Fans pick 76 books like Wicked

What I liked most about this book of the Discworld series, in particular, is the characters. They are very well written and the dialogue of banter between them is fantastic. The world, too, is something I will always remember, how it sucks you in and is so vivid.

But the best part of this book is Ricewind's ability to stumble into trouble and always come out on top.

I can’t talk about contemporary books without mentioning the genre’s Queen, Nora Roberts. She’s the first romance author I ever read, and I have to say, Dance Upon Air really touched my “90s teenager” soul. Why, you ask?

Well, there was this exceptional time when everything New Age and witchy was in, and everyone listened to Enya, and mooned over Nicole Kidman and Sandra Bullock in Practical Magic. Ha! Roberts’ Three Sister’s Island series is all that in book form.

Think remote island, three women in the throes of finding love and themselves, with a magical and suspense-filled witchy subplot thrown in.

I can’t talk Mythic Fiction without a shout-out to the man who penned the phrase. It’s beyond Urban Fantasy—mythic archetypes, mystery, magic, and toe-curling mayhem. When Celtic fiddler, Lizzie Mahone, gets stranded on a lonely country road at midnight, she has no idea how her life will change. Widdershins is a dark dip into the faerie realm that brings us face-to-face with freakish Bogans—nasty-pants faeries with sewer-mouths—faerie courts in shopping malls, and gripping psychological terror when Jilly Coppercorn gets trapped in a sinister world with her childhood abuser. Politics is rampant. At its core is the conflict between the settler fae and the Indigenous animal people. Behind it lurks love and hope. 

I’m cheating again and giving you a recommendation for forty-four books instead of just one. This series takes the main character on a journey of discovery into her witchy heritage and solves murders along the way. I’ve read several, but not all, of the series and I find them funny and engaging. Nothing earth-shaking here, but lots of magical fun. Very pleasant to read by the light of the moon after you’ve cast your spells and put away your potions.

Anne Bishop weaves European myth and historical witch-hunting into a fantastical tale of Fae, Witches, and those without magic. All three books in this series are unputdownable. So real is the imagery and the variety of characters, each with their own blend of magic and relationship to the natural world, that no matter how dark the tale gets, I can’t stop reading. 

Tir Alainn blends the natural, spiritual and physical world of myth into a grassroots world with characters that live and die for what they believe. With a strong moral core to the story, the richness of myth brings the inhabitants of Tir Alainn to life. An enchanting dark fantasy trilogy that is a must-read.  

I love stories that are based on legends, myths, and folklore. This one is the latter.

Took is the first book that opened my mind to folklore of witches and witchcraft. If finding a cabin in the woods with bones and artifacts inside didn’t bring chills down my spine, then the mysterious storyline that followed definitely did. The suspense of the book kept my mind captive till the very end!

Different stylistically than the other books on the list, The Witch of Eye is a collection of lyric essays about those accused of witchcraft. In its pages, we meet Lisbet Nypan of Norway, who cured patients using a “ritual of salt” only to be put on trial in the late 1600s, and the German midwife Walpurga Hausmannin, who allegedly coupled with the devil in the clothes of the neighborhood corn farmer. The sentences are dense and hypnotic, transporting readers into fields and courtrooms. One essay begins by describing the language of magic: “You begin a spell with an invocation like Hear me or I beseech you or Oh friend or Listen.” Let yourself be drawn in.

I was amazed and inspired by the places that Elissa Washuta went with this book. Not only is it about living in a potentially haunted home and the magic that the author engages with, but also, somehow, about historical markers, The Oregon Trail, and indigeneity.

I felt like I was traveling along with Elissa Washuta’s brilliant mind as she made her way through all these seemingly disparate but ultimately very connected topics. 

Stories can be dangerous. People who love storytelling are fascinated by Newfoundland, where isolation nourished a rich oral culture (in a distinct English dialect).

Barbara Rieti introduces many colourful Newfoundlanders and the stories they have to tell – but not about long-ago times. These stories are about witches who live among us, or who are dead but well-remembered.

You can imagine how dangerous it might be to be called a witch, even with witch-burning gone out of fashion. (In its place, people cast spells to give witches the burning pain of bladder infections.) But “witches” could also use their reputations to get things they needed.

The author is very scholarly and does not believe there is any real witchcraft or magic behind these stories – but some of them left me wondering!

As well as the village witch, we have what might be called the ‘folkloric witch’, and other folkloric traditions.

When interrogators asked witchcraft suspects about the Devil, the answers sometimes surprised them. They uncovered beliefs about nature spirits, practices of magical healing and divination, and visionary experience of otherworlds.

Some of this material fed into ideas about the witches’ sabbat, but these beliefs, practices, and visions were not necessarily about ‘witchcraft’ at all. Ronald Hutton’s ambitious book surveys these beliefs, practices, and visions.

He ranges far back into the ancient history of Europe – and adjacent regions, exploring traditions of ceremonial magic from ancient Egypt. If the idea of the witch is frightening, it is partly because of the folklore brought together in this book.