Fans pick 100 books like Jim Henson's The Storyteller

Dickens did not “invent” Christmas, of course, but our modern understanding of it undoubtedly derives from him.

For long a Londoner, because of Dickens, Christmas still seems to me at heart a matter of foggy London streets, enclosed city houses, and window-lights and passers-by at dusk. Christmas means rituals, and I, among others, go through the yearly rite of re-reading A Christmas Carol. And every year, it’s just as vivid, as funny, and as moving as the years before.

Dickens celebrates Christmas as a time of renewal, and Scrooge finds redemption by finding the person he used to be and the person he ought to be now. Robert Louis Stevenson said that reading it made him want to do good things, and what better recommendation could there be?

When I found my second-hand copy for £5 in Acorn Antiques in 2006 (I still have the receipt!), little did I know I was holding the most magical, exquisite, resourceful, fascinating, beguiling, and immersive book on fantasy!

Each page is filled to the edges with intriguing folktales, legends, myths, and old wives tales (more than I could have wished for) and beautifully illustrated throughout. What more could I, an avid reader and writer of fantasy, want?

I still take joy in flicking through the pages until my eyes rest on another intriguing entry to be inspired by. I love losing track of time just reading about all aspects of fantasy, whether it’s the Broth of Oblivion, Floating Islands, the Hammer of Thor, The Bottle Imp, or Fomorians.

These stories run deep in my blood! I remember my Mum reading "Cinderella," "Hansel and Gretel," "Rapunzel," and "Snow White," to name a few, and being totally enthralled, captivated, and scared all at once.

Reading this edition as an adult evokes the same feelings, but I also experienced a sense of wonder and intrigue as I read the lesser-known stories such as "The Boy Who Left Home to Find Out About the Shivers," "The Girl with No Hands," "The Nixie of the Millpond," and "Hans-my-Hedgehog." 

I loved discovering these stories, closer to the originally published ones in their first collection, Children's and Household Tales in 1812, as they are much darker and scarier in nature than modern versions, and reading what Philip Pullman says about each one is an unexpected delight!

This book inspired me to read!

As a child, I struggled with reading, but this changed when I opened the magical pages of this gem! Not only packed with adventure, magic, and monsters, it’s also part game. The reader chooses how the story unfolds, and I remember being amazed as I decided which path to take, which potion to buy, whether or not to open a treasure chest or to stand and fight the Minotaur by rolling dice or to flee in terror to live another day! 

Packed with gorgeous black and white ink illustrations by Russ Nicholson, that drew me in, I would spend ages staring at a mad, crazed prisoner, a couple of ugly goblins playing cards, or a huge, majestic dragon, lost in the fantastic imagery. 

I found that owning a collection of tales organized by these themes was very useful. Over 100 short folktales on themes of cooperation, courage, diversity, empathy, friendship, generosity, honesty and fairness, perseverance, respect, responsibility, self-control, and bullying prevention. Pearmain also gives suggestions for telling these and for extending them in the classroom. Wrapping an idea in a story really helps the concept sink in for the listener. Having a collection like this helped me build programs for use in the library.

This book contains twelve easily told tales that can be used to discuss character development. The Norfolks include suggestions for classroom use of the tales. I like to recommend this to the teachers in my storytelling classes as the advice comes from a teacher who has written several other books on using stories in the classroom.

This book has over forty traditional folktales from thirty-one countries that speak of our relationship to the Earth.

This was my first Eco-Storytelling book, which I often return to because the stories are brilliantly retold. MacDonald is an American folklorist and storyteller who structures tales skilfully for oral telling - she also includes great tips for telling to live audiences.

Researchers, folklorists, and storytellers will appreciate the amazing detail and professionalism of the Bibliography and 'Tale Notes'.

I discovered my all-time favourite environmental folk story in this book, Mikku, and the Trees, a tale from Estonia that tells why trees no longer speak to humans unless you learn to listen very carefully. MacDonald is one of our most generous and highly respected folklorists.

This magical picture book presents seven of the best folk stories from around the world.

Retold by Hugh Lupton, a veteran of storytelling and an inspirational writer. Some stories are deliriously funny, and others contain golden nuggets of universal truth. I've repeatedly told these stories, and they enthrall and delight audiences. They come with a CD of Hugh telling the tales orally, which is fantastic for non-readers, busy families, and people learning English.

Niamh Sharkey's beautiful bold pictures take this book of tales to another level of enjoyment. It's a visual and rhythmical feast of storytelling that can be shared with ages six up to seniors. If I had to choose one favourite book of stories for oral telling, then this is it.

This is the opening book of the Elenium series and is an excellent example of the heroic quest-type tale. The cynical but lovable Pandion Knight, Sparhawk and his fellow companions must venture to find a cure for a mysterious illness that is besetting their queen.

The mixture of personalities of the companions in the questing group and how they play off one another is what I felt made this book such an excellent read. The world-building is strongly written and realistic for the characters to traverse, and the pacing of the story never lets the reader forget about the ticking clock counting down the seconds of life remaining to the queen, making the stakes of the character's actions all the higher.

I grew up reading about and experiencing “kamishibai,” which is a Japanese storytelling format using illustration boards. This book by Allen Say gorgeously renders the life of a kamishibai man and what seems like his dying art of sharing stories. I remember trying to make my own kamishibai in elementary school and I’ve been toying with the idea of making one again. The book is a gem!