Here are 93 books that Sorcery in Mesoamerica fans have personally recommended if you like
Sorcery in Mesoamerica.
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I’ve been fascinated by Maya religion since college—ever since I took my first class on Maya hieroglyphics at Tulane University. At first, I was drawn to the visuals accompanying the glyphs: women running ropes through their tongues, men holding hands with gods, and animals (spirits) wielding sacrificial knives. Then I began chasing the meanings of those visuals until I found myself specializing in ancient Maya mortuary behavior and receiving a PhD in Anthropology from Harvard University. I am happy to say that I am still on the chase, having written or edited five books (with two more on the way). I hope you enjoy this list!
If I were talking about this book over coffee with a friend, I would say this: you cannot understand the ancient Maya without reading it. The Popol Vuh is the written version of an oral, indigenous creation myth more than two thousand years old. There are many English and Spanish translations of the Popol Vuh; but this one is my favorite because it is approachable and precise at the same time. For example, you can choose to ignore the footnotes and their implications. However, if you decide you want to go down the rabbit hole (as I always do), you will not be disappointed. I learn something new every time I pick up this book—it is that good.
The Popol Vuh is the most important example of Maya literature to have survived the Spanish conquest. It is also one of the world’s great creation accounts, comparable to the beauty and power of Genesis.
Most previous translations have relied on Spanish versions rather than the original K’iche’-Maya text. Based on ten years of research by a leading scholar of Maya literature, this translation with extensive notes is uniquely faithful to the original language. Retaining the poetic style of the original text, the translation is also remarkably accessible to English readers.
Illustrated with more than eighty drawings, photographs, and maps,…
I’ve been fascinated by Maya religion since college—ever since I took my first class on Maya hieroglyphics at Tulane University. At first, I was drawn to the visuals accompanying the glyphs: women running ropes through their tongues, men holding hands with gods, and animals (spirits) wielding sacrificial knives. Then I began chasing the meanings of those visuals until I found myself specializing in ancient Maya mortuary behavior and receiving a PhD in Anthropology from Harvard University. I am happy to say that I am still on the chase, having written or edited five books (with two more on the way). I hope you enjoy this list!
The ancient Maya viewed many things that we would consider inert as animate: objects had agency, even personality. As a result, I often tell my students that the artifacts they hold were once alive. Unfortunately, I rarely have time to tell them just how they came to live—or how they died (sometimes violently). This fascinating book explores not only animism but also the ways in which artisans literally brought objects to life. Read this book and then go to an exhibit on the ancient Maya; then try to decide which things in the exhibit are still (technically) alive. The exercise may be disconcerting—but it will offer a completely different take on the museum experience.
For the Classic Maya, who flourished in and around the Yucatan peninsula in the first millennium AD, artistic materials were endowed with an internal life. Far from being inert substances, jade, flint, obsidian, and wood held a vital essence, agency, and even personality. To work with these materials was to coax their life into full expression and to engage in witty play. Writing, too, could shift from hieroglyphic signs into vibrant glyphs that sprouted torsos, hands, and feet. Appearing to sing, grapple, and feed, they effectively blurred the distinction between text and image.
I’ve been fascinated by Maya religion since college—ever since I took my first class on Maya hieroglyphics at Tulane University. At first, I was drawn to the visuals accompanying the glyphs: women running ropes through their tongues, men holding hands with gods, and animals (spirits) wielding sacrificial knives. Then I began chasing the meanings of those visuals until I found myself specializing in ancient Maya mortuary behavior and receiving a PhD in Anthropology from Harvard University. I am happy to say that I am still on the chase, having written or edited five books (with two more on the way). I hope you enjoy this list!
I was a (typically) skeptical graduate student when this book came out: how could one work condense all the scholarship on Mesoamerican astronomy and make it accessible to the casual reader? Star Gods of the Maya did that and more, exploring the close relationship between Maya religion and astronomy over time from the Precolumbian era to the present day. Though I have never met her, Milbrath taught me to think bigger and to believe that large, topical books on the Maya could (and would) still work. So much of what archaeologists read and write today is regional, or even local to one city—but not this book.
Observations of the sun, moon, planets, and stars played a central role in ancient Maya lifeways, as they do today among contemporary Maya who maintain the traditional ways. This path-finding book reconstructs ancient Maya astronomy and cosmology through the astronomical information encoded in Pre-Columbian Maya art and confirmed by the current practices of living Maya peoples. Susan Milbrath opens the book with a discussion of modern Maya beliefs about astronomy, along with essential information on naked-eye observation. She devotes subsequent chapters to Pre-Columbian astronomical imagery, which she traces back through time, starting from the Colonial and Postclassic eras. She delves…
I’ve been fascinated by Maya religion since college—ever since I took my first class on Maya hieroglyphics at Tulane University. At first, I was drawn to the visuals accompanying the glyphs: women running ropes through their tongues, men holding hands with gods, and animals (spirits) wielding sacrificial knives. Then I began chasing the meanings of those visuals until I found myself specializing in ancient Maya mortuary behavior and receiving a PhD in Anthropology from Harvard University. I am happy to say that I am still on the chase, having written or edited five books (with two more on the way). I hope you enjoy this list!
No list of books on the Maya religion would be complete without The Blood of Kings. This was the first book on the topic I ever saw—and from the moment I did, I was hooked. Like most people at the time of its publication, I had never seen so many gorgeous photographs, line drawings, and religious concepts in one place. Even though many of the hieroglyphic translations are dated (particularly the royal names), the book remains a treasure trove of general information. Visually, this is the book by which all exhibit catalogues on the Maya are judged—and essential to anyone wanting an introduction to Maya religion.
"[A] work as remarkable for its text as for the photographs and drawings that illustrate it."―Octavio Paz, The New York Review of Books
A comprehensive guide to the Maya which reveals kingship rites, ritual warfare, with a vast array of color plates and drawings. 122 color plates, 300 drawings and 50 black-and-white illustrations
As a lover of nature and travel, I’ve long been interested in how communities worldwide protect their environments. While living and traveling in Latin America, I learned how Indigenous knowledge and practices make our planet healthier for everyone. Several of my ten children’s books deal with these issues, including my novel Tree of Dreams, inspired by my time in the Amazon rain forest with a Huaorani community whose home was threatened by oil operations. This led me to collaborate with the Kichwa leader, Patricia Gualinga, on the picture book,Stand as Tall as the Trees: How an Amazonian Community Protected the Rain Forest, available in English and Spanish in July, 2023.
Since my son was adopted from Guatemala and I’ve traveled there several times, I was drawn to this colorful picture book. In the Mayan highlands, young Ixchel’s mother has no thread to spare for her to weave. Determined, Ixchel searches for her own material, and ultimately discovers that the plastic bags littering her village are just what she needs. She cuts them into strips, weaves her own creations, and sells them at the market—which also makes her village more beautiful. This book shows the power of resourcefulness while offering glimpses of Mayan culture and showing how kids can make a difference. As a multi-lingual mom, I especially love that this book has English and Spanish text, making it a perfect pick for those of us raising our kids to value other languages and cultures.
Ixchel wants to follow in the long tradition of weaving on backstrap looms, just as her mother, grandmother, and most Mayan women have done for more than two thousand years. But Ixchel's mother is too busy preparing her weavings for market. If they bring a good price, they will have money to pay for Ixchel s school and books. And besides, there is not enough extra thread for Ixchel to practice with.
Disappointed, Ixchel first tries weaving with blades of grass, and then with bits of wool, but no one would want to buy the results. As she walks around…
As a former Division 1 basketball player at Marquette University and current ecommerce executive, I’m always looking for new sources of inspiration. Please enjoy my list and send me any comments on what you find inspiring!
This is a different type of inspiration, one rooted in exploration and going to places that no man has gone before. The author himself goes on a journey to find a lost city in the Honduran rainforest, and while sexy on the outside, discovers the stark challenges that exist in the world’s densest jungle. If you’re an adventure seeker, you’ll really enjoy this book.
The #1 New York Times and Wall Street Journal bestseller, named one of the best books of the year by The Boston Globe and National Geographic: acclaimed journalist Douglas Preston takes readers on a true adventure deep into the Honduran rainforest in this riveting narrative about the discovery of a lost civilization -- culminating in a stunning medical mystery.
Since the days of conquistador Hernán Cortés, rumors have circulated about a lost city of immense wealth hidden somewhere in the Honduran interior, called the White City or the Lost City of the Monkey God. Indigenous tribes speak of ancestors who…
As an archaeologist, I love prehistoric things and what can I learn from them about the people that made them and left them behind. I study ancient Maya commoners in what is now modern Guatemala. Their material remains are humble but include depictions and symbols normally found in the palaces of Maya kings and queens. First I wondered and then I studied how the title-giving war owl fell into the hands of Maya commoners. By approaching this process as innovation, I discuss creativity in the past and cultural changes that result from it.
Prehistoric people outside of Europe are often assumed to be "people without history," as anthropologist Eric Wolf called them. Simon Martin and Nikolai Grube's book is exciting because it uses the recent decipherment of Maya hieroglyphs to reconstruct the lives of dozens of Maya rulers. At least some of the millions of ancient Maya have now names and a history. Their great art and architecture can be linked to artists who made them and to nobles who commissioned them.
Deep in the dense rainforests of Central America lie the turbulent stories of the Maya monarchy, stories brought vividly to life in Chronicles of the Maya Kings and Queens, which is newly available in paperback. Describing many of their own discoveries, two of the world's leading experts in Maya hieroglyphs take the reader into a once-hidden history, setting out the latest thinking on the nature of Maya divine kingship, statehood and political authority, and describing all the most recent readings and archaeological finds. Chronicle of the Maya Kings and Queens combines groundbreaking research with a highly readable history, offering the…
Ryan Murdock is Editor-at-Large (Europe) for Outpost, Canada’s national travel magazine, and a weekly columnist for The Shift, an independent Maltese news portal. His feature articles have taken him across a remote stretch of Canada’s Northwest Territories on foot, into the Central Sahara in search of prehistoric rock art, and around Wales with a drug squad detective hunting for the real King Arthur.
Far from being an extinct people swallowed by the jungle-like their famous temples, the Maya make up a significant percentage of the population of southern Mexico, Guatemala, and Belize, with vibrant ancient languages that are still spoken today. This beautifully written account of contemporary Maya culture will help you understand a remarkable people who explored the world through arithmetic and time.
"Cut Stones and Crossroads" and "On Fiji Island" are previous books by Ronald Wright, author of this book concerned with the Maya, who in the first millennium AD, created the most intellectually and artistically advanced civilization native to the Americas. Despite a mysterious collapse in the ninth century and Spanish invasion in the 16th century, some five million people throughout Guatemala, Belize and south-eastern Mexico still speak Maya languages and preserve a Maya identity today. Ronald Wright set out to discover the roots of the Maya and the extent of their survival after centuries of invasion and a recent civil…
I love history that is about people. The discoveries they made or the adventures they had (or endured) are thrilling and fascinating, but it’s the people who make it compelling. From Ernest Shackleton dumping handfuls of gold on the ice to show his stranded men he was committed to getting them out of Antarctica alive, to a fussy young William Travis writing desperately for help that would never come, and being of the first to die during the attack on the Alamo…the best books make those events, the times, and the stakes very very real. And the very best histories give you the humanity of the choices and decisions that led them there.
One of the real contagions of contemporary life (for anyone in any time, I suspect) is the way one can become complacent about the existence we are experiencing: we can take “what everyone knows” for granted. Like the Ferris Wheel, which was invented for the Chicago World’s Fair to outshine the previous Fair’s Effiel Tower. Now, any carnival midway or small circus has one. The same with many “ancient ruins.” Cruise ships stop at Minos or the Mexican pyramids for organized tours. But these places had been lost for millennia until they were re-discovered in the last 200 – 300 years. In Jungles ofStone, the initial discovery was almost an accident. Seen as an opportunity by Stephens and Catherwood, the magnificence and majesty of what they find converts their commercial enterprise into something more like a crusade. While the book recounts their arduous efforts to uncover the lost…
New York Times Bestseller (Expeditions) * THE "MASTERFUL CHRONICLE"* OF THE DISCOVERY OF THE LEGENDARY LOST CIVILIZATION OF THE MAYA--AN "ADVENTURE TALE THAT MAKES INDIANA JONES LOOK TAME"* In 1839, rumors of extraordinary yet baffling stone ruins buried within the unmapped jungles of Central America reached two of the world's most intrepid travelers. Seized by the reports, American diplomat John Lloyd Stephens and British artist Frederick Catherwood-both already celebrated for their adventures in Egypt, the Holy Land, Greece, and Rome-sailed together out of New York Harbor on an expedition into the forbidding rainforests of present-day Honduras, Guatemala, and Mexico. What…
I’m a writer who writes across genres, but everything has a dark edge. As a reader, I want to be able to relate, engage, and connect in some way to the characters and story, but as I come from an abusive childhood, that means they can’t be light and fluffy; there has to be something off-kilter and warped because that reflects how my life has been. In my own writing, I try to do the same and create something that is emotive and real while still allowing the reader to escape. I originate from Surrey, in the south of England, but I have lived in theNetherlands since 2002.
As an indie author, I’m always interested in what other fellow authors are writing, so when I befriended Mark Cassell, I wanted to read his work. The Shadow Fabric made me a fan of his writing, and now I read everything he publishes.
With this book, Mark has established what he calls the Shadow Fabric Mythos, which means he’s written more novellas and short stories along the same theme: an ethereal darkness that takes over people, sucking the life out of them and giving a whole new meaning to the term ‘getting stitched’.
Again we have paranormal darkness, which I enjoy as a reader. And with Mark’s writing, he gives a chilly and yet urgent feel to it. You know what is coming, but you can’t look away. My kind of horror.
Leo remembers little of his past. Desperate for a new life, he snatches up the first job to come along. On his second day, he witnesses a murder, and the Shadow Fabric – a malevolent force that controls the darkness – takes the body and vanishes with it.
Determined to get answers, Leo has no idea where to turn. Revelations come in the most unlikely places, and secrets of witchcraft and ancient artefacts unfold. In particular, a device used in the 17th century to extract evil from witches proves key to his discoveries. With these truths long hidden from humankind,…
