter was fleeing the sack of Troy, Stan was there. When Jesus of Nazareth was beaten and crucified, Stan was there - one crossover. He’s been a Hittite warrior, a Silk Road mercenary, a reluctant rebel in the Peasant’s Revolt of 1381, and an information peddler…
I’ve always been attracted to the Gothic before I even knew the term. From watching The Munstersas a child to wanting to live in a haunted house and devouring classic Gothic novels like The Mysteries of Udolpho and Dracula, I’ve never been able to get enough of the Gothic. After fully exploring British Gothic in my book The Gothic Wanderer, I discovered the French Gothic tradition, which made me realize how universal the genre is. Everyone can relate to its themes of fear, death, loss, guilt, forgiveness, and redemption. On some level, we are all Gothic wanderers, trying to find meaning in what is too often a nightmarish world.
You may know this book as The Hunchback of Notre Dame, but you probably don’t really know it. Films, most notably the Disney cartoon, have grossly distorted this novel, often having Esmeralda ride off into the sunset with Phoebus. But the novel is really a very dark, Gothic story of love and lust, and one of the first existential novels. Frollo and Quasimodo both love Esmeralda, but she loves Phoebus, and he only loves himself. In the end, everyone dies, allowing their lust to destroy their common sense. Hugo wrote it to help popularize and save Notre-Dame Cathedral from falling into further disrepair. It influenced British author William Harrison Ainsworth to writeThe Tower of London, thus revitalizing British Gothic in a new way just as it did French Gothic.
Victor Hugo's great story of Quasimodo, the deformed bell ringer of Notre Dame and his unrequited love for the dancer, Esmeralda. Classics Illustrated tells this wonderful tale in colourful comic strip form, offering an excellent introduction for younger readers. This edition also includes theme discussions and study questions, which can be used both in the classroom and at home to further engage the reader in the story.
