Here are 100 books that Writing the Pilot fans have personally recommended if you like
Writing the Pilot.
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I’m a professional screenwriter with a passion for story structure. I’ve worked on film & TV projects for more than 25 years – not only as a writer for independent producers and studios such as Warner and Universal – but also as a development exec and creative consultant. Over time, I was shocked to see how many talented storytellers felt stuck between prescriptive paradigms and a “seat-of-the-pants” approach. So I set out to fill that void and defined a more flexible yet powerful method in my first book, Screenwriting Unchained, which I’ve now enthusiastically applied to TV series. I hope you enjoy the books on this list as much as I have!
Navigating the TV industry can be intimidating. Bob Levy does an amazing job of providing an overview of the U.S. TV development process, from a producer’s point of view.
He gives a very clear and detailed explanation of the industry, the processes, and the culture. I love how he explains the terminology, the timelines, the people involved, yet never makes it boring. Levy has worked in the TV industry for more than 30 years, and it shows.
Development is a large and central part of the American TV industry, and yet the details of how it works - who makes development decisions and why, where ideas for new shows come from, even basics like the differences between what TV studios and TV networks do - remain elusive to many.
In this book, lecturer and acclaimed television producer Bob Levy offers a detailed introduction to television development, the process by which the Hollywood TV industry creates new scripted series. Written both for students and industry professionals, Television Development serves as a comprehensive introduction to all facets of the…
I’m a professional screenwriter with a passion for story structure. I’ve worked on film & TV projects for more than 25 years – not only as a writer for independent producers and studios such as Warner and Universal – but also as a development exec and creative consultant. Over time, I was shocked to see how many talented storytellers felt stuck between prescriptive paradigms and a “seat-of-the-pants” approach. So I set out to fill that void and defined a more flexible yet powerful method in my first book, Screenwriting Unchained, which I’ve now enthusiastically applied to TV series. I hope you enjoy the books on this list as much as I have!
This fantastic book is full of useful tips on the craft, contains many interviews and is thoroughly documented.
It’s especially relevant for streaming. I love to discuss theory, but one of the best ways to learn is from practitioners. That’s why I’m a big fan of interviews. Not only do they give you a chance to learn from the masters, but they’re also inspiring. I always go back to my own writing with more energy when I’ve listened to someone talk passionately about their work.
Neil Landau’s book is a great resource, and it was very hard to decide between this one and The TV Showrunner’s Roadmap, another excellent work of his featuring interviews.
TV Writing On Demand: Creating Great Content in the Digital Era takes a deep dive into writing for today's audiences, against the backdrop of a rapidly evolving TV ecosystem. Amazon, Hulu and Netflix were just the beginning. The proliferation of everything digital has led to an ever-expanding array of the most authentic and engaging programming that we've ever seen. No longer is there a distinction between broadcast, cable and streaming. It's all content. Regardless of what new platforms and channels will emerge in the coming years, for creators and writers, the future of entertainment has never looked brighter.
I’m a professional screenwriter with a passion for story structure. I’ve worked on film & TV projects for more than 25 years – not only as a writer for independent producers and studios such as Warner and Universal – but also as a development exec and creative consultant. Over time, I was shocked to see how many talented storytellers felt stuck between prescriptive paradigms and a “seat-of-the-pants” approach. So I set out to fill that void and defined a more flexible yet powerful method in my first book, Screenwriting Unchained, which I’ve now enthusiastically applied to TV series. I hope you enjoy the books on this list as much as I have!
Another insightful overview of the TV development process, this time from a writer’s point of view.
This is primarily from a U.S. perspective, but one chapter gives a view of fifteen other countries, which is rare. Pamela Douglas offers the TV equivalent of Syd Field’s Screenplay. She lays out with great clarity the way TV episode structure is taught today – although I believe that talented and successful creators often use other tools to design their series.
From a practical point of view, this book is more useful if you’re developing a network procedural than if you’re developing a serial on ad-free streaming or premium channels, but it’s one of the best books out there if you’d like to explore what I call story format (rather than structure) in TV.
This revised and updated edition is a complete resource for anyone who wants to write and produce for television drama series or create an original series, as well as for teachers in screenwriting classes and workshops. It leads the reader step-by-step through every stage of the development and writing process, offering practical industry information and artistic inspiration. The Fourth Edition leads readers into the future and engages provocative issues about the interface between traditional TV and emerging technologies. It’s also the single most comprehensive source on what is happening in original television drama around the world, with surveys of 15…
I’m a professional screenwriter with a passion for story structure. I’ve worked on film & TV projects for more than 25 years – not only as a writer for independent producers and studios such as Warner and Universal – but also as a development exec and creative consultant. Over time, I was shocked to see how many talented storytellers felt stuck between prescriptive paradigms and a “seat-of-the-pants” approach. So I set out to fill that void and defined a more flexible yet powerful method in my first book, Screenwriting Unchained, which I’ve now enthusiastically applied to TV series. I hope you enjoy the books on this list as much as I have!
This is the companion book for Des Doyle's acclaimed documentary with
the same title (also highly recommended).
Described as “the first ever
feature-length documentary to explore the world of U.S. television
showrunners and the creative
forces they employ”, the documentary is an insightful overview of the
TV creative process, featuring interviews with some of the best
showrunners in the business.
There is simply nothing that beats this if
you want to get a sense of how the industry works
and measure the stakes, the energy, the pressure, the creativity, the
professionalism, and the humor experienced or displayed by these
awe-inspiring storytellers.
The book features a foreword by Hart Hanson
(Showrunner of
Bones, The Finder, Backstrom), an introduction by Doyle, and expands on the interviews featured in the documentary.
Showrunners is an insider's guide to creating and maintaining a hit show in today's golden age of television. The official companion to the documentary Showrunners, this highly informative book features exclusive interviews with such acclaimed and popular showrunners as Joss Whedon, Damon Lindelof, Ronald D.Moore, Terence Winter, Bill Prady, and Jane Espenson.
We are a couple with a combined 70 years worth of relationship experience. We certainly know ‘what not to do.’ What makes us relationship experts is having a relationship that is as exciting today (after more than 6 years together) as it was from day one! We never argue, we have tremendous passion, we never name-call, we show 100% respect every day, and we have 100% connectivity. This does not mean we don’t have disagreements. It means we handle them without arguing. Since experiencing a relationship we never imagined was possible, we want to share with others how to get it and keep it ongoing.
This was a really refreshing read with
great insight. From one chapter to the next, it kind of jumps all over the map of
relationship situations. Although that may sound chaotic, I found it exciting to be
surprised by what the next chapter would reveal.
I read this one annually, as it is quite
entertaining.
Syndicated relationship advice columnist Neil Rosenthal will guide you to learn the most important skills required in order for you to have a closer, more intimate and more passionate relationship. Using stories from thousands of readers who have written to him for advice, along with quizzes, couple's exercises and an extensive series of recommendations, you will improve your relationship skills and abilities, including: what to do if you've grown apart communicating when you are hurt or angry overcoming trust issues improving your communication as a couple examining whether you are sabotaging your relationship exploring how worthy you feel of being…
My father never talked about his experiences during the war. After he died at 67, we found his handwritten itinerary of three years and ten days in the Army Signal Corps. Plotting it on a map sparked a passion that continued for years, taking me twice to sites in Europe and through hundreds of records and books. I am amazed at all he never told us—the Queen Mary troopship, his radar unit’s landing on Omaha Beach (D+26), the Normandy Breakout, Paris after liberation, fleeing Bastogne, and so on. I grew up on WWII films but never grasped till now what my dad may have seen.
I haven’t found anyone better at describing the personal situations and experiences of soldiers in war than Ernie Pyle. In this compilation, he interviews soldiers at every level, in a wide variety of duties, with honesty, directness, humor, and literary style. It is no wonder that his syndicated columns appeared in over 400 daily and 300 weekly newspapers, making him the voice of war-time America.
The best of Ernie Pyles World War II dispatches. For those of us to whom World War II has been only images in newsreels or monolithic history in a book. Ernie's words breathe like an intimate conversation. He is our eloquent bridge across time.
I am Rubén Villahermosa, independent trader and author. My logical and rational mind led me to question the why of market movements, which allowed me to learn the principles of the Wyckoff method. I have deepened in the study of the interaction between supply and demand through high-level Technical Analysis tools such as Wyckoff, VSA, Price Action, Volume Profile, and Order Flow; knowledge that I share through my books from principles of honesty, transparency, and responsibility.
In financial markets, knowing what the large trader is doing is vital. In his book, Tom Williams, who was a syndicated trader, taught us the main signs that allow us to identify the participation of the large traders on the chart, which allows us to make judicious analyses about where the price is most likely to go.
Every one of my books is centered around characters finding a place where they can be fully, unapologetically, joyfully themselves. If you had asked my child self where my happy place was, I would have told you it was my room, empty of other people but full of books. I am very friendly and would love to meet you, but I also delight in solitude, and my imagination sparks and cartwheels when I am quiet. It turns out there’s a word for this inborn trait of mine: introversion. I’m always looking for stories that celebrate the strengths of us quietly powerful introverts.
This graphic novel literally illustrates many ways in which the average school day is challenging to introverts, from the bus, to school hallways, to the cafeteria, to navigating pre-class chatter. Emmie is very in tune with her feelings and able to focus on drawing no matter the noise all around, but still questions her own value: “Does anyone ever see me? Do I want them to?” When the author drew Emmie with a disappearing mouth to show how others view her as mute—ooh, I got goosebumps. I adore a book that makes me go back and read it again the moment I finish it.
Perfect for fans of Raina Telgemeier and Jennifer L. Holm, Invisible Emmie is a humorous and surprising debut graphic novel by Terri Libenson, creator of the internationally syndicated, Reuben Award-winning comic strip The Pajama Diaries.
This is the story of two totally different girls- quiet, shy, artistic Emmie popular, outgoing, athletic Katie -and how their lives unexpectedly intersect one day, when an embarrassing note falls into the wrong hands. . . .
All the crushes, humiliations, boredom, and drama of middle school are compressed into one surprising day in this extraordinary novel.
Plus don't miss Terri Libenson's Positively Izzy, Just…
Julian Friedmann is co-owner of the Blake Friedmann Literary Agency and was the publisher of ScriptWriter magazine. At the agency, he has represented both book and scriptwriters for over 40 years and also acts as Executive Producer for and with clients. Julian is a TEDx speaker and is the author of the Make Money Screenwriting series, co-author of The Insider’s Guide to Writing for Television, and editor of two volumes on Writing Long-Running Television series.
He has taught at universities and film schools all over the world. He designed the MA in Television Scriptwriting at De Montfort University, and PILOTS (for developing long-running television series) for the EU MEDIA Programme.
There are numerous books on writing for TV but Yvonne’s book is eminently practical covering the basics and also the more complex and nuanced aspects like the relationship between writers and script editors. Given the importance of the streamers writing for TV is more important than ever.
A no-nonsense, direct down-the-lens look at the television industry written from the point of view of a television drama producer who's been there, done it, fought some battles and won the odd award. Written in an engaging, anecdotal tone, Writing for Television provides advice on:
Getting an agent
The type of writer television's looking for
The tool kit a television writer needs
The writer /script editor relationship
How to structure a storyline
How to write good treatments and outlines
Packed full of useful insights, links and information, the book includes interviews with successful television writers working today, pointers on how…
As a writer and performer, I’ve always loved live storytelling! Stories really come alive when performed and there’s an unexplained magic that bonds an audience with the storyteller and connects us to our collective past. Having performed countless times in plays, murder mysteries, and storytelling, the joy and excitement felt crackling in the air is like nothing else. I’ve plenty of fond memories of storytelling over the years, from terrifying ghost stories around the campfire of Camp Wing in America to the fantastical folktales of my stage play The Storyteller’s Apprentice at the Edinburgh Fringe Festival. So, next time you’re sitting at a campfire, give it a go!
I fell in love with these folktales after watching the television series of the same title when I was a child. I was ecstatic to be hypnotised all over again by the magic, charm, and wisdom contained within each gem. I found each story conjured up a sense of wonder, mystery, and the need to know what happened next within me.
I loved how the characters were beautifully portrayed. Each faced their own intriguing quest and struggled to overcome outlandish obstacles, and I was fascinated by how they would eventually achieve their goal no matter what the cost to themselves whilst learning a valuable lesson along the way.
The behind-the-scenes look at the show’s production from the Jim Henson Archives at the back of the book is a nice touch too.
The official novelization of Jim Henson's Emmy Award-winning television series along with a behind-the-scenes look at the show's production from the Jim Henson Archives.
Timeless tales, beautifully told. Presented in a stunning new edition, Jim Henson's The Storyteller features nine folktales based on Henson's Emmy Award-winning television series, written by Academy Award winner Anthony Minghella. This edition features stunning new illustrations by Hannah Christenson and Eva Eskelinen and photographs from the Jim Henson Archives that provide a rare look behind-the-scenes of JIM HENSON'S CREATURE SHOP during the filming of the beloved series.
