Here are 94 books that God's Monsters fans have personally recommended if you like
God's Monsters.
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Growing up in New England, my mother had a set of books that she kept in the living room, more for display than anything else. It was The Works of Edgar Allen Poe. I read them and instantly became hooked on horror. In the seventh grade, I entertained my friends at a sleepover by telling them the mysterious clanking noise (created by the baseboard heater) was the ghost of a woman who had once lived in the farmhouse, forced to cannibalize her ten children during a particularly bad winter. And I’ve been enjoying scaring people ever since.
You don’t have to travel far for very bad things to happen to you, as the main characters in this book discover when they ignore local warnings about fishing in a nearby creek. I consider this a masterwork in any genre, and I’m actually re-reading it right now, even though it kinda broke me the first time.
It’s a Lovecraftian, cosmic horror story that also creates a kind of allegory for grief. Having lost my parents in my late twenties, it felt like a fantastical yet unnervingly accurate reflection of the experience.
In upstate New York, in the woods around Woodstock, Dutchman's Creek flows out of the Ashokan Reservoir. Steep-banked, fast-moving, it offers the promise of fine fishing, and of something more, a possibility too fantastic to be true. When Abe and Dan, two widowers who have found solace in each other's company and a shared passion for fishing, hear rumors of the Creek, and what might be found there, the remedy to both their losses, they dismiss it as just another fish story. Soon, though, the men find themselves drawn into a tale as deep and old as the Reservoir. It's…
I’ve been a fan of horror since I got sucked into Scooby-Doo as a three-year-old. When I started my academic career, I kind of kept that passion tucked inside as something to be embarrassed about – after all, I wanted to do serious work, and horror movies aren’t serious, right? Graduate school made me rethink that assumption, and pushed me towards seriously considering the engagement of horror and religion. I wrote my dissertation on a chapter of the Book of Numbers as a slasher narrative, and I haven’t looked back since.
Nelson’s book is a revelation in how it explores the work that both religion and popular culture can do – her readings of Lovecraft’s work are particularly evocative. I’m not on board with the sharp line she draws between high and low culture, but it’s one of those books that’s fascinating even when you disagree with it.
In this work, Victoria Nelson illuminates the deep but hidden attraction the supernatural still holds for a secular mainstream culture that forced the transcendental underground and firmly displaced wonder and awe with the forces of reason, materialism, and science. In a backward look at an era now drawing to a close, "The Secret Life of Puppets" describes a curious reversal in the roles of art and religion: where art and literature once took their content from religion, we came increasingly to seek religion, covertly, through art and entertainment. In a tour of Western culture that is at once exhilarating and…
I’ve been a fan of horror since I got sucked into Scooby-Doo as a three-year-old. When I started my academic career, I kind of kept that passion tucked inside as something to be embarrassed about – after all, I wanted to do serious work, and horror movies aren’t serious, right? Graduate school made me rethink that assumption, and pushed me towards seriously considering the engagement of horror and religion. I wrote my dissertation on a chapter of the Book of Numbers as a slasher narrative, and I haven’t looked back since.
Wiggins looks at how the Bible as a physical, tangible book plays an important role in horror movies – it doesn’t even need to be read to have power and be a crucial part of the plot. The book takes a deep dive into what the Bible means as a cultural symbol, even beyond our relationship to the words contained in its pages.
What makes you afraid? It may be more than what you think. Horror films have been exploiting our fears almost from the moment movies were invented. Lurking unseen in the corner of horror, however, is something unexpected: the Bible. Sit back while the curtain parts and watch as the Good Book appears in both supporting and starring roles in the most unlikely of cinema genres. Starting with Psycho and running up through the 2010s, horror films, monster movies and thrillers will flash across the screen with Scripture plainly in view. Holy Writ is not always what it seems. The Bible…
I’ve been a fan of horror since I got sucked into Scooby-Doo as a three-year-old. When I started my academic career, I kind of kept that passion tucked inside as something to be embarrassed about – after all, I wanted to do serious work, and horror movies aren’t serious, right? Graduate school made me rethink that assumption, and pushed me towards seriously considering the engagement of horror and religion. I wrote my dissertation on a chapter of the Book of Numbers as a slasher narrative, and I haven’t looked back since.
Douglas Cowan was one of the first scholars I stumbled on who was diving into this area.
He’s been hugely influential on my own thinking – particularly in the way he asks us to stop thinking about “religious questions” and instead start thinking of “properly human questions.” Cowan’s walk through Stephen King’s oeuvre is all kinds of fun.
You’ll be particularly struck by how he finds religious rituals of initiation in Pet Semetary.
Illuminating the religious and existential themes in Stephen King's horror stories
Who are we? Why are we here? Where do we go when we die? For answers to these questions, people often look to religion. But religion is not the only place seekers turn. Myths, legends, and other stories have given us alternative ways to address the fundamental quandaries of existence. Horror stories, in particular, with their focus on questions of violence and mortality, speak urgently to the primal fears embedded in such existential mysteries. With more than fifty novels to his name, and hundreds of millions of copies sold,…
I read my first novel when I was seven and wrote my first full story when I was eight. I’ve never stopped putting words to paper. Along with a passion for reading and writing, I’ve always been an all or nothing kind of person. When I want to know something, I dig and research until I know everything I can, which is exactly what I did when my eyes were opened to the spiritual warfare going on all around us. I’ve lost count of how many dozens of times I’ve read the Bible. I’ve since devoted myself to marrying my passions to develop suspense-filled stories with intense looks into the spiritual realm.
I absolutely love thrillers and stories filled with suspense.
The problem with that is, all I can ever seem to find are thrillers about washed-up detectives, which are fine and all, but sometimes I want to read a suspenseful story in a different genre. If a story can do that and weave in history, war, and the Bible, I’m in.
Ted Dekker checks every box with A.D. 30, and he’s just a master of storytelling. Dekker keeps you on the edge of your seat and brings together unlikely worlds in unexpected ways that are just so much fun to read.
Even better, this book really made me think about different cultures and the things we all have in common.
A sweeping epic set in the harsh deserts of Arabia and ancient Palestine. A war that rages between kingdoms on the earth and in the heart. The harrowing journey of the woman at the centre of it all. The story of Jesus in a way you have never experienced it.
Step back in time to the year of our Lord, Anno Domini, 30.
Navigating life with grief has been a lifelong journey for me ever since I was a young child. At 8 years old, I was in a car accident which took the lives of my parents and four of my siblings. Since then, I’ve faced a huge mountain in front of me – How do you move forward in life when you have lost everything? This journey led me to now share my story of childhood loss and healing in hopes of helping others. As a counselor, I’m a huge mental health advocate and love books which tackle hard emotions that help readers of all ages feel more understood and equipped for their journey ahead.
This is a children’s book for primarily ages 4-8. It describes what it’s like for a child to be experiencing grief through a biblical lens.
I can’t recommend this book enough because as someone who experienced loss as a child, I needed this book then. It has beautiful words and imagery to guide the child and hold their emotions. It would be a fantastic book to read through in a counseling session with a child experiencing loss.
I like history. I also like myth. And I revere the imagination, the liberal use of which can lead to what many call “fantasy.” Though the portions change, almost all the fiction I’ve written—from The Chess Garden to John the Baptizer to my latest, The Unknown Woman of the Seine—is the product of this recipe. Some moment from the past captures my attention, digs its hooks in, invites research, which begets questions, which beget answers that only the imagination can provide, informed both by experience and by the oldest illustrations of why we are the way we are. Dice these up, let simmer until you’re not sure which is which, and serve.
The Bible, by committee. Well, sure. Provided we can leave to others—or maybe just to each individual reader—the problem of deciding which parts are the history, which the myth, and which seem to be, let’s just say, imaginatively conceived (and which of these can claim the firmest purchase on the Truth we should probably also leave to the reader), the Good Book remains the deconstructed prototype for the kind of literary braid we’re talking about, the all-time album of mirrors, fashioned from pretty much all the same genres we still write in—poetry, philosophy, allegory, parable, vignette, epistolary, horror, and IKEA instruction manual.
Regarding the blend of the natural and supernatural, the moment I’ve been looking at with students recently—this for a class I’ve offered on the subject of mental health and literature—is the meeting of Jesus and the Gerasene Demoniac,…
The top-selling ESV Thinline Bible is ideal for use at home and on-the-go. At one inch thick and available in multiple designs, there is a perfect ESV Thinline Bible for everyone.
I started studying Judaism as an adult in 1982, and in the 40 or so years that have passed since then I’ve read voraciously on the subject and have discussed it at length with Orthodox, Conservative, and Reform rabbis from Boston to Tampa. I’ve come to see over that time that Judaism’s objective is to shape conscientious, caring human beings who will bring light and compassion to the earth in spite of all the forces that want to keep trouble and insensitivity there. The books that I’ve listed are among the best in communicating the Jewish vision for the planet. I think you’ll learn much from them.
This is the most sensible, persuasive commentary on the Book of Exodus that a contemporary reader could want.
Prager’s pages on the Ten Commandments alone are brilliant and revelatory. But he excels throughout in addressing modern anxieties about a book over 3000 years old and its many insights into human striving. When you’re through with this one, move on to his Genesis!
"Dennis Prager has put together one of the most stunning commentaries in modern times on the most profound document in human history. It's a must-read that every person, religious and non-religious, should buy and peruse every night before bed. It'll make you think harder, pray more ardently, and understand your civilization better." — Ben Shapiro, host of "The Ben Shapiro Show"
"Dennis Prager’s commentary on Exodus will rank among the greatest modern Torah commentaries. That is how important I think it is. And I am clearly not alone... It might well be on its way to becoming the…
I have been an avid reader of historical fiction since I was very young, and I love learning about the life and times of different periods of history. One might describe me as a "research junkie." My desire to know more about the everyday lives of my historical characters has taken me on many wonderful adventures, and my personal library is full of books I use for research. I write fiction, creative nonfiction, and novels. I am currently completing a new novel about a family of downwinders, people who contracted cancer from government-sanctioned radioactive fallout from the atomic bomb tests in Nevada during the 1950s and 1960s.
As its title implies, this book is accessible to the entire family and would be a great resource for Sunday school teachers who want to provide their students with a larger understanding of the life and times of peoples in ancient Palestine and Rome. The book is broken down into easy-to-find categories such as "The Home," "Warfare," and "Travel and Communication," to name a few. There are stunning photographs on every page with detailed and clear explanations. The back of the book has timelines of the Bible and a map of Palestine in New Testament times with highlights of key events in the New Testament. There is also an alphabetical index that makes it easy to find information on specific topics.
Discusses historical and cultural topics relevant to an understanding of the Bible, under such topics as archaeology, geography, government, business, education, and health.
I have been writing for years and reading forever. Fantasy books have always been my number one go-to as far as genres. I loved how they would teleport me to a new world, allowing me to leave behind reality. The characters became my friends. The worlds became my home. I couldn’t get enough and still can’t. As I got older, my imagination never stopped. I was constantly creating dreamworld and character plots in my head. Eventually, I started writing, needing the characters to stop talking. The only way to do that was to get them on paper. Since then, I haven’t been able to stop.
I read this for a women’s study class and LOVED it. The telling of a story back in the biblical times from a woman’s perspective… sign me up.
This one took me through an emotional journey, blending fact with fiction to the point where I didn’t know where one ended and the other began. My heart was put through the ringer. I cried. I laughed. I fell in love. I felt the bond between mother and daughter and the rage of the oppression the FMC went through. It made me take a look at these biblical stories in a whole new light.
In The Red Tent Anita Diamant brings the fascinating biblical character of Dinah to vivid life.
'Intensely moving . . . feminist . . . a riveting tale of love' - Observer
Her name is Dinah. In the Bible, her fate is merely hinted at in a brief and violent detour within the verses of the Book of Genesis that recount the life of Jacob and his infamous dozen sons. Anita Diamant's The Red Tent is an extraordinary and engrossing tale of ancient womanhood and family honour. Told in Dinah's voice, it opens with the story of her mothers -…
