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I’ve always been fascinated by film and television. No matter how challenging life can be at times, we're forever united by what stories captivate us on the gold and silver screens. Whatever challenges the world may throw at this type of storytelling be it a world war, the internet, Covid, or TikTok, nothing beats sitting down on your sofa to enjoy the finest entertainment the world has to offer. Critically studying our most treasured past time might sound like the best way of sucking the life out of it. But I’m here to show you how this isn't the case. Join me on a quest through the best writings that can capture your imagination.
The Television Genre Book is a smorgasbord of leading international scholars who come together to offer an accessible yet comprehensive introduction to the debates, issues, and concerns of what it is that makes unique television genres so appealing.
From the news and quiz shows to soaps and serious HBO dramas I still remember first opening this book and being enthralled by my newfound ability to look at our favourite pastime differently and critically.
Genre is central to understanding the industrial context and visual form of television. This new edition of the key textbook on television genre brings together leading international scholars to provide an accessible and comprehensive introduction to the debates, issues and concerns of the field. Structured in eleven sections, The Television Genre Book introduces the concept of 'genre' itself and how it has been understood in television studies, and then addresses the main televisual genres in turn: drama, soap opera, comedy, news, documentary, reality television, children's television, animation and popular entertainment.
This third edition is illustrated throughout with case studies of…
I’ve always been fascinated by film and television. No matter how challenging life can be at times, we're forever united by what stories captivate us on the gold and silver screens. Whatever challenges the world may throw at this type of storytelling be it a world war, the internet, Covid, or TikTok, nothing beats sitting down on your sofa to enjoy the finest entertainment the world has to offer. Critically studying our most treasured past time might sound like the best way of sucking the life out of it. But I’m here to show you how this isn't the case. Join me on a quest through the best writings that can capture your imagination.
If I asked you whether you fancied reading the entire history of British television from its beginnings on the BBC in the 1930s to its position today, you’d probably tell me to get lost.
But the evocative writing of Lez Cooke makes this a far more pleasurable experience than it otherwise ought to be. I guarantee you will be stimulated yet entertained as you are walked through the key creatives, technologies, dramas, and genres that captured the imaginations of millions of avid British telly addicts each decade. You will put down this book as an immediate expert in the field, guaranteed.
This widely-respected history of British television drama is an indispensable guide to the significant developments in the area; from its beginnings on the BBC in the 1930s and 40s to its position in the twenty-first century, as television enters a multichannel digital era. Embracing the complete spectrum of television drama, Lez Cooke places programmes in their social, political and industrial contexts, and surveys the key dramas, writers, producers and directors.
Thoroughly revised and updated, this second edition includes new images and case studies, new material on British television drama before 1936, an expanded bibliography and a substantial new chapter that…
I’ve always been fascinated by film and television. No matter how challenging life can be at times, we're forever united by what stories captivate us on the gold and silver screens. Whatever challenges the world may throw at this type of storytelling be it a world war, the internet, Covid, or TikTok, nothing beats sitting down on your sofa to enjoy the finest entertainment the world has to offer. Critically studying our most treasured past time might sound like the best way of sucking the life out of it. But I’m here to show you how this isn't the case. Join me on a quest through the best writings that can capture your imagination.
This compelling story reveals how a young little-known director called Kenneth Loach fought against the odds to produce a seismic shifting piece of television. Part documentary, part drama learn how a captivating story about a woman called Cathy losing custody of her children came to change British laws on homelessness.
Television can change the world and the fact Bloomsbury now only produces these delightful glossy page books exclusively on films rather than television, is nothing short of a disgrace.
?Cathy Come Home is one of the most influential and highly-regarded UK television dramas. First screened in 1966, it was a devastating indictment of government policy towards homelessness, and a powerful defence of the homeless. More than forty years on, it is still cited as one of the most important television dramas of all time. Screened in the BBC's groundbreaking Wednesday Play anthology series, Cathy was the first single UK television play to be made on film and shot substantially on location. Directed by Ken Loach and produced by Tony Garnett, the film had an immediate impact, recording unprecedented audience…
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
I’ve always been fascinated by film and television. No matter how challenging life can be at times, we're forever united by what stories captivate us on the gold and silver screens. Whatever challenges the world may throw at this type of storytelling be it a world war, the internet, Covid, or TikTok, nothing beats sitting down on your sofa to enjoy the finest entertainment the world has to offer. Critically studying our most treasured past time might sound like the best way of sucking the life out of it. But I’m here to show you how this isn't the case. Join me on a quest through the best writings that can capture your imagination.
Whoa! Prepare to be amazed as the world’s most controversial filmmaker himself sits you down, writes from the heart, and reels through his most cherished films of the New Hollywood era.
Part memoir part film analysis stuffed shirts may feel this impinges on traditional film criticism, but this is how you write, what would otherwise be a specialist book, for the general public. I’m all for it.
"And I will strike down upon thee with great vengeance and furious anger those who attempt to poison and destroy my brothers" who appreciate this book…or something. Far out, my gnarly bros.
A unique cocktail of personal memoir, cultural criticism and Hollywood history by the one and only Quentin Tarantino.
The long-awaited first work of nonfiction from the author of the number one New York Times bestselling Once Upon a Time in Hollywood: a deliriously entertaining, wickedly intelligent cinema book as unique and creative as anything by Quentin Tarantino.
In addition to being among the most celebrated of contemporary filmmakers, Quentin Tarantino is possibly the most joyously infectious movie lover alive. For years he has touted in interviews his eventual turn to writing books about films.
My mother called me a “television junkie.” In graduate school, where TV was not yet considered a worthwhile scholarly endeavor, I became enthralled by Twin Peaks and Roseanne. Rebelliously, I thought both had so much to say about gender studies and theories of postmodernism. Absent of an official curriculum, I started reading and writing about television history, medium specificity, genre theory and seriality. I got my PhD and published articles on film, TV, and my book. Since 1992, I have developed several television studies courses for our small media studies department: Crime Drama, Reality TV, Gender and Genre on Television, Transmedia Adaptations, and Media Rituals.
Growing up with the German Tatort (Crime Scene) and also with Columbo and Kojak, I always wanted to revisit these entertaining crime dramas from today’s perspective. How do they fare amidst the continuing proliferation of single white men as lead detectives on network and streaming platforms (Sugar, Lincoln Lawyer, etc.) and when compared to the more diverse representation in Dark Winds, Luther, and True Detective?
Hastie’s book provided rich fodder for my lingering curiosity in covering behind-the-scenes aspects, exploring what made Columbo resonate with network viewers trained on Dragnet, and why Peter Falk’s character became such an archetypical detective figure for global television.
For decades, generations of television fans have been enraptured by Lt. Columbo, played by Peter Falk, as he unravels clues to catch killers who believe they are above the law. In her investigation of the 1970s series cocreated by Richard Levinson and William Link, Amelie Hastie explores television history through an emphasis on issues of stardom, authorship, and its interconnections with classical and New Hollywood cinema. Through close textual analysis, attentive to issues of class relations and connections to other work by Falk as well as Levinson and Link, Columbo: Make Me a Perfect Murder sees American television as an…
As a failed fashion designer, the history of twentieth-century fashion, represented both visually and in the form of narrative text, make up the bulk of my ever-increasing library of fashion books. In order to write about fashion, either as a biographer of one of the great designers or cutting-edge photographers, it is crucial to acknowledge what was deemed as desirable in a previous generation and a previous context. As Yves Saint Laurent famously said, "Fashion fades, Style is eternal." Fashion in its broader sense has never existed in a vacuum and an understanding of fashion history and fashion imagery, that so clearly evokes a specific era, is the very best way to appreciate the cyclical nature of this creative business.
A totally unpretentious, rollicking first-hand account, of the events that spawned the mythology of the Swinging Sixties of which Mary Quant was an integral part. Having grown up with Quant as a fashion hero, I was thrilled to collaborate with her on a retail beauty video in the 1990s and researched her professional background by reading this autobiography. (first published in 1966, and recently re-issued to coincide with the Quant exhibition at the V&A last year). Credited with inventing hot pants and the mini skirt, purple lipstick, and striped underwear, this old-fashioned biography recounts how the music and fashion that exploded from London during this era, culminated in the invention of ‘youth culture’ a shifting phenomenon that England continually excels in. Without formal training, Quant’s naive optimism is hugely uplifting and will encourage any aspiring designer to follow their dreams.
The autobiography of Mary Quant-the inventor of the miniskirt-was originally published in 1966 at the height of Swinging London. After opening her groundbreaking boutique Bazaar on London's King's Road in 1955, Quant soared to international fame with her brand of witty style that fitted perfectly with modern city life. She was at the forefront of fashion's democratization-seeking to eliminate snobbery and "make fashionable clothes available to everyone." Her joyful, evocative autobiography captures the world in which she found inspiration-and which she ultimately helped to define and change.
Truth told, folks still ask if Saul Crabtree sold his soul for the perfect voice. If he sold it to angels or devils. A Bristol newspaper once asked: “Are his love songs closer to heaven than dying?” Others wonder how he wrote a song so sad, everyone who heard it…
I love a good fight scene! It doesn’t need to be long and gruesome, but it must be visceral and make me nervous for those involved. Don’t get me wrong, I also love a good first-kiss scene but unfortunately, my past has made me more adept at recognizing and writing one over the other. I started training in martial arts at the age of nine and continued for thirty years. I don’t train much these days but I took up bowmaking a few years back and now spend a lot of time carving English longbows and First Nations’ bows. I recently also took up Chinese archery.
Mathew Harffy has a lot going for him in the historical fiction world. His fight scenes are not overly technical and are easy to follow. They have just the right amount of blood and gore to make you believe the characters are really in danger but are not simply gratuitous violence. What I really love about this book is his voice when he writes descriptions of the forest and the people who live in it. I grew up in the woods of a small town in Canada, and I know how the forest can be a peaceful, tranquil setting one moment and then suddenly transform into a place of shadows and dread. Judging by the cover of this book, I think Harffy knows this as well.
'Harffy's Dunston is a fantastic creation - old, creaking and misanthropic. The forest is beautifully evoked. A treat of a book' The Times.
AD 838. Deep in the forests of Wessex, Dunston's solitary existence is shattered when he stumbles on a mutilated corpse.
Accused of the murder, Dunston must clear his name and keep the dead man's daughter alive in the face of savage pursuers desperate to prevent a terrible secret from being revealed.
Rushing headlong through Wessex, Dunston will need to use all the skills of survival garnered from a lifetime in the wilderness. And if he has any…
Jane Finch lives in Norfolk, England and is married with one son. Jane has travelled extensively and has also lived in Canada, Spain, and the Caribbean. Having spent over twenty-five years working in English Law, Jane decided to try her hand at writing crime thrillers. Her first novel, Due Process, is based in her hometown in Norfolk. Her book, The Black Widows, published by Solstice Publishing, reached the top ten of Amazon’s crime thriller list. Jane is a member of International Thriller Writers Inc. Now retired, Jane is free to write full-time, when inspired to do so, although she says, “None of my friends tell me anything anymore because they know I’ll write about it!”
When John Darwin got into debt and ran out of money-making ideas, he decided to fake his own death so that his wife could claim the life insurance. The plan was to move to another country and live off the proceeds of his crime. But things didn’t go to plan. The arrogance and ineptitude of John Darwin, and his complete disregard for his family, defies belief. I couldn’t wait to read this book and was not disappointed. It has now been made into a drama by the BBC in the UK.
When Anne Darwin told the world and her family that her husband, John, had disappeared while canoeing in the North Sea, her life changed forever.
She had just lied to the police, the press, her friends and neighbours, insurance companies and her own sons.
While her husband hid in a bedsit in their rental house next door, Anne had to face the music. She claimed the life insurance payouts, endured the police questioning, accepted the consolations and left the country she loved to start her life again.
But why, when she had been perfectly happy with her lifestyle, knowing her…
I’m a public health research scientist who writes humorous historical mysteries set in 1900s Los Angeles among the police matrons of the LAPD. Like you, I read. I love smart, well-researched historical fiction with strong female protagonists and a good romantic subplot. Extra points if the book is funny because studies show laughter is good for you.
In 1940 London, Maggie Hope, a brilliant mind who graduated top of her class, is recruited by Number 10 Downing Street to be…a typist. Of course. She’s a woman. She’s also a crackerjack code breaker. I think you know where this is going. The character is wonderful, the writing strong, the story tight. A highlight for me was when Maggie –a young, virginal, cerebral type—pulls off a daring motorcycle jump with a man on the back because she has to. I don’t know, I think there’s a life lesson somewhere in there.
BARRY AWARD WINNER • Heralding the arrival of a brilliant new heroine, Mr. Churchill’s Secretary captures the drama of an era of unprecedented challenge—and the greatness that rose to meet it.
“With any luck, the adventures of red-haired super-sleuth Maggie Hope will go on forever. . . . Taut, well-plotted, and suspenseful, this is a wartime mystery to sink your teeth into.” —Kate Quinn, New York Times bestselling author of The Rose Code
London, 1940. Winston Churchill has just been sworn in, war rages across the Channel, and the threat of a Blitz looms larger by the day. But none…
My fascination with intelligence studies is tied to my previous experience as a practitioner. While serving as a military officer and CIA officer, I became curious about how two organizations with a shared history could be so different. Exploring the “why” of the CIA/DoD differences led me to the broader interplay of organizational cultures, individuals, and missions in influencing the evolution of intelligence, its purpose, and its role. These five books will provide the reader a broader appreciation of how intelligence was used to help policymakers understand reality and how intelligence organizations have been used to try to change reality. You will not merely learn something about intelligence but will be entertained and engaged while doing so.
I am fascinated by how different countries approach intelligence, both from how they organize intelligence activities and how intelligence informs policymaking. These various approaches highlight there is not a common approach to intelligence and help explain why simple definitions of intelligence are insufficient at capturing various intelligence activities and organizations. The Black Door looks at how British Prime Ministers have used intelligence and their relationships with intelligence organizations over the past century. A well-written account by two thoughtful and prolific scholars, the reader will appreciate how British Prime Ministers have used intelligence to not only understand the world but to also act.
The Black Door explores the evolving relationship between successive British prime ministers and the intelligence agencies, from Asquith's Secret Service Bureau to Cameron's National Security Council.
Intelligence can do a prime minister's dirty work. For more than a century, secret wars have been waged directly from Number 10. They have staved off conflict, defeats and British decline through fancy footwork, often deceiving friend and foe alike. Yet as the birth of the modern British secret service in 1909, prime ministers were strangers to the secret world - sometimes with disastrous consequences. During the Second World War, Winston Churchill oversaw a…
