Here are 100 books that The Cave Bear Story fans have personally recommended if you like
The Cave Bear Story.
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Telmo Pievani is Full Professor in the Department of Biology at the University of Padua, where he covers the first Italian chair of Philosophy of Biological Sciences. A leading science communicator and columnist for Il corriere della sera, he is the author of The Unexpected Life, Creation without God, Serendipity, and other books.
I loved this book because I think it is a masterpiece on the contingency of evolution and our presence.
Rewind the tape of life and times and you will get different endings: that’s a great message of freedom for me. The epic of diversity that led to the explosion of multicellular life forms in the early Cambrian concerns us too. Unmissable.
High in the Canadian Rockies is a small limestone quarry formed 530 million years ago called the Burgess Shale. It hold the remains of an ancient sea where dozens of strange creatures lived-a forgotten corner of evolution preserved in awesome detail. In this book Stephen Jay Gould explores what the Burgess Shale tells us about evolution and the nature of history.
I write about those people (geologists, art historians, historians, and curators), places (museums, universities, and societies), and things (fossils, paintings, and historical artifacts) that shape our understanding of the world. I am not so much interested in the history of ideas as in the very nature of art, geology, history, and the museum. And like my recommended authors, the approach I take to my subjects is, I hope, always rather novel. In The Great Fossil Enigma, for example, I felt that the tiny, suggestive, but ultimately ambiguous, nature of the fossils permitted me to see into the scientific mind. This tends to be where extinct animals live after their demise.
Fiffer describes himself as a lawyer, journalist, and author. For the story he tells, these turn out to be perfect qualifications because he is not so much interested in telling the reader about the animal as in the scandal and intrigue that surrounded the discovery of this now-famous museum specimen. A fast-paced tale of unexpected twists and turns, when the FBI appears you start to wonder if you haven’t slipped into the pages of a David Baldacci thriller. It's a great true story and one likely to raise your eyebrows.
In 1990, the skeleton of a battle-scarred Tyrannosaurus rex matriarch was found, virtually complete, in what many call the most spectacular dinosaur fossil discovery to date. Not just another dinosaur book, Tyrannosaurus Sue is a fascinating introduction to the centuries-old history of commercial fossil hunting, a legal thriller and a provocative look at academic versus commercial science and the chase for the money that fuels both. - Steve Fiffer, an attorney who has followed the story for the past seven years, has captured the whole range of characters and issues embroiled in the fight for Sue. Fiffer communicates both the…
I write about those people (geologists, art historians, historians, and curators), places (museums, universities, and societies), and things (fossils, paintings, and historical artifacts) that shape our understanding of the world. I am not so much interested in the history of ideas as in the very nature of art, geology, history, and the museum. And like my recommended authors, the approach I take to my subjects is, I hope, always rather novel. In The Great Fossil Enigma, for example, I felt that the tiny, suggestive, but ultimately ambiguous, nature of the fossils permitted me to see into the scientific mind. This tends to be where extinct animals live after their demise.
Reviewers of TheGreat Fossil Enigmathought that book strange. If they tried to think of a book like it, then they alighted on this one. I don’t see much similarity, but I do think Cohen’s book is strange. Her first paragraph is a single sentence of just seven words. It is: ‘This is not a book about mammoths.’ That sentence isn’t quite true because the book is about mammoths, but Cohen uses these animals as a pretext for a much grander history of science. The approach couldn’t be more different from the other books on my list.
From cave paintings to the latest Siberian finds, woolly mammoths have fascinated people across Europe, Asia and North America for centuries. Remains of these enormous prehistoric animals were among the first fossils to be recognized as such, and they have played a crucial role in the birth and development of paleontology. In this lively, wide-ranging look at the fate of the mammoth, Claudine Cohen reanimates this large mammal with heavy curved tusks and shaggy brown hair through its history in science, myth and popular culture. Cohen uses the mammoth and the theories that naturalists constructed around it to illuminate wider…
I write about those people (geologists, art historians, historians, and curators), places (museums, universities, and societies), and things (fossils, paintings, and historical artifacts) that shape our understanding of the world. I am not so much interested in the history of ideas as in the very nature of art, geology, history, and the museum. And like my recommended authors, the approach I take to my subjects is, I hope, always rather novel. In The Great Fossil Enigma, for example, I felt that the tiny, suggestive, but ultimately ambiguous, nature of the fossils permitted me to see into the scientific mind. This tends to be where extinct animals live after their demise.
In 2000, Errol Fuller published an entirely new, lavishly illustrated, edition of his 1987 book,Extinct Birds. In the years since it was first publishedmore birds had been lost while others he had described as extinct had subsequently been rediscovered. Extinct Birdsdocuments 85 species that have disappeared since 1600, including the Eskimo Curlew and Choiseul Crested Pigeon, as well as the more famous Passenger Pigeon, Great Auk, and Dodo. All are now dead and gone (probably!). A book of fascinating, if ultimately sad, tales, and beautiful pictures, it should encourage us to care about those species now on the edge of extinction like the Kakapo, the Kiwi, and the massively poached African Grey Parrot.
I feel strongly that large segments of the population—young and old alike—have thrown out the baby of spirituality with the bathwater of organized religion. Given the current level of interreligious hatred and misunderstanding in today’s world, two things have to change. First, we need to know the basics of the world’s major religious traditions and how they evolved so that we are not making value judgments based on erroneous information and lack of understanding. Then, we have to look through the external dogmas and rituals to the spiritual principles and experiences that are of most value and that may not be reliant on any one institutional religion.
Renowned for brilliant visionary novels like Brave New World and Island, Huxley also wrote one of the most insightful books about the underlying truth running through the great mystics of the world’s spiritual traditions.
By quoting mostly from the mystics of both East and West themselves rather than the Bible, Huxley focused on the common essence of the experience of divine union. Along with many unsung Christian mystics, he also quotes from Eastern masters and sacred scriptures, including Rumi, Lao Tzu, Shankara, and from scriptures like the Bhagavad Gita, Tibetan Book of the Dead, Diamond Sutra, and the Upanishads, by way of showing that the universal Reality both transcends and is embodied in individual traditions.
An inspired gathering of religious writings that reveals the "divine reality" common to all faiths, collected by Aldous Huxley
"The Perennial Philosophy," Aldous Huxley writes, "may be found among the traditional lore of peoples in every region of the world, and in its fully developed forms it has a place in every one of the higher religions."
With great wit and stunning intellect—drawing on a diverse array of faiths, including Zen Buddhism, Hinduism, Taoism, Christian mysticism, and Islam—Huxley examines the spiritual beliefs of various religious traditions and explains how they are united by a common human yearning to experience the…
“And what do you do?” someone asked at a crowded reception at the NY Academy of Science. “Write—comparative religion.” Startled, he backed away, asking suspiciously, “Why religion? Are you religious?” Yes, incorrigibly—although I grew up among people who regarded religion as obsolete as an outgrown bicycle stashed in a back closet. While many of us leave institutions behind, identifying as “spiritual, not religious,” I’ve done both—had faith, lost it; then began exploring recent discoveries from Israel and Egypt—Dead Sea Scrolls, Christian “secret gospels,” Buddhist practices, asking, Why is religion still around in the twenty-first century? What I love is how such stories, art, music, and rituals engage our imagination and illuminate our experience.
This book is full of stories, using case studies that include the lives of Walt Whitman, Saint Augustine, and Russian writer Leo Tolstoy—that I found fascinating. Here psychologist William James challenges what he—and I—were both taught: namely, that religions are primarily childish fantasies (the view of Sigmund Freud, founder of psychoanalysis, in The Future of an Illusion). But after James, as a young man, experienced a terrifying depression, he describes his surprise at what felt to him like a spiritual breakthrough that enabled him to recover. James skips questions about dogma and belief, instead identifies a range of different “varieties of religious experience” that, far more than “belief,” can give rise to spiritual insight.
Standing at the crossroads of psychology and religion, this catalyzing work applied the scientific method to a field abounding in abstract theory. William James believed that individual religious experiences, rather than the precepts of organized religions, were the backbone of the world's religious life. His discussions of conversion, repentance, mysticism and saintliness, and his observations on actual, personal religious experiences - all support this thesis. In his introduction, Martin E. Marty discusses how James's pluralistic view of religion led to his remarkable tolerance of extreme forms of religious behaviour, his challenging, highly original theories, and his welcome lack of pretension…
I have spent my career writing and teaching philosophy, working on early-modern philosophers, especially that most controversial and enigmatic figure, René Descartes. In recent years my main interest has been in the philosophy of religion, focusing on grand traditional questions about the meaning of life, and on the spiritual dimension of religious thought and practice. I have argued for a ‘humane’ turn in philosophy, meaning that philosophical inquiry should not confine itself to abstract intellectual argument alone, but should draw on a full range of resources, including literary, poetic, imaginative, and emotional modes of awareness, as we struggle to come to terms with the mystery of human existence.
Perceiving some fact about the world seems at first to be quite distinct from the way we feel about it, but Mark Wynn’s careful arguments show how, in our grasp of reality, emotion and perception are intimately intertwined. I found his conclusions shed a vivid light on the complex nature of religious belief and religious experience.
In this book Mark Wynn argues that the landscape of philosophical theology looks rather different from the perspective of a re-conceived theory of emotion. In matters of religion, we do not need to opt for objective content over emotional form or vice versa. On the contrary, these strategies are mistaken at root, since form and content are not properly separable here - because 'inwardness' may contribute to 'thought-content', or because (to use the vocabulary of the book) emotional feelings can themselves constitute thoughts; or because, to put the point a further way, in religious contexts, perception and conception are often…
FernGully was one of my favorite movies as a kid, and it made me really think about the natural world and how humans interact with it. Now, aged 35 with kids of my own (who also love FernGully), I consider myself a climate activist for the work I do in helping everyday people to believe they can be a part of the solution to climate change. As an author, podcast host, and community builder, I've connected with other humans with fascinating passions, perspectives, and values. I want to show my audience that we can all view the world differently, but there is one important thing we need to all believe, that we matter.
While this is not written as a climate-related book, it was a powerful reminder that we all have goodness within us; we all have a role to play in moving the world into the place we believe it can be.
It addresses social and racial justice, which is part of the climate conversation, and gives us a framework to believe in our own journey and voice. I believe that every single one of us has an important role to play, and this book can help readers figure out what that could be for them.
“I love this book… It is rich in wisdom, religious and personal, and it is absolutely charming.” —Anne Lamott, author of Dusk, Night, Dawn and Help, Thanks, Wow
An inspiring approach to a happier, more fulfilling life through Sikh teachings on love and service.
As a boy growing up in South Texas, Simran Jeet Singh and his brothers confronted racism daily: at school, in their neighborhood, playing sports, and later in college and beyond. Despite the prejudice and hate he faced, this self-described “turban-wearing, brown-skinned, beard-loving Sikh” refused to give in to negativity. Instead, Singh delved deep…
I’ve been intrigued by the Hindu goddess traditions since I first read Is the Goddess a Feminist as an undergraduate student. After reading this book, I changed my course of study and life, writing my Ph.D. dissertation and my first few books on Indian goddess traditions. Now, I continue to share my passion for Indian goddesses as a professor of Religious Studies at the University of Arizona.
This is my favorite book on Indian/Hindu goddesses. Even after all these years, I believe it to be the erudite and accessible book that portrays the complexity of goddesses and their relationships with devotees. Each time I re-read the book, I glean additional insights into India, Hinduism, and the ways that the sacred feminine shapes the lives of people in the Northeast region of India.
The worship of Devi (the Goddess) is one of the most vigorous and visible religious phenomena in northwest India today. This study uses interviews, participant observations, and textual analysis to explore the nature of the Goddess and her devotees' experience of her.
I’ve always loved books about outsiders and stories that make you palpably feel what others do. In real life and fiction, the characters that interest me most are often outsiders. Because characters on the outside of social groups and norms are often isolated and lonely, there is something so powerful about works that can bring you inside their experience and relate what their inner life is like. Interiority is the great strength of literature, and stories that convey the inner architecture of outsiders have always attracted me. I love books that make me feel deeply connected and that linger in my subconscious long after I’ve read them.
This book haunted me for days after I finished reading it. I felt like someone I loved had died. Few works of art have stuck with me the way O’Connnor’s book did. Its main characters—Hazel Motes and Enoch Emery—are the epitome of outsiders. I grew up in a religious family in Kentucky, so I can understand Motes’ struggle with faith. The way that Motes and Emery are so severely separated from the rest of humanity is affecting them.
The book caused me to passionately take their side, rooting for them and their cause, sharing in their anger towards the rest of mankind. This book had such a powerful emotional impact and influence on me, leaving me with a palpable feeling of hopelessness and catharsis over several weeks—unlike I’ve experienced with any other work of art.
Wise Blood, Flannery O'Connor's first novel, is the story of Hazel Motes who, released from the armed services, returns to the evangelical Deep South. There he begins a private battle against the religiosity of the community and in particular against Asa Hawkes, the 'blind' preacher, and his degenerate fifteen-year-old daughter. In desperation Hazel founds his own religion, 'The Church without Christ', and this extraordinary narrative moves towards its savage and macabre resolution.
'A literary talent that has about it the uniqueness of greatness.' Sunday Telegraph
'No other major American writer of our century has constructed a fictional world so energetically…
