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I’ve penned (so far) seventeen novels, most set during some historical conflict or other, all of them revolving around intense personal relationships (loyalty, love, betrayal, those sorts of profound truths). I tend to read the sorts of books I wish to write. I also teach creative writing at a university (VCU); I tell my students that if they want to really know what a character is made of, shoot at them or have them fall in love. In my own work, I do both.
Set during the London Blitz, I found this to be Greene’s most vivid novel.
His characters reel in the face of the power of Hitler’s onslaught on London, yet cling to the possibilities of love, even through the carnage and loss, until the wreckage of London overtakes them in a beautiful and tragic conclusion.
The love affair between Maurice Bendrix and Sarah, flourishing in the turbulent times of the London Blitz, ends when she suddenly and without explanation breaks it off. After a chance meeting rekindles his love and jealousy two years later, Bendrix hires a private detective to follow Sarah, and slowly his love for her turns into an obsession.
I first learned about life in 1930s Vienna from my grandfather’s memoir: Reminiscences of the Vienna Circle and the Mathematical Colloquium. I was fascinated by the time and place and began to read more about the era, which ultimately served as a setting for myforthcoming novel, The Expert of Subtle Revisions.
Spanning seven years in six hundred pages, Gainham’s Night Falls On The City is a richly detailed depiction of the stress and madness of life in Vienna after the German annexation.
Onstage or off, the novel’s protagonist, Julia Homburg, must always act, and the strain of this performance, under escalating violence and increasingly difficult circumstances, takes a harsh toll. A compelling and memorable story.
Vienna, 1938. Beautiful actress Julia Homburg and her politician husband Franz Wedeker embody all the enlightened brilliance of their native city. But Wedeker is Jewish, and just across the border the tanks of the Nazi Reich are primed for the Anschluss.
When the SS invades and disappearances become routine, Franz must be concealed. With daring ingenuity, Julia conjures a hiding place. In the shadow of oppression, a clear conscience is a luxury few can afford, and Julia finds she must strike a series of hateful bargains with the new order if she and her husband are to survive.
I have written medical textbooks and research papers, but have a passion of writing thrillers—as Hugh Greene I have written the bestselling Dr Power mystery series which follows the forensic psychiatrist Dr Power and Superintendent Lynch as they solve murders and explore the minds that executed these crimes.
Philip Kerr’s series of books about Berlin detective Bernie Gunther is a stunning achievement. The series weaves together the often disturbing history of the Third Reich, real-life characters such as Goebbels and Goering, and a sharp-minded and blunt-speaking detective everyman who is trying to survive the maelstrom around him with morals and life intact. Prague Fatale sets Gunther unto solve murders at a house party of high-ranking Nazis at Heydrich’s rural retreat. It’s a grim twist on cosy, country house murders.
'One of the greatest anti-heroes ever written' LEE CHILD
Bernie Gunther returns to his desk on homicide from the horrors of the Eastern Front to find Berlin changed for the worse.
He begins to investigate the death of a railway worker, but is obliged to drop everything when Reinhard Heydrich of the SD orders him to Prague to spend a weekend at his country house. Bernie accepts reluctantly, especially when he learns that his fellow guests are all senior figures in the SS and SD.
The weekend quickly turns sour when a body is found in a room locked from…
I grew up exploring the semi-decayed air-raid shelters near my grandmother’s home in London—to her horror: she said they were full of rats and drunks. The Second World War and its effect on people, especially women, off the frontline has long fascinated me. To pursue my obsession with writing stories on this subject, I have made trips to genocide memorials in former Yugoslavia, bunkers in Brittany, and remote towns in Poland. My novels concern themselves with how the violence, and sometimes heroism, of the past trickles down a family’s bloodline, affecting later generations of women.
I could have chosen any of the three in Manning’s Balkan Trilogy, about a young couple who rush to get married on the eve of war and find themselves living first in Romania, then Athens (the setting for this book), and finally Cairo. I love the portrait of Athens in the period before the German invasion: the beauty of Greece in springtime, the shortages of food, the strange collection of people making up the expatriate community, and how the marriage of two young, probably mismatched people, is tried by the constant presences of war and death. The characters who drift along with the Pringles are beautifully drawn studies in their own right.
It is 1940, and Guy and Harriet Pringle and their friends in the English colony in Bucharest find their position growing ever more precarious. The 'phoney war' is over and invasion by the Germans is an ever-present threat. Harriet finds her new husband's idealism clashing with her own more down-to-earth attitudes, his generosity to all comers frustrating her attempts to survive in a city of shortages. Their easy life among Bucharest's cafe society is gradually eroded as rumours become reality, and the Germans march in. The Spoilt City is a dramatic and colourful portrait of a city in turmoil -…
I grew up exploring the semi-decayed air-raid shelters near my grandmother’s home in London—to her horror: she said they were full of rats and drunks. The Second World War and its effect on people, especially women, off the frontline has long fascinated me. To pursue my obsession with writing stories on this subject, I have made trips to genocide memorials in former Yugoslavia, bunkers in Brittany, and remote towns in Poland. My novels concern themselves with how the violence, and sometimes heroism, of the past trickles down a family’s bloodline, affecting later generations of women.
I’m cheating here a bit as the novel’s set in Paris before the Second World War and covers a variety of locations, including the Sudetenland and Budapest. But it is foreshadowed by war. Furst writes travel pieces as well as fiction and it shows in the way he brings the brasseries, the Seine, and the apartments, along with the abattoirs, railway sidings, and threatening outlying backstreets to life in his books, many of which return to Paris again and again.
A novel of adventure and intrigue in wartime Europe
Paris, 1938. Nicholas Morath, former Hungarian cavalry officer, returns home to his young mistress in the 7th arrondissement. He's been in Vienna where, amid the mobs screaming for Hitler, he's done a quiet favour for his uncle, Count Janos Polanyi. Polanyi is a diplomat and, desperate to stop his country's drift into alliance with Nazi Germany, he trades in conspiracy - with SS renegades, Abwehr officers, British spies and NKVD defectors, leading Morath deeper and deeper into danger as Europe edges towards war.
While I was child growing up in London, the war was a powerful presence in my life. It was there in the films we watched, in the comics my brothers read, and in my vague understanding of what it meant to be British. It was not a subject we ever studied at school and as an adult I’ve always felt frustrated by my inadequate knowledge of this world-changing conflict. When I first had the idea of writing about the six remarkable women who pioneered the way for female war journalists, it wasn’t just their personal stories that drew me in but the chance to learn more about WW2 itself.
I loved Virginia Cowles from the moment I read about her arrival in Madrid to cover the Spanish Civil War. In her high-heeled shoes and elegant wool dress Cowles looked as though she were dressed for a Manhattan tea party rather than the trenches of Spain. Yet she was a doggedly ambitious reporter whose glamour often bought her unique access to her subjects, not least the besotted Soviet General who kept her captive for three days, feeding her champagne while trying to convert her to Marxism. From Spain, Cowles went on to cover much of WW2, including the fall of Paris where she arrived just two days before the Nazis. Looking for Troubleis a rollicking thriller of a memoir, packed with political gossip and wildly entertaining anecdotes.
This sensational 1941 memoir of life on wartime Europe's frontline by a trailblazing female reporter is an 'unforgettable' (The Times) rediscovered classic, introduced by Christina Lamb (who calls her 'the Forrest Gump of journalism').
Paris as it fell to the Nazis London on the first day of the Blitz Berlin the day Germany invaded Poland Madrid in the Spanish Civil War Prague during the Munich crisis Lapland as the Russians attacked Moscow betrayed by the Germans Virginia Cowles has seen it all.
As a pioneering female correspondent, she reported from the frontline of 1930s Europe into the Second World War,…
While I was child growing up in London, the war was a powerful presence in my life. It was there in the films we watched, in the comics my brothers read, and in my vague understanding of what it meant to be British. It was not a subject we ever studied at school and as an adult I’ve always felt frustrated by my inadequate knowledge of this world-changing conflict. When I first had the idea of writing about the six remarkable women who pioneered the way for female war journalists, it wasn’t just their personal stories that drew me in but the chance to learn more about WW2 itself.
Lee Miller was the most unlikely of war correspondents. As a fashion model for Condé Nast, a surrealist collaborator of Man Ray, and a celebrity New York photographer, world events never impacted much on her work. But when she moved to London to become a photojournalist for Vogue, she found her own special subject in the war. Among the highlights of this handsome collection is Miller’s vivid report of the battle for St Malo where, as the darling of the US 83rd Division, she and her camera were given unfettered access. No less compelling are her accounts of liberated Paris, her haunting photographs and descriptions of concentrations camps; and one of the most iconic images in this book is the photograph taken of Lee sitting naked in Hitler’s own bathtub as she scrubs off the filth and stink of Dachau.
Lee Miller's work for Vogue from 1941-1945 sets her apart as a photographer and writer of extraordinary ability. The quality of her photography from the period has long been recognized as outstanding, and its full range is shown here, accompanied by her brilliant despatches. Starting with her first report from a field hospital soon after D-Day, the despatches and nearly 160 photographs show war-ravaged cities, buildings and landscapes, but above all they portray the war-resilient people - soldiers, leaders, medics, evacuees, prisoners of war, the wounded, the villains and the heroes. There is the raw edge of combat portrayed at…
My novel Nourishment is loosely based on stories I was told about the war by my parents who lived through it. My mother was a firewoman during the Blitz and my father was in Normandy after the D-Day landings. They married during the war. I wish now I’d written down the stories my parents used to tell me. There was always humour in their stories. My parents could both see the absurdity and the dark comedy that can sometimes be present in wartime situations, especially on the home front, and I hope some of that comes through in Nourishment.
This is an unusual novel in that it shows the lives of British soldiers in Sicily during World War Two, but there is no actual fighting. Instead we see the soldiers’ lives from the inside as they struggle with boredom, frustration, and try to interact with the locals. There are no heroics or sentimental patriotism, instead we see the soldiers in all their humanity, including their weaknesses. Above all it does what all good writing should do, takes you into a vividly believable world of emotion and behavior.
'An unqualified masterpiece ... as acute a study of the psychology of war as fiction offers us' Guardian
It's 1943. The allied invasion of Sicily. In a lull in the fighting, an exhausted British battalion marches into the searing summer heat of Catania, to be greeted by the women, children and old men emerging form the bomb shelters. Yearning for some semblance of domestic life, the men begin to fill the roles left by absent husbands and fathers. Unlikely relationships form, tender, exploitative even cruel, but all shaped by the exigencies of war.
My novel Nourishment is loosely based on stories I was told about the war by my parents who lived through it. My mother was a firewoman during the Blitz and my father was in Normandy after the D-Day landings. They married during the war. I wish now I’d written down the stories my parents used to tell me. There was always humour in their stories. My parents could both see the absurdity and the dark comedy that can sometimes be present in wartime situations, especially on the home front, and I hope some of that comes through in Nourishment.
Less involved with the moral and political dilemmas than some of the other novels I’ve listed, this is more of a straightforward adventure story about a British aircrew who survives a crash landing in France and hides out in a farmhouse. Naturally one of them falls for the farmer’s daughter and she helps him on his way to the border. A great romantic adventure but tinged with the real horror and pain of warfare.
When John Franklin brings his plane down into Occupied France at the height of the Second World war, there are two things in his mind - the safety of his crew and his own badly injured arm. It is a stroke of unbelievable luck when the family of a French farmer risk their lives to offer the airmen protection. During the hot summer weeks that follow, the English officer and the daughter of the house are drawn inexorably to each other...
My novel Nourishment is loosely based on stories I was told about the war by my parents who lived through it. My mother was a firewoman during the Blitz and my father was in Normandy after the D-Day landings. They married during the war. I wish now I’d written down the stories my parents used to tell me. There was always humour in their stories. My parents could both see the absurdity and the dark comedy that can sometimes be present in wartime situations, especially on the home front, and I hope some of that comes through in Nourishment.
Patrick Hamilton has a wonderfully simple and direct style, and is always utterly compelling, no matter if he’s writing about ordinary people going about their daily lives. This wartime novel seems to happen a long way from the war itself, though it is set in Maidenhead, which was far enough away from the capital to be thought safe for evacuees. We spend our time with a wonderfully cliquey and gossipy set of boarding house tenants who constantly compete with each other and have their own little wars and conflicts. Like many of Hamilton’s novels it has a theatrical quality, reading it is almost like watching actors performing on a stage. Indeed, one of the characters is an actor, and theatre provides a note of redemption in this beautifully bleak novel.
As World War II drags on, the lonely Miss Roach flees London for the dull but ostensible safety of a suburban boarding house in this comically rendered “masterpiece” from the author of Gaslight (The Times Literary Supplement)
England in the middle of World War II, a war that seems fated to go on forever, a war that has become a way of life. Heroic resistance is old hat. Everything is in short supply, and tempers are even shorter. Overwhelmed by the terrors and rigors of the Blitz, middle-aged Miss Roach has retreated to the relative safety and stupefying boredom of…
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