Here are 100 books that America's Dark Theologian fans have personally recommended if you like
America's Dark Theologian.
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Growing up in New England, my mother had a set of books that she kept in the living room, more for display than anything else. It was The Works of Edgar Allen Poe. I read them and instantly became hooked on horror. In the seventh grade, I entertained my friends at a sleepover by telling them the mysterious clanking noise (created by the baseboard heater) was the ghost of a woman who had once lived in the farmhouse, forced to cannibalize her ten children during a particularly bad winter. And I’ve been enjoying scaring people ever since.
You don’t have to travel far for very bad things to happen to you, as the main characters in this book discover when they ignore local warnings about fishing in a nearby creek. I consider this a masterwork in any genre, and I’m actually re-reading it right now, even though it kinda broke me the first time.
It’s a Lovecraftian, cosmic horror story that also creates a kind of allegory for grief. Having lost my parents in my late twenties, it felt like a fantastical yet unnervingly accurate reflection of the experience.
In upstate New York, in the woods around Woodstock, Dutchman's Creek flows out of the Ashokan Reservoir. Steep-banked, fast-moving, it offers the promise of fine fishing, and of something more, a possibility too fantastic to be true. When Abe and Dan, two widowers who have found solace in each other's company and a shared passion for fishing, hear rumors of the Creek, and what might be found there, the remedy to both their losses, they dismiss it as just another fish story. Soon, though, the men find themselves drawn into a tale as deep and old as the Reservoir. It's…
I’ve been a fan of horror since I got sucked into Scooby-Doo as a three-year-old. When I started my academic career, I kind of kept that passion tucked inside as something to be embarrassed about – after all, I wanted to do serious work, and horror movies aren’t serious, right? Graduate school made me rethink that assumption, and pushed me towards seriously considering the engagement of horror and religion. I wrote my dissertation on a chapter of the Book of Numbers as a slasher narrative, and I haven’t looked back since.
Nelson’s book is a revelation in how it explores the work that both religion and popular culture can do – her readings of Lovecraft’s work are particularly evocative. I’m not on board with the sharp line she draws between high and low culture, but it’s one of those books that’s fascinating even when you disagree with it.
In this work, Victoria Nelson illuminates the deep but hidden attraction the supernatural still holds for a secular mainstream culture that forced the transcendental underground and firmly displaced wonder and awe with the forces of reason, materialism, and science. In a backward look at an era now drawing to a close, "The Secret Life of Puppets" describes a curious reversal in the roles of art and religion: where art and literature once took their content from religion, we came increasingly to seek religion, covertly, through art and entertainment. In a tour of Western culture that is at once exhilarating and…
I’ve been a fan of horror since I got sucked into Scooby-Doo as a three-year-old. When I started my academic career, I kind of kept that passion tucked inside as something to be embarrassed about – after all, I wanted to do serious work, and horror movies aren’t serious, right? Graduate school made me rethink that assumption, and pushed me towards seriously considering the engagement of horror and religion. I wrote my dissertation on a chapter of the Book of Numbers as a slasher narrative, and I haven’t looked back since.
Wiggins looks at how the Bible as a physical, tangible book plays an important role in horror movies – it doesn’t even need to be read to have power and be a crucial part of the plot. The book takes a deep dive into what the Bible means as a cultural symbol, even beyond our relationship to the words contained in its pages.
What makes you afraid? It may be more than what you think. Horror films have been exploiting our fears almost from the moment movies were invented. Lurking unseen in the corner of horror, however, is something unexpected: the Bible. Sit back while the curtain parts and watch as the Good Book appears in both supporting and starring roles in the most unlikely of cinema genres. Starting with Psycho and running up through the 2010s, horror films, monster movies and thrillers will flash across the screen with Scripture plainly in view. Holy Writ is not always what it seems. The Bible…
I’ve been a fan of horror since I got sucked into Scooby-Doo as a three-year-old. When I started my academic career, I kind of kept that passion tucked inside as something to be embarrassed about – after all, I wanted to do serious work, and horror movies aren’t serious, right? Graduate school made me rethink that assumption, and pushed me towards seriously considering the engagement of horror and religion. I wrote my dissertation on a chapter of the Book of Numbers as a slasher narrative, and I haven’t looked back since.
Hamori is a fantastic biblical scholar, whose work on divination is standard in the field.
In this book, she turns her attention to monsters, and makes the provocative argument that the biblical forces of good are just as monstrous as the forces of evil. It’s a fascinating way to unsettle what we think we know, and shake up the binary thinking that so often controls how we perceive the world around us.
The Bible is teeming with monsters. Giants tromp through the land of milk and honey; Leviathan swims through the wine-dark sea. A stunning array of peculiar creatures, mind-altering spirits, and supernatural hitmen fill the biblical heavens, jarring in both their strangeness and their propensity for violence--especially on God's behalf.
Traditional interpretations of the creatures of the Bible have sanded down their sharp, unsavory edges, transforming them into celestial beings of glory and light--or chubby, happy cherubs. Those cherubs? They're actually hybrid guardian monsters, more closely associated with the Egyptian sphinx than with flying babies. And the seraphim? Winged serpents sent…
I grew up religious but loving scary things—horror movies, scary comic books, Dark Shadows, andThe Twilight Zone. Even the music of Alice Cooper. While I’m no longer religious, I have a doctorate in religious studies and I still have a fascination with media that cause fear. I also write horror stories. BeyondHoly HorrorI have written two more books on religion and horror and I read every book about this odd combination as soon as I can get my hands on it. I believe you should never judge people by their tastes in media—they can be decent folk even if they like horror.
This book opened my eyes to how a scholar of religion could engage with horror films. I sat in my hotel room and started reading it the day I purchased it because I couldn’t wait until I got back home to start it.
Douglas Cowan deftly demonstrates how horror films engage in conversation with religion and he does this in non-technical language. In a culture where religion, or at least organized religion, is in decline, it still has incredible power in pop culture.
Many religious people avoid horror like they would a real monster. Sacred Terror, apart from suggesting a title for my book, shows horror and religion both benefit from the discussion. Cowan has written other good books on the subject as well.
Sacred Terror examines the religious elements lurking in horror films. It answers a simple but profound question: When there are so many other scary things around, why is religion so often used to tell a scary story? In this lucid, provocative book, Douglas Cowan argues that horror films are opportune vehicles for externalizing the fears that lie inside our religious selves: of evil; of the flesh; of sacred places; of a change in the sacred order; of the supernatural gone out of control; of death, dying badly, or not remaining dead; of fanaticism; and of the power--and the powerlessness--of religion.
I've been writing and providing pastor care for more than thirty years now. Since turning sixty, I have noticed that aging well is not a given. Many people seem to grow increasingly bitter, resentful, and hard. If we want to become more empathetic, grateful, and loving, we have to keep growing and do our spiritual and relational work. We also need trustworthy guides to help us find our way. I hope to be a wise, compassionate guide for my readers.
If you are a parent and your children are over the age of eighteen, you know that your relationship with them shifts radically as they become adults. If you’ve raised your children to be independent thinkers, guess what? They will think and act independently, sometimes making choices that cause pain and confusion. Mary does a terrific job of helping parents remain grounded in their faith as they figure out how to love and support their sons and daughters in this new season. Her love for and knowledge of Scripture is very evident throughout. (Note: I would not have included the word “Wayward” in the title. Mary does not focus on adult kids who have made poor choices, but rather ones whose lives look different than what we might have imagined.)
"Love, Pray, Listen offers empathy and grounded biblical wisdom to help parents thrive, no matter what path their adult kids take."--PASTOR STEVE STROOPE
Wisdom and Hope for Parents of Grown-Ups
As a parent, your role changes drastically after your kids grow up. You fear heartache and strained relationships when your children choose difficult--even seemingly wrong--paths.
Love, Pray, Listen is the gracious, practical resource you need for navigating the rocky terrain of parenting grown-ups. In this book, mom and author Mary DeMuth answers questions like:
* What do I do when my kids make choices that don't align with my values?…
I grew up in a world steeped in pre-Vatican II Catholicism including four years spent in a Catholic religious order. My theological training led me to philosophy, to question my theology, and to my life as a philosophy professor. There's a blaze of light in every word, Leonard Cohen says, so I've been seeking the blaze of light in the word God. My idea is that God is neither a real being nor an unreal illusion but the focus imaginarius of a desire beyond desire, and the “kingdom of God” is what the world would look like if the blaze of light in the name of God held sway, not the powers of darkness.
Paul Tillich is my choice for the great theologian of the twentieth century (not Karl Barth, orthodoxy’s hero).
For Tillich, religion is not a matter of creeds but a matter of “ultimate concern,” of what is unconditionally important; “God” is not the Supreme Being, but the “ground of being;” religion is not particular cultural practice but the depth structure of the entire culture; dig deeply enough into art or science or anything, and you will hit theological ground.
His Dynamics of Faith and The Courage to Be are his “greatest hits,” but I love Theology of Culture because it lays all this out with such lucidity. Atheism about the Supreme Being is not the end of theology but the beginning of radical theology.
I’m a writer, a storyteller, and a dreamer of absurdly ridiculous dreams. I’m an empath who feels big feelings and trusts my intuition as I make my way in this world. I know full well the power and importance of encouraging words, of being a friend, of looking for hope when nothing seems to be going your way.
These are the books I turn to when my soul, the truest part of what makes me “me,” needs a reminder of why I write, why I tell stories, and what it means to be human.
These are the books that dance across my synapses whenever I sit down to write and tell my own stories.
Martin Schleske is a German luthier and theologian. My daughter is a violinist. I picked up this book at the recommendation of Byron of Hearts & Minds Books, hoping to learn more about the violin-making process, and it has remained one of my favorite books ever since. Schleske slowly and carefully walks the reader through his process, from choosing the right trees, to designing the structure, to helping “closed” violins discover their sound. Along the way, he shares how his work crafting violins helps him grow in his faith.
I can only read a couple pages of this book at a time, as Schleske’s profound wisdom often leaves me with thoughts I need time to process and sort through. This is a book about how God, as the Artist, will continue to shape me, work with me, and help me be the best instrument I can be to make music…
Christianity Today Book Award in Culture and the Arts (2021)
“In the final analysis, music is prayer cast into sound.”
One of the greatest luthiers of our time reveals the secrets of his profession—and how each phase of handcrafting a violin can point us toward our calling, our true selves, and the overwhelming power and gentleness of God’s love. Schleske explains that our world is flooded with metaphors, parables, and messages from God. But are we truly listening? Do we really see? Drawing upon Scripture, his life experiences, and his insights as a master violinmaker, Schleske challenges readers to understand…
I have spent my career writing and teaching philosophy, working on early-modern philosophers, especially that most controversial and enigmatic figure, René Descartes. In recent years my main interest has been in the philosophy of religion, focusing on grand traditional questions about the meaning of life, and on the spiritual dimension of religious thought and practice. I have argued for a ‘humane’ turn in philosophy, meaning that philosophical inquiry should not confine itself to abstract intellectual argument alone, but should draw on a full range of resources, including literary, poetic, imaginative, and emotional modes of awareness, as we struggle to come to terms with the mystery of human existence.
Perceiving some fact about the world seems at first to be quite distinct from the way we feel about it, but Mark Wynn’s careful arguments show how, in our grasp of reality, emotion and perception are intimately intertwined. I found his conclusions shed a vivid light on the complex nature of religious belief and religious experience.
In this book Mark Wynn argues that the landscape of philosophical theology looks rather different from the perspective of a re-conceived theory of emotion. In matters of religion, we do not need to opt for objective content over emotional form or vice versa. On the contrary, these strategies are mistaken at root, since form and content are not properly separable here - because 'inwardness' may contribute to 'thought-content', or because (to use the vocabulary of the book) emotional feelings can themselves constitute thoughts; or because, to put the point a further way, in religious contexts, perception and conception are often…
I write about those people (geologists, art historians, historians, and curators), places (museums, universities, and societies), and things (fossils, paintings, and historical artifacts) that shape our understanding of the world. I am not so much interested in the history of ideas as in the very nature of art, geology, history, and the museum. And like my recommended authors, the approach I take to my subjects is, I hope, always rather novel. In The Great Fossil Enigma, for example, I felt that the tiny, suggestive, but ultimately ambiguous, nature of the fossils permitted me to see into the scientific mind. This tends to be where extinct animals live after their demise.
This classic book hooked me on page one. Björn Kurtén’s curiosity soon becomes your curiosity and before long you are thinking like a paleontologist. It may be an old book, but the author’s thinking remains modern. Indeed, a recent review of cave bear research suggests that our knowledge of these animals hasn’t changed all that much since Kurtén’s day. I love old geology books. Beautifully written, they enable you to discover, imagine, and ultimately to care about an animal that exists only as a pile of bones. This book proved to be very influential.
Combining ?biography and intellectual history, Steven Rockefeller offers an illuminating introduction to the philosophy of John Dewey, with special emphasis on the evolution of the religious faith and moral vision at the heart of his thought. This study pays particular attention to Dewey's radical democratic reconstruction of Christianity and his many contributions to the American tradition of spiritual democracy. Rockefeller presents the first full exploration of Dewey's religious thought, including its mystical dimension. Covering Dewey's entire intellectual life, the author provides a clear introduction to Dewey's early neo-Hegelian idealism as well as to his later naturalistic metaphysics, epistemology, theory of…
