Here are 85 books that Black Water fans have personally recommended if you like
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I’m the author of the short story collection How to Capture Carbon, which explores how people’s lives change when touched by a bit of magic. Writing these stories helped me try to make sense of the early years of parenting when a dream-like blend of sleep deprivation, worry, and overpowering love made my life feel like a Dalí painting. I love stories and books that continue to make me feel less alone in that struggle. For me, stories that make the leap into surrealism give me both a dose of delight and highlight the real magic found in connecting with the people and places I love.
Every time I read something by George Saunders, I’m in awe of what, for me, is his trifecta of powers: hilarious writing, fantastically creative situations, and deep compassion for his characters and their choices. This book is no exception, and I was particularly struck by The Semplica Girl Diaries, which shows what lengths a suburban dad goes to—it involves unusual, morally questionable human lawn ornaments—in order to support his daughters’ happiness.
While reading these stories, I found my sympathies shifting and unfolding from character to character, each a person whose beating heart lies just below the surface of their unusual circumstances.
**ESCAPE FROM SPIDERHEAD NOW STREAMING ON NETFLIX - STARRING CHRIS HEMSWORTH AND MILES TELLER**
The prize-winning, New York Times bestselling short story collection from the internationally bestselling author of Lincoln in the Bardo
'The best book you'll read this year' New York Times
'Dazzlingly surreal stories about a failing America' Sunday Times
WINNER OF THE 2014 FOLIO PRIZE AND SHORTLISTED FOR THE NATIONAL BOOK AWARD 2013
George Saunders's most wryly hilarious and disturbing collection yet, Tenth of December illuminates human experience and explores figures lost in a labyrinth of troubling preoccupations.
A family member recollects a backyard pole dressed for…
I grew up on a tiny peninsula in Downeast Maine, an evocative and rugged place, both lovely and haunting. As a girl, walking home late down gravel roads through an encompassing darkness I’ve found nowhere else, I sensed the world’s dangers long before I knew how to articulate them. Surrounded by woods, water, and unnerving quiet broken by the fox’s scream and rustling branches, I began to write. I sought out strange and unsettling books by Shirley Jackson and Stephen King (his home just a few towns away from mine) that left their mark. Storytelling became a way to process and explore what keeps me up at night.
Horrifying, brutal, sinuous, and uncanny, this one floored me. It evokes the peril of girlhood and womanhood with unwavering intensity.
Each story is fresh and unexpected, yet also timeless, rich with wisdom and mythology centuries old. Steeped in painful history, past atrocities twine with the present to nightmarish effect.
Mariana Enríquez is part of a new vanguard of Argentine and Latin American Gothic writers alongside Samanta Schweblin. Their writing, born from real-world horrors, is among the most thrilling discoveries I’ve made in years.
'A portrait of a world in fragments, a mirrorball made of razor blades' Guardian
Sleep-deprived fathers conjuring phantoms; sharp-toothed children and stolen skulls; persecuted young women drawn to self-immolation. Organized crime sits side-by-side with the occult in Buenos Aires - a place where reality and the preternatural fuse into strange, new shapes. These stories follow the wayward and downtrodden, revealing the scars of Argentina's dictatorship and the ghosts and traumas that have settled in the minds of its people. Provocative, brutal and uncanny, Things We Lost in the Fire is a paragon of contemporary Gothic from a writer of singular…
I had no expectations about what the first short stories I wrote would end up being like. Although I’d read mostly realistic literary fiction before starting to write, most of my stories included fantastical elements. This set me off reading and writing stories categorised as weird, cross-genre, slipstream, magical realist, fantastic, fabulist, horror, soft sci-fi, and surreal. The thing that struck me was how slippery these categories are. But what unites them is their openness to unbounded imagination. Like a lens concentrating a fire, their strange and fantastical techniques amplify feelings and reality in unique ways, while always paying attention to language. It’s been a thrilling, exciting ride!
I’d been writing for a few years, when I came across this book. It was an exciting discovery because it introduced me to a type of story I’d never read before, stories that did weird things I hadn’t thought possible, and included brilliant writers I hadn’t heard of, like Kelly Link and Aimee Bender. I was also excited by the inclusion of writers who were considered literary, who no one would usually put in the strange category, like George Saunders and Michael Chabon. The sheer range of stories and styles was mindblowing. It broadened my ideas about what stories could be, and what I could do in my writing. The introduction by the editors is titled "Slipstream, the Genre That Isn’t," and for me that says it all.
If it is true that the test of a first-rate mind is its ability to hold two contradictory ideas at the same time, then we live in a century when it takes a first-rate mind just to get through the day. We have unprecedented access to information; cognitive dissonance is a banner headline in our morning papers and radiates silently from our computer screens. Slipstream, poised between literature and popular culture, embraces the dissonance.
These ambitious stories of visionary strangeness defy the conventions of science fiction. Tales by Michael Chabon, Karen Joy Fowler, Jonathan Lethem, Carol Emshwiller, George Saunders, and…
Whether it’s campfire tales told with the moon high or bedtime fables told to get children to stay in their beds after lights out, I believe horror fiction is at its purest, most effective form as short prose. These collections of horror, fantasy, sci-fi, and Western tales are all touched by the weird and terrifying. The twin sensations of being unsettled by something you’ve read and of being unable to resist reading on are guiding lights in my own writerly pursuits. These collections and many more played a defining role in shaping my own debut dark fiction collection Pre-Approved for Haunting and Other Stories.
While trending more toward the fantasy side, then the previous picks on the list here, Link still manages to pull out some of the most unsettling moments in a short story that I’ve ever read.
When I finished her story “Some Zombie Contingency Plans,” I found myself immediately flipping back to the beginning of the story and reading it fresh. Link is masterful when it comes to weaving together narrative threads, playing literary sleight of hand. While the collection and one of the stories within are called “Magic for Beginners,” she’s very much an expert.
The cross-genre blending is very much following in the footsteps of Bradbury, giving a more fantasy-style focus where his work trends toward science fiction.
Best of the Decade: Salon, The A.V. Club "If I had to pick the most powerfully original voice in fantasy today, it would be Kelly Link. Her stories begin in a world very much like our own, but then, following some mysterious alien geometry, they twist themselves into something fantastic and, frequently, horrific. You won't come out the same person you went in."-Lev Grossman, The Week "Highly original."-Publishers Weekly (starred review) "Dazzling."-Entertainment Weekly (grade: A, Editor's Choice) "Darkly playful."-Michael Chabon Best of the Year: Time Magazine, Salon, Boldtype, PopMatters. Kelly Link's engaging and funny stories riff on haunted convenience stores,…
As a 5-year-old boy, I was given a tin of watercolour paints by my Grandmother. I had no idea how to use them, and there was no one around to teach me. I had to find my own way. Around the same time I was taken on a day trip to London, where we visited the Tate Gallery. It was there that I was confronted for the first time by the magnificent paintings of J.M.W.Turner. My love for art was ignited. I became a serious student of art, and although I have had to make a living in the world like everyone else, art became my go-to therapy for relief and recreation.
On a day trip to Cambridge UK I was in an old book store. I could not believe my good fortune when I spotted an old-worn book entitled Howard Pyle’s Book of Pirates. I realised immediately that Pyle was the art teacher of N.C.Wyeth, the styles of the 2 are interchangeable. This book contains numerous Pirate stories, which Pyle wrote himself. Obviously the text is now very antiquated, but there are numerous illustrations illustrating Pirate battles and adventure. Pyle wrote and taught art in the late 19th Century. Any student of the Wyeth’s should check him out.
Pirates, Buccaneers, Marooners, those cruel but picturesque sea wolves who once infested the Spanish Main, all live in present-day conceptions in great degree as drawn by the pen and pencil of Howard Pyle….It is improbable that anyone else will ever bring his combination of interest and talent to the depiction of these old-time Pirates, any more than there could be a second Remington to paint the now extinct Indians and gun-fighters of the Great West.
Caroline Lawrence is the author of over 30 historical novels for children and young adults, most of which are set in ancient Rome. She studied Latin, Ancient Greek and Biblical Hebrew at Berkeley and Cambridge and has been investigating the ancient world ever since. In 2009, she won the Classical Association Prize for 'a significant contribution to the public understanding of Classics’. Her aim is to make that world accessible for kids.
There are many books for kids who would like to learn Latin but this charmingly illustrated book, also set in Roman Britain, is one of the most accessible, especially for children in primary school.
A lively introduction to Latin for children aged 7 and over. Join in the fun with Minimus - a mix of myths, stories, grammar support and historical background! This pupil's book is a lively, colourful introduction to the Latin language and the culture of Roman Britain. A fun way to teach English grammar, it is ideal for cross-curricular activities.
I've been writing Spooky Middle Grade for a number of years, and before that, I wrote horror for Hollywood. Living in Sleepy Hollow, spooky is in my blood, and if I didn't write creepy stories, they'd kick me out. I'm also a professional storyteller and have scared the bejeebus out of kids and adults in places like Sleepy Hollow Cemetery, Rockefeller State Park Preserve, and Washington Irving's Sunnyside. Halloween is my favorite time of year. It more or less becomes a month-long village-wide celebration in October. Being inundated with all this crazy rubs off on you, and I have been well-steeped.
Writing a really good spooky short story is hard. Writing 13 of them is near-impossible. Yet Allen has put together an anthology of sheer terror, with each story hinging on something simple and mundane. Basically, Allen makes you afraid of everything, and does it with a smile.
Thirteen ordinary kids. Thirteen ordinary towns. Danger lurks around every corner!
"Wonderful and weird, compelling and unsettling." - Gary Schmidt, two-time Newbery Honor author
Get ready for a collection of thirteen short stories that will chill your bones, tingle your spine, and scare your pants off. Debut author Josh Allen masterfully concocts horror in the most innocent places, like R.L. Stine meets a modern Edgar Allan Poe. A stray kitten turns into a threatening follower. The street sign down the block starts taunting you. Even your own shadow is out to get you! Spooky things love hiding in plain sight.…
Beth Haslam grew up on a farm in Wales and was mostly seen messing around with her beloved animals. When she and her husband, Jack, bought a second home in France, their lives changed forever. Computers and mobile phones swapped places with understanding French customs and wrestling with the local dialect. These days, Beth is occupied as never before raising and saving animals, writing, and embracing everything their corner of rural France has to offer. And she loves it!
As a doggy person, this sounded a fun book, an added attraction being that it is a memoir about moving overseas.
The author, and his wife, Lesley, buy a property in a rural part of Ireland. Sounds simple enough, but having done the same ourselves, I guessed there might be challenges ahead.
Nick skillfully draws the reader into his world. I felt as though I was alongside them as he describes the properties they visit and misadventures along the way. The anecdotes about their dogs are delightful. His descriptions conjure up pictures of a stunningly beautiful country filled with enchantingly quirky people. No wonder they quickly fall in love with it.
Nick’s sense of humour is infectious and wonderfully appealing. I finished wanting more. Luckily, through the success of this first book, he launched a series. I have read and loved each subsequent episode and look forward to his next…
Nick and Lesley Albert yearn to leave the noise, stress and pollution of modern Britain and move to the countryside, where the living is good and has space for their dogs to run free. Suddenly out of work and soon to be homeless, they set off in search of a new life in Ireland, a country they have never visited. As their adventure begins to unfold, not everything goes according to plan. If finding their dream house is difficult, buying it seems almost impossible. How will they cope with banks that don’t want customers, builders who don’t need work, or…
I have been a ghostwriter for over thirty years, publishing more than a hundred books under other people’s names, as well as those under my own name. It has allowed me to live a hundred different and varied lives and it is a profession I like to encourage all writers to consider. Several of my own novels have featured ghostwriters as central characters, including Secrets of the Italian Gardener and What Lies Around Us.
This book is a direct competitor to my own title, but Teena Lyons is a hugely experienced ghostwriter and I have to admit that she has done a very thorough job of explaining how the business works. She interviewed a number of other ghostwriters in the course of writing the book, (myself included). The result is highly readable and a useful introduction to the business.
“A good book to read if you're interested in ghost writing. The chapters on what makes a good ghost, how to become a ghostwriter, getting structure right and most of all what to do when it all goes wrong are a must-read!” Dora Archie Okeyo - Reviewer
“This book leads you through the world of ghostwriting. There really is everything in this book and I have found the information invaluable.” Karen Lawton - Reviewer
“A very good resource indeed. A straightforward, no nonsense guide to the world of ghostwriting.” Ruth Giles - Reviewer
For as long as I can remember, I have been fascinated with the unbroken chain of storytelling that stretches from the ancient world to the present day, which is why I write mythological retellings. So many myths tackle grief and families in all their myriad forms and shapes, and their continued existence shows us how storytelling is a healing process and always has been. We can see our own complicated family relationships and the profound impact of love and loss reflecting back to us across the centuries. Fiction continues to do this for us today too and I’ve chosen the modern books which I think do this the best.
My copy of this book is battered, dog-eared, and creased from the sheer number of times I’ve read and re-read it. It’s an absolutely glorious family saga, recounted by Ruby who narrates her own conception in the first chapter and takes us back through generations weaving together all the different stories that lead up to the events of her own life. It’s brilliantly funny and heartbreaking and it skewers the oddities and dysfunction of family relationships so perfectly. Characters wrestle with their grief, they deny it and suppress it and it rears up to overwhelm them but ultimately they find their way through. I’m with them every step of the way, unable to put the book down whenever I pick it up again…and again!
Whitbread Book of the Year, 1995. Ruby was born while her father was in the pub. Her mother, Bunty, had never wanted to marry him, and dreamt of being swept off to America by a romantic hero, but instead, was stuck in a flat with her three children. This is the family's story.
