90 books like The Black God's Drums

If there’s anything I like as much as pirates, it’s heist stories. The excellent follow-up to the amazing Lies of Locke Lamora, Red Seas rang every one of my bells by taking our favorite thieving bastards Locke and Jean to sea, under the command of a strong, brilliant female captain, Zamira Drakasha. And she’s not just a woman pirate – she’s a middle-aged, Black single mother, running her ship and being the best pirate any denizen of the high seas could aspire to be. Lynch caught a good bit of flack for this character, but I was delighted. You will be, too.

I must start, of course, with the quintessential pirate fantasy book.

Many might not be aware that the fourth Pirates of the Caribbean film was loosely adapted from this 1987 novel by Tim Powers. Anybody who knows the genre and is asked for a pirate fantasy book most likely brings up this one first. It’s the clearest yet expression of a rarified genre, and something with few imitators.

Expect to be entertained with high-seas piracy, ship battles, jungles, dark voodoo, ghost ships, and zombies as you follow Jack Shandy on the quest for the Fountain of Youth. Blackbeard, played wonderfully by Ian McShane in the film, proves a foreboding antagonist with supernatural designs.

The Liveship Traders books explore the roles of women in arguably more depth than previous and subsequent books within Hobb’s massive Realm of the Elderlings series. In Ship of Magic, we are introduced to multiple characters including female protagonists Althea and Malta, two members of the Vestrit family who, throughout this series, try to establish their place in a society that very firmly places women within restricted roles. Hobb is a master at character work, and following the stories of these two young women is a journey in itself. We see them evolve, grow, and, ultimately, overcome the oppressions placed upon them by those around them. In the trilogy as a whole, Hobb explores these issues alongside historic abuse and trauma, mental health, and equality. An excellent exploration of feminist issues.  

I’ve been a fan of Anne Bonney (one of the most famous female pirates in history) since I was a kid. She strapped on a sword and went to sea at a time when women were expected to marry young and die in childbirth, so a story that sees her surviving the gallows was naturally going to appeal to me. There’s an ancient society of assassins fighting an age-old war, and a risky ocean voyage to rescue a kidnapped child and claim a legendary treasure hidden in a lost city of bones somewhere on the coast of Africa. Is it any wonder I was hooked? This is the third book in Belcher’s Golgotha series, but I think you could read it alone and enjoy the adventure.

I was hooked from page one and finished reading the book in just a few days. Although this is a complicated story, the description was vivid and clear. The plot was fast-paced and full of actions that will keep you on the edge of your seat most of the time.

This is not your parents’ steampunk! It’s an oh-so-different take on the genre with an edgy, improbable, and yet somehow entirely believable motley band of revolutionaries. Delightfully,  it was born in a wisecrack! Maurice complained online about the lily-whiteness typical of steampunk mythology (tru dat!) and quipped that he might well have to write “Pimp my Airship” in retaliation. More than one editor told him that if he wrote it, they’d buy it. Well, what’s an author to do? So, he did. 

And yes, there ARE airships, and yes, they ARE tricked out.

Blaylock may be an unknown name to many traditional fantasy readers, and if that’s the case for you, consider The Elfin Ship as your gateway drug to his work. This fantasy novel is very much in the vein of The Hobbit in that it has dwarves, elves, and a good bit of pipe smoking, but it does so with Blaylock’s one-of-a-kind voice that shines with understated American wit and humor. It also has airships! (Which crossover into Blaylock’s more well-known steampunk works.) The adventure is both action-filled and hilarious, never taking itself too seriously but at the same time embracing the traditional tropes that make fantasy so fun to read.

I’ve adored everything I’ve read that EJ Kitchen has written. Her magical systems are almost scientific—a little in the vein of Brandon Sanderson—intricate and interlocking with multiple parts working together. In this book, we have a complex, high-concept world featuring many brave heroes and heroines trying to make do in a world cursed by evil fae.

The leading lady of the first book in the series is an airship captain, which is epic and awesome. I love how the characters have to constantly work around the limitations placed over their world that make something as simple as trying to navigate to the next town over dangerous. 

When most people think of dirigibles, they’re reminded of either the Goodyear Blimp or (if they’re old enough) the crash of the Hindenburg. However, there’s a small band of fanatics who are dedicated to the quest for lighter-than-air flying. For these folks, the subject is more compelling than the Holy Grail, and they devote decades of their lives and the bulk of their resources to prove to the public that dirigibles should come back and replace jet aviation. A true story, and a fascinating read.

This is an academic book, one that’s engaging, fluidly written, and immensely interesting for anyone intrigued by the longtime German fascination with airships. Rather than the technical details, Syon’s broader focus is on what the wondrous technology meant to Germans and how it shaped their culture and history over the decades. His approach, in other words, puts Zeppelins into context. Put it this way, in 1938 a large-scale survey discovered that Count von Zeppelin, the inventor of the airship and dead for twenty years, ranked among the best recognized of German luminaries. His score was higher than even that of the immortal Beethoven at a time when the Luftwaffe-obsessed Nazis were trying to scrub any memory of their airships. Such a finding is impossible to explain unless you understand the cultural importance of the Zeppelin, making this book critically important.