96 books like Lie With Me

I could probably have picked any novel by Patricia Highsmith, but this one checks several boxes for me personally. I love novels that explore the minds of anti-heroes and aren’t afraid of going into their deepest, darkest thoughts. Of course, there are others who do this particularly well. Jim Thompson is outstanding for his portrayal of actual psychopaths who are unlikely protagonists.

Highsmith walks a fine line between creeping me out completely and tapping into my most disturbing fears without losing my compassion altogether. As an author myself, I know how hard that is to achieve, and Highsmith remains a masterclass in writing the psychological thriller. 

This psychological thriller is one where Oprah could stand in front of all its characters and say, “You made a bad choice! And you made a bad choice!”

It’s a slow-burn kind of story that eventually blew my mind so much I gasped—audibly. I liked that the book gives readers a chance to see a scenario where the choices made aren’t excusable, but are still wrapped into a deliciously entertaining and slightly disturbing story.

This book is aimed at a young adult audience, and it’s a fun pacey read. The author uses a ticking clock in her chapter titles – ‘(12 minutes captive) 1 lighter; no plan’ – which ups the tension. There are two stories running in parallel – the current events in a bank and the back story of Nora’s life. I enjoyed the small glimpses of the protagonist’s childhood and I was dying to know more about the relationship with her mother. Why did the mother force Nora to assume so many different identities? Who is Nora really?

Moving away from YA and into adult thrillers, this book has a major plot twist that left me shook!

In a final effort to fix their marriage, Mr. and Mrs. Wright retreat to a secluded cottage in Scotland. However, they’re soon confronted with the ghosts of their past, leaving them vulnerable.

With the clever inclusion of diary entries, which serve as a breadcrumb trail for readers to follow, this story weaves a complex narrative of deceit, fixation, and deception. 

This is a book told from the point of view of Mother Rob and her daughter Callie.

It deals with topics of child psychopathy and innate evil and is beautifully written. I’m a huge fan of Catriona Ward’s and was torn between this book or The Last House On Needless Street but I really enjoyed the exploration of motherhood and childhood here and found myself rooting for the characters long after I turned the last page.

Like all of Ward’s books, Sundial has strong horror vibes and the world we are drawn into is full of lush descriptions but it is the characters that really stand out to me. This book also has some really good twists.

We’re straight in the story from page one, experiencing the intensity of the toxic relationship Louise has with her new best friend – a woman she’s only known ten days. Louise has a complex personality, her low self-esteem leading to constant self-assessment. But boy, how she changes! I liked the way the author breaks the fourth wall by directing comments to the reader, the foreshadowing allowing us to know what’s coming before the characters. Not my usual choice, as the novel is set in America with a cast under 30, but I enjoyed the build in tension as I waited for Louise to be caught out. 

The Island achieved an incredible feat by inducing two competing thoughts in my mind: this couldn’t possibly happen, and this could possibly happen! 

A family of four is on an Australian driving holiday and is unexpectedly allowed entry onto a privately owned Dutch Island. This isolated setting soon makes them vulnerable and reliant on others. I loved following the characters’ journeys as they grappled with how to protect themselves and their loved ones. They’re "ordinary everyday people" who are forced to take action—and there’s plenty of it! 

As with most of the best thrillers, there are multiple points of view that ratchet up the tension.

Published in 1990, this book reflects the era in which it was written and may be slightly over-written for modern tastes. The short chapters draw you through the story as we see inside the heads of different characters, so the reader is often one step ahead of Allie, the protagonist. As Allie’s subdued flatmate starts to idolise her, I was keen to discover whether easy-going Allie would realise something was wrong. When their roles start to change halfway through the novel, it seemed things could only go one way and I started turning the pages faster. This is an interesting early example of the genre and I can see why it was made into a film.

I love curling up in my favourite armchair by the tree with a mug of hot chocolate to read this heavy, bumper-sized anthology.

It takes me back to Christmas Days spent lying on the rug in front of the fire reading festive annuals left under the tree  by Father Christmas. Its twenty-eight stories are reassuringly familiar, ensuring satisfaction wherever I randomly choose to dip in. I really can’t imagine Christmas without it.

I love this book because its slim size makes it ideal to carry and read on the move.

I often read it on the train, in cafes, or in the park when I take a break during my busy workday. The twelve stories it contains are all well-loved classics that have been anthologised many times, but it is that familiarity that I like about this anthology. I never tire of reading these stories, many of which were read to me as a child.

Christmas is a time of warmth, and this selection fills me with festive warmth even on the coldest of park benches.