Fans pick 100 books like Popol Vuh

When I think about ancient Maya religion, the first thing that comes to mind is pageantry; I imagine kings performing in front of a crowd, or perhaps nobles bloodletting for a small audience inside a palace. Magic and witchcraft are an afterthought. They are front and center in this book—as they were in ancient Mesoamerica. This collection of essays forced me to abandon the habitual boundaries between magic, religion, and witchcraft in the Maya area (and I am better for it). If you are looking for a book where rulers summon monsters and witchcraft is a way of life, this is the place to start.

The ancient Maya viewed many things that we would consider inert as animate: objects had agency, even personality. As a result, I often tell my students that the artifacts they hold were once alive. Unfortunately, I rarely have time to tell them just how they came to live—or how they died (sometimes violently). This fascinating book explores not only animism but also the ways in which artisans literally brought objects to life. Read this book and then go to an exhibit on the ancient Maya; then try to decide which things in the exhibit are still (technically) alive. The exercise may be disconcerting—but it will offer a completely different take on the museum experience.  

I was a (typically) skeptical graduate student when this book came out: how could one work condense all the scholarship on Mesoamerican astronomy and make it accessible to the casual reader? Star Gods of the Maya did that and more, exploring the close relationship between Maya religion and astronomy over time from the Precolumbian era to the present day. Though I have never met her, Milbrath taught me to think bigger and to believe that large, topical books on the Maya could (and would) still work. So much of what archaeologists read and write today is regional, or even local to one city—but not this book.  

No list of books on the Maya religion would be complete without The Blood of Kings. This was the first book on the topic I ever saw—and from the moment I did, I was hooked. Like most people at the time of its publication, I had never seen so many gorgeous photographs, line drawings, and religious concepts in one place. Even though many of the hieroglyphic translations are dated (particularly the royal names), the book remains a treasure trove of general information. Visually, this is the book by which all exhibit catalogues on the Maya are judged—and essential to anyone wanting an introduction to Maya religion. 

Talal Asad’s genealogical analysis of the concept of religion in Western thought is a classic.

Asad, a Saudi-born anthropologist, proposed that it was the unique product of Western modernity and secularism to perceive religious discourse in the public arena as a disguise for power, which created a bias towards it in public life. This bias was then internationalized through the transposition of an inherently ethnocentric concept of religion.

Among other insights, Asad stressed the need to approach religious traditions in reference to the experience of the believers and the texts or traditions they invoke in their everyday life. A seminal piece of work that can provide a point of reference for anyone working to decolonize religious studies.

This book haunted me for days after I finished reading it. I felt like someone I loved had died. Few works of art have stuck with me the way O’Connnor’s book did. Its main characters—Hazel Motes and Enoch Emery—are the epitome of outsiders. I grew up in a religious family in Kentucky, so I can understand Motes’ struggle with faith. The way that Motes and Emery are so severely separated from the rest of humanity is affecting them.

The book caused me to passionately take their side, rooting for them and their cause, sharing in their anger towards the rest of mankind. This book had such a powerful emotional impact and influence on me, leaving me with a palpable feeling of hopelessness and catharsis over several weeks—unlike I’ve experienced with any other work of art. 

This classic book hooked me on page one. Björn Kurtén’s curiosity soon becomes your curiosity and before long you are thinking like a paleontologist. It may be an old book, but the author’s thinking remains modern. Indeed, a recent review of cave bear research suggests that our knowledge of these animals hasn’t changed all that much since Kurtén’s day. I love old geology books. Beautifully written, they enable you to discover, imagine, and ultimately to care about an animal that exists only as a pile of bones. This book proved to be very influential.

Forty years on, The Book of the SubGenius continues to mystify. Is SubGenius a joke disguised as a religion or a religion disguised as a joke? Either way, it’s hilarious.

I picked this book out at random at a bookstore and opened it to find a passage reading, “You probably think you may have wandered into a bookstore and picked this book out at random, but it was ordained that you would find this.” Spooky but intriguing.

I was taken in with the hilarious description of the religious teachings of award-winning siding salesman J.R. “Bob” Dobbs. The doctrine of the Church of the SubGenius is an incisive and unapologetic skewing of pop culture and religious dogma. Plus, tons of astounding artwork and demented collages to drive home the weirdness.

This is my favorite book on Indian/Hindu goddesses. Even after all these years, I believe it to be the erudite and accessible book that portrays the complexity of goddesses and their relationships with devotees. Each time I re-read the book, I glean additional insights into India, Hinduism, and the ways that the sacred feminine shapes the lives of people in the Northeast region of India. 

This was Eric’s first book, a novel celebration of Black sisterhood. Sister, Sister was the first book I read that centered on a group of women and their relationships. Very different from what I was used to reading but it left an impression.  The sisters are all dealing with crumbling relationships at various stages. As a reader you will devour and turn the pages quickly as you uncover the ways in which these women handle their love woes. Dickey came on the scene with a true page-turner. I appreciate his decision to give first-person narratives for each of the main characters so we can truly experience their emotional highs and lows.