Here are 100 books that Looking for Trouble fans have personally recommended if you like
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Against all odds, women journalists have built a robust tradition of telling the truth and getting to the heart of the story no matter the obstacles. In a world where the Fourth Estate is ever more crucial, the history of female reporters is all the more relevant as a source of information and inspiration for the next generation of correspondents. As a woman’s historian and passionate supporter of freedom of the press I’m always on the lookout for great histories of these intrepid reporters whose lives also happen to make for great reads.
Vietnam was a big war, as they say, and though it ended almost 50 years ago, its full story has yet to be told. However, many of its pieces lay in the much-overlooked yet incredibly nuanced reporting that women did in the war.
Elizabeth Becker’s book explores the legacy of three of Vietnam’s unsung journalistic heroes. Each covered the war with a different angle, sense of purpose, and understanding of its—and their—place in geopolitical history.
Becker’s vivid writing puts you next to photojournalist Catherine Leroy in the plane as she prepares to jump with the 173rd Airborne Brigade in the war’s only airborne assault. Readers can almost hear the glasses clinking with ice around the Hotel Continental pool while intellectual Frances Fitzgerald shrewdly plums the unsuspecting diplomatic class for details that she’ll weave into her groundbreaking long-form reporting on the war. And my only heart nearly stopped the minute Kate…
The long buried story of three extraordinary female journalists who permanently shattered the official and cultural barriers to women covering war.
Kate Webb, an Australian iconoclast, Catherine Leroy, a French dare devil photographer, and Frances FitzGerald, a blue-blood American intellectual, arrived in Vietnam with starkly different life experiences but one shared purpose: to report on the most consequential story of the decade.
At a time when women were considered unfit to be foreign reporters, Frankie, Catherine and Kate paid their own way to war, arrived without jobs, challenged the rules imposed on them by the military, ignored the belittlement and…
A lover of fiction since my teens, I only really took an interest in history in my 20s. I’m fascinated with WWII and the 1950s due to family histories and having visited key sites, like Bletchley Park and the Command Bunker in Uxbridge, near where I grew up. I’m not especially patriotic, but I am proud of what Britain had to do in 1940, as well as the toll the war took and the years of recovery. But it’s also the time, albeit decreasingly so, when people still alive today can look back at their youth, and we can all have a nostalgia for that time in our lives.
It is a beautifully atmospheric, Blitz-era novel about passions and complex relationships in the noir blackout and who can be trusted in such times.
Published just after the war, it captures the period in a way that those born decades later can only dream of doing. My mum was an un-evacuated child in London during the Blitz, and her school was bombed to the ground by the Luftwaffe—but luckily, on a Saturday.
England is flawed as a nation, then and now, but it’s important to remember the unique evil of the Nazis. Most individuals are flawed in much more minor ways. The novels I have chosen all contain imperfect people making mistakes. To me, that’s true life. It’s what I relate to.
It is wartime London, and the carelessness of people with no future flows through the evening air. Stella discovers that her lover Robert is suspected of selling information to the enemy. Harrison, the British intelligence agent on his trail, wants to bargain, the price for his silence being Stella herself. Caught between two men and unsure who she can trust, the flimsy structures of Stella's life begin to crumble.
I became very interested in this topic when I moved to Italy and met and married Andrea Meloni. I had never been particularly interested in wars and battles but, when he began to tell me about his very personal experience growing up in Mussolini’s Fascist Italy, I was captivated and felt that his unique story was important. I, therefore, encouraged him to write his memoirs. My book is based on them, and so it is more his book than mine. However, I did extensive research to set his story in a coherent historical context.
Origo was an English woman married to a wealthy Italian.
They were living on their estate in Italy (Tuscany) when Mussolini came to power and soon allied himself with Hitler. Her personal account of how they, both anti-Fascists, lived during this very difficult period brings history to life. They often put themselves in harm’s way by helping others hide from Fascist pursuers.
The bestselling diaries of WWII in Tuscany, with a new introduction by writer and social historian Virginia Nicholson, and stunning rediscovered photographsAt the height of the Second World War, Italy was being torn apart by German armies, civil war, and the eventual Allied invasion. In a corner of Tuscany, one woman - born in England, married to an Italian - kept a record of daily life in a country at war. Iris Origo's compellingly powerful diary, War in Val d'Orcia, is the spare and vivid account of what happened when a peaceful farming valley became a battleground.
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
Doing the research forThe Italian Partymeant submerging myself in the Cold War Italy of the 1950s. But I found I couldn't understand that period without a better understanding of World War II and Italian Fascism. Cue an avalanche of books from which this list is culled, and the new novel I have just finished. I am drawn to first-hand accounts of women’s lives in wartime because I wonder how I would react and survive such challenges. Recent events in Europe have revived the nightmare of life under an occupying army. These stories are back at my bedside right now because I need their humor and wisdom.
It’s rare to find a war diary that makes you laugh out loud, but this had me snorting tea through my nose. Lady Ranfurly broke the law by following her new husband, a British officer, to the North African front in 1940 and staying there for the duration. No pampered aristocrat, she’s a hard-charging career woman who ends up working for, and spying on, a secret war organization running covert missions, and then becomes personal assistant to the Supreme Allied Commander (nicknamed “Jumbo”). Her diary is hilarious and touching as she weathers fear, tragedy, and colossal male egos with maximum moxie.
Hermione, Countess of Ranfurly, kept a diary all her life. To War with Whitaker is an account of the most adventurous, most defiant and most valiant of those years.
Hermione and Dan Ranfurly married only months before the Second World War erupted. So when Dan was posted to the Middle East, taking their faithful butler Whitaker with him, Hermione resolved to join them there. This memoir offers astounding displays of commitment and independence. After vowing not to go home without her husband, Hermione travelled alone from Cape Town to Cairo, and remained in the Middle East and North Africa for…
Doing the research forThe Italian Partymeant submerging myself in the Cold War Italy of the 1950s. But I found I couldn't understand that period without a better understanding of World War II and Italian Fascism. Cue an avalanche of books from which this list is culled, and the new novel I have just finished. I am drawn to first-hand accounts of women’s lives in wartime because I wonder how I would react and survive such challenges. Recent events in Europe have revived the nightmare of life under an occupying army. These stories are back at my bedside right now because I need their humor and wisdom.
Most of us know Martha Gellhorn as a war correspondent and Mrs. Ernest Hemingway, but she was a brilliant novelist as well. A Stricken Field is the story of an American woman in Prague in 1938 as the Nazis move in and hunt down opponents of the regime. If you are looking for models of resistance to brutality (I am), this is your book.
Martha Gellhorn was one of the first - and most widely read - female war correspondents of the twentieth century. She is best known for her fearless reporting in Europe before and during World War II and for her brief marriage to Ernest Hemingway, but she was also an acclaimed novelist. In 1938, before the Munich pact, Gellhorn visited Prague and witnessed its transformation from a proud democracy preparing to battle Hitler to a country occupied by the German army. Born out of this experience, "A Stricken Field" follows a journalist who returns to Prague after its annexation and finds…
Doing the research forThe Italian Partymeant submerging myself in the Cold War Italy of the 1950s. But I found I couldn't understand that period without a better understanding of World War II and Italian Fascism. Cue an avalanche of books from which this list is culled, and the new novel I have just finished. I am drawn to first-hand accounts of women’s lives in wartime because I wonder how I would react and survive such challenges. Recent events in Europe have revived the nightmare of life under an occupying army. These stories are back at my bedside right now because I need their humor and wisdom.
I could have broken the rules and just listed five books by Caroline Moorehead here. I love her writing; her highly-researched biographies are a joy to read and utterly immersive. I chose A House in the Mountains because it shows me what it’s like to survive the hardscrabble blow-by-blow of daily life under an occupying army, and how you can defeat it. The five women whose lives in the Italian Resistance during WWII she chronicles here are models of courage and creative resistance to tyranny.
'Moorehead paints a wonderfully vivid and moving portrait of the women of the Italian Resistance...an excellent book... She depicts a tragic fate that is timeless, of dreams forged in adversity, shattered by collisions with practical politics' MAX HASTINGS, SUNDAY TIMES
A Spectator Book of the Year
The extraordinary story of the courageous women who spearheaded the Italian Resistance during the Second World War
In the late summer of 1943, when Italy changed sides in the War and the Germans - now their enemies - occupied the north of the country, an Italian Resistance was born. Ada, Frida, Silvia and Bianca…
The first and only full-length biography of Hazel Ying Lee, an unrecognized pioneer and unsung World War II hero who fought for a country that actively discriminated against her gender, race, and ambition.
This unique hidden figure defied countless stereotypes to become the first Asian American woman in United States…
While I was child growing up in London, the war was a powerful presence in my life. It was there in the films we watched, in the comics my brothers read, and in my vague understanding of what it meant to be British. It was not a subject we ever studied at school and as an adult I’ve always felt frustrated by my inadequate knowledge of this world-changing conflict. When I first had the idea of writing about the six remarkable women who pioneered the way for female war journalists, it wasn’t just their personal stories that drew me in but the chance to learn more about WW2 itself.
Lee Miller was the most unlikely of war correspondents. As a fashion model for Condé Nast, a surrealist collaborator of Man Ray, and a celebrity New York photographer, world events never impacted much on her work. But when she moved to London to become a photojournalist for Vogue, she found her own special subject in the war. Among the highlights of this handsome collection is Miller’s vivid report of the battle for St Malo where, as the darling of the US 83rd Division, she and her camera were given unfettered access. No less compelling are her accounts of liberated Paris, her haunting photographs and descriptions of concentrations camps; and one of the most iconic images in this book is the photograph taken of Lee sitting naked in Hitler’s own bathtub as she scrubs off the filth and stink of Dachau.
Lee Miller's work for Vogue from 1941-1945 sets her apart as a photographer and writer of extraordinary ability. The quality of her photography from the period has long been recognized as outstanding, and its full range is shown here, accompanied by her brilliant despatches. Starting with her first report from a field hospital soon after D-Day, the despatches and nearly 160 photographs show war-ravaged cities, buildings and landscapes, but above all they portray the war-resilient people - soldiers, leaders, medics, evacuees, prisoners of war, the wounded, the villains and the heroes. There is the raw edge of combat portrayed at…
Against all odds, women journalists have built a robust tradition of telling the truth and getting to the heart of the story no matter the obstacles. In a world where the Fourth Estate is ever more crucial, the history of female reporters is all the more relevant as a source of information and inspiration for the next generation of correspondents. As a woman’s historian and passionate supporter of freedom of the press I’m always on the lookout for great histories of these intrepid reporters whose lives also happen to make for great reads.
What can I say? I cried more than a few times reading Lindsey Hilsum’s humanizing and deeply personal biography of Marie Colvin. Hilsum’s brilliant portrait paints a figure that burns a little too brightly with life to live long in this world of ours.
She took her first reporting job with UPI and then transferred to the Sunday Times where she garnered the Sunday Times where she garnered the reputation of the kind of reporter who could get stories that no one else could. She was the first to interview Libyan leader Muammar Gaddafi, and Hilsum’s heart-pounding description put me right in the bunker with her as she nervously clicked on her tape recorder for the interview under the watchful gaze of several armed guards. From there, Colvin covered some of the 1990s' most consequential combat zones, reflecting the chaos that ensued from the dissolution of the Soviet Union. In…
A New York Times Book Review Editors' Choice. Finalist for the Costa Biography Award and long-listed for the Andrew Carnegie Medal for Excellence. Named a Best Book of 2018 by Esquire and Foreign Policy. An Amazon Best Book of November, the Guardian Bookshop Book of November, and one of the Evening Standard's Books to Read in November
"Now, thanks to Hilsum’s deeply reported and passionately written book, [Marie Colvin] has the full accounting that she deserves." --Joshua Hammer, The New York Times
The inspiring and devastating biography of Marie Colvin, the foremost war reporter of her generation, who was killed…
Janet Somerville taught literature for 25 years in Toronto. She served on the PEN Canada Board and chaired many benefits that featured writers including Diana Athill, Margaret Atwood, Roddy Doyle, Stephen King, Alice Munro, Azar Nafisi, and Ian Rankin. She contributes frequently to theToronto StarBook Pages, and has been handwriting a #LetterADay for 8 years. Since 2015 she has been immersed in Martha Gellhorn’s life and words, with ongoing access to Gellhorn’s restricted papers in Boston. Yours, for Probably Always: Martha Gellhorn’s Letters of Love & War 1930-1949 is her first book, now also available from Penguin Random House Audio, read by the Tony Award-winning Ellen Barkin.
Like their male counterparts, Virginia Cowles, Martha Gellhorn, Clare Hollingworth, Helen Kirkpatrick, Lee Miller, and Sigrid Schultz faced the danger inherent in reporting from war zones, but, unlike the men, these women often had to improvise to get access. Ever intrepid, Gellhorn noted, “If they don’t want to accredit you, you just do it, any little lie will do.”
By 1945 there were 250 women accredited to the Allied armies as reporters and photographers. Everyone had something to do that felt necessary, though post-war many were “shredded up inside.” With the narrative drive of a well-paced thriller, Mackrell’s essential work will have you reaching for more about the words and lives of these trailblazing six.
The riveting, untold history of a group of heroic women reporters who revolutionized the narrative of World War II—from Martha Gellhorn, who out-scooped her husband, Ernest Hemingway, to Lee Miller, a Vogue cover model turned war correspondent.
"Thrilling from the first page to the last." —Mary Gabriel, author of Ninth Street Women
"Just as women are so often written out of war, so it seems are the female correspondents. Mackrell corrects this omission admirably with stories of six of the best…Mackrell has done us all a great service by assembling their own fascinating stories." —New York Times Book Review
Benghazi: A New History is a look back at the enigmatic 2012 attack on the US mission in Benghazi, Libya, its long-tail causes, and devastating (and largely unexamined) consequences for US domestic politics and foreign policy. It contains information not found elsewhere, and is backed up by 40 pages of…
Janet Somerville taught literature for 25 years in Toronto. She served on the PEN Canada Board and chaired many benefits that featured writers including Diana Athill, Margaret Atwood, Roddy Doyle, Stephen King, Alice Munro, Azar Nafisi, and Ian Rankin. She contributes frequently to theToronto StarBook Pages, and has been handwriting a #LetterADay for 8 years. Since 2015 she has been immersed in Martha Gellhorn’s life and words, with ongoing access to Gellhorn’s restricted papers in Boston. Yours, for Probably Always: Martha Gellhorn’s Letters of Love & War 1930-1949 is her first book, now also available from Penguin Random House Audio, read by the Tony Award-winning Ellen Barkin.
Miller was one of the great combat photographers of WWII, but she also documented the social consequences of the conflict, particularly the lives of women on the European front. She would also write about what she saw forBritish Vogue. She photographed Martha Gellhorn in London in 1943 as part of a series about women correspondents.
In addition to an introduction by Miller’s son, Antony Penrose, Roberts provides insightful commentary that places each image within the context of women’s roles throughout the landscape of war.
Lee Miller photographed innumerable women during her career, first as a fashion photographer and then as a journalist during the Second World War, documenting the social consequences of the conflict, particularly the impact of the war on women across Europe. Her work as a war photographer is perhaps that for which she is best remembered - in fact she was among the 20th century's most important photographers on the subject. Published to coincide with an exhibition at the Imperial War Museum, Lee Miller: A Woman's War tells the story beyond the battlefields of the Second World War by way of…
