When I was given a First World War soldier’s wallet containing family souvenirs—a handwritten letter, a wedding photograph—I realised that it represented the story of my grandmother’s first marriage to a young man who died in the battle of the Somme in 1916. Brought up with my mother’s version of the story, I set out to find what truths I could. What I discovered is that there's no such thing as truth, only versions of what happened, and I wove these into a fictional narrative that tries to capture the experiences of families traumatized by war and explores how they made their peace despite the conflicts and tragedies they experienced.
The Night Watch is a chilling, atmospheric book that shows us the lives of a group of Londoners through the air raids of the 1940s. The story is told backwards from a point shortly after the war and reveals the motivations and characters of the story slowly, painfully, and with great care. A group of lesbian women, a woman entangled with a married man, and a young man punished for his part in a desperate pact: their personal stories are played out against a backdrop of fear and destruction. Perhaps my favourite of all Sarah Water’s fabulous novels, The Night Watch is so intricately and cleverly constructed it takes your breath away.
I thought everything would change, after the war. And now, no one even mentions it. It is as if we all got together in private and said whatever you do don't mention that, like it never happened.
It's the late 1940s. Calm has returned to London and five people are recovering from the chaos of war.
In scenes set in a quiet dating agency, a bombed-out church and a prison cell, the stories of these five lives begin to intertwine and we uncover the desire and regret that has bound them together.
Sarah Waters's story of illicit love and everyday…
Two of my three novels have young women protagonists. I find young adulthood a fascinating time in women’s lives and I enjoy creating a character and putting her in a historical setting. The Second World War offers fertile ground for storytelling, and I grew up south of London after the war. My father’s unpublished memoir, in which he describes an event that he experienced in the war, inspired me to write about it, but I told the story through the eyes of the protagonist, Kate.
I loved this book because Grace, the young woman in the story, was able to find meaning even in the face of war. She discovered the power of storytelling and used it to raise morale when bombs were falling on London. I found the book easy to read, and I felt sympathy for Grace and other ordinary people whose lives were upended by the war.
“An irresistible tale which showcases the transformative power of literacy, reminding us of the hope and sanctuary our neighborhood bookstores offer during the perilous trials of war and unrest.”
—KIM MICHELE RICHARDSON, author of The Book Woman of Troublesome Creek
August 1939: London prepares for war as Hitler’s forces sweep across Europe. Grace Bennett has always dreamed of moving to the city, but the bunkers and drawn curtains that she finds on her arrival are not what she expected. And she certainly never imagined she’d wind up working at Primrose Hill, a dusty old bookshop…
Jo Baker is my favourite contemporary British novelist, so when I saw this book on the shelf at Barnes and Noble, I knew I’d love it. When I flipped to the back cover and saw that it was endorsed by Emma Donoghue, Joanna Quinn, and Natasha Solomons, three outstanding female novelists, I was triple sure.
Jo Baker has managed to create a thriller with a compelling romance at its centre. Like Charlotte, the novel’s protagonist, I too fell in love with ‘the boy who feeds the birds’.
This is a fascinating exploration of mental health and trauma set during the London Blitz.
'A tour-de-force' IRISH TIMES 'Riveting and moving' NINA STIBBE 'Gripping' THE TIMES 'It had me by the throat' EMMA DONOGHUE
London, 1940. As enemy planes fly over the city, twenty-year-old Charlotte Richmond is trying to make the best of things. She has a dull but steady job at the Ministry of Information, a friend to share gin and secrets with, and an attic room of her own. All she has to do is keep her head down. She knows where her father will send her if she makes a nuisance of herself again.
While I was child growing up in London, the war was a powerful presence in my life. It was there in the films we watched, in the comics my brothers read, and in my vague understanding of what it meant to be British. It was not a subject we ever studied at school and as an adult I’ve always felt frustrated by my inadequate knowledge of this world-changing conflict. When I first had the idea of writing about the six remarkable women who pioneered the way for female war journalists, it wasn’t just their personal stories that drew me in but the chance to learn more about WW2 itself.
Elizabeth Bowen’s 1948 novel is one of the most gritty, uneasy, and compelling accounts I’ve read of the civilian experience of war. Set in London between 1942 and 1944The Heat of the Daydraws on Bowen’s own experience as an air raid warden in evoking the daily life of a city that has been gutted by bombs, rationing, sleep deprivation, and fear. At the heart of the narrative is the story of Stella, her double agent lover, and the government spy who attempts to blackmail her; and through the strange fractured relationships between these characters, their moral confusion, Bowen gives us vivid insights into the psychological as well as the physical damage inflicted by war.
It is wartime London, and the carelessness of people with no future flows through the evening air. Stella discovers that her lover Robert is suspected of selling information to the enemy. Harrison, the British intelligence agent on his trail, wants to bargain, the price for his silence being Stella herself. Caught between two men and unsure who she can trust, the flimsy structures of Stella's life begin to crumble.
When I was growing up, my mother loved to garden. I remember visiting the nursery with her and being captivated by all the rows of flowers with the gorgeous names: marigolds, cosmos, dahlias, fuchsias. Now I have a garden of my own, and it’s my happy place. It adds color and fragrance to my life, and it keeps me grounded (literally and figuratively) when things are stressful. And as a writer, I find that story ideas often come to me when I’m working in the garden. It’s a constant source of inspiration and delight.
I love how Rumer Godden’s novels pair lyrical writing with complex characters.An Episode of Sparrows is no exception.
The novel takes place in post-WWII London, where Lovejoy, a young girl whose mother has pawned her off on strangers, plants a hidden garden in the shelter of a bombed-out church. Lovejoy is both fierce and tender in her desperation to have something to believe in, and Godden’s fluid storytelling carries the reader along as Lovejoy and the local children find sanctuary in their unsanctioned garden.
This moving novel shows that gardens can be the catalyst for friendship and community. It also shows that in hard times, the act of creating something beautiful is often the very thing that helps us survive.
'A masterpiece of construction and utterly realistically convincing' JACQUELINE WILSON
'Author Godden here tries her deft writing hand at landscaping a child's heart' TIME
'It is a sentimental tale, well told, with an unlikely and entirely satisfactory ending' NEW YORKER
Someone has been digging up the private garden in the Square. Miss Angela Chesney of the Garden Committee is sure that a gang of local boys is to blame, but her sister, Olivia, isn't so sure. She wonders why the neighbourhood children - 'sparrows' she…
Growing up near Oak Ridge, Tennessee, I was aware that the city had historical significance but also that it wasn’t particularly famous, at least to people from outside the region. I’ve always been drawn to these sorts of overlooked stories from history, which are, not coincidentally, often women’s stories. Women made up the majority of workers in Oak Ridge during World War II, and for decades afterward, their stories were generally viewed as less important than male-dominated narratives of the war. But I’ve always believed that women’s stories are no less interesting than men’s. These books look at history’s worst conflict from unique perspectives that foreground the female experience.
An unsparing portrait of a cast of characters working for the BBC in London at the outset of the war, this novel is both funny and moving, though Fitzgerald’s keen sense of irony assures that the writing is never sentimental. Even the most minor characters come to life, as they adjust to both the bureaucracy of the wartime BBC and the realities of life during the Blitz.
The human voices of Penelope Fitzgerald's novel are those of the BBC in the first years of the Second World War, the time when the Concert Hall was turned into a dormitory for both sexes and the whole building became a target for the enemy bombers.
In 2003-4 I spent a year in the British Army between school and university. Ten years later, having become a journalist, I returned to investigate what a decade of war had done to the institution I knew as an adolescent. In the years I spent researching and writing The Changing of the Guard I read reams of non-fiction. However, novels retain an ability to hit wider – or harder truths – and some of our greatest writers have fictionalised British Army life. Here is a selection of British Army novels, well-known and less so. They take in conflicts ranging from the First and Second World Wars through to Northern Ireland and Afghanistan.
Anthony Powell was another fundamentally unmilitary individual pushed into service by the demands of a world war.
However, while Evelyn Waugh depicts the run of regimental life and active service, Powell’s achievement in The Soldier's Art and The Military Philosophers, the seventh and eighth installments of his Dance to the Music of Time sequence, is to show the British bureaucratic war, the battle as (theoretically) run from Whitehall, with an equally acute eye. The central character - Nick Jenkins, a cipher for Powell - finds himself in a London desk job, a liaison officer to variously the Poles, Belgians, and Czechs.
On one occasion in The Military Philosophers an overextended memo - "three and a half pages on the theory and practice of soap issues for military personnel, with special reference to the Polish Women’s Corps" - is appended with the simplest yet most withering of comments. “Please amplify.” Anyone…
Part eight in a 12-part oeuvre of the English upper class, as seen through the eyes of Nicholas Jenkins. It is 1941 and Nicholas settles for a stoical co-existence with the Blitz, though death is thinning the ranks of his pre-war associates.
Reading allows us to climb inside other people’s heads, to think their thoughts and feel their feelings. For children, in particular, books can be a way to understand new emotions. To name them and start to think about where they come from. As my son started to grow up, I wanted to write a story that helped him think about other people’s feelings. And that’s what The Hug and its follow-ups are all about.
A little lost bear, all alone in a major transport hub, 6,000 miles from Peru, with only his name pinned to his tiny little duffle coat and the crumbs of his last marmalade sandwich rattling round his case. If that doesn’t melt your heart, then there’s no hope for you. Rumored to have been inspired by children sent away from cities during the Blitz. Has been making children think of others ever since.
The classic story of Paddington, the bear from Darkest Peru, who was found lost on Paddington Station.
"A bear on Paddington Station?" said Mrs Brown in amazement. "Don't be silly - there can't be."
The Browns first met Paddington on a railway station - Paddington station, in fact. He had travelled all the way from Darkest Peru with only a jar of marmalade, a suitcase and his hat.
The Browns soon found that Paddington was a very unusual bear. Ordinary things - like having a bath, travelling underground or going to the seaside became quite extraordinary, if a bear called…
One of the advantages of growing up in New Jersey is the proximity to the museums in New York City. What great school field trips! And I really believe that’s where my love for art and history began. My cathedrals are art museums, great libraries, Civil War battlefields, wilderness shorelines – experiencing these places lifts me out of the dailiness of life, reminds me of struggle, greatness, and excellence. I guess it was just a matter of time before my sweet spot as a writer and reader is the point of intersection between great art and terrible crimes. Things worth writing about.
When an uncle – presumed killed in the Blitz – turns up after serving nearly forty years in an Irish prison, he tells a story about having been one of the thieves of Picasso paintings stolen from a diamond merchant in Antwerp in 1939. At clever work in this tale are forgers, revolutionaries, and family members out to recover their treasure or their family honor. I have known for a long time that what I love most – more than mere murder mysteries – are what I call novels with murder. For me, the story has to be a beautifully realized bit of writing, and a murder is just one feature of it.
I have always loved Goddard’s style, which is both elegant and readable. And murder, more than a puzzle, becomes a natural part of the lives he depicts. Known for his plot twists, he sets me down in…
Eldritch Swan is a dead man. Or at least that is what his nephew Stephen has always been told. Until one day Eldritch walks back into his life after 36 years in an Irish prison. He won't reveal any of the details of his incarceration, insisting only that he is innocent of any crime.
His return should be of interest to no-one. But the visit of a solicitor with a mysterious request will take Eldritch and his sceptical nephew fromsleepy seaside Paignton to London, where an exhibition of Picasso paintings from the prestigious Brownlow collection proves to be the starting…
The writing of Mad Hatter (my 7th book), was fueled by curiosity about WW2 and about my absent father. I emigrated to Canada as a young woman and pursued a career in the Arts – theatre, painting, writing. But only when I embarked on this fictionalized family story did I begin to uncover shocking family secrets as I pulled together threads of childhood memory, woven in with research material, trying to make sense of it all. Writing has literally saved my life, and Mad Hatter has liberated me in a manner I could never have predicted. I am an intense, passionate workaholic, writing in many genres, exulting in life's surprises!
An accumulation of memories haunt and inform Noonday, a novel that stands alone as the third in a trilogy spanning both world wars. I particularly love Barker’s avoidance of sentimentality. She is an honest writer who digs deep and gives no easy solutions as she follows a cast of characters who originally met as students at the Slade School of Art in London. Elinor, who is central, still suffers from the death of her brother Toby in the Great War. Barker’s skillful evocation of the past gives weight and resonance to every word, reminding the reader of the increasing complexity of character formation with life’s most intense and sometimes tragic experiences.
A new novel from the Booker Prize winning Pat Barker, author of the Regeneration Trilogy, that unforgettably portrays London during the Blitz (her first portrayal of World War II) and reconfirms her place in the very top rank of British novelists.
London, the Blitz, Autumn 1940. As the bombs fall on the blacked-out city, ambulance driver Elinor Brooke races from bomb sites to hospitals trying to save the lives of injured survivors, working alongside former friend Kit Neville, while her husband Paul Tarrant works as an air-raide warden. Once fellow students at the Slade School of Fine Art before the…
