Here are 93 books that God's Monsters fans have personally recommended if you like
God's Monsters.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
Growing up in New England, my mother had a set of books that she kept in the living room, more for display than anything else. It was The Works of Edgar Allen Poe. I read them and instantly became hooked on horror. In the seventh grade, I entertained my friends at a sleepover by telling them the mysterious clanking noise (created by the baseboard heater) was the ghost of a woman who had once lived in the farmhouse, forced to cannibalize her ten children during a particularly bad winter. And I’ve been enjoying scaring people ever since.
You don’t have to travel far for very bad things to happen to you, as the main characters in this book discover when they ignore local warnings about fishing in a nearby creek. I consider this a masterwork in any genre, and I’m actually re-reading it right now, even though it kinda broke me the first time.
It’s a Lovecraftian, cosmic horror story that also creates a kind of allegory for grief. Having lost my parents in my late twenties, it felt like a fantastical yet unnervingly accurate reflection of the experience.
In upstate New York, in the woods around Woodstock, Dutchman's Creek flows out of the Ashokan Reservoir. Steep-banked, fast-moving, it offers the promise of fine fishing, and of something more, a possibility too fantastic to be true. When Abe and Dan, two widowers who have found solace in each other's company and a shared passion for fishing, hear rumors of the Creek, and what might be found there, the remedy to both their losses, they dismiss it as just another fish story. Soon, though, the men find themselves drawn into a tale as deep and old as the Reservoir. It's…
I’ve been a fan of horror since I got sucked into Scooby-Doo as a three-year-old. When I started my academic career, I kind of kept that passion tucked inside as something to be embarrassed about – after all, I wanted to do serious work, and horror movies aren’t serious, right? Graduate school made me rethink that assumption, and pushed me towards seriously considering the engagement of horror and religion. I wrote my dissertation on a chapter of the Book of Numbers as a slasher narrative, and I haven’t looked back since.
Nelson’s book is a revelation in how it explores the work that both religion and popular culture can do – her readings of Lovecraft’s work are particularly evocative. I’m not on board with the sharp line she draws between high and low culture, but it’s one of those books that’s fascinating even when you disagree with it.
In this work, Victoria Nelson illuminates the deep but hidden attraction the supernatural still holds for a secular mainstream culture that forced the transcendental underground and firmly displaced wonder and awe with the forces of reason, materialism, and science. In a backward look at an era now drawing to a close, "The Secret Life of Puppets" describes a curious reversal in the roles of art and religion: where art and literature once took their content from religion, we came increasingly to seek religion, covertly, through art and entertainment. In a tour of Western culture that is at once exhilarating and…
I’ve been a fan of horror since I got sucked into Scooby-Doo as a three-year-old. When I started my academic career, I kind of kept that passion tucked inside as something to be embarrassed about – after all, I wanted to do serious work, and horror movies aren’t serious, right? Graduate school made me rethink that assumption, and pushed me towards seriously considering the engagement of horror and religion. I wrote my dissertation on a chapter of the Book of Numbers as a slasher narrative, and I haven’t looked back since.
Wiggins looks at how the Bible as a physical, tangible book plays an important role in horror movies – it doesn’t even need to be read to have power and be a crucial part of the plot. The book takes a deep dive into what the Bible means as a cultural symbol, even beyond our relationship to the words contained in its pages.
What makes you afraid? It may be more than what you think. Horror films have been exploiting our fears almost from the moment movies were invented. Lurking unseen in the corner of horror, however, is something unexpected: the Bible. Sit back while the curtain parts and watch as the Good Book appears in both supporting and starring roles in the most unlikely of cinema genres. Starting with Psycho and running up through the 2010s, horror films, monster movies and thrillers will flash across the screen with Scripture plainly in view. Holy Writ is not always what it seems. The Bible…
I’ve been a fan of horror since I got sucked into Scooby-Doo as a three-year-old. When I started my academic career, I kind of kept that passion tucked inside as something to be embarrassed about – after all, I wanted to do serious work, and horror movies aren’t serious, right? Graduate school made me rethink that assumption, and pushed me towards seriously considering the engagement of horror and religion. I wrote my dissertation on a chapter of the Book of Numbers as a slasher narrative, and I haven’t looked back since.
Douglas Cowan was one of the first scholars I stumbled on who was diving into this area.
He’s been hugely influential on my own thinking – particularly in the way he asks us to stop thinking about “religious questions” and instead start thinking of “properly human questions.” Cowan’s walk through Stephen King’s oeuvre is all kinds of fun.
You’ll be particularly struck by how he finds religious rituals of initiation in Pet Semetary.
Illuminating the religious and existential themes in Stephen King's horror stories
Who are we? Why are we here? Where do we go when we die? For answers to these questions, people often look to religion. But religion is not the only place seekers turn. Myths, legends, and other stories have given us alternative ways to address the fundamental quandaries of existence. Horror stories, in particular, with their focus on questions of violence and mortality, speak urgently to the primal fears embedded in such existential mysteries. With more than fifty novels to his name, and hundreds of millions of copies sold,…
I was raised to be a Roman Catholic. I was not raised to think very deeply, but I did anyway. Eventually. When I was around fifteen, I started asking questions that irritated my parents. They referred me to our priest. Who basically patted me on the head and showed me the door. When the Pope said 'no contraception,' the shit really hit the fan. I haven't looked back. And I'm quite vocal about it because, damn it, religious beliefs and religions do damage, not the least of which involves hurting and killing people. (As for being funny, that's just icing on the cake.)
Published by the American Atheist Press, this isn't really a funny book, but since contradictions and absurdities figure prominently throughout the book, I'm listing it here. Next time anyonestarts to defend their faith, give them a copy of this book. I'm sure some of what's in my own book was inspired by this book.
No bible-thumping missionary will ever be safe on your doorstep again! This book includes devastating evidence needed to prove the "Holy Bible" is actually wholly babble.
I first read Swann’s Way when I was seventeen. Throughout the following five decades, In Search of Lost Time has always remained within reach, a parallel universe more enriching than words can express. As a painter, I’m drawn to Proust’s subtle use of paintings to reveal and mystify the relationship between what we see and what we know. I’ve spoken on Proust at Berkeley, the Museum of Fine Arts in Boston and Houston, and was invited to give the annual Proust lecture at the Center for Fiction in New York as well as the Amon Carter Lecture on the Arts at the Harry Ransom Center in Austin.
"Like the Bible, In Search of Lost Time embodies its own sources, myths, and criticism. Like an archaeological site, the novel has come to stand for a state of civilization.” Roger Shattuck is masterful in reach and insight; his “field guide” is aptly named. The reader journeys alongside him to traverse the vast and incomparable terrain of a seven-volume novel. Full of wit and provocation, he leads us through thick and thin, and best of all, he allows our own reading of the great work to revive within us, illuminating the very experience of reading that Proust so brilliantly mined.
For any reader who has been humbled by the language, the density, or the sheer weight of Marcel Proust's In Search of Lost Time, Roger Shattuck is a godsend. Winner of the National Book Award for Marcel Proust, a sweeping examination of Proust's life and works, Shattuck now offers a useful and eminently readable guidebook to Proust's epic masterpiece, and a contemplation of memory and consciousness throughout great literature. Here, Shattuck laments Proust's defenselessness against zealous editors, praises some translations, and presents Proust as a novelist whose philosophical gifts were matched only by his irrepressible comic sense. Proust's Way, the…
I read my first novel when I was seven and wrote my first full story when I was eight. I’ve never stopped putting words to paper. Along with a passion for reading and writing, I’ve always been an all or nothing kind of person. When I want to know something, I dig and research until I know everything I can, which is exactly what I did when my eyes were opened to the spiritual warfare going on all around us. I’ve lost count of how many dozens of times I’ve read the Bible. I’ve since devoted myself to marrying my passions to develop suspense-filled stories with intense looks into the spiritual realm.
I absolutely love thrillers and stories filled with suspense.
The problem with that is, all I can ever seem to find are thrillers about washed-up detectives, which are fine and all, but sometimes I want to read a suspenseful story in a different genre. If a story can do that and weave in history, war, and the Bible, I’m in.
Ted Dekker checks every box with A.D. 30, and he’s just a master of storytelling. Dekker keeps you on the edge of your seat and brings together unlikely worlds in unexpected ways that are just so much fun to read.
Even better, this book really made me think about different cultures and the things we all have in common.
A sweeping epic set in the harsh deserts of Arabia and ancient Palestine. A war that rages between kingdoms on the earth and in the heart. The harrowing journey of the woman at the centre of it all. The story of Jesus in a way you have never experienced it.
Step back in time to the year of our Lord, Anno Domini, 30.
I’m passionate about helping people see the incredible beauty of God’s unfolding plan of redemption and restoration that unfolds in the pages of the Bible. In the Old Testament, this plan is hidden in mystery and symbolism. But then in the New Testament, this great mystery is unveiled in all its glory, and the symbolism emerges from the shadows and steps into the light! For the past 15+ years, it has been my great honor to read the Bible with people for their very first time and help them watch this great mystery unfold. These books do that very same thing!
The author takes you on a journey of discovery through the Scriptures from beginning to end, focusing on the scarlet thread that runs through the whole story. The book is a very quick read, filled with incredible insights and symbolism that unveils the Bible’s central message in all its beauty.
This is also recommended for anyone, regardless of their knowledge of the Bible.
A single, scarlet thread runs through the entire Bible, weaving a beautiful garment of salvation from Genesis to Revelation. This thread shows how the Old and New Testament fit together to tell one complete story.
This sacred thread is the blood covenant Jesus made with God for you.
Uncover the miraculous story of Jesus’ sacrifice, as it is powerfully and prophetically woven through the Scriptures beginning with the covenant rituals, Adam and Eve, Abraham, Moses and the prophets.
With three powerful new chapters, this expanded edition of the classic bestseller, The Miracle of the Scarlet…
Caroline Lawrence is the author of over 30 historical novels for children and young adults, most of which are set in ancient Rome. She studied Latin, Ancient Greek and Biblical Hebrew at Berkeley and Cambridge and has been investigating the ancient world ever since. In 2009, she won the Classical Association Prize for 'a significant contribution to the public understanding of Classics’. Her aim is to make that world accessible for kids.
There are many books for kids who would like to learn Latin but this charmingly illustrated book, also set in Roman Britain, is one of the most accessible, especially for children in primary school.
A lively introduction to Latin for children aged 7 and over. Join in the fun with Minimus - a mix of myths, stories, grammar support and historical background! This pupil's book is a lively, colourful introduction to the Latin language and the culture of Roman Britain. A fun way to teach English grammar, it is ideal for cross-curricular activities.
As a historian with expertise in the early church, Middle Ages, and Reformation, I am obsessed with finding the writings and stories of women of the past. Whenever we discover works written by an unknown or forgotten woman in an archive or historical record, my co-author Marion Taylor and I excitedly email one another: “We rescued another woman!” I study the history of biblical interpretation and the history of women in religion. In most of my books, these two interests intersect—as I write about men throughout history who viewed stories of biblical women through patriarchal lenses and how women themselves have been biblical interpreters, often challenging men’s prevailing views.
In 2007, when Marion Ann Taylor, a pioneer researcher in the study of historical women biblical commentators, picked up a newly-published biographical encyclopedia of 200 “major biblical interpreters,” she was appalled to discover that it contained entries on only three women! This inspired her to edit a biographical dictionary dedicated solely to women who interpreted scripture. Taylor’s handbook contains 180 short articles, authored by expert historians and biblical scholars, about inspiring Jewish and Christian women who wrote about the Bible through the centuries. Readers learn biographical information about these women, as well as their approaches to scriptural interpretation, especially how they commented on the story of Eve and passages about other biblical women.
The history of women interpreters of the Bible is a neglected area of study. Marion Taylor presents a one-volume reference tool that introduces readers to a wide array of women interpreters of the Bible from the entire history of Christianity. Her research has implications for understanding biblical interpretation--especially the history of interpretation--and influencing contemporary study of women and the Bible. Contributions by 130 top scholars introduce foremothers of the faith who address issues of interpretation that continue to be relevant to faith communities today, such as women's roles in the church and synagogue and the idea of religious feminism. Women's…
