Reading allows us to climb inside other people’s heads, to think their thoughts and feel their feelings. For children, in particular, books can be a way to understand new emotions. To name them and start to think about where they come from. As my son started to grow up, I wanted to write a story that helped him think about other people’s feelings. And that’s what The Hug and its follow-ups are all about.
A little lost bear, all alone in a major transport hub, 6,000 miles from Peru, with only his name pinned to his tiny little duffle coat and the crumbs of his last marmalade sandwich rattling round his case. If that doesn’t melt your heart, then there’s no hope for you. Rumored to have been inspired by children sent away from cities during the Blitz. Has been making children think of others ever since.
The classic story of Paddington, the bear from Darkest Peru, who was found lost on Paddington Station.
"A bear on Paddington Station?" said Mrs Brown in amazement. "Don't be silly - there can't be."
The Browns first met Paddington on a railway station - Paddington station, in fact. He had travelled all the way from Darkest Peru with only a jar of marmalade, a suitcase and his hat.
The Browns soon found that Paddington was a very unusual bear. Ordinary things - like having a bath, travelling underground or going to the seaside became quite extraordinary, if a bear called…
A lover of fiction since my teens, I only really took an interest in history in my 20s. I’m fascinated with WWII and the 1950s due to family histories and having visited key sites, like Bletchley Park and the Command Bunker in Uxbridge, near where I grew up. I’m not especially patriotic, but I am proud of what Britain had to do in 1940, as well as the toll the war took and the years of recovery. But it’s also the time, albeit decreasingly so, when people still alive today can look back at their youth, and we can all have a nostalgia for that time in our lives.
It is a beautifully atmospheric, Blitz-era novel about passions and complex relationships in the noir blackout and who can be trusted in such times.
Published just after the war, it captures the period in a way that those born decades later can only dream of doing. My mum was an un-evacuated child in London during the Blitz, and her school was bombed to the ground by the Luftwaffe—but luckily, on a Saturday.
England is flawed as a nation, then and now, but it’s important to remember the unique evil of the Nazis. Most individuals are flawed in much more minor ways. The novels I have chosen all contain imperfect people making mistakes. To me, that’s true life. It’s what I relate to.
It is wartime London, and the carelessness of people with no future flows through the evening air. Stella discovers that her lover Robert is suspected of selling information to the enemy. Harrison, the British intelligence agent on his trail, wants to bargain, the price for his silence being Stella herself. Caught between two men and unsure who she can trust, the flimsy structures of Stella's life begin to crumble.
At one time, it was commonplace for male mystery writers to devote a substantial amount of plot to romance; for example, Wilkie Collins, The Woman in White or Dashiell Hammett, The Maltese Falcon. In recent years, this tradition has eroded to the point where romantic mysteries are primarily written by women. I think romance spices up mysteries. In Death is Potential, Kate Swift is more invested in solving the murder mystery because she is protecting her lover.
I like this series set in wartime London. Electra “Ellie” McDonnell, a safecracker, is in business with her Uncle Mick, they rob homes of the rich.
After they are arrested, the handsome Major Ramsay has a deal for Ellie: if she will help him, he’ll let her, and her uncle walk free. A straightforward deal, except for the romantic complication.
As the Blitz continues to ravage London, Ellie McDonnell is approached by British Intelligence officer Major Ramsey with a new assignment. She is to travel under an assumed identity to the port city of Sunderland and there await further instructions. Ellie, ever-ready to aid her country, heads north, her safecracking tools in tow. But before she can rendezvous with the major, she witnesses an unnatural death. A man falls dead in the street in front of her, with a mysterious missive clutched in his hand. Ellie's instincts tell her that the man's death is connected in some way to her…
I’m a Virginia-based science fiction and fantasy writer who’s lived variously-enriching lives as a coroner’s assistant, customer service manager, university lecturer, secretary, factory technician, and clerk. I’ve bounced all around the Midwest, from Minnesota to Ohio to Colorado to Missouri and now out on the East Coast.
It’s too easy, in time travel fantasies, to imagine that you would feel a step above the people around you... that you alone know what’s coming, and just, in general, have your advanced-future-person perspective on the world. That’s not how history should feel. The All Clear series’s time-traveling historians arrive to observe the London Blitz and have that comforting certainty ripped out from underneath them. They’re left lost, alone, and isolated in a well-painted portrait of a world on the edge of collapse.
Award-winning author Connie Willis returns with a stunning, enormously entertaining novel of time travel, war, and the deeds - great and small - of ordinary people who shape history.
From books to television, one of my favorite qualities of good writing is a rich, inter-generational cast of characters, especially ones that feature significant roles for characters young and old. These stories do not span multiple generations; instead, they showcase characters of all ages interacting at one time, which makes for dynamic plots and relationships.
Easily one of my top favorite books, this novel captures so much: the great character of Lovejoy, the realities of post-war London, and a plot that reflects the human search for beauty amid horror, life amid death.
The motifs, settings, and themes have such a strong impact on me to this day after having read it for the first time so long ago. There is something neat about the older folks thinking of the neighborhood “orphans” as sparrows, frittering away at the building of something special.
'A masterpiece of construction and utterly realistically convincing' JACQUELINE WILSON
'Author Godden here tries her deft writing hand at landscaping a child's heart' TIME
'It is a sentimental tale, well told, with an unlikely and entirely satisfactory ending' NEW YORKER
Someone has been digging up the private garden in the Square. Miss Angela Chesney of the Garden Committee is sure that a gang of local boys is to blame, but her sister, Olivia, isn't so sure. She wonders why the neighbourhood children - 'sparrows' she…
My first animal story, Lost in the Snow, was based on stories that my mum and I invented together when I was very small, about our stray cat Rosie. She walked into my dad’s office and sat down in his chair when he was out at lunch! I loved imagining her adventures as a stray kitten, and those stories could be scary, sad, emotional as anything – because we knew she came home to live safe and happy with us. I’ve been creating stories about animals ever since.
This gorgeously illustrated book is the story of Morgan, who becomes the Book Cat at the real publisher Faber. I adored TS Eliot’s Old Possum’s Book of Practical Cats as a child, and Morgan was a real cat who was one of the inspirations for the poems. These are his adventures during the London Blitz – in some ways a familiar story, but so moving from a cat’s point of view!
This is a classic wartime tale of a (real!) cat who made his home at the Faber offices and decided he'd never leave.
'This time we need to get you - get all of the kittens, safe out of London,' said Morgan decisively . . . 'To have a chance for a better life, well, let's just say, I've got an idea.'
Morgan is a young orphan who lives off scavenging - until he finds a cosy home at a famous London publishing house. Over time he learns a trade - and soon becomes the very best book cat in…
Jo Baker is my favourite contemporary British novelist, so when I saw this book on the shelf at Barnes and Noble, I knew I’d love it. When I flipped to the back cover and saw that it was endorsed by Emma Donoghue, Joanna Quinn, and Natasha Solomons, three outstanding female novelists, I was triple sure.
Jo Baker has managed to create a thriller with a compelling romance at its centre. Like Charlotte, the novel’s protagonist, I too fell in love with ‘the boy who feeds the birds’.
This is a fascinating exploration of mental health and trauma set during the London Blitz.
'A tour-de-force' IRISH TIMES 'Riveting and moving' NINA STIBBE 'Gripping' THE TIMES 'It had me by the throat' EMMA DONOGHUE
London, 1940. As enemy planes fly over the city, twenty-year-old Charlotte Richmond is trying to make the best of things. She has a dull but steady job at the Ministry of Information, a friend to share gin and secrets with, and an attic room of her own. All she has to do is keep her head down. She knows where her father will send her if she makes a nuisance of herself again.
I am an unextraordinary individual with an ordinary skill set including strengths and weaknesses. Yet, my life experiences have caused me to reach deep inside and find my own greatness to face seemingly impossible obstacles in my path. My writing reflects this hopeful overcoming and undaunted spirit. I have learned that heroes only exist because they must face daunting villains. Such villains can arise from other individuals, outside forces, life circumstances, and even from within ourselves. Yet, I have learned that villains are not a threat to destroy us, they are in fact the vehicles by which we become heroes in our own story. There are no heroes without villains.
I love this departure from the other books mentioned. These two completely separate groups of people whose lives intersect in a horrible tragedy illustrate the randomness and brutality of war.
Each group is sympathetic in their attempt to carve out a meaningful existence amidst the chaos and loss of all-out war. I find the experiences of occupants of the doomed German town juxtaposed with the character and daily courage of the members of the bomber squadron fascinating and compelling.
I find the author’s ability to bring us into the lives of each character and walk with them almost magical. This book changed my life and view of all wars.
The classic novel of the Second World War that relates in devastating detail the 24-hour story of an allied bombing raid.
Bomber is a novel of war. There are no victors, no vanquished. There are simply those who remain alive, and those who die.
Bomber follows the progress of an Allied air raid through a period of twenty-four hours in the summer of 1943. It portrays all the participants in a terrifying drama, both in the air and on the ground, in Britain and in Germany.
In its documentary style, it is unique. In its emotional power it is overwhelming.…
Growing up near Oak Ridge, Tennessee, I was aware that the city had historical significance but also that it wasn’t particularly famous, at least to people from outside the region. I’ve always been drawn to these sorts of overlooked stories from history, which are, not coincidentally, often women’s stories. Women made up the majority of workers in Oak Ridge during World War II, and for decades afterward, their stories were generally viewed as less important than male-dominated narratives of the war. But I’ve always believed that women’s stories are no less interesting than men’s. These books look at history’s worst conflict from unique perspectives that foreground the female experience.
An unsparing portrait of a cast of characters working for the BBC in London at the outset of the war, this novel is both funny and moving, though Fitzgerald’s keen sense of irony assures that the writing is never sentimental. Even the most minor characters come to life, as they adjust to both the bureaucracy of the wartime BBC and the realities of life during the Blitz.
The human voices of Penelope Fitzgerald's novel are those of the BBC in the first years of the Second World War, the time when the Concert Hall was turned into a dormitory for both sexes and the whole building became a target for the enemy bombers.
This story is very personal to the author, based loosely on his mother's and father's experiences during WWII. She was in the Norwegian resistance, he was an RAF pilot. Great fun to see how he spins it. The characters are very likeable, the plot intriguing. P.S. Chris Humphreys narrates all of my Norway in WWII thrillers.
