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I’ve always been fascinated by people’s motives whether that be in real life or written on the page. That’s what drew me to write in the thriller genre to begin with because at the core, it's about finding out why people do things. But sometimes this genre portrays female characters as either innocent damsels or evil femme fatales, neither of which captures that women are a mix of good and bad like all other people. That’s why I try to write my female protagonists in my novels, short stories, and fictional podcasts, in a way that makes them conflicted humans and causes them to experience both downfalls and triumphs.
As an avid horror fan, not much creeps me out. This book did.
The story follows Merry, a young girl who is certain her teenage sister, Marjorie is possessed. Soon her religious parents believe Marjorie is possessed as well and invite a film crew to document the strange happenings in their home and an attempted exorcism.
The details of this alleged possession are terrifying, especially told from the perspective of a nine-year-old girl.
But just when you think you understand what happened with their family, the last few pages turn the tables on you and cause you to question what Merry has told you, how good of a person she actually is, and ask yourself how responsible could a child be in this horrific circumstance.
The lives of the Barretts, a suburban New England family, are torn apart when fourteen-year-old Marjorie begins to display signs of acute schizophrenia. To her parents' despair, the doctors are unable to halt Marjorie's descent into madness. As their stable home devolves into a house of horrors, they reluctantly turn to a local Catholic priest for help, and soon find themselves the unwitting stars of The Possession, a hit reality television show.Fifteen years later, a bestselling writer interviews Marjorie's younger sister, Merry. As she recalls the terrifying events that took place when she was just eight years old, long-buried secrets…
As well as being an author of horror and thriller fiction, I’ve been a teacher for over a decade. Over the years, I’ve played to my strengths, selecting and teaching some of the very best in both classic and contemporary horror. The power of narratives to hold and horrify is one of the most undying features of storytelling, from Ancient Greek theatre to modern thrillers, and I’m always on the lookout for authors who achieve this in new and innovative ways. The books on this list all instill dread in very different ways, but they all have one thing in common: they’ll stick with you long after you put them down.
If there’s one thing Joe Hill does well, it’s suspense.
There are moments of this book that had me bouncing on my seat as I was reading, unable to contain the sheer tension of the moment inside my body. I remember walking around with the book in front of my face at work, not able to put it down, needing to know what would happen next.
NOS4A2 is a great example of characters you really care about being put in the most terrifying situations and the way he uses bizarre and compelling settings, as well as really memorable set pieces, to build dread is on another level.
An old Silver Wraith with a frightening history. A story about one serial killer and his lingering, unfinished business.
Anyone could be next.
We're going to Christmasland ...
NOS4R2 is an old-fashioned horror novel in the best sense. Claustrophobic, gripping and terrifying, this is a story that will have you on the edge of the seat while you read, and leaving the lights on while you sleep. With the horrific tale of Charles Manx and his Silver Wraith, Joe Hill has established himself as the premiere horror and supernatural thriller writer of his generation.
I grew up in a house filled with books as a son of educated, well-read parents. My mother was an English/French/Spanish teacher, and my father was an encyclopedia editor. Among all the books in our downstairs, there was a custom-built coffin bookcase my father kept stocked with his favorite horror novels. He died when I was eleven and in an effort to get to know him better, I started reading the books in that coffin. I was very quickly turned into a horror fan, and a few years later started writing horror stories myself. Every time I start writing another horror story, I know I’m my father’s son.
Straub is a master, but this title is often overlooked. It’s compact, completely engaging, and features some of the best dread-inducing moments I’ve ever read in a horror novel. His writing is a masterclass in dread, and as a writer I return to it often. Much as Tremblay uses the gimmick of reality TV in A Head Full of Ghosts to horrifying effect, Straub employs email in a creepy and sinister fashion.
A woman commits suicide for no apparent reason. A week later, her son—beautiful, troubled fifteen-year-old Mark Underhill—vanishes from the face of the earth. To his uncle, horror novelist Timothy Underhill, Mark’s inexplicable absence feels like a second death. After his sister-in-law’s funeral, Tim searches his hometown of Millhaven for clues that might help him unravel this mystery of death and disappearance. He soon learns that a pedophilic murderer is on the loose in the vicinity, and that shortly before his mother’s suicide Mark had become obsessed with an abandoned house where he imagined the killer might have taken refuge. No…
While attending college, I lived in a haunted house. This was before all the ghost-hunting shows and YouTube, so I didn’t know what I was seeing at night. During the year and a half of these experiences, I saw two distinct shadow figures and had other people living in the front of the house, as well as my roommate, confirm they, too, had seen and heard things that were unexplainable. This began my interest in the paranormal. After graduation, I became a law enforcement officer and have been a Police Detective for the last 21 years. I have explored haunted locations and seen spirits and other unexplainable things.
I chose my Stephen King books wisely. Reading his novels is an investment of time. Bag of Bones was worth it! It is a strange story about how the past and the present will always be interrelated and interactive.
I loved the way King used the hauntings of the past to explain the present. Excellent book!
When Mike Noonan's wife dies unexpectedly, the bestselling author suffers from writer's block. Until he is drawn to his summer home, the beautiful lakeside retreat called Sara Laughs.
Here Mike finds the once familiar town in the tyrannical grip of millionaire Max Devore. Devore is hell-bent on getting custody of his deceased son's daughter and is twisting the fabric of the community to this purpose.
Three year old Kyra and her young mother turn to Mike for help. And Mike finds them increasingly irresistible.
But there are other more sinister forces at Sara Laughs - and Kyra can feel them…
I have been a journalist for over a decade, most frequently writing on the subjects of spirits, cocktails, and drinking culture for such publications as the New York Times, Wall Street Journal, Esquire, Playboy, and VinePair. I have written 12 books—6 of them on booze—my latest of which is Dusty Booze: In Search of Vintage Spirits.
Booze books need not only to be filed all the way in the back of the bookstore in the “Food/Drink” section; the best deserve to be mainstream—and bestseller Pappyland proved that.
This is a dual memoir in some ways, following the rise, fall, and incredible rise again of the Van Winkle family and their grandfather Pappy’s vaunted and eponymous spirit, along with the story of Thompson reckoning with his own family lore and fatherhood.
“A warm and loving reflection that, like good bourbon, will stand the test of time.” —Eric Asimov, The New York Times
The story of how Julian Van Winkle III, the caretaker of the most coveted cult Kentucky Bourbon whiskey in the world, fought to protect his family's heritage and preserve the taste of his forebears, in a world where authenticity, like his product, is in very short supply.
Following his father’s death decades ago, Julian Van Winkle stepped in to try to save the bourbon business his grandfather had founded on the mission statement: “We…
When students ask me if I am from Kentucky, I say “no, but I got here as quickly as I could.” I chose to make the state my home and raise my family here, and I have studied its history for nearly three decades. I am drawn to Kentucky’s story and the paradox it represents: on one hand, you have the Derby, rolling hills and pastures, and fine bourbon, but set against that polished, sophisticated image are the stereotypes of a lawless, illiterate, poor state. As a borderland, not quite north or south, east or west, Kentucky offers a fascinating lens through which to view the nation’s history.
Ever since John Filson wrote the first history of the state in 1784, the Kentucky frontier has captured the public’s imagination. Aron goes beyond heroic accounts and stories of triumph to understand how egalitarian aims and the sense that the West could become a “good poor man’s country” failed to pan out for so many. The west did not become the land of opportunity for Native Americans or slaves, nor did it provide a fresh start for many poor white men and women. Two iconic figures, Boone and Clay, serve as familiar bookends, neatly framing Aron’s story and tying their worlds to the one we recognize today.
Eighteenth-century Kentucky was a place where Indian and European cultures collided-and, surprisingly, coincided. But this mixed world did not last, and it eventually gave way to nineteenth-century commercial and industrial development. How the West Was Lost tracks the overlapping conquest, colonization, and consolidation of the trans-Appalachian frontier. Not a story of paradise lost, this is a book about possibilities lost. It focuses on the common ground between Indians and backcountry settlers which was not found, the frontier customs that were not perpetuated, the lands that were not distributed equally, the slaves who were not emancipated, the agrarian democracy that was…
When students ask me if I am from Kentucky, I say “no, but I got here as quickly as I could.” I chose to make the state my home and raise my family here, and I have studied its history for nearly three decades. I am drawn to Kentucky’s story and the paradox it represents: on one hand, you have the Derby, rolling hills and pastures, and fine bourbon, but set against that polished, sophisticated image are the stereotypes of a lawless, illiterate, poor state. As a borderland, not quite north or south, east or west, Kentucky offers a fascinating lens through which to view the nation’s history.
Following in the footsteps of scholars, such as Kristen Hoganson, who have put a new gender spin on well-chronicled events, Sachs takes a familiar story—the story of America’s first frontier—and tells it in a fresh and compelling way by emphasizing how manliness and mastery shaped public policy and household relationships. Life in the west was risky and chaotic. Settlers coped by celebrating domestic order and by demanding the right for men to rule their own households. This patriarchal ideal, however, often led to violence, both outside the home and within. The individuals Sachs spotlights like, widow and powerful businesswomen Annie Christian, and outcast criminal and murderer Bartholomew Fenton, provide a totally new perspective on frontier life.
On America's western frontier, myths of prosperity concealed the brutal conditions endured by women, slaves, orphans, and the poor. As poverty and unrest took root in eighteenth-century Kentucky, western lawmakers championed ideas about whiteness, manhood, and patriarchal authority to help stabilize a politically fractious frontier. Honor Sachs combines rigorous scholarship with an engaging narrative to examine how conditions in Kentucky facilitated the expansion of rights for white men in ways that would become a model for citizenship in the country as a whole. Endorsed by many prominent western historians, this groundbreaking work is a major contribution to frontier scholarship.
When students ask me if I am from Kentucky, I say “no, but I got here as quickly as I could.” I chose to make the state my home and raise my family here, and I have studied its history for nearly three decades. I am drawn to Kentucky’s story and the paradox it represents: on one hand, you have the Derby, rolling hills and pastures, and fine bourbon, but set against that polished, sophisticated image are the stereotypes of a lawless, illiterate, poor state. As a borderland, not quite north or south, east or west, Kentucky offers a fascinating lens through which to view the nation’s history.
As a journalist, Wall reported on horse racing in Kentucky for many years before becoming a serious student of history, which makes her writing really readable. Today, most people classify Kentucky as a southern state, but before and immediately following the Civil War it was considered the west. This book explains the switch, giving horsemen credit for rehabbing the Bluegrass State’s tarnished image, albeit to serve their own financial interests. Besides introducing readers to the post-war history of Kentucky, it provides a useful introduction to horse culture. After reading it, you will understand why the Kentucky Derby is so steeped in tradition and why black jockeys, once so plentiful in the sport, are rare.
The conflicts of the Civil War continued long after the conclusion of the war: jockeys and Thoroughbreds took up the fight on the racetrack. A border state with a shifting identity, Kentucky was scorned for its violence and lawlessness and struggled to keep up with competition from horse breeders and businessmen from New York and New Jersey. As part of this struggle, from 1865 to 1910, the social and physical landscape of Kentucky underwent a remarkable metamorphosis, resulting in the gentile, beautiful, and quintessentially southern Bluegrass region of today. In her debut book, How Kentucky Became Southern: A Tale of…
When students ask me if I am from Kentucky, I say “no, but I got here as quickly as I could.” I chose to make the state my home and raise my family here, and I have studied its history for nearly three decades. I am drawn to Kentucky’s story and the paradox it represents: on one hand, you have the Derby, rolling hills and pastures, and fine bourbon, but set against that polished, sophisticated image are the stereotypes of a lawless, illiterate, poor state. As a borderland, not quite north or south, east or west, Kentucky offers a fascinating lens through which to view the nation’s history.
Jim Klotter, Kentucky’s preeminent historian, takes an obscure nineteenth-century Kentucky Superior Court Judge, Richard Reid, and uses his life and death to understand the tragic ways southern honor forced men to prove themselves. John Jay Cornelison attacked Reid at his law Mount Sterling law office in 1884, setting off an unexpected series of events. Reid’s story reveals the conflicts between old, traditional southern ways, and the new urban, industrial order, and Klotter tells it masterfully. The book is filled with suspense and sharp analysis, but it is also a quick read.
When attorney John Jay Cornelison severely beat Kentucky Superior Court judge Richard Reid in public on April 16, 1884, for allegedly injuring his< honor, the event became front-page news. Would Reid react as a Christian gentleman, a man of the law, and let the legal system take its course, or would he follow the manly dictates of the code of honor and challenge his assailant?
James C. Klotter crafts a detective story, using historical, medical, legal, and psychological clues to piece together answers to the tragedy that followed.
""This book is a gem. . . . Klotter's astute organisation and…
1995 - “Write what you know,” Mark Twain advised. I’d been married three times. I wrote romances. 2012 - “Write what you know.” I’d been divorced three times and fantasized about murdering my ex. Only massive doses of chocolate kept my finger off the trigger. Hence…Death by Chocolate.
Death by a HoneyBee is humorous and suspenseful, and I love the heroine.
Josiah Reynolds is a snarky, fifty-year-old beekeeper in the southern town of Lexington, Kentucky. The story is intriguing and the quirky characters fascinating. The author inserts interesting details of beekeeping without interrupting the story. I later learned that the author is a beekeeper and hence was able to provide authentic details.
When Josiah finds her rival beekeeper dead with his head in one of her bee hives, she is thrown into a world of suspense and mystery…and humor! Josiah is a strong southern woman who greets problems with southern wit and wisdom!
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