Here are 100 books that Kamishibai Man fans have personally recommended if you like
Kamishibai Man.
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My parents were both born and raised in Japan but met in New York and eventually settled in Los Angeles, where I grew up. My first language was Japanese and as a nisei (second generation), I am deeply steeped in my Asian heritage. I am continually inspired by the art and storytelling that originates from Japanese culture and love to incorporate them into my own work.
These small, sparsely illustrated books are so charming and quirky! At the surface, there seems to be very little going on, but there is a soothing quality to the simple text that allows you to contemplate the little wonders of life. The naïve artwork works so well with the quiet, short musings by Kuma-Kuma chan and the narrator.
This lovingly rendered, meditative book on friendship is sure to find a permanent place on the bedside table
With sparse text and a deceptively simple, beautiful design, Japanese author/illustrator Kazue Takahashi brings to life the world of Kuma-Kuma Chan, which loosely translates from the Japanese as “cute little bear.” Making its first appearance in English, this charming book for preschoolers and readers of all ages poses the question, “How might my friend, a solitary bear, choose to spend his days?” The soft, almost dreamlike illustrations are accompanied by single sentences making it easy for emerging readers to follow along. Daily…
My parents were both born and raised in Japan but met in New York and eventually settled in Los Angeles, where I grew up. My first language was Japanese and as a nisei (second generation), I am deeply steeped in my Asian heritage. I am continually inspired by the art and storytelling that originates from Japanese culture and love to incorporate them into my own work.
All the books I’m drawn to have striking and beautiful illustrations and this one is no exception. I love the joyful and varied way that friendship is expressed in this board book. I purchased the book when my daughter was still in preschool (she’s in high school now), and the message of finding camaraderie in as many places as possible still resonates deeply.
My parents were both born and raised in Japan but met in New York and eventually settled in Los Angeles, where I grew up. My first language was Japanese and as a nisei (second generation), I am deeply steeped in my Asian heritage. I am continually inspired by the art and storytelling that originates from Japanese culture and love to incorporate them into my own work.
As a little kid, I read the Japanese version of these stories and I was delighted when I found the English version to read to my then tiny daughter. “Momo-Taro,” or Peach Boy, is one of my favorite tales from childhood and there are so many others included in the book that I had forgotten about. These classic stories are a wonderful addition to any library!
This colorfully illustrated multicultural children's book presents Japanese fairy tales and other folk stories--providing insight into a vibrant literary culture.
For 60 years, generations of English-speaking children around the world have been enchanted by Japanese Children's Favorite Stories--and for good reason. With such titles as "The Toothpick Warriors" and "The Rabbit Who Crossed the Sea," these 20 stories offer age-old lessons in kindness and goodness that are still riveting to children and parents alike. This 60th Anniversary Tuttle edition is proof that good stories never wear out.
In this treasure trove of much-beloved Japanese children's stories, you'll meet charming characters…
Besides creating inventive best friends Melia and Jo, Jennifer Oxley and Billy Aronson created problem-solving best friends Peg and Cat, stars of Peg + Cat picture books and the PBS TV series which airs around the world. While creating those sets of best friends Jen and Billy became best friends themselves, brainstorming together, learning together, singing and dancing together, sharing pizza, inspiring and supporting each other, and laughing together many times a day. So yeah, they know a lot about best friends.
In Chirri and Chirra, Japanese author and artist Kaya Doi captures the magic of best friendship with gorgeous colored pencil illustrations and a dream-like tale. When twins Chirri and Chirra head off into the woods for a bike ride they find themselves in a wonderland that blends the strangeness of Lewis Caroll with the sweetness of Goodnight Moon. Along the way they stop to enjoy chestnut coffee, clover blossom tea and jelly sandwiches, all served by forest animals. They swim in a lake, nap under a tree, and ride on to a cozy hotel just in time for a forest animal concert that lights up the night of the girls’ perfect day.
The first book in a completely charming series by a well-known Japanese author and illustrator, Chirri & Chirra introduces two girl characters who go on wonderful adventures together through the natural world. Vibrant, lively, and astonishingly sweet in a pure, unsentimental way, these pages present us with relatable children, small animals, lots of food, atmosphere, and many mysteries.
Born in Tokyo, Japan, Kaya Doi graduated with a degree in design from Tokyo Zokei University. She got her start in picture books by attending the Atosaki Juku Workshop, held at a Tokyo bookshop specializing in picture books. Since then she has…
I’ve been living in and writing about Japan for two decades—it’s where my wife and I have raised a bicultural family and where I don’t think I’ll ever run out of stories I want to tell. Whether written by Japanese or non-Japanese, I love reading work that documents Japan and its culture in an honest and thoughtful way. I hope you’ll try some of the books on this list because, with so much Japan coverage today veering towards cultural exoticism and fetishism or leaning on familiar stereotypes and tropes, it’s even more important to seek out great Japanese writing.
This book might be light (my battered copy is only 83 pages), but it contains over 100 fascinating folk tales, all of which were collected by folklorist Kunio Yanagita from villagers in rural Tono in northern Japan in the early 1900s.
From a tragic tale about a farmer’s daughter who fell in love with a horse to stories about mythical creatures, the book shines a light on the fascinating superstitions and lore that were once part of the fabric of rural life in Japan.
In 1910, when Kunio Yanagita (1875-1962) wrote and published The Legends of Tono in Japanese, he had no idea that 100 years later, his book would become a Japanese literary and folklore classic. Yanagita is best remembered as the founder of Japanese folklore studies, and Ronald Morse transcends time to bring the reader a marvelous guide to Tono, Yanagita, and his enthralling tales. In this 100th Anniversary edition, Morse has completely revised his original translation, now out of print for over three decades. Retaining the original's great understanding of Japanese language, history, and lore, this new edition will make the…
I have lived on a small island in Japan for over 25 years. I moved into my aging and empty Japanese abode before akiya—empty houses—became a phenomenon, and I described my experiences in a regular column for The Japan Times from 1997 to 2020. I love Japan’s countryside and wish more tourists would visit places outside Japan’s major cities. The living is simple, the Japanese people are charming and Japan itself is one of the most unique places in the world. These books are written by people who have taken the leap and chosen the tranquil existence of the pastoral Japanese countryside.
Miyamoto is a famous ethnologist who walked the length of Japan, padding through its far-flung hamlets, to compile books about provincial livelihoods in the 1930s. The result is a look into the hard lives of rice farmers and their wives.
Miyamoto’s interviews revealed many of the cultural quirks, such as the promiscuous ways of certain country women and their equally unrestrained suitors—often traders passing through town. The characters Miyamoto interviews offer fascinating, frank, and impactful voices, especially from women who would not have otherwise been heard.
Tsuneichi Miyamoto (1907-1981), a leading Japanese folklore scholar and rural advocate, walked 160,000 kilometers to conduct interviews and capture a dying way of life. This collection of photos, vignettes, and life stories from pre- and postwar rural Japan is the first English translation of his modern Japanese classic. From blowfish to landslides, Miyamoto's stories come to life in Jeffrey Irish's fluid translation.
Growing up, I was introduced to Japanese
culture and history through anime. But I decided to dig a little deeper,
reading history books and looking up more and more information. I was
fascinated by what was presented of “Old Japan,” both the misconceptions that
were spread by pop culture and by the surprising details that it gets right
that no one would believe. This fascination is one of the most consistent
things about me through the years, and the idea of delving into works of my own
that merged samurai drama with lesbian relationships has been a recurring
desire of mine for years.
Though potentially incomplete (some scholars argue we're missing one or two chapters, or that the story was never meant to end), The Tale of Genji manages to paint a vivid picture of the life of a lost age, with its own array of traditions, values, and fashions; a world where one's skill with poetry was just as valuable as political acumen and their outlook is so different from a modern perspective. At the same time, it presents the timeless complexity of relationships between men and women, and the social expectations and norms that impact those connections.
Written centuries before the time of Shakespeare and even Chaucer, The Tale of Genji marks the birth of the novel and after more than a millennium, this seminal work continues to enchant readers throughout the world. Lady Murasaki Shikibu and her tale's hero, Prince Genji, have had an unmatched influence on Japanese culture. Prince Genji manifests what was to become an image of the ideal Heian era courtier: gentle and passionate. Genji is also a master poet, dancer, musician and painter. The Tale of Genji follows Prince Genji through his many loves, and varied passions. This book has influenced not…
Growing up, I was introduced to Japanese
culture and history through anime. But I decided to dig a little deeper,
reading history books and looking up more and more information. I was
fascinated by what was presented of “Old Japan,” both the misconceptions that
were spread by pop culture and by the surprising details that it gets right
that no one would believe. This fascination is one of the most consistent
things about me through the years, and the idea of delving into works of my own
that merged samurai drama with lesbian relationships has been a recurring
desire of mine for years.
For me, it's hard to find stories that are so willing to dive into the feel of a bygone era, especially one that is potentially as obscure to some audiences as the Heian period of Japan. Set in a period of slow change, this short story collection combines the tensions of the period (a rising warrior class, Shinto vs Buddhist religious tensions, factions in the imperial court) in combination with the rich variety of strange beings in the folklore of Japan. I love how it paints a picture of a world that is simultaneously grounded in human motivations and populated by the esoteric and supernatural.
In an ancient Japan where the incursions of gods, ghosts, and demons into
the living world is an everyday event, an impoverished nobleman named Yamada no
Goji makes his living as a demon hunter for hire. With the occasional assistance
of the reprobate exorcist Kenji, whatever the difficulty - ogres, demons,
fox-spirits - for a price Yamada will do what needs to be done, even and
especially if the solution to the problem isn't as simple as the edge of a
sword. Yet, no matter how many monsters he has to face, or how powerful and
terrible they may be,…
Environmental storytelling in comics is something that I’ve always admired and want to be better at. As a cartoonist I’m always thinking of better ways to tell visual stories, because it’s fun.
Mushishi is possibly my favorite comic of all time. It doesn’t just use the environment as storyteller, but tells stories about environments in a way you wouldn’t expect. Though it’s a series of stories about people and their relationships, neither are divorced from the world itself. I cannot recommend this series enough and it is a huge influence on my own work.
Some live in the deep darkness behind your eyelids. Some eat silence. Some thoughtlessly kill. Some simply drive men mad. Shortly after life emerged from the primordial ooze, these deadly creatures, mushi, came into terrifying being. And they still exist and wreak havoc in the world today. Ginko, a young man with a sardonic smile, has the knowledge and skill to save those plagued by mushi . . . perhaps.
I am passionate about the importance of telling stories in the classroom. My career has been as a children’s librarian in public libraries, but with much time spent telling stories in schools. My daughter and her husband followed in my footsteps as storytellers and found that using storytelling in the classroom has so many benefits. We all offer workshops for teachers, write articles encouraging storytelling, and try in any way possible to grow the corps of teachers who discover this joyful addition to the classroom.
I found some wonderfully unusual formats for storytelling here. The book includes string figure stories, drawing stories, finger play stories, riddle tales, and tales told with dolls and incorporating music. I use some of the simple stories like the mosquito string figure tale when I’m teaching beginning tellers. My students find them easy to learn and fun to use.
Anne Pellowski gives readers instructions to use a variety of methods to show and tell stories from around the world in this fascinating and informative collection.
The Story Vine is an unusual collection of stories that have been loved by youth and elders alike around the world, each of which requires the storyteller to use string, nesting dolls, sand painting, drawings, or musical instruments to help embellish the tale.
With stories from Africa, Japan, America, Australia, and Central Europe, each story is accompanied by clear, step-by-step instructions, as well as line illustrations, so even a beginner can grow into a…
