Here are 100 books that Mushishi Volume 1 fans have personally recommended if you like
Mushishi Volume 1.
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Environmental storytelling in comics is something that I’ve always admired and want to be better at. As a cartoonist I’m always thinking of better ways to tell visual stories, because it’s fun.
I don’t think I like Ghost World, but it belongs on this list. When I think of Clowes’ work I think of caricature, but the environments in Ghost World pull most of the storytelling weight. You can hear the hum of the fluorescents in the grocery store and the wind between buildings on an empty street.
1998 Ignatz Award Winner, Outstanding Graphic Novel: The inspiration for the feature film and one of the most acclaimed graphic novels ever.
Ghost World has become a cultural and generational touchstone, and continues to enthrall and inspire readers over a decade after its original release as a graphic novel. Originally serialized in the pages of the seminal comic book Eightball throughout the mid-1990s, this quasi-autobiographical story (the name of one of the protagonists is famously an anagram of the author's name) follows the adventures of two teenage girls, Enid and Becky, two best friends facing the prospect of growing up,…
When I was five, my family moved from Morocco to France. We were Jewish in a very homogeneously Catholic world. My French upbringing didn’t include much exposure to other cultures and I often felt uncomfortably different. I would have liked to know more about various lifestyles, cultures, and traditions than those I observed around me. I now love to learn about other cultures through personal accounts, stories, and memoirs. I feel engaged and interested in a way I never experienced with textbooks. Reading about people who live a different life from our own can be an eye-opening experience.
I love learning about life in another time period through a story. This one transported me to a logging camp in 1885. I learned about the life of the camp, the hard and dangerous work, and the treatment of the Chinese workers.
Mei is the daughter of a Chinese cook. She dreams of studying at the university, but doubts she will ever be able to, because of her Chinese origins.
I loved the deep but complex friendships between Mei and the foreman’s daughter and between Mei’s father and the foreman himself. I loved the affection between Mei and her father, their observance of Chinese traditions, and I loved Mei’s story-telling, re-casting Paul Bunyan as a benevolent Auntie Po.
Part historical fiction, part fable, and 100 percent adventure. Thirteen-year-old Mei reimagines the myths of Paul Bunyan as starring a Chinese heroine while she works in a Sierra Nevada logging camp in 1885.
Cover may vary.
Aware of the racial tumult in the years after the passage of the Chinese Exclusion Act, Mei tries to remain blissfully focused on her job, her close friendship with the camp foreman's daughter, and telling stories about Paul Bunyan--reinvented as Po Pan Yin (Auntie Po), an elderly Chinese matriarch.
Anchoring herself with stories of Auntie Po, Mei navigates the…
Environmental storytelling in comics is something that I’ve always admired and want to be better at. As a cartoonist I’m always thinking of better ways to tell visual stories, because it’s fun.
Olivia Stephens is one of the most skilled cartoonists of our generation. I was lucky enough to blurb Artie: Artie and the Wolf Moon, like all of Stephens’ work, is heartbreaking and heart-mending, gorgeously and lovingly rendered with a voice and eye for the gentle and powerful ways characters interact with one another…“ Like the best graphic novels set in the Pacific Northwest, Artie’s story could not be told without dense forests that hold both danger and sanctuary.
“A heartfelt, magical family drama you can really sink your teeth into.” ―Nilah Magruder, M.F.K.
After sneaking out against her mother's wishes, Artie Irvin spots a massive wolf―then watches it don a bathrobe and transform into her mom. Thrilled to discover she comes from a line of werewolves, Artie asks her mom to share everything―including the story of Artie's late father. Her mom reluctantly agrees. And to help Artie figure out her own wolflike abilities, her mom recruits some old family friends.
Artie thrives in her new community and even develops a crush on her new friend Maya. But as…
Environmental storytelling in comics is something that I’ve always admired and want to be better at. As a cartoonist I’m always thinking of better ways to tell visual stories, because it’s fun.
I first heard of Kouno’s work through the animated adaptation of In This Corner of the World. Town of Evening Calm and Country of Cherry Blossoms are a short story and short series (respectively) about Hiroshima. Like many other shojo/josei artists, Kouno uses the natural world to impart tone and mood, but is particularly good at it.
What impact did World War II and the dropping of the atomic bomb have on the common people of Japan? Through the eyes of an average woman living in 1955, Japanese artist Fumiyo Kouno answers these questions. This award-winning manga appears in an English translation for the first time. Fumiyo Kounos light, free style of drawing evokes a tender reflection of this difficult period in Hiroshimas postwar past. As the characters continue with everyday life, the shadow of the war and the atomic bombing linger ghostlike in the background. Kounos beautiful storytelling touches the readers heart but is never overly…
My name is Stephen McCranie and I'm currently working on Space Boy, a slow-burning high school romance that asks the question, "How do we bridge the gap between us?" I love working in this particular genre because high school is such a formative period for all of us. Also, when a romance burns slowly, the audience gets time to explore the world of the story, which can often be dynamic and lush with detail. And then, when our lovers find each other at long last, it is all the more sweet for having waited.
I love Mitsuru Adachi for his masterful storytelling and playful touch. Comics are all about choosing the right moments to string into sequences, and Adachi has a knack for choosing surprising moments without losing the clarity of the story. He's had a huge influence on my work. A story about two friends: an ace pitcher and an ace batter, and their rivalry for love and victory on the baseball field. Behind this epic baseball drama is a wonderful story about the couple that could never be.
Cross Game is a moving drama that is heartfelt and true, yet in the brilliant hands of manga artist Mitsuru Adachi, delightfully flows with a light and amusing touch. The series centers around a boy named Ko, the family of four sisters who live down the street and the game of baseball. This poignant coming-of-age story will change your perception of what shonen manga can be.
I grew up in the weird world of a nerdy immigrant single mother, surrounded by comics and stories of every kind. I was attracted to writing (and drawing) from a really young age. Like a lot of 80s kids I was a latchkey, so there wasn’t really anyone around to tell me what was age-appropriate. I just grabbed books at random. Most of all what appealed to me were unique voices, when the books surprised me I didn’t care what they were about. When I finally started writing comics I got obsessed with trying not to repeat myself, keeping myself surprised. These books really helped me see the freedom I had in making comics.
Tekkonkinkreet has more raw energy than any comic I’ve ever read, like in my own book it’s the story of 2 brothers who think they’re invincible and make a lot of mistakes in the heat of the moment. The book is relentless and breaks every possible rule and is just an absolute marvel of comic storytelling.
Orphaned on the mean streets of Treasure Town, lost boys Black and White must mug, steal and fight to survive. Around them moves a world of corruption and loneliness, small-time crooks and neurotic police officers, and a band of sadistic yakuza who have plans for their once-fair city. Can they rise above their environment? Surreal manga influenced by European comics.
TEKKONKINKREET is a play on Japanese words meaning "a concrete structure with an iron frame," and it suggests the opposing images of concrete cities against the strength of imagination.
E. L. Shen is a writer and editor living in New York City. Her debut middle-grade novel, The Comeback (Farrar Straus Giroux Books for Young Readers) is a Junior Library Guild Selection, received two starred reviews, and was praised for its “fast-paced prose, big emotions, and authentic dialogue” in The New York Times. Her forthcoming young adult novel, The Queens of New York (Quill Tree Books) was won in a six-figure preempt and is scheduled to publish in Summer 2023.
I was
absolutely delighted by this young adult graphic novel which details three
Asian girls’ lives as they live and study in Japan. One is from America, one
from Korea, and one from Singapore, and each has such a profound story to tell
about their path to self-acceptance and personal freedom.
A young adult graphic novel about three foreign exchange students and the pleasures, and difficulties, of adjusting to living in Japan.
Living in a new country is no walk in the park-Nao, Hyejung, and Tina can all attest to that. The three of them became fast friends through living together in the Himawari House in Tokyo and attending the same Japanese cram school. Nao came to Japan to reconnect with her Japanese heritage, while Hyejung and Tina came to find freedom and their own paths. Though each of them has her own motivations and challenges, they all deal with language…
Frederik L. Schodt is an award-winning author of non-fiction books on the convergence of Japanese and American cultures, and he has written on subjects including manga, technology, acrobats, history, and religion. He is also a well-known translator of Japanese manga and literature, and a veteran interpreter. In 2009 the Emperor of Japan awarded him the Order of the Rising Sun, Gold Rays with Rosette, for helping to introduce and promote Japanese contemporary popular culture. In 2017 he also received the prestigious Japan Foundation Award.
In Japan, Osamu Tezuka is often referred to as the “God of Manga.” And Phoenix may be his greatest manga series of all. He created twelve volumes between 1954 and his death in 1989. Around 1971, a friend in Tokyo lent me the first five and I became hooked on manga and their potential as a medium of expression. The story converges on the present from the past and the future and deals with reincarnation and the quest for eternal life. My favorite volume is Karma, which has a strong Buddhist theme, and spectacular page layouts. With a group called Dadakai, I translated the first five volumes around 1977/78. After collecting dust for nearly twenty-five years, Jared Cook and I translated the remaining volumes, and the whole series was then finally published by Viz Communications between 2002 and 2008. This work changed my life.
This fourth volume of Osamu Tezuka's acclaimed Phoenix saga is set in 8th-century Japan and tells the story of two men: the hideously deformed mass murderer Gao and the handsome and gifted woodcarver Akanemaru. Fate brings them together when Gao cruelly stabs Akanemaru in the arm, crippling him. They part, but their destinies remain inextricably linked as both find their spirits tested in a series of personal and professional trials. Beautifully set against the religious and political upheavals of the time, Karma is considered by many to be the best volume in the entire Phoenix series.
I am a comic book writer from Scotland now living in Japan. I have had more than 40 books published with a variety of US, UK, and Japanese publishers. I am the only professional manga writer from Britain who lives in Japan. In 2016 my book The Faceless Ghost was nominated for the prestigious Eisner Book Awards, and received a medal in the 2016 'Independent Publisher Book Awards'. In 2017, my book Secrets of the Ninja won an International Manga Award from the Japanese government – I was the first British person to receive this. In 2020 I received the ‘Scottish Samurai Award’ from an association linking Japan and Scotland.
Tsuge is another of the early gekiga greats, who only recently allowed English translation of his classic work from the 1960s and 70s. Tsuge pushed the boundaries of what manga stories were about, into more abstract and surreal areas and visual presentation. This book is, like Tatsumi’s books, a glimpse of a little-known Japan beneath the common stereotypes. Its stories are told in an understated and sophisticated fashion. Literary manga indeed. Wonderful stuff, personally I love it.
The essential early work by the modern master of Japanese literary comics
Yoshiharu Tsuge is one of the most influential and acclaimed practitioners of literary comics in Japan. The Swamp collects work from his early years, showing a major talent coming into his own. Bucking the tradition of mystery and adventure stories, Tsuge’s fiction focused on the lives of the citizens of Japan. These mesmerizing comics, like those of his contemporary Yoshihiro Tatsumi, reveal a gritty, at times desperate postwar Japan, while displaying Tsuge’s unique sense of humor and point of view.
“Chirpy” is a simple domestic drama about expectations,…
I am a long-time manga teacher and a pop-culture researcher, as well as a comic illustrator and a Youtuber, presenting under the "Mistiqarts" pseudonym. Since manga was something that inspired me early on to dedicate my life to the art style and pop culture, I was constantly looking for new ways to bring this lifestyle and art to other people interested in drawing manga.
This is an art book that showcases the masterful craft of an artist who knows how to weave souls into their characters and worlds. Her titles made me laugh, cry, jump up from my seat, and the characters and concepts in the pages of this book make me re-live these moments again and again. She uses a very unusual gouache technique, unlike any other manga artist I know of. The precision and determination in every stroke are stunning, and a book I believe any aspiring artist should have in their library.
Original art from series creator, Hiromu Arakawa; Somewhere between science, magic and art lies Fullmetal Alchemist!
Translated faithfully from the Japanese edition, this coffee table book contains all the Fullmetal Alchemist color artwork by manga artist Hiromu Arakawa from 2001 to 2003. The Art of Fullmetal Alchemist contains over 90 pages of gorgeous painted illustrations, including all the title pages as printed in color in the Japanese magazine Shonen Gangan; Japanese tankobon (graphic novel) and promotional artwork, with source listings; portraits of the main characters; and character designs from the PS2 game Fullmetal Alchemist and the Broken Angel.
