100 books like Still Life with Woodpecker

O’Brien’s depiction of American soldiers in Vietnam was vivid and moving. It gave me a deeper understanding of the soldier’s experience. His artful use of the metaphor of what they carried revealed not only the items on hand but also the psychological baggage each soldier dealt with.

The stories were haunting and made me a full witness to the complexity of war and the many ways it is experienced. It is artfully written, moving, complex, touching and unforgettable.

Maybe you’ve read this book, but maybe you haven’t. The kids like me who used to carry the 95¢ Dell paperbacks are now dead or thinking about it.

The author, Kurt Vonnegut, was an American prisoner of war and spent 24 hours underground in a meat locker during the Allied firebombing of Dresden, Germany. He said of his experience the bombing “killed 250,000 people in 24 hours and destroyed all of Dresden—possibly the world’s most beautiful city. But not me.” It’s fair to say that this book was his imagination’s way of dealing with the war. “One” acts as a preface, so the novel really begins with “Two,” “Listen:/Billy Pilgrim is unstuck in time,” and then imagination fights its way out.

This book by Markus Zusak is frequently named one of the best WW2 books. I like it because it’s a tribute to the resilience of the human spirit and the importance of hope in dark times. It’s a haunting and beautifully written novel set in Nazi Germany.

Narrated by Death, the story follows Liesel, a young girl sent to live with a foster family. As she navigates a tumultuous world filled with fear and cruelty, Liesel finds comfort in books and words. I loved the premise of stealing forbidden books and sharing their stories with others. Through Liesel’s experiences, I explored the themes of love, loss, and the power of storytelling in the face of adversity.

Self-realization and the duality of human nature are the dominant themes of this coming-of-age story. Emil Sinclair, the narrator, and protagonist of the book, struggles between light and dark, good and bad, and Damian, Sinclair’s mysterious classmate, and friend, helps Sinclair reach eventual self-awareness. Damien is a fascinating psychological analysis of a vulnerable youthful soul in search of its own true identity and that’s why it’s perfect for young adults and/or individuals who aim to discover their own unique path in life. As an addict of such themes, I read this book in college and still re-read it (now and then) when in self-doubt.

If you were to read one of Kundera’s novels, let it be this, Immortality! It’s the last of a trilogy (that includes The Book Of Laughter And Forgetting and The Unbearable Lightness Of Being), and Kundera’s masterful attempt to answer questions such as: What’s the meaning of life? And is immortality so unbearable as our brief existence?

Its plot is Kunderian, light, and poetical. The story initiates from a simple gesture by Agnes, one of the protagonists, but as it progresses the reader begins to feel the heaviness of mortality and the endless challenges of love. It’s a beautiful discussion on the nature of one’s legacy, and how one changes (or not) through the passage of time, and unfortunately can’t do much about it.

What's Left of the Night gives an imagined account of the young Cavafy's three-day visit to Paris in 1897. This trip proved to be an important journey for the then-unknown Greek poet who was in search of his poetic voice among other things.

The book is about the artist, as well as any ordinary human being, who yearns to reach his/her own higher potential or to live for something higher and for a moment he/she does. This literary work of genius is a hymn to the irremediable desire of the humble soul that reaches for the stars, despite the fact that in the majority, or almost all, of its life lives in the gutter.

This is easily one of the funniest books I’ve ever read, but this novel (and the series as a whole, although I have mixed feelings about the later books) contains some of the most imaginative places, species, inventions, and characters I’ve ever seen.

Even some of the one-off side characters that are little more than a passing joke are obnoxiously original and could star in their own stories as easily as Arthur Dent does in this one. I’m hard-pressed to think of a more creative, absurd, and wide-reaching book than Hitchhiker’s Guide.

I love Richard Brautigan, and In Watermelon Sugar was my first Brautigan book.

I was in the ninth grade and ready to be transported to a land that was hippie without trying to be so. A living room with trees and a stream. A sun that shines a different color every day, especially on Thursday when the sun shines black and there is no sound.

Written three years before the summer of love, the seeds of the hippie dream-turned-nightmare are already sown. Too much whiskey. And yet, this book lit the way for a life of creativity. Still does.

This book plays hide and seek with reality. You’re never a hundred percent sure if you’re in the normal mundane world or the world of magic and danger. The story moves swiftly and compellingly between worlds and raises questions about what we can and cannot believe in.

Some parts seem like drug trips gone wrong and others like the comfort and assurance of close relationships no matter how long they’ve lasted.

Murakami is a master at juggling worlds in such a way that sometimes the fantasy worlds are more real than the actual worlds.

I make a point of reading this novel before I start on each of my own novels. There’s something about the tone, the rhythm, the story, and the humor that attracts me to this book. As usual, the lead character (Tucker Case) is like a leaf blown at crazy angles by the winds of the rest of the world, a world that seems to have turned on him just because he’s him.

I like the way Moore creates the most unbelievable events but makes them seem so normal with the backdrop of a world sliding into madness…and he does it all with the most exquisite humor.