I’ve been fascinated by Maya religion since college—ever since I took my first class on Maya hieroglyphics at Tulane University. At first, I was drawn to the visuals accompanying the glyphs: women running ropes through their tongues, men holding hands with gods, and animals (spirits) wielding sacrificial knives. Then I began chasing the meanings of those visuals until I found myself specializing in ancient Maya mortuary behavior and receiving a PhD in Anthropology from Harvard University. I am happy to say that I am still on the chase, having written or edited five books (with two more on the way). I hope you enjoy this list!
If I were talking about this book over coffee with a friend, I would say this: you cannot understand the ancient Maya without reading it. The Popol Vuh is the written version of an oral, indigenous creation myth more than two thousand years old. There are many English and Spanish translations of the Popol Vuh; but this one is my favorite because it is approachable and precise at the same time. For example, you can choose to ignore the footnotes and their implications. However, if you decide you want to go down the rabbit hole (as I always do), you will not be disappointed. I learn something new every time I pick up this book—it is that good.
The Popol Vuh is the most important example of Maya literature to have survived the Spanish conquest. It is also one of the world’s great creation accounts, comparable to the beauty and power of Genesis.
Most previous translations have relied on Spanish versions rather than the original K’iche’-Maya text. Based on ten years of research by a leading scholar of Maya literature, this translation with extensive notes is uniquely faithful to the original language. Retaining the poetic style of the original text, the translation is also remarkably accessible to English readers.
Illustrated with more than eighty drawings, photographs, and maps,…
When I think about ancient Maya religion, the first thing that comes to mind is pageantry; I imagine kings performing in front of a crowd, or perhaps nobles bloodletting for a small audience inside a palace. Magic and witchcraft are an afterthought. They are front and center in this book—as they were in ancient Mesoamerica. This collection of essays forced me to abandon the habitual boundaries between magic, religion, and witchcraft in the Maya area (and I am better for it). If you are looking for a book where rulers summon monsters and witchcraft is a way of life, this is the place to start.
The ancient Maya viewed many things that we would consider inert as animate: objects had agency, even personality. As a result, I often tell my students that the artifacts they hold were once alive. Unfortunately, I rarely have time to tell them just how they came to live—or how they died (sometimes violently). This fascinating book explores not only animism but also the ways in which artisans literally brought objects to life. Read this book and then go to an exhibit on the ancient Maya; then try to decide which things in the exhibit are still (technically) alive. The exercise may be disconcerting—but it will offer a completely different take on the museum experience.
For the Classic Maya, who flourished in and around the Yucatan peninsula in the first millennium AD, artistic materials were endowed with an internal life. Far from being inert substances, jade, flint, obsidian, and wood held a vital essence, agency, and even personality. To work with these materials was to coax their life into full expression and to engage in witty play. Writing, too, could shift from hieroglyphic signs into vibrant glyphs that sprouted torsos, hands, and feet. Appearing to sing, grapple, and feed, they effectively blurred the distinction between text and image.
I was a (typically) skeptical graduate student when this book came out: how could one work condense all the scholarship on Mesoamerican astronomy and make it accessible to the casual reader? Star Gods of the Maya did that and more, exploring the close relationship between Maya religion and astronomy over time from the Precolumbian era to the present day. Though I have never met her, Milbrath taught me to think bigger and to believe that large, topical books on the Maya could (and would) still work. So much of what archaeologists read and write today is regional, or even local to one city—but not this book.
Observations of the sun, moon, planets, and stars played a central role in ancient Maya lifeways, as they do today among contemporary Maya who maintain the traditional ways. This path-finding book reconstructs ancient Maya astronomy and cosmology through the astronomical information encoded in Pre-Columbian Maya art and confirmed by the current practices of living Maya peoples. Susan Milbrath opens the book with a discussion of modern Maya beliefs about astronomy, along with essential information on naked-eye observation. She devotes subsequent chapters to Pre-Columbian astronomical imagery, which she traces back through time, starting from the Colonial and Postclassic eras. She delves…
No list of books on the Maya religion would be complete without The Blood of Kings. This was the first book on the topic I ever saw—and from the moment I did, I was hooked. Like most people at the time of its publication, I had never seen so many gorgeous photographs, line drawings, and religious concepts in one place. Even though many of the hieroglyphic translations are dated (particularly the royal names), the book remains a treasure trove of general information. Visually, this is the book by which all exhibit catalogues on the Maya are judged—and essential to anyone wanting an introduction to Maya religion.
"[A] work as remarkable for its text as for the photographs and drawings that illustrate it."―Octavio Paz, The New York Review of Books
A comprehensive guide to the Maya which reveals kingship rites, ritual warfare, with a vast array of color plates and drawings. 122 color plates, 300 drawings and 50 black-and-white illustrations
Ancient Maya rulers departed this world with elaborate burial ceremonies and lavish grave goods, which often included ceramics, red pigments, earflares, stingray spines, jades, pearls, obsidian blades, and mosaics. Archaeological investigation of these burials, as well as the decipherment of inscriptions that record Maya rulers' funerary rites, have opened a fascinating window into how the ancient Maya envisaged the ruler's passage from the world of the living to the realm of the ancestors.
Focusing on the Classic Period (AD 250-900), James Fitzsimmons examines and compares textual and archaeological evidence for rites of death and burial in the Maya lowlands, from which he creates models of royal Maya funerary behavior. Exploring ancient Maya attitudes toward death, Fitzsimmons reconstructs royal mortuary rites and expands our understanding of key Maya concepts.
I am a Harvard- and MIT-trained physician-scientist, and I am drawn to research problems that bridge the basic and the practical – how a better understanding of cells and tissues can inform new therapies for cancer and other diseases. As children, we are all scientists – mini-hypothesis generators trying to make sense of the world. I suppose I never outgrew that curiosity. My list of best science books credits writers who bring to life the excitement that comes from looking at the natural world in a new way, a spirit that I try to emulate in my own writing. I hope you enjoy these books as much as I have!
Everybody knows that all animals—bats, bears, sharks, ponies, and people—start out as a single cell: the fertilized egg. But how does something no bigger than the period at the end of this sentence give rise to the remarkable complexity of each of these creatures?
FROM ONE CELL is a dive inside the cell and its evolutionary prerogatives to explain how these "endless forms most beautiful," as Charles Darwin called them, come about. Along the way, we learn about the scientific process, filled as it is with serendipity, as the story is told through the eyes of the scientists who informed…
From One Cell: A Journey into Life's Origins and the Future of Medicine
Every animal on Earth begins life as a single cell. From this humble origin, the nascent creature embarks on a risky journey fraught with opportunities for disaster-yet with astounding regularity, it reaches its destination intact. From One Cell illuminates this epic transformation-still one of nature's most mysterious feats-to show where we all come from and where we're going.
Through the eyes of the scientists unraveling the secrets of development, we see how all the information needed to build a human fits into a fertilised egg, and how the trillions of cells that emerge know what to become and where to…
