Here are 100 books that The Book of the Subgenius fans have personally recommended if you like
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My name is Tim O’Leary and two of my books, Dick Cheney Shot Me in the Face–And Other Tales of Men in Pain and Men Behaving Badly, emanate from the minds of protagonists trying to do the right thing the wrong way or evil characters doing the wrong thing they believe to be right. I’m particularly drawn to those wonderful literary psychopaths that draw you in with compelling personalities, while reviling the reader with their heinous actions.
I found this book in college, and at the time, I thought it was the most unique book I had ever read.
Thompson’s “Gonzo Journalism” was fresh, funny, and thought-provoking, with a subtext of modern poetry, political activism, and a sense of humor I have never seen replicated.
'We were somewhere around Barstow on the edge of the desert when the drugs began to take hold. I remember saying something like, "I feel a bit lightheaded; maybe you should drive ..."'
Hunter S. Thompson is roaring down the desert highway to Las Vegas with his attorney, the Samoan, to find the dark side of the American Dream. Armed with a drug arsenal of stupendous proportions, the duo engage in a surreal succession of chemically enhanced confrontations with casino operators, police officers and assorted Middle Americans.
This stylish reissue of Hunter S. Thompson's iconic masterpiece, a controversial bestseller when…
I’m primarily a music composer for film and TV, but I’ve also ventured into filmmaking, with one of my films being featured at an international film festival, so my journey in storytelling spans many years, and comedy has always been at its heart. Growing up, my father worked as a pit musician, which gave me exposure to the comedy acts of the time. Humor was a constant in our home, so when I started writing fiction, it felt only natural my writing would find a home in comedy.
This is an absolute classic of the comic novel genre, so popular that it found its way onto the big screen. This dark comedy plays out more like a farce as we follow the misadventures of Henry Wilt, an underappreciated and frustrated teacher. His life spirals out of control due to a series of absurd and ridiculous misunderstandings. The novel’s momentum is driven by these absurdities and gross misinterpretations, all skillfully woven together by the flawed actions of a cast of colorful characters, each caricatured to deliver maximum comedic impact.
Tom Sharpe imbues his characters—whether it's the incompetency of the police, Wilt’s oppressive wife, or Wilt himself—with wit and cynicism. His writing is a blend of slapstick, satire, and dark comedy, frequently veering into the absurd and ridiculous. Despite the over-the-top plot, the novel maintains a consistent pace and a dry, ironic tone. As a comic novelist myself, who values…
La más famosa novela de Tom Sharpe, en la que el autor no deja títere con cabeza. El protagonista, Henry Wilt, encadenado a un empleo demencial como profesor en un politécnico, acaba de ver postergado su ascenso una vez más. Mientras, las cosas no marchan mejor en casa, donde su maciza esposa, Eva, se entrega a imprevisibles arrebatos de entusiasmo por la meditación trascendental, el yoga o la última novedad recién olfateada. Wilt, que se siente impotente con respecto a su empleo, no vacila en entregarse a fantasías cada vez más asesinas y concretas acerca de su mujer, con la…
I’ve always loved to read and laugh, and the weirder the humor, the better. It’s a strange and turbulent world out there, and sometimes, it seems like you have to laugh for crying. Fortunately, there are plenty of other talented writers and entertainers out there who share this outlook – and not just authors. Many musicians, actors, and comedians can convey this sense of cosmic absurdity, and I’m a huge fan of most of them. These books just skim the surface of the wild worldviews of kindred spirits who are capable of appreciating just how weird our society really is and can lampoon it to hilarious effect.
I love Noir because it starts out plausibly enough but quickly starts slipping sideways into stranger realms. Of course, it’s Christopher Moore, so it’s going to be hilarious. I was amazed by the world-building Moore undertakes in creating the seamy underside of late-40s San Francisco. The Raymond Chandler/Dashiell Hammett vibe totally drew me in.
I found Noir’s San Francisco to be not quite realistic and not quite cartoonish, but very engaging. It’s a perfect place for Sammy “Two Toes” Tiffin, a down-on-his-luck bartender who meets the love of his life while the rest of his world goes cuckoo. Adding in twists involving a crashed flying saucer and a secret conspiracy of the wealthy and powerful had me hooked.
The absurdly outrageous, sarcastically satiric, and always entertaining New York Times bestselling author Christopher Moore returns in finest madcap form with this zany noir set on the mean streets of post-World War II San Francisco, and featuring a diverse cast of characters, including a hapless bartender; his Chinese sidekick; a doll with sharp angles and dangerous curves; a tight-lipped Air Force general; a wisecracking waif; Petey, a black mamba; and many more.
San Francisco. Summer, 1947. A dame walks into a saloon . . .
It's not every afternoon that an enigmatic, comely blonde named…
I’ve always loved to read and laugh, and the weirder the humor, the better. It’s a strange and turbulent world out there, and sometimes, it seems like you have to laugh for crying. Fortunately, there are plenty of other talented writers and entertainers out there who share this outlook – and not just authors. Many musicians, actors, and comedians can convey this sense of cosmic absurdity, and I’m a huge fan of most of them. These books just skim the surface of the wild worldviews of kindred spirits who are capable of appreciating just how weird our society really is and can lampoon it to hilarious effect.
This book continues to astound me. Flann O’Brien puts together such a surreal set of circumstances for his unnamed narrator that the book is hard to put down.
O’Brien doesn’t strike me as the Hunter Thompson type; this book made me wonder what they were brewing into the whiskey on the Emerald Isle. The improbability of the narrator’s criminal activity and the law enforcement response often seems like a fever dream, albeit a very entertaining one. Even though I now know the M. Knight Shyamalan twist, I still can re-read this book, thinking, “What’s next? What’s next?”
A masterpiece of black humour from the renown comic and acclaimed author of 'At Swim-Two-Birds' - Flann O'Brien.
A thriller, a hilarious comic satire about an archetypal village police force, a surrealistic vision of eternity, the story of a tender, brief, unrequited love affair between a man and his bicycle, and a chilling fable of unending guilt, 'The Third Policeman' is comparable only to 'Alice in Wonderland' as an allegory of the absurd.
Distinguished by endless comic invention and its delicate balancing of logic and fantasy, 'The Third Policeman' is unique in the English language.
I grew up religious but loving scary things—horror movies, scary comic books, Dark Shadows, andThe Twilight Zone. Even the music of Alice Cooper. While I’m no longer religious, I have a doctorate in religious studies and I still have a fascination with media that cause fear. I also write horror stories. BeyondHoly HorrorI have written two more books on religion and horror and I read every book about this odd combination as soon as I can get my hands on it. I believe you should never judge people by their tastes in media—they can be decent folk even if they like horror.
This book opened my eyes to how a scholar of religion could engage with horror films. I sat in my hotel room and started reading it the day I purchased it because I couldn’t wait until I got back home to start it.
Douglas Cowan deftly demonstrates how horror films engage in conversation with religion and he does this in non-technical language. In a culture where religion, or at least organized religion, is in decline, it still has incredible power in pop culture.
Many religious people avoid horror like they would a real monster. Sacred Terror, apart from suggesting a title for my book, shows horror and religion both benefit from the discussion. Cowan has written other good books on the subject as well.
Sacred Terror examines the religious elements lurking in horror films. It answers a simple but profound question: When there are so many other scary things around, why is religion so often used to tell a scary story? In this lucid, provocative book, Douglas Cowan argues that horror films are opportune vehicles for externalizing the fears that lie inside our religious selves: of evil; of the flesh; of sacred places; of a change in the sacred order; of the supernatural gone out of control; of death, dying badly, or not remaining dead; of fanaticism; and of the power--and the powerlessness--of religion.
I freely admit to reading romances―"Nurse Janes," as one of my teachers used to call them―whenever I need a break from heavier material or just from life. While I have some favorite authors (who doesn't?), I do not limit myself to any particular era or style of romance. To me, romance has many shades and flavours, and I enjoy them all. Believe you me, choosing just five to recommend was no piece of cake.
I was pleasantly surprised at how sweet and truly romantic Will North'sWater, Stone, Heart turned out to be. I wandered lazily through the Cornish countryside with the main character, meeting quirky locals, becoming fascinated by the mystery of the artist who had settled in a seaside village. And at the conclusion I felt comfortably satisfied. A lovely read. Who says men can't write romance?
Forty year-old Nicola Rhys-Jones is a woman in hiding. Fleeing an abusive husband, she finds refuge in Boscastle, a village on the rugged coast of Cornwall, England. Andrew Stratton is an American professor of architectural theory. Shocked out of his academic bubble when his ambitious wife leaves him, he signs up for something tangible: a course in the art of stone wall-building—in Boscastle.
From the moment they meet, Nicola and Andrew are attracted to each other, but at daggers drawn. Nicola, sexy yet sarcastic, is an expert at fending off men. In Andrew, she meets her match: quick-witted, funny, yet…
I am a storyteller and I conceived The Life of Crime as the ‘life story’ of a fascinating and truly diverse genre. I’ve always been intrigued by the ups and downs of literary lives, and the book explores the rollercoaster careers of writers from across the world. The chapter endnotes contain masses of trivia and information, as well as some original research, that I hope readers will find enjoyable as well as interesting. But The Life ofCrimeisn’t an academic text. It’s a love letter to a genre that I’ve adored for as long as I can remember.
I’ve readBloody Murder more times than any other non-fiction book. The first edition made a huge impression on me. Symons introduced me to countless fascinating authors and books (many of them obscure) which I’d never heard of and which have given me endless reading pleasure. Symons’ opinions were, and remain, controversial, and his disdain for ‘humdrum’ writing from the ‘Golden Age’ between the wars has attracted much criticism, some of it sensible, some of it over-the-top. His belief that the ‘detective story’ had metamorphosed into the ‘crime novel’ was eloquently argued, but I think mistaken. Today’s readers have just as much of an appetite for an entertaining, well-crafted puzzle as ever. But never mind the flaws; this elegantly written book remains as influential as it is indispensable.
This history of the various forms and masters of the mystery genre follows the trail through the first pinnacle of detection in the Master Detective stories of the 1930s up to the present
I’ve been a fan of horror since I got sucked into Scooby-Doo as a three-year-old. When I started my academic career, I kind of kept that passion tucked inside as something to be embarrassed about – after all, I wanted to do serious work, and horror movies aren’t serious, right? Graduate school made me rethink that assumption, and pushed me towards seriously considering the engagement of horror and religion. I wrote my dissertation on a chapter of the Book of Numbers as a slasher narrative, and I haven’t looked back since.
Nelson’s book is a revelation in how it explores the work that both religion and popular culture can do – her readings of Lovecraft’s work are particularly evocative. I’m not on board with the sharp line she draws between high and low culture, but it’s one of those books that’s fascinating even when you disagree with it.
In this work, Victoria Nelson illuminates the deep but hidden attraction the supernatural still holds for a secular mainstream culture that forced the transcendental underground and firmly displaced wonder and awe with the forces of reason, materialism, and science. In a backward look at an era now drawing to a close, "The Secret Life of Puppets" describes a curious reversal in the roles of art and religion: where art and literature once took their content from religion, we came increasingly to seek religion, covertly, through art and entertainment. In a tour of Western culture that is at once exhilarating and…
I had a friend that I knew since junior high. He was a straight-A student. He had both parents in the home. His future was bright. He spent the last minutes of his life hiding under a car after being shot several times during a drug deal gone wrong. He made poor decisions that cost him his life. I wanted to write about people who took the wrong path and found their way out.Growing up in a single-parent household, I turned to the streets and gangs. After incarceration I decided to not only turn my life around but to write fiction inspired by criminal activity that I had engaged in during my youth.
This was Eric’s first book, a novel celebration of Black sisterhood. Sister, Sister was the first bookI read that centered on a group of women and their relationships. Very different from what I was used to reading but it left an impression. The sisters are all dealing with crumbling relationships at various stages. As a reader you will devour and turn the pages quickly as you uncover the ways in which these women handle their love woes. Dickey came on the scene with a true page-turner. I appreciate his decision to give first-person narratives for each of the main characters so we can truly experience their emotional highs and lows.
Here is New York Times bestselling author Eric Jerome Dickey's debut novel, a celebration of Black sisterhood hailed by Essence as one of the “50 Most Impactful Black Books Of The Last 50 Years”.
Valerie, Inda, and Chiquita are three women looking for love in Los Angeles.
Valerie became the perfect wife to please her husband, Walter, whose football career has gone nowhere—along with their marriage. Then she meets Daniel. Valerie's divorced sister, Inda, has Raymond, who has a hot body, smooth moves—and another girlfriend on the side. Now Inda's scheming to get even. After telling her last boyfriend to…
I’ve been fascinated by Maya religion since college—ever since I took my first class on Maya hieroglyphics at Tulane University. At first, I was drawn to the visuals accompanying the glyphs: women running ropes through their tongues, men holding hands with gods, and animals (spirits) wielding sacrificial knives. Then I began chasing the meanings of those visuals until I found myself specializing in ancient Maya mortuary behavior and receiving a PhD in Anthropology from Harvard University. I am happy to say that I am still on the chase, having written or edited five books (with two more on the way). I hope you enjoy this list!
If I were talking about this book over coffee with a friend, I would say this: you cannot understand the ancient Maya without reading it. The Popol Vuh is the written version of an oral, indigenous creation myth more than two thousand years old. There are many English and Spanish translations of the Popol Vuh; but this one is my favorite because it is approachable and precise at the same time. For example, you can choose to ignore the footnotes and their implications. However, if you decide you want to go down the rabbit hole (as I always do), you will not be disappointed. I learn something new every time I pick up this book—it is that good.
The Popol Vuh is the most important example of Maya literature to have survived the Spanish conquest. It is also one of the world’s great creation accounts, comparable to the beauty and power of Genesis.
Most previous translations have relied on Spanish versions rather than the original K’iche’-Maya text. Based on ten years of research by a leading scholar of Maya literature, this translation with extensive notes is uniquely faithful to the original language. Retaining the poetic style of the original text, the translation is also remarkably accessible to English readers.
Illustrated with more than eighty drawings, photographs, and maps,…
