100 books like Nina X

I've penned 11 novels and numerous essays, and if there's one thread that ties them all together, it's rawness. I gravitate towards reading books and watching films where writers peel back the layers of their lives, exposing past wounds and delving into what they've learned from them. As an entrepreneur with a master's degree in marketing, I’ve found that this kind of vulnerability is not only compelling but essential in any form of storytelling. Whether I’m crafting a narrative for a new startup or reflecting on my own experiences for a novel, it’s this unfiltered honesty that resonates deeply with audiences. 

I don’t think I’m alone in considering cults and those who join cults fascinating, but I’ve also always found it frustrating when non-fiction accounts or documentaries focus on the logistics of how the communes operate rather than finding out the why. Why do people join a cult, why do they stay, why do they follow increasingly erratic and dangerous instruction? For me, researching cults for my new novel The Sleepless – about a commune whose disciples believe that sleep is a social construct – was about finding out about the characters, the individuals, who are drawn into organisations which often ask you to relinquish that self-same sense of individuality.

I don’t think I’m alone in considering cults and those who join cults fascinating, but I’ve also always found it frustrating when non-fiction accounts or documentaries focus on the logistics of how the communes operate rather than finding out the why. Why do people join a cult, why do they stay, why do they follow increasingly erratic and dangerous instruction? For me, researching cults for my new novel The Sleepless – about a commune whose disciples believe that sleep is a social construct – was about finding out about the characters, the individuals, who are drawn into organisations which often ask you to relinquish that self-same sense of individuality.

I don’t think I’m alone in considering cults and those who join cults fascinating, but I’ve also always found it frustrating when non-fiction accounts or documentaries focus on the logistics of how the communes operate rather than finding out the why. Why do people join a cult, why do they stay, why do they follow increasingly erratic and dangerous instruction? For me, researching cults for my new novel The Sleepless – about a commune whose disciples believe that sleep is a social construct – was about finding out about the characters, the individuals, who are drawn into organisations which often ask you to relinquish that self-same sense of individuality.

Living in southern Utah for many years, I saw first-hand the polygamist communities of Colorado City, Arizona and Hilldale, Utah. It always intrigued me that these people still held on to the beliefs and teachings of the early Mormon leaders regardless of the laws or scorn of those who lived around them. The research I did for The Treasure of Cedar Creek, was about polygamy, but also the history of the area of Idaho where the novel takes place and how it would be as a woman not only trying to escape, but facing the challenges of the terrain and perceptions of the day.

As a female author myself, I always want to uplift and highlight other women-identifying writers who are weaving complicated stories about growing up. The truth is, I think we’re all continuing to change at all ages - it’s never too late to grow from past mistakes and make different choices, especially as we grow older and experience both our first love and first heartbreak. All of these stories are bonded by good women who sometimes do bad things - just like in my novel - and I think it’s important to show that female protagonists, particularly sculpted by female writers, can be just as messy, vulnerable, and complicated as male leads.

My novel Venice Beach—like the five books I recommend here—has been classified as a “coming-of-age” novel, a classification that I have no quarrels with as long as it’s understood that coming-of-age is not regarded simply as a synonym for “adolescence” or “being a teenager.” The coming-of-age years—generally defined as between ages 12 and 18—are so much more than a period of life wedged between childhood and adulthood. Coming of age is a process, not a block of time; it is a hot emotional forge in which we experience so many “firsts” and are hammered, usually painfully, into the shapes that will last a lifetime. 

I’m a daughter, sister, Mum, wife, and writer. I’ve been writing light-hearted books about the intricacies of family life for 20 years now. When I first began my publishing journey, I was parcelled up with ‘chick lit’, but really, I’ve always written ‘Mum lit’. I love to write about the hilarious side of life, alongside the emotional. As it’s hard enough out there in the world, I want things to turn out happily in my stories. I love to add a sprinkling of travel and a touch of fashion. Sorry, but I just can’t help noticing a well-cut jacket, an embroidered silky skirt, or a carefully chosen accessory! 

I grew up on a Viking battlefield, in an English coastal village once raided then occupied by Norsemen. We had ancestors who lived on the Isle of Orkney, and in the Celtic south-west. From a young age, I read Norse and Celtic myths and legends, and went on to study history and philosophy – and then became an author. Now, I have family in Sweden and grandchildren of Ash and Elm. My list offers pure escapism, but also shows how our ancestors lived in an age with no electricity or compulsory schooling. It’s the wonderful combination of the ‘other world’ myths and history that I believe makes us who we are. 

I'm a contemporary romance writer with two novels: No Hard Feelings and Crushing, stories about complex, messy women making mistakes and learning from them. As I work on my third novel, I'm remembering how hard it is to write when you're in a reading rut. Sometimes every book I pick up is disappointing, and reading feels like a chore, and I risk losing momentum. Sometimes I need something familiar to get back on track and remember why I love my job. These books feel like a long exhale. I can come to them with an overloaded brain, bad moods and doubt and discontent, and turn the last page restored.