Here are 94 books that NOS4A2 fans have personally recommended if you like
NOS4A2.
Shepherd is a community of 10,000+ authors and super readers sharing their favorite books with the world.
Shepherd is reader supported. When you buy books, we may earn an affiliate commission.
I’ve always been fascinated by people’s motives whether that be in real life or written on the page. That’s what drew me to write in the thriller genre to begin with because at the core, it's about finding out why people do things. But sometimes this genre portrays female characters as either innocent damsels or evil femme fatales, neither of which captures that women are a mix of good and bad like all other people. That’s why I try to write my female protagonists in my novels, short stories, and fictional podcasts, in a way that makes them conflicted humans and causes them to experience both downfalls and triumphs.
As an avid horror fan, not much creeps me out. This book did.
The story follows Merry, a young girl who is certain her teenage sister, Marjorie is possessed. Soon her religious parents believe Marjorie is possessed as well and invite a film crew to document the strange happenings in their home and an attempted exorcism.
The details of this alleged possession are terrifying, especially told from the perspective of a nine-year-old girl.
But just when you think you understand what happened with their family, the last few pages turn the tables on you and cause you to question what Merry has told you, how good of a person she actually is, and ask yourself how responsible could a child be in this horrific circumstance.
The lives of the Barretts, a suburban New England family, are torn apart when fourteen-year-old Marjorie begins to display signs of acute schizophrenia. To her parents' despair, the doctors are unable to halt Marjorie's descent into madness. As their stable home devolves into a house of horrors, they reluctantly turn to a local Catholic priest for help, and soon find themselves the unwitting stars of The Possession, a hit reality television show.Fifteen years later, a bestselling writer interviews Marjorie's younger sister, Merry. As she recalls the terrifying events that took place when she was just eight years old, long-buried secrets…
There's no particular reason why I'm the right person to talk about intrusive narrators. I studied math, not literature, in school, though variables can be as tricky as any imaginary character. As an unpopular child, I read a developmentally unhealthy number of books, but tragic backstories are a dime a dozen. I pepper my life with ironic asides to the Reader, but anyone with a devoted Reader (better yet, a dozen of them) can do that. To be honest, you'd probably have come up with a better list than I did. You should give it a shot.
This book lives in my Brain rent-free, ironic since my brain is also not a space in which anyone should take Up residence.
I love the layers of narraTors, Johnny, Zampanò, and Navidson, all of Them unreliable, telling lies from cOnscious design, from iNability to face the truth, from shifting realities. Maybe one day I'll find my way through to someone who loves my ironieS.
“A novelistic mosaic that simultaneously reads like a thriller and like a strange, dreamlike excursion into the subconscious.” —The New York Times
Years ago, when House of Leaves was first being passed around, it was nothing more than a badly bundled heap of paper, parts of which would occasionally surface on the Internet. No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youth -- musicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkies -- the book eventually made its way into the hands of older generations,…
As well as being an author of horror and thriller fiction, I’ve been a teacher for over a decade. Over the years, I’ve played to my strengths, selecting and teaching some of the very best in both classic and contemporary horror. The power of narratives to hold and horrify is one of the most undying features of storytelling, from Ancient Greek theatre to modern thrillers, and I’m always on the lookout for authors who achieve this in new and innovative ways. The books on this list all instill dread in very different ways, but they all have one thing in common: they’ll stick with you long after you put them down.
This book is the best and most accessible touchstone for Lovecraft’s particular brand of cosmic horror and, certainly, the sheer madness he exposes us to by the end of the book is something to behold.
But where it really shines is in the opening chapters, where it at first seems like this is to be a simple Arctic expedition. The isolation and bleakness of the setting combine perfectly with the unknown to make some of the most ambitious ideas in all horror become fiercely believable and all the more terrifying for it.
At the Mountains of Madness is a science fiction-horror novella by American author H. P. Lovecraft.
An expedition to Antarctica goes horribly wrong as a group of explorers stumbles upon some mysterious ancient ruins, with devastating consequences. At the Mountains of Madness ranks among Lovecraft's most terrifying novellas, and is a firm favourite among fans of classic horror.
I’ve always been intrigued by the behaviors of humans. Even as a child, I’ve watched how people interact with each other. We are all so different, yet we are all the same. Each of us has an imaginary box where keep some things locked up such as: our innermost desires—and our worse fears. Fears that, in a very subtle way, guide us in our life decisions. Afraid of blood… then you’d likely not choose nursing. Afraid of flying… then you probably won’t become a pilot. But what happens when we cannot avoid what we are most afraid of? This is where a horror story begins.
To set the record straight, I do not love this book. I still haven’t come to a decision if I even like it. It isn’t the “best” book on my list, yet it isthe most disturbing. And it is a must-read.
A warning, though. It’s a book that you won’t be able to stop and you’ll likely feel very guilty for even reading it. It dives into human behaviors that we don’t want to think about and surely would not intentionally want to take part in. I’ve a question for you: Is there a limit to what you would do to another human being if others were doing it too? How confident are you in your answer? The worse part about this novel is that it is based on a true story.
A teenage girl is held captive and brutally tortured by neighborhood children. Based on a true story, this shocking novel reveals the depravity of which we are all capable.
This novel contains graphic content and is recommended for regular readers of horror novels.
As a writer of Gothic-inflected suspense and horror fiction, I just can’t help it: I love to be scared! We are lucky to be in a time when so many wonderful thrillers, mysteries, suspense, and horror stories are being written and published, but I have a great love for the classics of the genre. These are the books I turn to again and again, not just to marvel at their craft and ingenuity, but to feel the skin prickle on my arms and shoulders and the hairs rise on the back of my neck. Whether for the first or the twentieth time, let these masterworks cast their spells over you.
Of the many ghost stories in my collection, this must be my favorite and the one I recommend most to both newcomers and veterans of Gothic literature. (With nary a ghost in sight!) Once again, none of the adaptations can fully capture the dark magic at the novel’s heart.
Building on the emotional and psychological elements first touched on in Henry James’s, The Turn of the Screw, Jackson reinvented the haunted house genre and gave us an instant classic to which all other such tales must inevitably be compared. Cherished by horror writers and readers everywhere, this book captivates from its celebrated first paragraph to its very last line. Hill House, not sane, is waiting for you.
Part of a new six-volume series of the best in classic horror, selected by Academy Award-winning director of The Shape of Water Guillermo del Toro
Filmmaker and longtime horror literature fan Guillermo del Toro serves as the curator for the Penguin Horror series, a new collection of classic tales and poems by masters of the genre. Included here are some of del Toro's favorites, from Mary Shelley's Frankenstein and Ray Russell's short story "Sardonicus," considered by Stephen King to be "perhaps the finest example of the modern Gothic ever written," to Shirley Jackson's The Haunting of Hill House and stories…
I have always had a greater interest in supernatural horror compared to the other subgenres of horror. Another way to describe it is fantasy horror. However, sometimes the fantasy can take away from the overall story. I find the best stories with supernatural elements also have a lot of real-life horror to balance with the fantasy. Magic realism is also a trope of Post-Modern Culture and I find myself drawn to stories with post-modern elements versus those that don’t. These are my top five pics for the best “Real-Life Horror Meets Supernatural Horror” novels.
This novel was not what I was expecting. It was dark and provides an interesting commentary on human behavior. The town of Black Spring and its locals are cursed. If someone is born there, or moves into the town, they’re doomed to stay until they die. If they try to leave and never come back, they’ll die. The town is also home to the Black Rock Witch, whose eyes and mouth are sewn shut. She’s been there since the town was cursed in the seventeenth century. The town was cursed because people did terrible things. The novel takes place during the final days of the town because some people did more terrible things to the Black Rock Witch.
The greats of fiction Stephen King and George R. R. Martin lead the fanfare for HEX, so be assured that Thomas Olde Heuvelt's debut English novel is both terrifying and unputdownable in equal measure.
Whoever is born here, is doomed to stay until death. Whoever comes to stay, never leaves.
Welcome to Black Spring, the seemingly picturesque Hudson Valley town haunted by the Black Rock Witch, a seventeenth-century woman whose eyes and mouth are sewn shut. Blind and silenced, she walks the streets and enters homes at will. She stands next to children's beds for nights on end. So accustomed…
Ursula K. Le Guin said science fiction is a metaphor of the now. It allows us to defamiliarize ourselves with the issues around us, so we can see everything from a new lens. As someone who worked in tech spaces and once wrote a poetry-generating program, I am interested in how people use language to write about technology, at all levels. I appreciate the blend of older forms of technology like phonographs along with newer forms like ChatGPT. Languages interest me: how we translate to speak to machinery or people, and how translation itself can feel like a kind of wormhole into another world.
This is a wild, one-sitting read. At first you might not know where you are, but after a few pages, you’re completely hooked.
It’s creepy and visceral about what it means to be a mother when the world is turning more and more toxic. It might be considered an eco-horror book. This story works on your subconscious, leaving you with a sticky, unsettling feeling.
Also, it’s translated from Spanish. The title of the Spanish version is The Rescue Distance.
SHORTLISTED FOR THE MAN BOOKER INTERNATIONAL PRIZE 2017
'The book I wish I had written' Lisa Taddeo, author of Three Women and Animal
A young woman named Amanda lies dying in a remote Argentinian hospital. A boy named David sits beside her.
She's not his mother. He's not her child.
At David's ever more insistent prompting, Amanda recounts a series of events from the apparently recent past, a conversation that opens a chest of horrors. Together, they tell a haunting story of broken souls, toxins, and the power and desperation of family.
A chilling tale of maternal anxiety and ecological…
It wasn’t until high school when I read Stephen King’s Night Shift that illuminated the genre for me—horror. My first short story was The Dark Shadow, and it fit me like a glove. My writing is inspired by the books I like to read, as I’m sure it is with all writers, and I write characters that I know and in settings I am familiar with for authenticity. The years of experience have honed my craft, and my books are a culmination of my favorite things—supernatural horror, suspense, heart, drama, westerns, and action.
Nobody weaves a better tale than Stephen King. He is the all-American storyteller who transports you into his world of characters and settings, making you fall in love with them just before he shatters all of that like a hammer against a mirror.
It is like listening to a good friend next to a campfire drinking beers, and Pet Sematary has all of the good horror elements from atmosphere, cemeteries, ancient burial grounds, and dead people rising from the grave.
Now a major motion picture! Stephen King’s #1 New York Times bestseller is a “wild, powerful, disturbing” (The Washington Post Book World) classic about evil that exists far beyond the grave—among King’s most iconic and frightening novels.
When Dr. Louis Creed takes a new job and moves his family to the idyllic rural town of Ludlow, Maine, this new beginning seems too good to be true. Despite Ludlow’s tranquility, an undercurrent of danger exists here. Those trucks on the road outside the Creed’s beautiful old home travel by just a little too quickly, for one thing…as is evidenced by the…
I grew up in a house filled with books as a son of educated, well-read parents. My mother was an English/French/Spanish teacher, and my father was an encyclopedia editor. Among all the books in our downstairs, there was a custom-built coffin bookcase my father kept stocked with his favorite horror novels. He died when I was eleven and in an effort to get to know him better, I started reading the books in that coffin. I was very quickly turned into a horror fan, and a few years later started writing horror stories myself. Every time I start writing another horror story, I know I’m my father’s son.
Straub is a master, but this title is often overlooked. It’s compact, completely engaging, and features some of the best dread-inducing moments I’ve ever read in a horror novel. His writing is a masterclass in dread, and as a writer I return to it often. Much as Tremblay uses the gimmick of reality TV in A Head Full of Ghosts to horrifying effect, Straub employs email in a creepy and sinister fashion.
A woman commits suicide for no apparent reason. A week later, her son—beautiful, troubled fifteen-year-old Mark Underhill—vanishes from the face of the earth. To his uncle, horror novelist Timothy Underhill, Mark’s inexplicable absence feels like a second death. After his sister-in-law’s funeral, Tim searches his hometown of Millhaven for clues that might help him unravel this mystery of death and disappearance. He soon learns that a pedophilic murderer is on the loose in the vicinity, and that shortly before his mother’s suicide Mark had become obsessed with an abandoned house where he imagined the killer might have taken refuge. No…
I grew up in a house filled with books as a son of educated, well-read parents. My mother was an English/French/Spanish teacher, and my father was an encyclopedia editor. Among all the books in our downstairs, there was a custom-built coffin bookcase my father kept stocked with his favorite horror novels. He died when I was eleven and in an effort to get to know him better, I started reading the books in that coffin. I was very quickly turned into a horror fan, and a few years later started writing horror stories myself. Every time I start writing another horror story, I know I’m my father’s son.
Not a dread-inducing house this time but a lighthouse—in the middle of the woods. This book is so original in its elements—a haunted lighthouse, a sheriff in love with the woman who shot him, and a big-cat sanctuary—that it is completely awe-inspiring how Koryta is able to weave together a complex, creepy ghost narrative. Koryta (and his pseudonym, Scott Carson) is always a guaranteed purchase when a new book publishes.
Discover a brilliant thriller set in a remote big-cat sanctuary: "one of the scariest and most touching horror tales in years" (James Patterson).
In an isolated stretch of eastern Kentucky, on a hilltop known as Blade Ridge, stands a lighthouse that illuminates nothing but the surrounding woods. For years the lighthouse has been considered no more than an eccentric local landmark -- until its builder is found dead at the top of the light, and his belongings reveal a troubling local history.
For deputy sheriff Kevin Kimble, the lighthouse-keeper's death is disturbing and personal. Years ago, Kimble was shot while…
