Here are 100 books that Minimus Pupil's Book fans have personally recommended if you like
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We all read (or write) fiction for a bit of escapism, don’t we? To come face-to-face with the good, the bad, and the ugly of bygone days… The ancient Mediterranean is the place I would most love to visit in a time machine (albeit fully armed and in a hazmat suit), and these writers are – for me – the best at transporting readers there from the comfort of a sofa. I’ve tried plenty of historical fiction set in other times and places - much of it very good, but the smell of olive groves, the chirruping of cicadas, and the Aegean sun always call me back!
Even though it’s more of a YA book, I struggled with this as a teenager, so I picked it back up a few years ago with no great expectations. We were staying in a static home in Cornwall and the weather was vile, morning and night. Perhaps I would have motored through any book given these circumstances. Or perhaps it’s just a magical novel.
I’m going with the latter because it has since become my number-one comfort read. Comradeship, adventure, tension and drama, authentic historical detail, lyrical descriptions of Iron Age Britain… it has it all and more. As it happens, I have only just finished the sequel – The Silver Branch – and this book is a worthy challenger, too!
The Everyman edition reprints the classic black and white illustrations of C. Walter Hodges which accompanied the first edition in 1954.
Around the year 117 AD, the Ninth Legion, stationed at Eburacum - modern day York - marched north to suppress a rebellion of the Caledonian tribes, and was never heard of again. During the 1860s, a wingless Roman Eagle was discovered during excavations at the village of Silchester in Hampshire, puzzling archaeologists and scholars alike. Rosemary Sutcliff weaves a compelling story from these two mysteries, dispatching her hero, the young Roman officer Marcus Aquila, on a perilous journey beyond…
Caroline Lawrence is the author of over 30 historical novels for children and young adults, most of which are set in ancient Rome. She studied Latin, Ancient Greek and Biblical Hebrew at Berkeley and Cambridge and has been investigating the ancient world ever since. In 2009, she won the Classical Association Prize for 'a significant contribution to the public understanding of Classics’. Her aim is to make that world accessible for kids.
‘Caecilius est in horto!’ For slightly older children the Cambridge Latin Course has now become such a part of pop culture that some of its characters have been referenced in Dr Who. And what other language textbook can reduce pupils to tears – the good kind! – in the final chapters?
The leading Latin course worldwide Book I begins in the city of Pompeii shortly before the eruption of Vesuvius. Book I is full colour throughout, with a clear layout of stories and language notes. Featuring a glossary for quick reference and comprehension questions, the book also includes a full explanation of language points and grammar practice exercises.
I have been fascinated by ancient Greece and Rome since I first saw Italy and Greece as a teenager, revisiting them whenever I can. I studied ancient history at Cambridge University and have written eight books about it, most recently The Colosseum. After living in Paris, Rome, and London, I am now based in Wiltshire in southwest England, almost within sight of Stonehenge. There is a small megalith outside my own house.
This book has the best illustrations of the two main cities of antiquity that l have ever seen. Besides superb photographs (all in colour) of the ruins today, they include Peter Connolly’s brilliant reconstructions of buildings of all sorts: houses, palaces, baths, temples, forums, hippodromes, theatres, amphitheaters, insulae (blocks of flats), bars and aqueducts, plus styles in furniture, clothing, and hair. All are shown in colourful detail, many with cutaway illustrations that recreate city life of 2000 years ago with wonderful vividness. They are complemented by Dr. Hazel Dodge’s lucid, informative text. The first part covers Athens at its democratic peak under Pericles around 434BC, the second Rome at its imperial zenith some 500 years later, when it was the greatest city on earth.
Superb, detailed reconstructions of buildings provide the starting-point for a vivid exploration of these two great cities and the lives of the people who inhabited them. Peter Connolly's illustrations and reconstructions have a unique authority, with their blend of superb draughtsmanship, imagination, and meticulous research. The text appeals to a wide spectrum of readers, from young adults to professional historians.
In Egypt, we did not have our own Arab comics, but different worlds came to us from translated comics, American (Disney and superheroes), and French comics. I did not like superhero comics, I loved Disney comics and French comics, and n addition to my passion for reading history, some French series combine this, such as the Alix series. I would have loved to have a historical background to the events that prompted me to read more about them and get to know the real characters, how they lived, and how they ended.
This book is from the Asterix series and in general when you read Goscinny's books, you will not regret it, as it will inspire you with many ideas.
He was able to create humor from humans, animals, inanimate objects, and all elements of the story.
As for this book, I chose it because of the events taking place in Egypt, also because of the coherent plot, fast-flowing events, sense of humor, and new ideas.
As usual in this type of book, there are some historical facts, but the general structure of the story is fictional.
The historical facts here are Queen Cleopatra VII, Julius Caesar, and the relationship between them, while the rest of the events are fictional and comic.
The latest action-packed adventure from our indomitable Gauls, Asterix and the Griffin, is out now!
How can lovely Queen Cleopatra show Julius Caesar that ancient Egypt is still a great nation? Her architect Edifis recruits his Gaulish friends to help him build a magnificent palace within three months. There are villainous saboteurs to be outwitted, but Asterix, Obelix and Getafix still find time to go sight-seeing - and leave their mark on the pyramids and the Sphinx's nose.
I have been a ghostwriter for over thirty years, publishing more than a hundred books under other people’s names, as well as those under my own name. It has allowed me to live a hundred different and varied lives and it is a profession I like to encourage all writers to consider. Several of my own novels have featured ghostwriters as central characters, including Secrets of the Italian Gardener and What Lies Around Us.
This book is a direct competitor to my own title, but Teena Lyons is a hugely experienced ghostwriter and I have to admit that she has done a very thorough job of explaining how the business works. She interviewed a number of other ghostwriters in the course of writing the book, (myself included). The result is highly readable and a useful introduction to the business.
“A good book to read if you're interested in ghost writing. The chapters on what makes a good ghost, how to become a ghostwriter, getting structure right and most of all what to do when it all goes wrong are a must-read!” Dora Archie Okeyo - Reviewer
“This book leads you through the world of ghostwriting. There really is everything in this book and I have found the information invaluable.” Karen Lawton - Reviewer
“A very good resource indeed. A straightforward, no nonsense guide to the world of ghostwriting.” Ruth Giles - Reviewer
For as long as I can remember, I have been fascinated with the unbroken chain of storytelling that stretches from the ancient world to the present day, which is why I write mythological retellings. So many myths tackle grief and families in all their myriad forms and shapes, and their continued existence shows us how storytelling is a healing process and always has been. We can see our own complicated family relationships and the profound impact of love and loss reflecting back to us across the centuries. Fiction continues to do this for us today too and I’ve chosen the modern books which I think do this the best.
My copy of this book is battered, dog-eared, and creased from the sheer number of times I’ve read and re-read it. It’s an absolutely glorious family saga, recounted by Ruby who narrates her own conception in the first chapter and takes us back through generations weaving together all the different stories that lead up to the events of her own life. It’s brilliantly funny and heartbreaking and it skewers the oddities and dysfunction of family relationships so perfectly. Characters wrestle with their grief, they deny it and suppress it and it rears up to overwhelm them but ultimately they find their way through. I’m with them every step of the way, unable to put the book down whenever I pick it up again…and again!
Whitbread Book of the Year, 1995. Ruby was born while her father was in the pub. Her mother, Bunty, had never wanted to marry him, and dreamt of being swept off to America by a romantic hero, but instead, was stuck in a flat with her three children. This is the family's story.
I had no expectations about what the first short stories I wrote would end up being like. Although I’d read mostly realistic literary fiction before starting to write, most of my stories included fantastical elements. This set me off reading and writing stories categorised as weird, cross-genre, slipstream, magical realist, fantastic, fabulist, horror, soft sci-fi, and surreal. The thing that struck me was how slippery these categories are. But what unites them is their openness to unbounded imagination. Like a lens concentrating a fire, their strange and fantastical techniques amplify feelings and reality in unique ways, while always paying attention to language. It’s been a thrilling, exciting ride!
Published in 1983, I only recently came across this anthology. A Sunday Times review says: “As an introduction to the delights of fiction about “the impossible seeping into the possible” Black Water has not been surpassed.” This book is on my indispensable reading list. It includes seventy-two stories that span a broad range of writers, many of whom would not be considered writers of the fantastic, from D.H. Lawrence and Edith Wharton to Julio Cortázar and Ray Bradbury. An eye-opening book that demonstrates a myriad of techniques for using strangeness to illustrate reality, and is an absolute reading feast of wonder and imagination. My favourite story is "The Third Bank of the River" by João Guimarães Rosa.
Short stories by authors including Julio Cortazar, Saki, Edgar Allan Poe, and Ray Bradbury deal with hauntings, time warps, prophetic dreams, strange creatures, and bizarre occurrences
As a 5-year-old boy, I was given a tin of watercolour paints by my Grandmother. I had no idea how to use them, and there was no one around to teach me. I had to find my own way. Around the same time I was taken on a day trip to London, where we visited the Tate Gallery. It was there that I was confronted for the first time by the magnificent paintings of J.M.W.Turner. My love for art was ignited. I became a serious student of art, and although I have had to make a living in the world like everyone else, art became my go-to therapy for relief and recreation.
On a day trip to Cambridge UK I was in an old book store. I could not believe my good fortune when I spotted an old-worn book entitled Howard Pyle’s Book of Pirates. I realised immediately that Pyle was the art teacher of N.C.Wyeth, the styles of the 2 are interchangeable. This book contains numerous Pirate stories, which Pyle wrote himself. Obviously the text is now very antiquated, but there are numerous illustrations illustrating Pirate battles and adventure. Pyle wrote and taught art in the late 19th Century. Any student of the Wyeth’s should check him out.
Pirates, Buccaneers, Marooners, those cruel but picturesque sea wolves who once infested the Spanish Main, all live in present-day conceptions in great degree as drawn by the pen and pencil of Howard Pyle….It is improbable that anyone else will ever bring his combination of interest and talent to the depiction of these old-time Pirates, any more than there could be a second Remington to paint the now extinct Indians and gun-fighters of the Great West.
As a nerdy kid growing up in New York in the 1970s, I got swept up in the “Fischer Boom” of 1972 when Bobby Fischer became the first official American World Champion, and chess clubs and tournaments sprouted up around the country. I persevered to become one of the top 30-ranked players. I’ve coached chess since my teens, with students ranging from ages 3 to 95. Not until my 40’s did I discover that I had perhaps an even greater talent and passion for writing. My first book Forcing Chess Moves presented a novel and challenging approach to how to think ahead in chess, and understand human biases which can blind us to winning ideas.
One thing that separates chess from all other games is the concept of checkmate. You’ve heard the word a million times, but what is it exactly? You’re probably thinking “Capturing the Enemy King”, but that would be incorrect. Actually it means threateningto capture the enemy King, while denying him any means of escape. I was already an experienced player when I read this book, but it was an “aha” moment. There are recurring checkmating patterns that are far from obvious to beginners; but once you learn to recognize them, you become a better player and enhance your appreciation for the beauty of chess.
"The art of the checkmate has at last been provided with a scientific foundation." — Chicago Sunday Tribune One of the most difficult situations in chess is seeing potential mates in the near future. All players, even grandmasters and champions, have missed such mates in actual play, to their chagrin and the bystanders' delight, for all too often it is easier to play for momentary advantage than to force a mate. This book by two former national chess champions of France provides a rational classification of mating situations, and shows how each possible type of mate has emerged with its…
Being a children’s illustrator and writer, I have built up a well-loved collection of childen’s books over the years. They must have great drawings and imaginative concepts. They are books I can come back to again and again. The books I have chosen are ones where you can lose yourself in their intricate detailed worlds and forget about day-to-day troubles for a while. These books can also help reluctant readers by enticing them into a visual world first and then into appreciating the written word.
This book is perfect for looking at on your own or sharing. The wealth of detail is amazing! Open any page and I am absorbed for hours looking for various people and objects and enjoying the funny scenes of massive crowds. I still have my original copy from 1987 and am delighted anew whenever I take a peek. The other Where’s Waldo books in the series are equally entertaining.
Find Waldo in the midst of characters who have walked straight out of their books!
WALDO has wandered around the world, through time, and across the silver screen. Where is he off to now? Into a world of dreams and fantasies, of swarming scenes that could be invented only by the inspired mind of Martin Handford. Wilder and wackier than ever before, WALDO's adventures now span a crazy cake factory, the Land of Woof (imagine 1,000 Woofs!), an endless maze of halls and doors (can you find the keys that match the keyholes?), a riotous fun fair of fruits and…
