Jo Baker is my favourite contemporary British novelist, so when I saw this book on the shelf at Barnes and Noble, I knew I’d love it. When I flipped to the back cover and saw that it was endorsed by Emma Donoghue, Joanna Quinn, and Natasha Solomons, three outstanding female novelists, I was triple sure.
Jo Baker has managed to create a thriller with a compelling romance at its centre. Like Charlotte, the novel’s protagonist, I too fell in love with ‘the boy who feeds the birds’.
This is a fascinating exploration of mental health and trauma set during the London Blitz.
'A tour-de-force' IRISH TIMES 'Riveting and moving' NINA STIBBE 'Gripping' THE TIMES 'It had me by the throat' EMMA DONOGHUE
London, 1940. As enemy planes fly over the city, twenty-year-old Charlotte Richmond is trying to make the best of things. She has a dull but steady job at the Ministry of Information, a friend to share gin and secrets with, and an attic room of her own. All she has to do is keep her head down. She knows where her father will send her if she makes a nuisance of herself again.
Growing up near Oak Ridge, Tennessee, I was aware that the city had historical significance but also that it wasn’t particularly famous, at least to people from outside the region. I’ve always been drawn to these sorts of overlooked stories from history, which are, not coincidentally, often women’s stories. Women made up the majority of workers in Oak Ridge during World War II, and for decades afterward, their stories were generally viewed as less important than male-dominated narratives of the war. But I’ve always believed that women’s stories are no less interesting than men’s. These books look at history’s worst conflict from unique perspectives that foreground the female experience.
An unsparing portrait of a cast of characters working for the BBC in London at the outset of the war, this novel is both funny and moving, though Fitzgerald’s keen sense of irony assures that the writing is never sentimental. Even the most minor characters come to life, as they adjust to both the bureaucracy of the wartime BBC and the realities of life during the Blitz.
The human voices of Penelope Fitzgerald's novel are those of the BBC in the first years of the Second World War, the time when the Concert Hall was turned into a dormitory for both sexes and the whole building became a target for the enemy bombers.
One of the advantages of growing up in New Jersey is the proximity to the museums in New York City. What great school field trips! And I really believe that’s where my love for art and history began. My cathedrals are art museums, great libraries, Civil War battlefields, wilderness shorelines – experiencing these places lifts me out of the dailiness of life, reminds me of struggle, greatness, and excellence. I guess it was just a matter of time before my sweet spot as a writer and reader is the point of intersection between great art and terrible crimes. Things worth writing about.
When an uncle – presumed killed in the Blitz – turns up after serving nearly forty years in an Irish prison, he tells a story about having been one of the thieves of Picasso paintings stolen from a diamond merchant in Antwerp in 1939. At clever work in this tale are forgers, revolutionaries, and family members out to recover their treasure or their family honor. I have known for a long time that what I love most – more than mere murder mysteries – are what I call novels with murder. For me, the story has to be a beautifully realized bit of writing, and a murder is just one feature of it.
I have always loved Goddard’s style, which is both elegant and readable. And murder, more than a puzzle, becomes a natural part of the lives he depicts. Known for his plot twists, he sets me down in…
Eldritch Swan is a dead man. Or at least that is what his nephew Stephen has always been told. Until one day Eldritch walks back into his life after 36 years in an Irish prison. He won't reveal any of the details of his incarceration, insisting only that he is innocent of any crime.
His return should be of interest to no-one. But the visit of a solicitor with a mysterious request will take Eldritch and his sceptical nephew fromsleepy seaside Paignton to London, where an exhibition of Picasso paintings from the prestigious Brownlow collection proves to be the starting…
A lover of fiction since my teens, I only really took an interest in history in my 20s. I’m fascinated with WWII and the 1950s due to family histories and having visited key sites, like Bletchley Park and the Command Bunker in Uxbridge, near where I grew up. I’m not especially patriotic, but I am proud of what Britain had to do in 1940, as well as the toll the war took and the years of recovery. But it’s also the time, albeit decreasingly so, when people still alive today can look back at their youth, and we can all have a nostalgia for that time in our lives.
It is a beautifully atmospheric, Blitz-era novel about passions and complex relationships in the noir blackout and who can be trusted in such times.
Published just after the war, it captures the period in a way that those born decades later can only dream of doing. My mum was an un-evacuated child in London during the Blitz, and her school was bombed to the ground by the Luftwaffe—but luckily, on a Saturday.
England is flawed as a nation, then and now, but it’s important to remember the unique evil of the Nazis. Most individuals are flawed in much more minor ways. The novels I have chosen all contain imperfect people making mistakes. To me, that’s true life. It’s what I relate to.
It is wartime London, and the carelessness of people with no future flows through the evening air. Stella discovers that her lover Robert is suspected of selling information to the enemy. Harrison, the British intelligence agent on his trail, wants to bargain, the price for his silence being Stella herself. Caught between two men and unsure who she can trust, the flimsy structures of Stella's life begin to crumble.
At one time, it was commonplace for male mystery writers to devote a substantial amount of plot to romance; for example, Wilkie Collins, The Woman in White or Dashiell Hammett, The Maltese Falcon. In recent years, this tradition has eroded to the point where romantic mysteries are primarily written by women. I think romance spices up mysteries. In Death is Potential, Kate Swift is more invested in solving the murder mystery because she is protecting her lover.
I like this series set in wartime London. Electra “Ellie” McDonnell, a safecracker, is in business with her Uncle Mick, they rob homes of the rich.
After they are arrested, the handsome Major Ramsay has a deal for Ellie: if she will help him, he’ll let her, and her uncle walk free. A straightforward deal, except for the romantic complication.
As the Blitz continues to ravage London, Ellie McDonnell is approached by British Intelligence officer Major Ramsey with a new assignment. She is to travel under an assumed identity to the port city of Sunderland and there await further instructions. Ellie, ever-ready to aid her country, heads north, her safecracking tools in tow. But before she can rendezvous with the major, she witnesses an unnatural death. A man falls dead in the street in front of her, with a mysterious missive clutched in his hand. Ellie's instincts tell her that the man's death is connected in some way to her…
From books to television, one of my favorite qualities of good writing is a rich, inter-generational cast of characters, especially ones that feature significant roles for characters young and old. These stories do not span multiple generations; instead, they showcase characters of all ages interacting at one time, which makes for dynamic plots and relationships.
Easily one of my top favorite books, this novel captures so much: the great character of Lovejoy, the realities of post-war London, and a plot that reflects the human search for beauty amid horror, life amid death.
The motifs, settings, and themes have such a strong impact on me to this day after having read it for the first time so long ago. There is something neat about the older folks thinking of the neighborhood “orphans” as sparrows, frittering away at the building of something special.
'A masterpiece of construction and utterly realistically convincing' JACQUELINE WILSON
'Author Godden here tries her deft writing hand at landscaping a child's heart' TIME
'It is a sentimental tale, well told, with an unlikely and entirely satisfactory ending' NEW YORKER
Someone has been digging up the private garden in the Square. Miss Angela Chesney of the Garden Committee is sure that a gang of local boys is to blame, but her sister, Olivia, isn't so sure. She wonders why the neighbourhood children - 'sparrows' she…
My first animal story, Lost in the Snow, was based on stories that my mum and I invented together when I was very small, about our stray cat Rosie. She walked into my dad’s office and sat down in his chair when he was out at lunch! I loved imagining her adventures as a stray kitten, and those stories could be scary, sad, emotional as anything – because we knew she came home to live safe and happy with us. I’ve been creating stories about animals ever since.
This gorgeously illustrated book is the story of Morgan, who becomes the Book Cat at the real publisher Faber. I adored TS Eliot’s Old Possum’s Book of Practical Cats as a child, and Morgan was a real cat who was one of the inspirations for the poems. These are his adventures during the London Blitz – in some ways a familiar story, but so moving from a cat’s point of view!
This is a classic wartime tale of a (real!) cat who made his home at the Faber offices and decided he'd never leave.
'This time we need to get you - get all of the kittens, safe out of London,' said Morgan decisively . . . 'To have a chance for a better life, well, let's just say, I've got an idea.'
Morgan is a young orphan who lives off scavenging - until he finds a cosy home at a famous London publishing house. Over time he learns a trade - and soon becomes the very best book cat in…
I am fascinated by the extraordinary things ordinary people do, particularly women. Women show such strength; they juggle so many things every day, and they can draw on huge reserves of power in a crisis. Time and time again, I see how when women pull together, they can conquer anything. A woman on her own can do many things, but when we band together, nothing can stop us. So often, others concentrate on the negative aspects of a group of women together, but I have seen the power of female friendship and how we can reach the stars when we hold each other up.
I read this book when I was just out of journalism school and finding my way in the world of journalism and writing. For me, Maeve Binchy was already an icon because she managed to juggle journalism and writing. All these years later, I am doing the same, but the seeds were grown back then with this book.
I love this novel's depiction of a three-decade-long friendship between two women. The strength of the female characters shines through, and I remember thinking when I was reading it that was Maeve Binchy’s secret weapon; she made her characters so human.
This is a story of endurance, love, and the power of friendship. I loved it when it first came out in the '80s, and it gave me heart that books about strong women and the bonds of friendship didn’t necessarily have to have a bright pink cover.
Beloved author Maeve Binchy's first published novel, an engrossing coming of age tale about the incredible bond of friendship.
To escape the chaos of London during World War II, young Elizabeth White is sent to live a safer life in the small Irish town of Kilgarret. It is there, in the crowded, chaotic O’Connor household, that she meet Aisling—a girl who soon becomes her very best friend, sharing her pet kitten and secretly teaching her the intricacies of Catholicism.
Aisling’s boldness brings Elizabeth out of her proper shell; later, her support carries Elizabeth through the painful end of her parents’…
If there's such a thing as reincarnation, I've definitely done the 1930s! For some reason, I just love the time period–its fashion, its soundtrack, its bravery, and its optimism, even despite the looming specter of WW2. The 1940s intrigue me just as much. I have nothing but awe for the women who lived through such a time and the fierce, determined way they fought for peace and love. I can only hope I might be so strong. This list is full of sapphic characters I heartily admire and I hope you find a great sapphic read here.
As most fans of Sarah Waters will already know, this book has a clever plot device that doubles the magic–it's told backward. It has a wide cast of characters which slowly narrows down to a doomed sapphic love affair that struggled to blossom amid the terror of the London Blitz.
From both a reader's and a writer's perspective, this story has lodged itself firmly in my heart. It examines the why and how–what events brought these two lovers to this point when everything had otherwise seemed perfect? It's not necessarily happy, but it's intricate and untidy, and in that way, it is a realistic reflection of life and love in a time of war and its aftermath.
I thought everything would change, after the war. And now, no one even mentions it. It is as if we all got together in private and said whatever you do don't mention that, like it never happened.
It's the late 1940s. Calm has returned to London and five people are recovering from the chaos of war.
In scenes set in a quiet dating agency, a bombed-out church and a prison cell, the stories of these five lives begin to intertwine and we uncover the desire and regret that has bound them together.
Sarah Waters's story of illicit love and everyday…
Reading allows us to climb inside other people’s heads, to think their thoughts and feel their feelings. For children, in particular, books can be a way to understand new emotions. To name them and start to think about where they come from. As my son started to grow up, I wanted to write a story that helped him think about other people’s feelings. And that’s what The Hug and its follow-ups are all about.
A little lost bear, all alone in a major transport hub, 6,000 miles from Peru, with only his name pinned to his tiny little duffle coat and the crumbs of his last marmalade sandwich rattling round his case. If that doesn’t melt your heart, then there’s no hope for you. Rumored to have been inspired by children sent away from cities during the Blitz. Has been making children think of others ever since.
The classic story of Paddington, the bear from Darkest Peru, who was found lost on Paddington Station.
"A bear on Paddington Station?" said Mrs Brown in amazement. "Don't be silly - there can't be."
The Browns first met Paddington on a railway station - Paddington station, in fact. He had travelled all the way from Darkest Peru with only a jar of marmalade, a suitcase and his hat.
The Browns soon found that Paddington was a very unusual bear. Ordinary things - like having a bath, travelling underground or going to the seaside became quite extraordinary, if a bear called…
